Ronald Millar
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Ronald Millar
Sir Ronald Graeme Millar (12 November 1919 – 16 April 1998) was an English actor, scriptwriter, and dramatist. Life and career After attending Charterhouse School, Millar studied at King's College, Cambridge for a year before joining the Royal Navy in 1940, during the Second World War. He established himself as a playwright after the war and, between 1948 and 1954, lived in Hollywood, where he wrote scripts for MGM. These included '' The Miniver Story'' and ''Scaramouche'', both with George Froeschel. On his return to Britain, he successfully adapted several C. P. Snow novelsand, in 1967, William Clark's novel ''Number 10''for the stage. He also wrote the book and lyrics for the musical ''Robert and Elizabeth''. Millar acted as speechwriter for three British prime ministers, including Margaret Thatcher for whom he wrote the line " The lady's not for turning". He was knighted after Thatcher became Prime Minister in 1979. He wrote the line, ''Where there is discord, let ...
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Knight Bachelor
The title of Knight Bachelor is the basic rank granted to a man who has been knighted by the monarch but not inducted as a member of one of the organised orders of chivalry; it is a part of the British honours system. Knights Bachelor are the most ancient sort of British knight (the rank existed during the 13th-century reign of King Henry III), but Knights Bachelor rank below knights of chivalric orders. A man who is knighted is formally addressed as "Sir irst Name urname or "Sir irst Name and his wife as "Lady urname. Criteria Knighthood is usually conferred for public service; amongst its recipients are all male judges of His Majesty's High Court of Justice in England. It is possible to be a Knight Bachelor and a junior member of an order of chivalry without being a knight of that order; this situation has become rather common, especially among those recognized for achievements in entertainment. For instance, Sir Michael Gambon, Sir Derek Jacobi, Sir Anthony Hopkins, Sir ...
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Robert And Elizabeth
''Robert and Elizabeth'' is a musical with music by Ron Grainer and book and lyrics by Ronald Millar. The story is based on an unproduced musical titled ''The Third Kiss'' by Judge Fred G. Moritt, which in turn was adapted from the play ''The Barretts of Wimpole Street'' by Rudolph Besier. It is an operetta-style musical which tells the story of the romance and elopement of poets Robert Browning and Elizabeth Barrett. The original 1964 London production was a success, starring John Clements as Barrett, June Bronhill as Elizabeth and Keith Michell as Robert. Several revivals have followed. Songs *''The Corner of Wimpole Street'' *"The Family Moulton-Barrett" *"Frustration" *"The Girls That Boys Dream About" *"Hate Me, Please" *"I Know Now" *"I Said Love" *"I'm the Master Here" *"In A Simple Way" *"Love and Duty" *"The Moon in My Pocket" *"Pass the Eau-de-Cologne" *"The Real Thing" *"Soliloquy" *"Under a Spell" *"Want to Be Well" *"Escape Me Never" (lyric adapted from Brownin ...
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Frieda (film)
''Frieda'' is a 1947 British drama film directed by Basil Dearden and starring David Farrar, Glynis Johns and Mai Zetterling. Made by Michael Balcon at Ealing Studios, it is based on the 1946 play of the same title by Ronald Millar who co-wrote the screenplay with Angus MacPhail. The film's sets were designed by the art directors Jim Morahan and Michael Relph. During World War II, a German woman rescues an English prisoner-of-war. He decides to marry her, though he does not actually love her. Following the war, the couple settle in Oxfordshire. Frieda has to deal with both anti-German sentiment in post-war Britain, and with her unrepentant Nazi brother. Synopsis Frieda (Mai Zetterling) is a German woman who helps English airman Robert ( David Farrar) to escape from a German prisoner-of-war camp as the Second World War nears its end. She loves him; he is only grateful to her. In a church between the Russian-German lines, however, Robert marries her, so that she can obtain a ...
