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Rolling Stone Argentina's The 100 Greatest Albums Of National Rock
The 100 Greatest Albums of National Rock (Spanish: ''Los 100 mejores discos del rock nacional'') is a 2007 special issue of ''Rolling Stone Argentina'', the local edition of the American magazine that is published monthly by S.A. La Nación. It was made available in newsstands on April 3. That month, ''Rolling Stone Argentina'' was issued as a special "double anniversary edition", with the list being released alongside the magazine's usual publication. The issue celebrated the forty years of Argentine rock and the nine years of ''Rolling Stone Argentina''. In 2013, a revised "bookazine" edition of the list was released, incorporating more albums from the 2000s. The list focuses on Argentine rock Argentine rock (known locally as ''rock nacional'' , "national rock" in the sense of "local", "not international") is rock music composed or performed by Argentine bands or artists mostly in Spanish. Argentine rock began by recycling hits of Eng ..., which is locally known as ''rock na ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artaud (album)
''Artaud'' (; commonly pronounced by hispanophones) is a studio album credited to Argentine rock band Pescado Rabioso, released in October 1973 on Talent-Microfón. It is essentially the second solo album by singer-songwriter Luis Alberto Spinetta, who used the group's name despite their disbandment earlier that year. The album is named after and dedicated to French poet Antonin Artaud, and was conceived as a reaction to his writings. The album's original packaging is famous for its odd shape, which the record label initially resisted. Spinetta presented Artaud with two morning shows at the Teatro Astral on Avenida Corrientes, accompanied only by his acoustic guitar. Each audience member received a copy of Spinetta's manifesto ''Rock: Música dura, la suicidada por la sociedad'', in which he presented his vision of the countercultural Argentine rock movement. It is considered Spinetta's masterpiece and one of the most influential albums in Spanish-language rock music. It has bee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sumo (band)
Sumo was a 1980s Argentine alternative rock band, heavily influenced by post-punk, reggae and funk-metal. Led by Italian-born Scottish Luca Prodan, it remained underground for most of its short activity but was extremely influential in shaping contemporary Argentine rock.Sumo en Rock.com.ar Consultado el Retrieved January 28, 2017 Sumo is credited with introducing British post-punk to the Argentine scene, mostly by songs with lyrics in English, and with providing a visceral counterpoint to the progressive and '''' influences then dom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Divididos Por La Felicidad
Divididos ("Divided") is an Argentine rock band.El Polaco Goyeneche fue el primer punk Biografia de Divididos The band was formed in 1988 after the death of and the consequent dissolution of the band . (vocals, |
Patricio Rey Y Sus Redonditos De Ricota
Patricio Rey y sus Redonditos de Ricota, also known simply as Patricio Rey, Los Redondos or Los Redonditos de Ricota, was a rock band formed in La Plata, Argentina. The group was active from the mid 70s up to the early 2000s. They are known for shaping Argentinian rock and their enormous fan base. Name Patricio Rey is the name of a fictional character or group consciousness, and not a real person or member of the group, Los redonditos de ricota (lit. "the small ricotta 'roundies'") is the colloquial name of a variety of home-made buñuelos filled with ricotta cheese, round in shape (hence the name). History The beginning: 1976–1984 The band was formed in 1976 by lead singer Carlos "El Indio" Solari and guitarist Skay Beilinson, and to play at various bars and clubs in La Plata, Solari and Beilinson’s hometown. Skay had played for other bands, such as La Cofradía de la Flor Solar, where he met with the artist and illustrator Ricardo "Rocambole" Cohen, who became the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oktubre
''Oktubre'' is the second studio album by Argentine rock band Patricio Rey y sus Redonditos de Ricota, released in 1986. It is the band's last album to feature to Piojo Ávalos, Tito D'Aviero and Willy Crook as band members, who left the band after the tour between late 1986 and early 1987. In 2007, the Argentine edition of ''Rolling Stone'' ranked it fourth on its list of " The 100 Greatest Albums of National Rock". Background The album cover and its concept are inspired by the 1917 Russian Revolution while the sound incorporates elements of post-punk influence in the 1980s New wave imposed by groups such as The Cure, Joy Division and The Police. The band garnered some airplay with " Jijiji" and "Ya nadie va a escuchar tu remera" and, as a result, Patricio Rey pursued a more melodic, radio friendly direction on their future albums. ''Oktubre'' was officially released on 4 October 1986 and its presentation took place on 18 and 25 October at Paladium in front of 1200 fans. Key ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manal
Manal was an Argentine rock group. Together with Almendra and Los Gatos, they are considered founders of Argentine rock.El Rock Portal Oficial del Gobierno de la República Argentina.(Spanish) The band members were on guitar, Javier Martínez on drums and vocals, and on bass and vocals. Martínez was the band's lead vocalist and leading songwriter. Trajectory 1968–1969: Fo ...
