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Rosa Borosini
Rosa Borosini ée d'Ambreville(c1693 - died after 1740) was an Italian soprano and the wife of tenor Francesco Borosini (married 1722). In 1716 she created the role of Getilde in the world premiere of Antonio Vivaldi's ''La costanza trionfante degl'amori e de gl'odii''. Born in Modena, Rosa's father was the second maestro di cappella in the court of Francesco II d'Este, Duke of Modena, and her sister was the contralto Anna Ambreville who was married to cellist and composer Giovanni Perroni. She began her career at the Teatro Ducale di Piazza in Modena where she was committed in 1713-1714, 1717, and 1720. She also performed in opera houses in Venice (1715–16), Mantua (1718) and Turin (1719), before being engaged by Charles VI, Holy Roman Emperor for his court theater at a salary of 1800 florins on March 1, 1721. She remained in that post until her retirement with a pension in 1740. In 1723 she performed in the premiere of Vinzenz Fux's ''Costanza e Fortezza'' in Prague, and was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Opera House
An opera house is a theatre building used for performances of opera. It usually includes a stage, an orchestra pit, audience seating, and backstage facilities for costumes and building sets. While some venues are constructed specifically for operas, other opera houses are part of larger performing arts centers. Indeed, the term ''opera house'' is often used as a term of prestige for any large performing-arts center. History Italy is a country where opera has been popular through the centuries among ordinary people as well as wealthy patrons and it continues to have many working opera houses such as Teatro Massimo in Palermo (the biggest in Italy), Teatro di San Carlo in Naples (the world's oldest working opera house) and Teatro La Scala in Milan. In contrast, there was no opera house in London when Henry Purcell was composing and the first opera house in Germany, the Oper am Gänsemarkt, was built in Hamburg in 1678, followed by the Oper am Brühl in Leipzig in 1693, and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
18th-century Italian Women Opera Singers
The 18th century lasted from January 1, 1701 ( MDCCI) to December 31, 1800 ( MDCCC). During the 18th century, elements of Enlightenment thinking culminated in the American, French, and Haitian Revolutions. During the century, slave trading and human trafficking expanded across the shores of the Atlantic, while declining in Russia, China, and Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in human society and the environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th century may be defined as 1715–1789, denoting the period of time between the death of Louis XIV of France and the start of the French Revolution, with an emphasis on directly interconnected events. To historians who expand the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Winton Dean
Winton Basil Dean (18 March 1916 – 19 December 2013) was an English musicologist of the 20th century, most famous for his research on the life and works—in particular the operas and oratorios—of George Frideric Handel, as detailed in his book ''Handel's Dramatic Oratorios and Masques'' (1959). Dean was born in Birkenhead in March 1916, the son of the film and theatre producer Basil Dean.Sadie, Stanley. Winton (Basil) Dean. In: ''The New Grove Dictionary of Opera''. Macmillan, London & New York, 1997. He was educated at Harrow and King's College, Cambridge, where he took part in stagings of Handel oratorios in the 1930s. After World War II, he became notable as a writer on music, particularly when he published several articles about the compositions of Bizet, starting with ''La Coupe du roi de Thulé'' in ''Music & Letters'' in 1947. He considerably rewrote his 1948 book on Bizet in 1965 due to new material and music of the composer which had since emerged. Porter, Andrew. O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Caldara
Antonio Caldara (ca 1670 – 28 December 1736) was an Italian Baroque composer. Life Caldara was born in Venice (exact date unknown), the son of a violinist. He became a chorister at St Mark's in Venice, where he learned several instruments, probably under the instruction of Giovanni Legrenzi. In 1699 he relocated to Mantua, where he became ''maestro di cappella'' to the inept Charles IV, Duke of Mantua, a pensionary of France with a French wife, who took the French side in the War of the Spanish Succession. Caldara removed from Mantua in 1707, after the French were expelled from Italy, then moved on to Barcelona as chamber composer to Charles III, the pretender to the Spanish throne (following the death of Charles II of Spain in 1700 without any direct heir) and who kept a royal court at Barcelona. There, he wrote some operas that are the first Italian operas performed in Spain. He moved on to Rome, becoming ''maestro di cappella'' to Francesco Maria Marescotti Ruspoli, 1st P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oratorio
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is musical theatre, while oratorio is strictly a concert piece – though oratorios are sometimes staged as operas, and operas are sometimes presented in concert form. In an oratorio, the choir often plays a central role, and there is generally little or no interaction between the characters, and no props or elaborate costumes. A particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church. Protestant composers took their stories from the Bible, while Catholic composers looked to the lives of saints, as w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vinzenz Fux
