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Roland XP-80
The Roland XP-80 is a music workstation that uses digital PCM subtractive synthesis and combines an updated version of the JV-1080 synthesizer engine with the sequencer capabilities of the Roland MRC-Pro sequencer. The XP-80 was introduced in 1996 and is now discontinued. Specifications The XP-80 has a 76-key semi-weighted keyboard. A smaller 61-key variant, the XP-60 was introduced shortly afterward. The synthesis engine is capable of 64-voice polyphony and 16-part multi-timbrality. The XP-80 includes the 128 General MIDI instrument set, as well as 384 additional preset instruments ("patches" in Roland parlance), for a total of 512 preset patches. Additional user memory is provided for making copies of up to 128 patches, allowing the user to edit patch parameters and save them in memory. There are 8 preset percussion instrument combinations (called "rhythm sets") and 2 user configurable rhythm sets. The XP-80 includes 64 preset combinations of up to 15 existing patches ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland Corporation
is a Japanese manufacturer of electronic musical instruments, electronic equipment, and software. It was founded by Ikutaro Kakehashi in Osaka on 18 April 1972. In 2005, its headquarters relocated to Hamamatsu in Shizuoka Prefecture. It has factories in Malaysia, Taiwan, Japan, and the United States. As of 31 March 2010, it employed 2,699 people. In 2014, it was subject to a management buyout by its CEO, Junichi Miki, supported by Taiyo Pacific Partners. Roland has manufactured numerous instruments that have had lasting impacts on music, such as the Juno-106 synthesizer, TB-303 bass synthesizer, and TR-808 and TR-909 drum machines. It was also instrumental in the development of MIDI, a standardized means of synchronizing electronic instruments manufactured by different companies. In 2016, ''Fact'' wrote that Roland had arguably had more influence on electronic music than any other company. History 1970s Having created Ace Electronic Industries Inc in 1960, Ikutaro Kakeh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Instrument Digital Interface
MIDI (; Musical Instrument Digital Interface) is a technical standard that describes a communications protocol, digital interface, and electrical connectors that connect a wide variety of electronic musical instruments, computers, and related audio devices for playing, editing, and recording music. The specification originates in the paper ''Universal Synthesizer Interface'' published by Dave Smith and Chet Wood of Sequential Circuits at the 1981 Audio Engineering Society conference in New York City. A single MIDI cable can carry up to sixteen channels of MIDI data, each of which can be routed to a separate device. Each interaction with a key, button, knob or slider is converted into a MIDI event, which specifies musical instructions, such as a note's pitch, timing and loudness. One common MIDI application is to play a MIDI keyboard or other controller and use it to trigger a digital sound module (which contains synthesized musical sounds) to generate sounds, which t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland Synthesizers
Roland (; frk, *Hrōþiland; lat-med, Hruodlandus or ''Rotholandus''; it, Orlando or ''Rolando''; died 15 August 778) was a Frankish military leader under Charlemagne who became one of the principal figures in the literary cycle known as the Matter of France. The historical Roland was military governor of the Breton March, responsible for defending Francia's frontier against the Bretons. His only historical attestation is in Einhard's ''Vita Karoli Magni'', which notes he was part of the Frankish rearguard killed in retribution by the Basques in Iberia at the Battle of Roncevaux Pass. The story of Roland's death at Roncevaux Pass was embellished in later medieval and Renaissance literature. The first and most famous of these epic treatments was the Old French ''Chanson de Roland'' of the 11th century. Two masterpieces of Italian Renaissance poetry, the ''Orlando Innamorato'' and ''Orlando Furioso'' (by Matteo Maria Boiardo and Ludovico Ariosto respectively), are even further ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Workstations
Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect of all human societies, a cultural universal. While scholars agree that music is defined by a few specific elements, there is no consensus on their precise definitions. The creation of music is commonly divided into musical composition, musical improvisation, and musical performance, though the topic itself extends into academic disciplines, criticism, philosophy, and psychology. Music may be performed or improvised using a vast range of instruments, including the human voice. In some musical contexts, a performance or composition may be to some extent improvised. For instance, in Hindustani classical music, the performer plays spontaneously while following a partially defined structure and using characteristic motifs. In modal jazz the p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland JV-2080
The Roland JV-2080 is a rack-mount expandable MIDI sound module, and an improved version of the Roland JV-1080. Produced by the Roland Corporation, released in 1996 and built on a sample-based synthesis architecture, the JV-2080 provides a library of on-board sample material and a semi-modular synthesis engine. Main features The JV-2080 ("2080") is a sample + synthesis synthesizer with support for 768 internal patches, including General MIDI. In addition to the synthesizer, it also includes a multi effects module, with 40 effect types, of which three can be used simultaneously. The 2080 is expandable via proprietary modules that contain both sample-based waveform data and patch information. The internal memory of the 2080 is divided into five sections. * USER – User re-writeable storage (RAM), initially contains a modified copy of PR-E. * PR-A, B, C, E (Preset A through C and E) – Presets in read-only memory, cannot be modified. * PR-D (General MIDI) – P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland XP-30
The Roland XP-30 is a 61-key, 64-voice expandable synthesizer. Released in 1999, it was produced until 2002. Based on the acclaimed mid-90s JV sound engine built around a 32-bit RISC processor, it is considered to be the best value-for-money of all of the Roland JV and XP series synthesizers. Features and architecture Designed for live performance, the XP-30 is relatively small and lightweight but with full-sized keys and a large set of sounds (2078 when fully expanded). The keyboard is semi-weighted, with a metal weight glued under each key in order to improve key press dynamics. The XP-30 also includes a powerful arpeggiator with multiple patterns that can be timed by an external MIDI clock (such as a sequencer or drum machine) and nine built-in drum kits. The XP-30 provides expansion capability in the form of two physical slots for adding cards from Roland's SR-JV80 expansion card series. Some other hardware features include: * There are 4 sliders on the XP-30 which contro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland XP-50
