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Roland D-50
The Roland D-50 is a synthesizer produced by Roland and released in April 1987. Its features include subtractive synthesis, on-board effects, a joystick for data manipulation, and an analogue synthesis-styled layout design. The external Roland PG-1000 (1987-1990) programmer could also be attached to the D-50 for more complex manipulation of its sounds. It was also produced in a rack-mount variant design, the D-550 (1987-1990), with almost 450 user-adjustable parameters. The D-50's capabilities could be modified through the addition of third-party products by Musitronics, most notably the M-EX which made the D-50 multitimbral (the D-50 was bi-timbral) and expanded the patch memory, as well as a chip that improved the D-50's response to incoming MIDI commands. The D-50 was used in popular music by many artists including Jean-Michel Jarre, Prince, Sting, Michael Jackson, Queen, and Enya. History The D-50 was the first affordable synthesizer to combine sample playback with subtrac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland Corporation
is a Japanese manufacturer of electronic musical instruments, electronic equipment, and software. It was founded by Ikutaro Kakehashi in Osaka on 18 April 1972. In 2005, its headquarters relocated to Hamamatsu in Shizuoka Prefecture. It has factories in Malaysia, Taiwan, Japan, and the United States. As of 31 March 2010, it employed 2,699 people. In 2014, it was subject to a management buyout by its CEO, Junichi Miki, supported by Taiyo Pacific Partners. Roland has manufactured numerous instruments that have had lasting impacts on music, such as the Juno-106 synthesizer, TB-303 bass synthesizer, and TR-808 and TR-909 drum machines. It was also instrumental in the development of MIDI, a standardized means of synchronizing electronic instruments manufactured by different companies. In 2016, ''Fact'' wrote that Roland had arguably had more influence on electronic music than any other company. History 1970s Having created Ace Electronic Industries Inc in 1960, Ikutaro Kakeh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sampling (signal Processing)
In signal processing, sampling is the reduction of a continuous-time signal to a discrete-time signal. A common example is the conversion of a sound wave to a sequence of "samples". A sample is a value of the signal at a point in time and/or space; this definition differs from the usage in statistics, which refers to a set of such values. A sampler is a subsystem or operation that extracts samples from a continuous signal. A theoretical ideal sampler produces samples equivalent to the instantaneous value of the continuous signal at the desired points. The original signal can be reconstructed from a sequence of samples, up to the Nyquist limit, by passing the sequence of samples through a type of low-pass filter called a reconstruction filter. Theory Functions of space, time, or any other dimension can be sampled, and similarly in two or more dimensions. For functions that vary with time, let ''S''(''t'') be a continuous function (or "signal") to be sampled, and let samp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Virtual Studio Technology
Virtual Studio Technology (VST) is an audio plug-in software interface that integrates software synthesizers and effects units into digital audio workstations. VST and similar technologies use digital signal processing to simulate traditional recording studio hardware in software. Thousands of plugins exist, both commercial and freeware, and many audio applications support VST under license from its creator, Steinberg. Overview VST Plug-in (computing), plugins generally run within a digital audio workstation (DAW), to provide additional functionality, though a few standalone plugin hosts exist that support VST. Most VST plugins are either instruments (VSTi) or effects (VSTfx), although other categories exist—for example spectrum analyzers and various meters. VST plugins usually provide a custom graphical user interface that displays controls similar to physical switches and knobs on audio hardware. Some (often older) plugins rely on the host application for their user interfac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland D-05
The Roland D-05 is a synthesizer first manufactured in 2017. It is a smaller version of the Roland D-50 which was produced in 1987. The D-05 is part of the Roland's Boutique range of new and recreated synths. This particular Boutique module has additional functionality compared to its bigger brother. There is the addition of a Micro USB port that MIDI and audio from the unit can both be transmitted to and from a connected computer. Extra features Extra features include an arpeggiator A synthesizer (also spelled synthesiser) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and f ... and a 64 step sequencer, sequence shuffle and has gate timing along with tempo and patch changes. Portability The unit can be powered by batteries or from the USB port. Along with the optional K25m module and utilizing the D-05's built in speak ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Miracle (song)
"The Miracle" is the fifth and final single from Queen's 1989 studio album of the same name. It was composed by the entire band, though Freddie Mercury and John Deacon were the main writers. It was released as a single on 27 November 1989 and it was the band's final single release of the 1980s. Composition The idea for the song came from Freddie Mercury and John Deacon, who wrote the basic chord structure for the song. All four contributed to the lyrics and musical ideas, and the song was still credited to the entire band because they had agreed to do so during the album recording, regardless of who had been the actual writer. While both Mercury and May regarded this as one of their favourites, Taylor said in the audio commentary of Greatest Video Hits II that although it was not a favourite of his, he respected it as "an incredibly complex track". The song describes several of "God's creations, great and small", such as great buildings like the Golden Gate Bridge, the Taj Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orinoco Flow
"Orinoco Flow", also released as "Orinoco Flow (Sail Away)", is a song by Irish singer-songwriter Enya from her second studio album, ''Watermark'' (1988). It was released on 3 October 1988 by WEA Records in the United Kingdom and by Geffen Records in the United States the following year. The song topped the UK Singles Chart for three weeks and received two Grammy Award nominations for Best Music Video and Best New Age Performance at the 32nd Annual Grammy Awards. ''The Guardian'' ranked "Orinoco Flow" number 77 in its list of the 100 greatest UK number-one singles of all time in 2020. Background The song was released as the lead single from Enya's studio album ''Watermark'' on 3 October 1988. It became a global success, reaching number one in several countries, including Belgium, Ireland, the Netherlands, Switzerland and the United Kingdom, where it stayed at the top of the UK Singles Chart for three weeks. In the United States, the song peaked at number 24 on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Englishman In New York