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Manal (album)
Manal is the first album of Argentine blues rock band of the same name, released by Mandioca in 1970. This was the only album of the band issued by Mandioca, the independent label created by producer Jorge Álvarez. Their second LP ''El león'' was put out by RCA Records. Tracklist All tracks by Javier Martínez, except where otherwise noted. ;Side One #"Jugo de tomate" — 2:45 #"Porque hoy nací" — 4:30 #"Avenida Rivadavia" — 2:50 #"Todo el día me pregunto" — (Martínez, Claudio Gabis, Alejandro Medina) — 6:10 ;Side Two #" Avellaneda Blues" — (Martínez, Gabis) — 5:30 #"Casa con 10 pinos" — 4:15 #"Informe de un día" — 8:00 Personnel *Javier Martínez - drums (tracks 1, 3-7), vocals (tracks 1, 2, 4-7), electric guitar (track 2) *Claudio Gabis - electric guitar (tracks 1, 3-7), harmonica (track 1), organ (track 2), organ bass (track 2), piano (tracks 5, 7), acoustic guitar (track 6) *Alejandro Medina - bass (tracks 1, 3-7), vocals (tracks 3, 7), acoustic guit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Reorganization Process
The National Reorganization Process (Spanish: ''Proceso de Reorganización Nacional'', often simply ''el Proceso'', "the Process") was the military dictatorship that ruled Argentina from 1976 to 1983, in which it was supported by the United States until 1982. In Argentina it is often known simply as última junta militar ("last Military dictatorship, military junta"), última dictadura militar ("last military dictatorship") or última dictadura cívico-militar ("last civil–military dictatorship"), because there have been several in the country's history and no others since it ended. The Argentine Armed Forces seized political power during the 1976 Argentine coup d'état, March 1976 coup against the presidency of neutralist (non-Communist or non-Democratic) Isabel Perón, the successor and widow of former President Juan Perón, at a time of growing economic and political instability. National Congress of Argentina, Congress and democracy were suspended, political parties were b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luis Alberto Spinetta Y Charly García 1984 II
Luis is a given name. It is the Spanish form of the originally Germanic name or . Other Iberian Romance languages have comparable forms: (with an accent mark on the i) in Portuguese and Galician, in Aragonese and Catalan, while is archaic in Portugal, but common in Brazil. Origins The Germanic name (and its variants) is usually said to be composed of the words for "fame" () and "warrior" () and hence may be translated to ''famous warrior'' or "famous in battle". According to Dutch onomatologists however, it is more likely that the first stem was , meaning fame, which would give the meaning 'warrior for the gods' (or: 'warrior who captured stability') for the full name.J. van der Schaar, ''Woordenboek van voornamen'' (Prisma Voornamenboek), 4e druk 1990; see also thLodewijs in the Dutch given names database Modern forms of the name are the German name Ludwig and the Dutch form Lodewijk. and the other Iberian forms more closely resemble the French name Louis, a derivati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charly García
Charly García (born Carlos Alberto García, October 23, 1951) is an Argentine singer-songwriter, musician and record producer. He formed and headlined two of the most popular bands in Argentina's rock history: Sui Generis in the 1970s and Serú Girán in the 1980s, plus cult status groups like progressive-rock act La Máquina de Hacer Pájaros and folk rock supergroup PorSuiGieco, both also in the 1970s. Since the 1980s García has worked mostly as a solo musician. His main instrument is the piano, followed by guitar and keyboards. García is also well known for his flamboyant and rebellious personality as well as his bicolor moustache, with one side white due to vitiligo. García is often considered by critics as one of the most influential rock artists in Latin America, and he is widely credited (together with Luis Alberto Spinetta and Litto Nebbia) as one of the founding "Fathers of Argentine Rock". Biography First Period - Music groups Early years He is the firstb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clics Modernos
''Clics modernos'' (; Spanish for "modern clicks") is the second solo studio album by the Argentine musician Charly García, released on November 5, 1983 on SG Discos and Interdisc. It was a decisive work to consolidate the modern trends that would mark the profile of Argentine rock during the 1980s. It was ranked at number two in the Argentine edition of ''Rolling Stones list of The 100 Greatest Albums of Argentine Rock. Overview After his first solo tour of Argentina in 1982, García began a new project with his manager Daniel Grinbank. García went to New York to record his next album, with Pedro Aznar, who was living there while playing in the Pat Metheny band. The black silhouette figure on the cover photo for the album is by Conceptual Artist Richard Hambleton who is known as the Shadowman. Composition The album has a strong new wave influence, with a significant use of synthesizers and samplers. The album used a Roland TR-808 drum machine instead of a human drummer, res ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
