Rone Church
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Rone Church
Rone Church ( sv, Rone kyrka) is a medieval church in Rone on the Swedish island of Gotland. The Gothic church contains a number of medieval murals. It is part of the Church of Sweden and lies in the Diocese of Visby. History The presently visible, Gothic church was very probably preceded by a smaller, Romanesque church. Of this first church nothing remains except a few fragments, later incorporated in the Gothic church. The oldest parts of the present structure are the nave and choir, erected c. 1300, with the lower part of the tower from the same date. It was extended upwards during the middle of the 14th century, making the tall tower the youngest part of the church. The church has remained largely unchanged ever since. A renovation was carried out in 1913–15, and again in 1954–55 by architect Eiler Graebe. Architecture The church is a relatively homogeneous Gothic church. The tall tower has been used as a navigational aid ever since the Middle Ages. It was made by the s ...
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Swedish Language
Swedish ( ) is a North Germanic language spoken predominantly in Sweden and in parts of Finland. It has at least 10 million native speakers, the fourth most spoken Germanic language and the first among any other of its type in the Nordic countries overall. Swedish, like the other Nordic languages, is a descendant of Old Norse, the common language of the Germanic peoples living in Scandinavia during the Viking Era. It is largely mutually intelligible with Norwegian and Danish, although the degree of mutual intelligibility is largely dependent on the dialect and accent of the speaker. Written Norwegian and Danish are usually more easily understood by Swedish speakers than the spoken languages, due to the differences in tone, accent, and intonation. Standard Swedish, spoken by most Swedes, is the national language that evolved from the Central Swedish dialects in the 19th century and was well established by the beginning of the 20th century. While distinct regional varieties ...
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Notname
In art history, a ''Notname'' (, "necessity-name" or "contingency-name") is an invented name given to an artist whose identity has been lost. The practice arose from the need to give such artists and their typically untitled, or generically titled works, an acceptable if unsatisfactory grouping, avoiding confusion when cataloging. The phrases provisional name, name of convenience and emergency names are sometimes used to describe anonymous masters; nonce name was at one time used. The practice of using generic names for unidentified artists is most common in the study of art of the antiquity, especially of the Roman era or with artists of the Northern Renaissance until about 1430. Typically a pseudonym is applied after commonality is established for a grouping of works, of which a similarity of theme, style, iconography, biblical source or physical location can probably be attributed to one individual or workshop, but because of lack of surviving documentary record, the name of t ...
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Triumphal Cross
A rood or rood cross, sometimes known as a triumphal cross, is a cross or crucifix, especially the large crucifix set above the entrance to the chancel of a medieval church. Alternatively, it is a large sculpture or painting of the crucifixion of Jesus. Derivation ''Rood'' is an archaic word for ''pole'', from Old English 'pole', specifically 'cross', from , cognate to Old Saxon , Old High German 'rod'. ''Rood'' was originally the only Old English word for the instrument of Jesus Christ's death. The words and in the North (from either Old Irish or Old Norse) appeared by late Old English; ''crucifix'' is first recorded in English in the Ancrene Wisse of about 1225. More precisely, the Rood or Holyrood was the True Cross, the specific wooden cross used in Christ's crucifixion. The word remains in use in some names, such as Holyrood Palace and the Old English poem ''The Dream of the Rood''. The phrase "by the rood" was used in swearing, e.g. "No, by the rood, not so" in S ...
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Mary Magdalene
Mary Magdalene (sometimes called Mary of Magdala, or simply the Magdalene or the Madeleine) was a woman who, according to the four canonical gospels, traveled with Jesus as one of his followers and was a witness to crucifixion of Jesus, his crucifixion and Resurrection of Jesus, resurrection. She is mentioned by name twelve times in the canonical gospels, more than most of the Apostles in the New Testament, apostles and more than any other woman in the gospels, other than Jesus' family. Mary's epithet ''Magdalene'' may mean that she came from the town of Magdala, a fishing town on the western shore of the Sea of Galilee in Roman Judea. The Gospel of Luke Luke 8, chapter 8 lists Mary Magdalene as one of the women who traveled with Jesus and helped support his ministry "out of their resources", indicating that she was probably wealthy. The same passage also states that seven demons Exorcism, had been driven out of her, a statement which is repeated in Mark 16. In all the four can ...
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Raising Of Lazarus
Lazarus of Bethany (Latinised from Lazar, ultimately from Hebrew Eleazar, "God helped"), also venerated as Righteous Lazarus, the Four-Days Dead in the Eastern Orthodox Church, is the subject of a prominent sign of Jesus in the Gospel of John, in which Jesus restores him to life four days after his death. The Eastern Orthodox and Catholic traditions offer varying accounts of the later events of his life. In the context of the seven signs in the Gospel of John, the raising of Lazarus at Bethany – today the Palestinian town of Al-Eizariya in the West Bank, which translates to "the place of Lazarus" – is the climactic narrative: exemplifying the power of Jesus "over the last and most irresistible enemy of humanity: death. For this reason, it is given a prominent place in the gospel." The name ''Lazarus'' is frequently used in science and popular culture in reference to apparent restoration to life; for example, the scientific term Lazarus taxon denotes organisms that reappear ...