"Englishman in New York" is a song by English singer-songwriter Sting, from his second studio album '' ...Nothing Like the Sun'', released in October 1987. Branford Marsalis played soprano saxophone on the track, while the drums were played by Manu Katché and the percussion by Mino Cinélu. The single was released in February 1988 as the third single from the album, but only reached No. 51 on the UK Singles Chart. In the US, "Englishman in New York" peaked at No. 84 on the ''Billboard'' Hot 100 chart in April 1988 and reached No. 32 on the ''Billboard'' Mainstream Rock chart that same month. However, the single was more successful in continental Europe, becoming a hit in several countries, reaching the top 40 in France, the Netherlands, Spain, and Belgium. "Englishman in New York" was also a top 20 hit in Ireland. In South Africa, it peaked at No. 9. In 1990, just prior to the release of his third studio album ''The Soul Cages'', Sting's record label licensed Dutch DJ and prod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
General MIDI
General MIDI (also known as GM or GM 1) is a standardized specification for electronic musical instruments that respond to MIDI messages. GM was developed by the American MIDI Manufacturers Association (MMA) and the Japan MIDI Standards Committee (JMSC) and first published in 1991. The official specification is available in English from the MMA, bound together with the MIDI 1.0 specification, and in Japanese from the Association of Musical Electronic Industry (AMEI). GM imposes several requirements beyond the more abstract MIDI 1.0 specification. While MIDI 1.0 by itself provides a communications protocol which ensures that different instruments can interoperate at a fundamental level — for example, that pressing keys on a MIDI keyboard will cause an attached MIDI sound module to play musical notes — GM goes further in two ways. First, GM requires that all compliant MIDI instruments meet a certain minimal set of features, such as being able to play at least 24 notes simultan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eric Persing
Eric Persing is an american sound designer, professional synthesist and producer based in Los Angeles, California. He is best known as the Founder and Creative Director of the music software and virtual instrument company Spectrasonics. He has been a major contributor to all of Spectrasonics' products, including Omnisphere, Keyscape, Stylus RMX, Trilian, Atmosphere and Trilogy. Persing started working for the Roland Corporation as Chief Sound Designer from 1984 to 2004, where he worked on many influential synthesizers and music-related products such as the Roland D-50, the JD-800, the Roland JX, JV, JP, XP series synthesizers and many others. Even today, his sounds can be heard in many productions. At the 2011 NAMM Show, as part of a joint promotion with the Bob Moog Foundation, Persing exhibited the OMG-1 synthesizer, a unique synthesizer of his own design that integrated a Moog Little Phatty with an Apple Mac Mini and two iPads running virtual instruments, all housed in a cu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Korg Triton
The Korg Triton is a music workstation synthesizer, featuring digital sampling and sequencing, released in 1999. It uses Korg's HI Synthesis tone generator and was eventually available in several model variants with numerous upgrade options. The Triton became renowned as a benchmark of keyboard technology, and has been widely featured in music videos and live concerts. At the NAMM 2007, Korg announced the Korg M3 as its successor. History and pedigree The Korg Triton line is considered the direct descendant of the earlier Korg Trinity line of workstations. The two ranges are aesthetically and functionally very similar. The Triton "Classic" followed the Trinity's naming conventions of the Pro and Pro X being designated to models featuring 76 and 88 keys respectively (that naming system actually started with previous 01/w series, also available with 61 keys (base and -FD models), 76 (01/wPro) and 88 (01/wProX). The original Triton introduced many improvements over the Trinity, li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland VariOS
The Roland VariOS is a production environment with audio editing and sample playback, released by Roland Corporation in 2003. It is based on the technology from the VP-9000 VariPhrase processor, and features the ability to mount two expansion cards. Overview The Roland VariOS is a rack-mounted open-ended variable system module. It is possible to independently manipulate the pitch, time and formant of a sample, add effects and build complete audio-based arrangements—all in a real-time environment and without CPU drain. In addition, the VariOS can emulate analogue synthesisers such as the Roland Jupiter 8 and Roland TB-303. The VariOS can operate as a stand-alone tool or alongside digital audio sequencers using MIDI clock and MTC sync. V-Producer arrangements can be saved as a Standard MIDI File, and processed audio files can be exported in WAV or AIFF format for use in other editors and software. Expansion cards Two expansion cards were released for the VariOS. The VC-1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yamaha DX7
The Yamaha DX7 is a synthesizer manufactured by the Yamaha Corporation from 1983 to 1989. It was the first successful digital synthesizer and is one of the best-selling synthesizers in history, selling more than 200,000 units. In the early 1980s, the synthesizer market was dominated by analog synthesizers. Frequency modulation synthesis, FM synthesis, a means of generating sounds via frequency modulation, was developed by John Chowning at Stanford University, California. FM synthesis created brighter, "glassier" sounds, and could better imitate acoustic sounds such as brass. Yamaha licensed the technology to create the DX7, combining it with very-large-scale integration chips to lower manufacturing costs. With its complex menus and lack of conventional controls, few learned to program the DX7 in depth. However, its preset sounds became staples of 1980s pop music, used by artists including A-ha, Kenny Loggins, Kool & the Gang, Whitney Houston, Chicago (band), Chicago, Phil Collin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