The Roland XP-50 is a music workstation that combines the synthesizer engine of Roland's JV-1080 sound module with the sequencing capabilities of their MRC-Pro sequencer and a 61-note keyboard. First released in 1995, the XP-50 and the Roland XP-10 were the first two Roland XP-series products, later joined by the XP-80 and XP-30. Sound Engine The XP-50's sound engine utilizes a custom 32-bit RISC chip to accommodate its sound generation and effects processing. There are 640 patches and 128 performances on board. The XP-50's internal memory includes 512 waveforms, which can be expanded with up to four user-installable SR-JV80 expansion boards. Presets include a General MIDI soundset, and a wide selection of sounds, including ambient and techno sounds representative of the time of the XP-50's release. The sample + synthesissound engine's structure consists of "tones," each with a waveform, amplifier, filter, three envelope generators, and a pair of LFOs. Up to four "tones" c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beatmasters
The Beatmasters are an English electronic music group who gained success in the UK in the late 1980s with four top 20 hit singles. They then went on to produce and remix records for many other artists. The group's string of chart hit singles include "Burn It Up", "Hey DJ! (I Can't Dance to that Music You're Playing)", "Who's in the House" (featuring Merlin) and "Rok da House". The latter, having been recorded in 1986, is one of the earliest examples of hip house and most likely the first song of the genre. Hip house is a subgenre of house music which features rap vocals performed over a house rhythm track. Their initial success brought comparisons with pop record producers Stock Aitken Waterman, but the Beatmasters cited rival producers Coldcut as their major competitor. Formation Manda Glanfield and Paul Carter (both regulars on the London club scene) were working in the TV commercial jingle industry where they were introduced to third member, Richard Walmsley. Signing to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sessions 2000
''Sessions 2000'' is the fourteenth studio album by French electronic musician and composer Jean-Michel Jarre, released on Disques Dreyfus and distributed by Sony Music in 2002. On January 7, 2003 was released in US. ''Sessions 2000'' featured Francis Rimbert, and was recorded at Croissy studio and later mixed at Square Prod studio by Joachim Garraud. The album reached the 140th position in French charts. Reception ''Billboard'' write that the "tracks all share a certain cinematic scope, which is not unusual for ambient tunes, but Jarre has put a good deal of effort into evoking a pensive, understated, jazz feel that, at times–particularly on “March”–is reminiscent of Miles Davis’ late work." Also added that "he's created a deeply nuanced soundscape that invites repeated listening". Lorna Palmer from ''BBC'' commented that "the album is laced with acoustic instruments (a mix of live playing and samples) placed over a backdrop of seamless ambient electronics and soft t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Michel Jarre
Jean-Michel André Jarre (; born 24 August 1948) is a French composer, performer and record producer. He is a pioneer in the electronic, ambient and new-age genres, and is known for organising outdoor spectacles featuring his music, accompanied by vast laser displays, large projections and fireworks. Jarre was raised in Lyon by his mother and grandparents and trained on the piano. From an early age, he was introduced to a variety of art forms, including street performers, jazz musicians and the artist Pierre Soulages. But his musical style was perhaps most heavily influenced by Pierre Schaeffer, a pioneer of musique concrète at the Groupe de Recherches Musicales. His first mainstream success was the 1976 album ''Oxygène''. Recorded in a makeshift studio at his home, the album sold an estimated 18 million copies. ''Oxygène'' was followed in 1978 by ''Équinoxe'', and in 1979, Jarre performed to a record-breaking audience of more than a million people at the Place de l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eric Persing
Eric Persing is an american sound designer, professional synthesist and producer based in Los Angeles, California. He is best known as the Founder and Creative Director of the music software and virtual instrument company Spectrasonics. He has been a major contributor to all of Spectrasonics' products, including Omnisphere, Keyscape, Stylus RMX, Trilian, Atmosphere and Trilogy. Persing started working for the Roland Corporation as Chief Sound Designer from 1984 to 2004, where he worked on many influential synthesizers and music-related products such as the Roland D-50, the JD-800, the Roland JX, JV, JP, XP series synthesizers and many others. Even today, his sounds can be heard in many productions. At the 2011 NAMM Show, as part of a joint promotion with the Bob Moog Foundation, Persing exhibited the OMG-1 synthesizer, a unique synthesizer of his own design that integrated a Moog Little Phatty with an Apple Mac Mini and two iPads running virtual instruments, all housed in a cu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
TS Connector
A phone connector, also known as phone jack, audio jack, headphone jack or jack plug, is a family of electrical connectors typically used for analog audio signals. A plug, the male connector, is inserted into the jack, the female connector. The phone connector was invented for use in telephone switchboards in the 19th century and is still widely used. The phone connector is cylindrical in shape, with a grooved tip to retain it. In its original audio configuration, it typically has two, three, four or, occasionally, five contacts. Three-contact versions are known as ''TRS connectors'', where ''T'' stands for "tip", ''R'' stands for "ring" and ''S'' stands for "sleeve". Ring contacts are typically the same diameter as the sleeve, the long shank. Similarly, two-, four- and five-contact versions are called ''TS'', ''TRRS'' and ''TRRRS connectors'' respectively. The outside diameter of the "sleeve" conductor is . The "mini" connector has a diameter of and the "sub-mini" co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
