|
Rondo In A Minor (Mozart)
The Rondo in A minor, K. 511, is a work for solo piano by Wolfgang Amadeus Mozart. Composition, premiere, and publication Mozart recorded the completion of the Rondo in his personal thematic catalog on 11 March 1787; he was age 31 at the time and had only recently returned from a triumphant journey to Prague, where he witnessed great success for a new production of his 1786 opera ''The Marriage of Figaro'', for his Symphony No. 38, and for his own solo piano performances. notes some other major works of this stage in Mozart's life: the Rondo shortly preceded the beginning of work on ''Don Giovanni''; and instrumental pieces from 1787 include the Third and Fourth String Quintets as well as the string serenade '' Eine kleine Nachtmusik''. No musical sketches for the Rondo survive. However, this is not surprising, since as Ulrich Konrad has noted, none of the many surviving Mozart sketches are for solo keyboard works; apparently Mozart felt no need to sketch in his native perf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludwig Fischer (bass)
Johann Ignaz Ludwig Fischer (c. 18 August 1745 – 10 July 1825), commonly called Ludwig Fischer, was a German opera singer, a notable bass of his time. Life Ludwig Fischer was born in Mainz on 18 August 1745 or 19 August 1745. Fischer began his musical studies not as a singer but with the violin and cello.Grove Online article "Ludwig Fischer" When he was heard singing in a church choir and in student operetta productions, his voice was noticed and he took up singing seriously. He was then made a "supernumerary" singer in the Electoral court of Mainz. Starting in 1770, he studied voice with the tenor Anton Raaff in Mannheim, where he had first sung professionally on stage in 1767. He continued to rise to prominence in Mannheim. In 1772 he was appointed ''virtuoso da camera'' at the Mannheim court, and Prince-elector Karl Theodor gave him a scholarship to enable him to continue his studies with Raaff. In 1775 he became responsible for singing instruction in the Mannheim ''Seminariu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coda (music)
In music, a coda () (Italian for "tail", plural ''code'') is a passage that brings a piece (or a movement) to an end. It may be as simple as a few measures, or as complex as an entire section. In classical music The presence of a coda as a structural element in a movement is especially clear in works written in particular musical forms. Codas were commonly used in both sonata form and variation movements during the Classical era. In a sonata form movement, the recapitulation section will, in general, follow the exposition in its thematic content, while adhering to the home key. The recapitulation often ends with a passage that sounds like a termination, paralleling the music that ended the exposition; thus, any music coming after this termination will be perceived as extra material, i.e., as a coda. In works in variation form, the coda occurs following the last variation and will be very noticeable as the first music not based on the theme. One of the ways that Beethoven ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rondo
The rondo is an instrumental musical form introduced in the Classical period. Etymology The English word ''rondo'' comes from the Italian form of the French ''rondeau'', which means "a little round". Despite the common etymological root, rondo and rondeau as musical forms are essentially different. Rondeau is a ''vocal'' musical form that was originally developed as monophonic music (in the 13th century) and then as polyphonic music (in the 14th century). Notably, both vocal forms of rondeau nearly disappeared from the repertoire by the beginning of the 16th century. In French, ''rondeau'' is used for both forms, while in English ''rondeau'' is generally used for the ''vocal'' musical form, while ''rondo'' is used for the ''instrumental'' musical form.Don Neville, "Rondò", ''The New Grove Dictionary of Opera'', 4 vols., edited by Stanley Sadie Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and edit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Movement (music)
A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately as stand-alone pieces, a performance of the complete work requires all the movements to be performed in succession. A movement is a section Section, Sectioning or Sectioned may refer to: Arts, entertainment and media * Section (music), a complete, but not independent, musical idea * Section (typography), a subdivision, especially of a chapter, in books and documents ** Section sig ..., "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena". Sources Formal sections in music analysis {{music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musopen