Vinzenz Fux (Vincenzio Fuxio), (c.1606–1659) was an Austrian musician and composer. Fux was born in Weißkirchen, Styria, and was employed as the organist of the church Maria am Gestade in Vienna before he joined the chapel of Eleonora Gonzaga, widow of Holy Roman Emperor Ferdinand II. Fux mainly composed Masses and trio sonatas, which have survived in manuscripts. It is testimony of their high quality that they were even taken at times for works of the later imperial chapelmaster Johann Joseph Fux, who was however not related to Vinzenz Fux. The Kroměříž music archive is the major source of musical compositions by Vinzenz Fux. Vinzenz Fux died in Vienna, in his early fifties. Selected compositions by Fux *''Justorum animæ'': 2 Chori, 2 Violini, 3 Viole, Basso continuo *''Litaniæ Beatæ Mariæ Virginis'': S solo, SATB ''in cappella'', Violino, 3 Violæ, Basso continuo *''Missa S. Xaverii'': 8 voci ''in concerto'', 2 Trombettæ ''ad libitum'', 2 Cornetti, 2 Violin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles VI, Holy Roman Emperor
, house = Habsburg , spouse = , issue = , issue-link = #Children , issue-pipe = , father = Leopold I, Holy Roman Emperor , mother = Eleonore Magdalene of Neuburg , birth_date = , birth_place = Hofburg Palace, Vienna , death_date = , death_place = Palais Augarten, Vienna , place of burial = Imperial Crypt , signature = Signatur Karl VI. (HRR).PNG , religion = Roman Catholicism Charles VI (german: Karl; la, Carolus; 1 October 1685 – 20 October 1740) was Holy Roman Emperor and ruler of the Austrian Habsburg monarchy from 1711 until his death, succeeding his elder brother, Joseph I. He unsuccessfully claimed the throne of Spain following the death of his relative, Charles II. In 1708, he married Elisabeth Christine of Brunswick-Wolfenbüttel, by whom he had his four children: Leopold Johann (who died in infancy), Maria Theresa (the last direct Habsburg sovereign), Mar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Perroni
Giovanni Perroni (1688, Oleggio, Novara, - March 10, 1748, Vienna) was an Italian cellist and composer. His known works include eight oratorios, three operas, a song cycle, and a cello concerto. His Cello Concerto in D minor premiered in Vienna in 1712 and consists of three movements: ''Grave - Allegro - Grave - Allegro'', ''Grave (solo and continuo)'', and ''Grave - Allegro''. The work remains part of the cello concert repertoire. Perroni served as a cellist and composer in the court of Francesco Farnese, Duke of Parma from 1704-1714. He served as maestro di cappella of the Santa Maria delle Grazie (Milan), Santa Maria delle Grazie in Milan, and as a cellist in the Court of Milan from 1718-1720. In 1721 Charles VI, Holy Roman Emperor appointed him as cellist in the royal court of Vienna, and he remained in that post until his death twenty-seven years later. In 1726 he married the opera singer Anna d’Ambreville whose sister, Rosa Borosini, was married to tenor Francesco Borosini. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anna Ambreville
Anna may refer to: People Surname and given name * Anna (name) Mononym * Anna the Prophetess, in the Gospel of Luke * Anna (wife of Artabasdos) (fl. 715–773) * Anna (daughter of Boris I) (9th–10th century) * Anna (Anisia) (fl. 1218 to 1221) * Anna of Poland, Countess of Celje (1366–1425) * Anna of Cilli (1386–1416) * Anna, Grand Duchess of Lithuania (died 1418) * Anne of Austria, Landgravine of Thuringia (1432–1462) * Anna of Nassau-Dillenburg (died 1514) * Anna, Duchess of Prussia (1576–1625) * Anna of Russia (1693–1740) * Anna, Lady Miller (1741–1781) * Anna Russell, Duchess of Bedford (1783–1857) * Anna, Lady Barlow (1873–1965) * Anna (feral child) (1932–1942) * Anna (singer) (born 1987) Places Australia * Hundred of Anna, a cadastral district in South Australia Iran * Anna, Fars, a village in Fars Province * Anna, Kohgiluyeh and Boyer-Ahmad, a village in Kohgiluyeh and Boyer-Ahmad Province Russia * Anna, Voronezh Oblast, an urban locality in Voronezh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco II D'Este, Duke Of Modena
Francesco II d'Este (6 March 1660 – 6 September 1694) was Duke of Modena and Reggio from 1662 to 1694. Biography He was born in Modena to Alfonso IV d'Este, duke of Modena, and Laura Martinozzi, niece of Cardinal Mazarin. His sister, Mary of Modena, married the future James II of England in 1673 and became queen of England in 1685. Their child, and therefore Francesco's nephew, was James, the Old Pretender who struggled to regain the throne of England during the 1715 Jacobite rebellion. He became duke at the age of two. His mother, pious and rigorous, served as his regent until 1674, filling state offices with clerics under the advice of her Jesuit confessor Father Garimberti. When she left to accompany the princess to England, he assumed control at the age of fourteen, and was so transformed in the free and easy company of his cousin principe Cesare Ignazio d'Este, that on her return the dowager duchess withdrew from court. Francesco's foreign policy was affected by the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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