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Diana Rigg
Dame Enid Diana Elizabeth Rigg (20 July 193810 September 2020) was an English actress of stage and screen. Her roles include Emma Peel in the TV series '' The Avengers'' (1965–1968); Countess Teresa di Vicenzo, wife of James Bond, in '' On Her Majesty's Secret Service'' (1969); Olenna Tyrell in '' Game of Thrones'' (2013–2017); and the title role in ''Medea'' in the West End in 1993 followed by Broadway a year later. Rigg made her professional stage debut in 1957 in ''The Caucasian Chalk Circle'' and joined the Royal Shakespeare Company in 1959. She made her Broadway debut in ''Abelard & Heloise'' in 1971. Her role as Emma Peel made her a sex symbol. For her role in ''Medea'', both in London and New York, she won the 1994 Tony Award for Best Actress in a Play. She was made a CBE in 1988 and a Dame in 1994 for services to drama. Rigg appeared in numerous TV series and films, playing Helena in '' A Midsummer Night's Dream'' (1968); Lady Holiday in ''The Great Muppet C ...
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Keith Michell
Keith Joseph Michell (1 December 1926 – 20 November 2015) was an Australian actor who worked primarily in the United Kingdom, and was best known for his television and film portrayals of King Henry VIII. He appeared extensively in Shakespeare and other classics and musicals in Britain, and was also in several Broadway productions. He was an artistic director of the Chichester Festival Theatre in the 1970s and later had a recurring role on '' Murder, She Wrote'' as the charming thief Dennis Stanton. He was also known for illustrating a collection of Jeremy Lloyd's poems ''Captain Beaky'', and singing the title song from the associated album. Early life Michell was born in Adelaide, and brought up in Warnertown, near Port Pirie. His parents were Joseph, a cabinet-maker, and Alice (née Aslat). Educated at Port Pirie High School, Adelaide Teachers' College and Adelaide University, he began his career as an art teacher and made his professional acting debut in 1947 in the come ...
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Anthony Asquith
Anthony William Landon Asquith (; 9 November 1902 – 20 February 1968) was an English film director. He collaborated successfully with playwright Terence Rattigan on ''The Winslow Boy'' (1948) and '' The Browning Version'' (1951), among other adaptations. His other notable films include ''Pygmalion'' (1938), ''French Without Tears'' (1940), ''The Way to the Stars'' (1945) and a 1952 adaptation of Oscar Wilde's ''The Importance of Being Earnest''. Life and career Born in London, he was the son of H. H. Asquith, the Prime Minister from 1908 to 1916, and Margot Asquith, who was responsible for 'Puffin' as his family nickname.Anthony Asquith biography
at BFI Screenonline
He was educated at
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We Dive At Dawn
''We Dive at Dawn'' is a 1943 war film directed by Anthony Asquith and starring John Mills and Eric Portman as Royal Navy submariners in the Second World War. It was written by Val Valentine and J. B. Williams with uncredited assistance from Frank Launder. It was produced by Edward Black. The film's sets were designed by Walter Murton. Plot It is April, 1942. Lieutenant Freddie Taylor and some crew of the submarine ''Sea Tiger'' are given a week's leave after an unsuccessful patrol. Leading Seaman Hobson goes home to save his marriage, while a reluctant Torpedo Gunner's Mate Corrigan departs for his wedding in London. When the crew are recalled early Corrigan is relieved, though later regrets not completing his marriage. ''Sea Tiger'' has been assigned the top secret mission to sink Nazi Germany's new battleship, the ''Brandenburg'', before she transits the Kiel Canal for sea trials in the Baltic Sea. ''Sea Tiger'' must put to sea immediately. Crossing the North Sea, the subma ...
