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Rongomaraeroa
''Rongomaraeroa'' is the marae of the Museum of New Zealand Te Papa Tongarewa and incorporates a contemporary ''wharenui'' (meeting house) ''Te Hono ki Hawaiki''. It is located on the museum's 4th floor overlooking Wellington harbour, and was officially opened on 30 November 1997. The design, described as "postmodern", was overseen by Te Papa's inaugural ''kaihautu'' (Māori people, Māori leader), master carver Cliff Whiting. As "the only one of its kind expressly built for that purpose in a museum", this marae is "arguably the most prominent embodiment of [Te Papa's] commitment to biculturalism". In October 2020, the Government committed $887,291 from the Provincial Growth Fund to upgrade the marae and 4 others in the Central Hawke's Bay area, creating 12 jobs. Purpose and usage Rongomaraeroa is used for many events, not only as a museum exhibit – it was always intended to be a "'living marae' used for pōwhiri, functions, and Tangihanga, tangi". For example, in May 2017 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cliff Whiting
Clifford Hamilton Whiting (6 May 1936 – 16 July 2017) was a New Zealand artist, teacher and advocate for Māori heritage. Career In 1955, Whiting began teacher training at Wellington Teachers' College where his artistic talents were quickly recognised. His teacher training coincided with the Department of Education's drive to develop Māori and Western European culture in schools. Whiting was selected as a district advisor in arts and crafts and, with other young Māori artists including John Bevan Ford, Sandy Adsett, Cath Brown, Ralph Hotere, Paratene Matchitt, Muru Walters and Marilyn Webb, was supported and encouraged by Gordon Tovey, the national supervisor for arts and crafts, to explore and promote traditional and contemporary Māori art within the New Zealand educational system. As a district advisor Whiting worked with local Māori communities as well as schools to encourage engagement with Māori art. Constrained by the price and lack of availability of traditi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museum Of New Zealand Te Papa Tongarewa
The Museum of New Zealand Te Papa Tongarewa is New Zealand's national museum and is located in Wellington. ''Te Papa Tongarewa'' translates literally to "container of treasures" or in full "container of treasured things and people that spring from mother Earth here in New Zealand". Usually known as Te Papa (Māori for "the treasure box"), it opened in 1998 after the merging of the National Museum of New Zealand and the National Art Gallery. An average of more than 1.5 million people visit every year, making it the 17th-most-visited art gallery in the world. Te Papa's philosophy emphasises the living face behind its cultural treasures, many of which retain deep ancestral links to the indigenous Māori people. History Colonial Museum The first predecessor to Te Papa was the ''Colonial Museum'', founded in 1865, with Sir James Hector as founding director. The Museum was built on Museum Street, roughly in the location of the present day Defence House Office Building. The muse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pretty Marae (26123038684)
Pretty may refer to: * Beauty, the quality of being pleasing, especially to look at ** Physical attractiveness, of a person's physical features Arts, entertainment, and media * ''Pretty'' (advertisement), a 2006 television advertisement for Nike Women * "Pretty (Ugly Before)", a 2003 song by Elliott Smith * "Pretty", a song on the Gigolo Aunts album ''Tales from the Vinegar Side'' * "Pretty", a song on the Korn album '' Follow the Leader'' * "Pretty", a song on the Nicky Byrne album ''Sunlight'' * "Pretty", a song on The Cranberries album '' Everybody Else Is Doing It, So Why Can't We?'' * "Pretty", a song by Nicole Scherzinger that leaked in 2016 * "Pretty", a song on the Weeknd's album '' Kiss Land'' * "'Pretty", a song by Naaz from her EP ''Bits of Naaz'' People * Pretty John (1890–1964), Finnish forest laborer and storyteller * Charles Fenn Pretty (1865–1940), Canadian forestry businessman * David Pretty (born 1951), Australian rules footballer * Diane Pretty (1958–2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rongowhakaata
Rongowhakaata is a Māori ''iwi'' of the Gisborne region of New Zealand. Hapū and marae There are three primary ''hapū'' (subtribes) of Rongowhakaata today: Ngati Kaipoho, Ngai Tawhiri and Ngati Maru. Ngāti Kaipoho Ngāti Kaipoho descend from Kaipoho, the son of Whare (also known as Whare-rau-o-te-tahinga) and great-grandson of Rongomairatahi. Kaipoho built Tapui pa on the west bank of Te Arai River, he also had a fishing settlement at Te Kowhai, near pakirikiri (what is now known as "Browns Beach"). Kaipoho was killed in battle and later avenged by his son Te Aweawe, who took over Tapui Pa. Ngati Kaipoho at one time fought against Ngati Maru and caused Ngati Maru's exodus from Waiapu, where they had lived for a time. The Marae of Ngati Kaipoho And Ngati Aweawe today is called Manutuke marae which is situated on the Manutuke 1, C, E4 blocks. There are two meeting houses situated on Manutuke Marae Te Poho o Rukupo, and Te Poho o Epeha The marae received a makeover in a 2006 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poutokomanawa
A wharenui (; literally "large house") is a communal house of the Māori people of New Zealand, generally situated as the focal point of a '' marae''. Wharenui are usually called meeting houses in New Zealand English, or simply called ''whare'' (a more generic term simply referring to a house or building). Also called a ''whare rūnanga'' ("meeting house") or ''whare whakairo'' (literally "carved house"), the present style of wharenui originated in the early to middle nineteenth century. The houses are often carved inside and out with stylized images of the iwi's (or tribe's) ancestors, with the style used for the carvings varying from tribe to tribe. Modern meeting houses are built to regular building standards. Photographs of recent ancestors may be used as well as carvings. The houses always have names, sometimes the name of a famous ancestor or sometimes a figure from Māori mythology. Some meeting houses are built at places that are not the location of a tribe, but where many ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pākehā
