Roland SC-8850
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Roland SC-8850
The Roland ED SC-8850 ( Sound Canvas) is a GS-compatible MIDI sound module released in 1999 by Roland under the name RolandED. The SC-8850 was the first sound module to incorporate the new General MIDI Level 2 standard. The SC-8850 uses a PCM sampling engine based on that of the SC-88 Pro, and supports 128-voice polyphony with 64-part multitimbrality. It came preloaded with the soundsets of all older Sound Canvas models, as well as the CM-32 and MT-32. Aimed at personal computer users, the SC-8850 features 1,703 instrument patches, including the GS sounds and additional GM2 sounds. The selection of effects includes reverb, chorus, and Roland's own Insertion EFX, which adds effects like vibrato, distortion, tremolo, etc. SC-8820 Alongside the SC-8850, Roland released the Roland ED SC-8820, an inexpensive cut-down version of the MIDI module, smaller than the 8850. Both SC-8850 and ED SC-8820 could be rackmounted alongside each other. The Roland SC-8820 model lacks the large LCD s ...
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Roland Corporation
is a Japanese manufacturer of electronic musical instruments, electronic equipment, and software. It was founded by Ikutaro Kakehashi in Osaka on 18 April 1972. In 2005, its headquarters relocated to Hamamatsu in Shizuoka Prefecture. It has factories in Malaysia, Taiwan, Japan, and the United States. As of 31 March 2010, it employed 2,699 people. In 2014, it was subject to a management buyout by its CEO, Junichi Miki, supported by Taiyo Pacific Partners. Roland has manufactured numerous instruments that have had lasting impacts on music, such as the Juno-106 synthesizer, TB-303 bass synthesizer, and TR-808 and TR-909 drum machines. It was also instrumental in the development of MIDI, a standardized means of synchronizing electronic instruments manufactured by different companies. In 2016, ''Fact'' wrote that Roland had arguably had more influence on electronic music than any other company. History 1970s Having created Ace Electronic Industries Inc in 1960, Ikutaro Kakeh ...
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General MIDI
General MIDI (also known as GM or GM 1) is a standardized specification for electronic musical instruments that respond to MIDI messages. GM was developed by the American MIDI Manufacturers Association (MMA) and the Japan MIDI Standards Committee (JMSC) and first published in 1991. The official specification is available in English from the MMA, bound together with the MIDI 1.0 specification, and in Japanese from the Association of Musical Electronic Industry (AMEI). GM imposes several requirements beyond the more abstract MIDI 1.0 specification. While MIDI 1.0 by itself provides a communications protocol which ensures that different instruments can interoperate at a fundamental level — for example, that pressing keys on a MIDI keyboard will cause an attached MIDI sound module to play musical notes — GM goes further in two ways. First, GM requires that all compliant MIDI instruments meet a certain minimal set of features, such as being able to play at least 24 notes simultan ...
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General MIDI Level 2
General MIDI Level 2 or GM2 is a specification for synthesizers which defines several requirements beyond the more abstract MIDI standard and is based on General MIDI and GS extensions. It was adopted in 1999 by the MIDI Manufacturers Association (MMA). General requirements * Number of Notes: 32 simultaneous notes * MIDI Channels: 16 * Simultaneous Melodic Instruments – up to 16 (all Channels) * Simultaneous Percussion Kits – up to 2 (Channel 10/11) Parameters Program and bank change events General MIDI 2 compatible synthesizers access all of the 256 instruments by setting cc#0 (Bank Select MSB) to 121 and using cc#32 (Bank Select LSB) to select the variation bank before a Program Change. Variation bank 0 contains the full GM — that is, General MIDI 1 — sound set. Variations using other bank numbers are new to General MIDI 2, and correspond to variation sounds introduced in Roland GS. Melodic sounds = Piano = = Chromatic Percussion = = Organ = = Guitar = = Bass ...
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Roland GS
Roland GS, or just GS, sometimes expanded as General Standard or General Sound, is a MIDI specification. It requires that all GS-compatible equipment must meet a certain set of features and it documents interpretations of some MIDI commands and bytes sequences, thus defining instrument tones, controllers for sound effects, etc. In addition to the simpler General MIDI standard, GS defines 98 additional tone instruments, 15 more percussion instruments, 8 more drum kits, 3 effects (reverb/chorus/variation) and some other features. The Roland SC-55 was the first synthesizer to support the GS standard. History The GS extensions were first introduced and implemented on Roland Sound Canvas series modules, starting with the Roland SC-55 in 1991. The first model supported 317 instruments, 16 simultaneous melodic voices, 8 percussion voices and a compatibility mode for Roland MT-32 (although it only emulated it and lacked programmability of original MT-32) and gained explosive popularit ...
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Yamaha XG
Yamaha XG (EXtended General MIDI) is an extension to the General MIDI standard, created by Yamaha. It is similar in purpose to the Roland GS standard. Features Relative to General MIDI, XG gained popularity by increasing the number of available instruments from 128 to 480 (361 in some interpretations) with additional 11 drum kit sounds, and introduced a large set of standard controllers and parameters that composers could employ to achieve greater subtlety and realism in their compositions. The XG also has a synthesizer that provides a 32/64 note polyphonic feature which is shared through the supported 16 MIDI channels. XG has a wide range of sounds to form such complex chords and produces a vast variety of lower synthesizer sounds to choose from. History In 1994, Yamaha released the first XG-based product: Yamaha MU80 Tone Generator. In 1995, Yamaha released the first XG-based product for PC users, the DB50XG daughterboard, a Creative Wave Blaster competitor. In 1996, Yamaha ...