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John Gielgud
Sir Arthur John Gielgud, (; 14 April 1904 – 21 May 2000) was an English actor and theatre director whose career spanned eight decades. With Ralph Richardson and Laurence Olivier, he was one of the trinity of actors who dominated the British stage for much of the 20th century. A member of the Terry family theatrical dynasty, he gained his first paid acting work as a junior member of his cousin Phyllis Neilson-Terry's company in 1922. After studying at the Royal Academy of Dramatic Art he worked in repertory theatre and in the West End theatre, West End before establishing himself at the Old Vic as an exponent of William Shakespeare, Shakespeare in 1929–31. During the 1930s Gielgud was a stage star in the West End and on Broadway theatre, Broadway, appearing in new works and classics. He began a parallel career as a director, and set up his own company at the Sondheim Theatre, Queen's Theatre, London. He was regarded by many as the finest Prince Hamlet, Hamlet of his era, ...
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Alastair Sim
Alastair George Bell Sim, CBE (9 October 1900 – 19 August 1976) was a Scottish character actor who began his theatrical career at the age of thirty and quickly became established as a popular West End performer, remaining so until his death in 1976. Starting in 1935, he also appeared in more than fifty British films, including an iconic adaptation of Charles Dickens’ novella '' A Christmas Carol'', released in 1951 as ''Scrooge'' in Great Britain and as ''A Christmas Carol'' in the United States. Though an accomplished dramatic actor, he is often remembered for his comically sinister performances. After a series of false starts, including a spell as a jobbing labourer and another as a clerk in a local government office, Sim's love of and talent for poetry reading won him several prizes and led to his appointment as a lecturer in elocution at the University of Edinburgh in 1925. He also ran his own private elocution and drama school, from which, with the help of the ...
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Ivor Novello
Ivor Novello (born David Ivor Davies; 15 January 1893 – 6 March 1951) was a Welsh actor, dramatist, singer and composer who became one of the most popular British entertainers of the first half of the 20th century. He was born into a musical family, and his first successes were as a songwriter. His first big hit was " Keep the Home Fires Burning" (1914), which was enormously popular during the First World War. His 1917 show, ''Theodore & Co'', was a wartime hit. After the war, Novello contributed numbers to several successful musical comedies and was eventually commissioned to write the scores of complete shows. He wrote his musicals in the style of operetta and often composed his music to the libretti of Christopher Hassall. In the 1920s he turned to acting, first in British films and then on stage, with considerable success in both. He starred in two silent films directed by Alfred Hitchcock, '' The Lodger'' and ''Downhill'' (both 1927). On stage, he played the title charact ...
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West End Theatre
West End theatre is mainstream professional theatre staged in the large theatres in and near the West End of London.Christopher Innes, "West End" in ''The Cambridge Guide to Theatre'' (Cambridge: Cambridge University Press, 1998), pp. 1194–1195, Along with New York City's Broadway theatre, West End theatre is usually considered to represent the highest level of commercial theatre in the English-speaking world. Seeing a West End show is a common tourist activity in London. Famous screen actors, British and international alike, frequently appear on the London stage. There are a total of 39 theatres in the West End, with the Theatre Royal, Drury Lane, opened in May 1663, the oldest theatre in London. The Savoy Theatre – built as a showcase for the popular series of comic operas of Gilbert and Sullivan – was entirely lit by electricity in 1881. Opening in October 2022, @sohoplace is the first new West End theatre in 50 years. The Society of London Theatre (SOLT) announced ...
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Speechwriter
A speechwriter is a person who is hired to prepare and write speeches that will be delivered by another person. Speechwriters are employed by many senior-level elected officials and executives in the government and private sectors. They can also be employed to write for weddings and other social occasions. Skills and training A speechwriter works directly with senior executives or leaders to determine what points, themes, positions, or messages the executive would like to cover. Speechwriters need to be able to accept criticism and comments on the different drafts of the speech, and be able to incorporate the proposed changes into the draft. Speechwriters have to be able to work on several different speeches at once, and manage their time so that they can meet strict deadlines for finishing the speech on time. Speechwriters must also be able to accept anonymity, because with few exceptions, speechwriters are not officially credited or acknowledged. This aspect creates a dilemma fo ...
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