Musopen Inc. is a 501(c)(3) non-profit organization located in Tarzana, California, launched by Aaron Dunn in 2005. It aims to "set music free" by providing music to the public free of charge, without copyright restrictions. Mission and charitable activities Musopen provides an online library of public domain music recordings and sheet music. It also raises money to finance classical music recordings which are released into the public domain. In 2008, Musopen released newly commissioned recordings of the 32 Beethoven piano sonatas into the public domain. In 2010, the site organized a fundraiser via Kickstarter to commission recordings of a larger repertoire, raising a total of $68,359, more than six times their initial target of $11,000. In July 2012, Musopen announced that the editing of the recordings was finished, after which the audio files were uploaded to its website and Archive.org. The final list of music was announced in August 2012. In September 2013, a new Kickst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Gál
Hans Gál OBE (5 August 1890 – 3 October 1987) was an Austrian composer, pedagogue, musicologist, and author, who emigrated to the United Kingdom in 1938. Life Gál was born to a Jewish family in the small village of Brunn am Gebirge, Lower Austria, just outside Vienna, the son of a doctor, Josef Gál. In 1909, his piano teacher Richard Robert (who also taught George Szell, Rudolf Serkin and Clara Haskil) appointed Gál as a teacher when he became director of the New Vienna Conservatory. From 1909 to 1913, Gál studied music history at the University of Vienna under music historian Guido Adler, who published Gál's doctoral dissertation on the style of the young Beethoven in his own ''Studien zur Musikwissenschaft''. From 1909 to 1911, Gál studied composition privately with Eusebius Mandyczewski, who had been a close friend of Johannes Brahms, and with whom he later edited ten volumes of the Complete Edition of Brahms's works, published by Breitkopf & Härtel in 1926. Mand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Traeg
Johann Traeg (20 January 1747 – 5 September 1805) was a German music copyist and publisher who flourished in Vienna in the late 18th century. He had business dealings with Haydn, Mozart and Beethoven, and his catalogs and advertisements are still employed today as a source for historical musicology. Life and career He was born in Gochsheim in Bavaria, and had moved to Vienna by 1779.''New Grove'' He began his work simply by offering hand copies of musical works, working out of his home. This was possible even in the late 18th century, for as David Wyn Jones notes, Austria was at the time not very technologically advanced in this respect: Music-printing was becoming increasingly widespread in the 18th century ... In those areas of Europe like Britain, France, and northern Germany, where music-publishing was well established, printed copies of instrumental music became the principal means of dissemination ... On the other hand, in therparts of Europe, principally the Austrian mona ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Florin
The Florentine florin was a gold coin struck from 1252 to 1533 with no significant change in its design or metal content standard during that time. It had 54 grains (3.499 grams, 0.113 troy ounce) of nominally pure or 'fine' gold with a purchasing power difficult to estimate (and variable) but ranging according to social grouping and perspective from approximately 140 to 1,000 modern US dollars. The name of the coin comes from the ''Giglio bottonato'' ( it), the floral emblem of the city, which is represented at the head of the coin. History The ''fiorino d'oro'' (gold florin) was used in the Republic of Florence and was the first European gold coin struck in sufficient quantities since the 7th century to play a significant commercial role. The florin was recognized across large parts of Europe. The territorial usage of the '' lira'' and the florin often overlapped, where the lira was used for smaller transactions (wages, food purchases), the florin was for larger transactions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wiener Zeitung
''Wiener Zeitung'' is an Austrian newspaper. It is one of the oldest, still published newspapers in the world. It is the official publication used by the Government of the Republic of Austria for legally-required announcements, such as company registrations,§ 10 (1) UGB, dRGBl. S 219/1897 as amended by BGBl. I Nr. 63/2019 and was also the official publishing body for laws and executive orders until 2004.Bundesgesetz über das Bundesgesetzblatt 2004, BGBl. I Nr. 100/2003 As of 2002, ''Wiener Zeitung'' was among the four Austrian newspapers of record beside the right-liberal ''Die Presse'', the left-liberal ''Der Standard'' and the Christian-liberal and conservative ''Salzburger Nachrichten''. History and profile The newspaper, founded in 1703 under the name ''Wiennerisches Diarium'', was considered the official mouthpiece of the Imperial Court due to its being supplied information directly and exclusively by the Court. The paper was published bi-weekly, usually running around e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Sonata No
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Tempo")