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Roland SC-88 Pro
Roland (; frk, *Hrōþiland; lat-med, Hruodlandus or ''Rotholandus''; it, Orlando or ''Rolando''; died 15 August 778) was a Frankish military leader under Charlemagne who became one of the principal figures in the literary cycle known as the Matter of France. The historical Roland was military governor of the Breton March, responsible for defending Francia's frontier against the Bretons. His only historical attestation is in Einhard's '' Vita Karoli Magni'', which notes he was part of the Frankish rearguard killed in retribution by the Basques in Iberia at the Battle of Roncevaux Pass. The story of Roland's death at Roncevaux Pass was embellished in later medieval and Renaissance literature. The first and most famous of these epic treatments was the Old French '' Chanson de Roland'' of the 11th century. Two masterpieces of Italian Renaissance poetry, the '' Orlando Innamorato'' and ''Orlando Furioso'' (by Matteo Maria Boiardo and Ludovico Ariosto respectively), are ...
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Roland Sound Canvas
Roland/Edirol Sound Canvas lineup is a series of General MIDI (GM) based pulse-code modulation (PCM) sound modules and sound cards, primarily intended for computer music usage, created by Japanese manufacturer Roland Corporation. Some models include a serial or USB connection, to a personal computer. Products Sound Canvas In some cases also sold as "Edirol" rather than "Roland" as the brand name. Sound Canvas Personal Computer Products Computer Music Products Sound Canvas and Keyboard The following combine a sound canvas module with a built in MIDI keyboard Edirol Roland sold GM/GS products under its Edirol brand. The samples contained in the ROMs of these units do not in all cases mirror the original SC-7 / SC-55 GM/GS samples. GM2 is downward compatible with GM. The SD line was also sold under the "Roland" brand. Virtual Sound Canvas There is also the VSC, Virtual Sound Canvas, range of PC software which provide GM and GS synthesis on Windows PCs. Many ver ...
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MIDI
MIDI (; Musical Instrument Digital Interface) is a technical standard that describes a communications protocol, digital interface, and electrical connectors that connect a wide variety of electronic musical instruments, computers, and related audio devices for playing, editing, and recording music. The specification originates in the paper ''Universal Synthesizer Interface'' published by Dave Smith and Chet Wood of Sequential Circuits at the 1981 Audio Engineering Society conference in New York City. A single MIDI cable can carry up to sixteen channels of MIDI data, each of which can be routed to a separate device. Each interaction with a key, button, knob or slider is converted into a MIDI event, which specifies musical instructions, such as a note's pitch, timing and loudness. One common MIDI application is to play a MIDI keyboard or other controller and use it to trigger a digital sound module (which contains synthesized musical sounds) to generate sounds, which t ...
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Sound Module
A sound module is an electronic musical instrument without a human-playable interface such as a piano-style musical keyboard. Sound modules have to be operated using an externally connected device, which is often a MIDI controller, of which the most common type is the musical keyboard. Another common way of controlling a sound module is through a sequencer, which is computer hardware or software designed to record and playback control information for sound-generating hardware. Connections between sound modules, controllers, and sequencers are generally made with MIDI (Musical Instrument Digital Interface), which is a standardized interface designed for this purpose. Sound modules are often rack-mountable, but are also produced in table-top form factor, particularly when the intended user is a DJ or record producer. The height of a sound module is often described in rack units. Small sound modules are mostly 1U in height, the larger models a multiplication e.g. 2U or 3U. Desp ...
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Personal Computer
A personal computer (PC) is a multi-purpose microcomputer whose size, capabilities, and price make it feasible for individual use. Personal computers are intended to be operated directly by an end user, rather than by a computer expert or technician. Unlike large, costly minicomputers and mainframes, time-sharing by many people at the same time is not used with personal computers. Primarily in the late 1970s and 1980s, the term home computer was also used. Institutional or corporate computer owners in the 1960s had to write their own programs to do any useful work with the machines. While personal computer users may develop their own applications, usually these systems run commercial software, free-of-charge software ("freeware"), which is most often proprietary, or free and open-source software, which is provided in "ready-to-run", or binary, form. Software for personal computers is typically developed and distributed independently from the hardware or operating system ma ...
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Patch (synthesizer)
A synthesizer (also spelled synthesiser) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II, which was controlled with punch cards and used hundreds of vacuum tubes. The Moog synthesizer, developed by Robert Moog and first sold in 1964, ...
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Roland SC-55
The Roland SC-55 (Roland Sound Canvas, Sound Canvas) is a Roland GS, GS MIDI sound module released in 1991 by Roland Corporation, Roland. The SC-55 was the first sound module to incorporate the new General MIDI standard. It was the first in the Roland Sound Canvas series. The SC-55 used both Pulse-code modulation, PCM and a cut-down version of the Linear Arithmetic synthesis, LA synthesis engine, to support 24-voice polyphony with 16-part multitimbrality. It came preloaded with the Roland MT-32's variation bank, but lacked the MT-32's re-programmability. Aimed at PC music enthusiasts, the SC-55 featured 317 instrument patches, including the GS drum kits and additional controllers. The selection of effects includes Reverberation, reverb and Chorus effect, chorus. Alongside the SC-55, Roland released the Roland SB-55, SB-55 (Sound Brush), an inexpensive MIDI music sequencer, sequencer module the same size as the Sound Canvas. Both the Sound Canvas and Sound Brush could be rackmount ...
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