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Medieval Stained Glass In Sweden
The surviving amount of medieval stained glass in Sweden is relatively small, compared to some other European countries. There are in total 165 medieval stained glass panes with figurative depictions surviving in 37 churches, constituting a total area of about , a fragment of the original amount but still the largest amount found in any of the Nordic countries. Archaeological evidence and old drawings indicate that many more once existed. The majority of the surviving glass paintings date from between approximately 1225 and 1350 and can be found mainly on Gotland. These stained glass windows can be roughly divided into groups on stylistic grounds. The oldest surviving stained glass windows can be found in Dalhem Church, and show influences from Byzantine art, probably conveyed via Germany, while the most recent date from the 15th and 16th centuries and are found in mainland Sweden. As elsewhere in Catholic Europe throughout the Middle Ages, stained glass was used to convey Christ ...
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Stained Glass
Stained glass is coloured glass as a material or works created from it. Throughout its thousand-year history, the term has been applied almost exclusively to the windows of churches and other significant religious buildings. Although traditionally made in flat panels and used as windows, the creations of modern stained glass artists also include three-dimensional structures and sculpture. Modern vernacular usage has often extended the term "stained glass" to include domestic lead light and ''objets d'art'' created from foil glasswork exemplified in the famous lamps of Louis Comfort Tiffany. As a material ''stained glass'' is glass that has been coloured by adding metallic salts during its manufacture, and usually then further decorating it in various ways. The coloured glass is crafted into ''stained glass windows'' in which small pieces of glass are arranged to form patterns or pictures, held together (traditionally) by strips of lead and supported by a rigid frame. Painte ...
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Binding Of Isaac
The Binding of Isaac ( he, , ), or simply "The Binding" (, ), is a story from Genesis 22 of the Hebrew Bible. In the biblical narrative, God tells Abraham to sacrifice his son, Isaac, on Moriah. As Abraham begins to comply, having bound Isaac to an altar, he is stopped by the Angel of the Lord; a ram appears and is slaughtered in Isaac's stead, as God commends Abraham's pious obedience. In addition to being addressed by modern scholarship, this biblical episode has been the focus of a great deal of commentary in traditional sources of Judaism, Christianity, and Islam. Biblical narrative According to the Hebrew Bible, God commands Abraham to offer his son Isaac as a sacrifice. After Isaac is bound to an altar, a messenger from God stops Abraham before the sacrifice finishes, saying "now I know you fear God". Abraham looks up and sees a ram and sacrifices it instead of Isaac. The passage states that the event occurred at "the mount of the " in "the land of Moriah". 2 Ch ...
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Passion Of Christ
In Christianity, the Passion (from the Latin verb ''patior, passus sum''; "to suffer, bear, endure", from which also "patience, patient", etc.) is the short final period in the life of Jesus Christ. Depending on one's views, the "Passion" may include, among other events, Jesus' triumphal entry into Jerusalem, his cleansing of the Temple, his anointing, the Last Supper, Jesus' agony in the Garden, his arrest, his Sanhedrin trial, his trial before Pontius Pilate, his crucifixion and his death on Good Friday, his burial, and the resurrection of Jesus. Those parts of the four canonical Gospels that describe these events are known as the "Passion narratives". In some Christian communities, commemoration of the Passion also includes remembrance of the sorrow of Mary, the mother of Jesus, on the Friday of Sorrows. The word ''passion'' has taken on a more general application and now may also apply to accounts of the suffering and death of Christian martyrs, sometimes using the Lati ...
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Master Of The Passion Of Christ
The Passion Master ( sv, Passionsmästaren) is the name used to refer to an anonymous fresco painter and his workshop, active on Gotland during the 15th century. Works in about fifty churches have been attributed to the artist. The style of the Master of the Passion of Christ has been described as schematic and even primitive. Works identified as being by the artist can be found among others in Anga, Etelhem, Gammelgarn and Hörsne churches. See also * Church frescos in Sweden Church murals or church wall paintings are mostly medieval paintings found in several Swedish churches. They usually adorn the vaults or walls of the buildings. In Swedish they are sometimes referred to as ''kalkmålningar'', literally "lime ... References {{Authority control (arts), country=SV Swedish painters Church frescos in Sweden ...
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Church Murals In Sweden
Church murals or church wall paintings are mostly medieval paintings found in several Swedish churches. They usually adorn the vaults or walls of the buildings. In Swedish they are sometimes referred to as ''kalkmålningar'', literally "lime paintings", since they were often painted using lime as the binding medium for the paint. The earliest church murals in Sweden date from the first decades of the 12th century and are Romanesque in style. The majority of these are found in the southern part of Sweden, where they were commissioned by members of the royalty and nobility of the time. They all have certain iconographic similarities, and for the most part, show stylistic influences from contemporary art in what is now Germany. While it is assumed that the artists who painted the murals were well-educated, and the first of them foreigners, virtually nothing is known about their identities. Around 1250, there was a stylistic shift towards Gothic that saw lighter and more airy comp ...
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Capital (architecture)
In architecture the capital (from the Latin ''caput'', or "head") or chapiter forms the topmost member of a column (or a pilaster). It mediates between the column and the load thrusting down upon it, broadening the area of the column's supporting surface. The capital, projecting on each side as it rises to support the abacus, joins the usually square abacus and the usually circular shaft of the column. The capital may be convex, as in the Doric order; concave, as in the inverted bell of the Corinthian order; or scrolling out, as in the Ionic order. These form the three principal types on which all capitals in the classical tradition are based. The Composite order established in the 16th century on a hint from the Arch of Titus, adds Ionic volutes to Corinthian acanthus leaves. From the highly visible position it occupies in all colonnaded monumental buildings, the capital is often selected for ornamentation; and is often the clearest indicator of the architectural orde ...
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