Pākehā (or Pakeha; ; ) is a Māori term for New Zealanders primarily of European descent. Pākehā is not a legal concept and has no definition under New Zealand law. The term can apply to fair-skinned persons, or to any non-Māori New Zealander. Papa'a has a similar meaning in Cook Islands Māori. Historically before the arrival of other ethnic groups the word Māori meant 'ordinary' or 'normal'. The arrival of Europeans led to the formation of a new term to distinguish the self-regarded 'ordinary' or 'normal' Māori from the new arrivals. The etymology of the word ''Pākehā'' remains unclear, but the term was in use by the late-18th century. In December 1814 the Māori children at Rangihoua in the Bay of Islands were "no less eager to see the ''packaha'' than the grown folks". In Māori, plural noun-phrases of the term include (the definite article) and (the indefinite article). When the word was first adopted into English, the usual plural was 'Pakehas'. However, spe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paikea
is a notable ancestor who originated in Hawaiki according to Māori tradition. He is particularly known to tribes with origins in the Gisborne District such as , and . is the name assumed by because he was assisted by a whale to survive an attempt on his life by his half-brother . On the island of Aitutaki, he is also known as a brother of Ruatapu, but is not as famous as him. In an account, probably from the Kāti Kurī hapū of Ngāi Tahu, the family lived on Mangaia. 's shame became offended when his father elevated his older half-brother ahead of him. When was about to use a sacred comb belonging to , rebuked him, pointing out that was of high rank while was of low birth, because his mother was a slave wife. Some tellings also say Uenuku had built a canoe for his 70 sons and set about to do their hair with sacred combs for the first voyage, or that Ruatapu was about to use Uenuku's own sacred comb rather than Kahutia's. Either way, Ruatapu is told he cannot use an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tāne
In Māori mythology, Tāne (also called Tāne-mahuta, Tāne-nui-a-Rangi, and several other names) is the god of forests and of birds, and the son of Ranginui and Papatūānuku, the sky father and the earth mother, who used to lie in a tight embrace where their many children lived in the darkness between them (Grey 1956:2). On Tahiti, Tane was the god of peace and beauty. Separates his parents The children of Rangi and Papa grew frustrated at their confinement in the cramped space between their parents. Tū, future god of war, proposes that they should kill their parents. But Tāne (or Tāne-mahuta) disagrees, suggesting that it is better to separate them, sending Rangi into the sky and leaving Papa below to care for them. Tāne's brothers Rongo, then Tangaroa, Haumia-tiketike and Tū all try in vain to separate the parents. After many tries, Tāne lies on his back and pushes with his strong legs, and finally forces his parents apart, and Rangi rises high into the heavens (G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wharenui
A wharenui (; literally "large house") is a communal house of the Māori people of New Zealand, generally situated as the focal point of a ''marae''. Wharenui are usually called meeting houses in New Zealand English, or simply called ''whare'' (a more generic term simply referring to a house or building). Also called a ''whare rūnanga'' ("meeting house") or ''whare whakairo'' (literally "carved house"), the present style of wharenui originated in the early to middle nineteenth century. The houses are often carved inside and out with stylized images of the iwi's (or tribe's) ancestors, with the style used for the carvings varying from tribe to tribe. Modern meeting houses are built to regular building standards. Photographs of recent ancestors may be used as well as carvings. The houses always have names, sometimes the name of a famous ancestor or sometimes a figure from Māori mythology. Some meeting houses are built at places that are not the location of a tribe, but where many ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Māui (Māori Mythology)
In Māori mythology, as in other Polynesian traditions, Māui is a culture hero and a trickster, famous for his exploits and cleverness. He possessed superhuman strength, and was capable of shapeshifting into animals such as birds and worms. He was born premature and cast into the ocean by his mother, where the waves formed him into a living baby. He was discovered by his grandfather and later went to live with his siblings. One day he followed his mother to the underworld where he met his father, Makeatutara, who baptised Māui incorrectly. As a punishment from the gods for this mishap, Māui and all of humanity were doomed to die. Māui is credited with catching a giant fish using a fishhook taken from his grandmother's jaw-bone; the giant fish would become the North Island of New Zealand, known as . In some traditions, his canoe () became the South Island, known as . His last trick, which led to his death, involved the goddess Hine-nui-te-pō. While attempting to win immo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Māori Mythology
Māori mythology and Māori traditions are two major categories into which the remote oral history of New Zealand's Māori may be divided. Māori myths concern fantastic tales relating to the origins of what was the observable world for the pre-European Māori, often involving gods and demigods. Māori tradition concerns more folkloric legends often involving historical or semi-historical forebears. Both categories merge in to explain the overall origin of the Māori and their connections to the world which they lived in. Māori had yet to invent a writing system before European contact, beginning in 1769, so they had no method to permanently record their histories, traditions, or mythologies. They relied on oral retellings memorised from generation to generation. The three forms of expression prominent in Māori and Polynesian oral literature are genealogical recital, poetry, and narrative prose. Experts in these subjects were broadly known as . The rituals, beliefs, and ge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_(3123821176).jpg "Click for more on -> Cliff Whiting")
