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Robert Nagy (tenor)
Robert Nagy (March 3, 1929 – November 7, 2008) was an American operatic tenor who had a lengthy and fruitful association with the Metropolitan Opera that lasted for three decades. His association with the Met began when he won the Metropolitan Opera National Council Auditions in 1956. He mostly portrayed comprimario roles at the Met where his most memorable early role was the Messenger in ''Aida'', a role he sang 172 times for the company. He notably sang in the world premieres of two operas by Samuel Barber at the Met: ''Vanessa (opera), Vanessa'' (1958) and ''Antony and Cleopatra (opera), Antony and Cleopatra'' (1966). He also sang in the company premieres of ''Die Frau ohne Schatten'' (1966), ''Billy Budd (opera), Billy Budd'' (1978) and ''L'enfant et les sortilèges'' (1981). Although Nagy specialized in supporting roles, he also portrayed several leading parts at the Met, among them Florestan in ''Fidelio'', Herodes in ''Salome (opera), Salome'', the Kaiser in ''Die Frau ohn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salome (opera)
''Salome'', Op. 54, is an opera in one act by Richard Strauss. The libretto is Hedwig Lachmann's German translation of the 1891 French play '' Salomé'' by Oscar Wilde, edited by the composer. Strauss dedicated the opera to his friend Sir Edgar Speyer. The opera is famous (at the time of its premiere, infamous) for its " Dance of the Seven Veils". The final scene is frequently heard as a concert-piece for dramatic sopranos. Composition history Oscar Wilde originally wrote his ''Salomé'' in French. Strauss saw the Lachmann version of the play in Max Reinhardt's production at the Kleines Theater in Berlin on 15 November 1902, and immediately set to work on an opera. The play's formal structure was well-suited to musical adaptation. Wilde himself described ''Salomé'' as containing "refrains whose recurring ''motifs'' make it so like a piece of music and bind it together as a ballad". Strauss pared down Lachmann's German text to what he saw as its essentials, and in the process r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Winners Of The Metropolitan Opera National Council Auditions
Winners Merchants International L.P is a chain of off-price Canadian department stores owned by TJX Companies. It offers brand name clothing, footwear, bedding, furniture, fine jewelry, beauty products, and housewares. Products are at a 20-60% discount rate and the stores generally do not carry the same merchandise for an entire season. The firm does not sell online. Its market niche is similar to the American store TJ Maxx, and it is a partnered retailer to department stores HomeSense and Marshalls. History In 1982, Winners was founded in Toronto, Ontario by David Margolis and Neil Rosenberg. It was one of the first off-price department stores in Canada. In 1990, it merged with TJX Companies, the world's largest off-price department store owner. Since late 2001, Winners stores have been paired with HomeSense, a home accessory retailer, modelled on TJX's American HomeGoods stores. Winners acquired the struggling "Labels" brand from Dylex in 2001. Labels had been meant to c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Operatic Tenors
American(s) may refer to: * American, something of, from, or related to the United States of America, commonly known as the "United States" or "America" ** Americans, citizens and nationals of the United States of America ** American ancestry, people who self-identify their ancestry as "American" ** American English, the set of varieties of the English language native to the United States ** Native Americans in the United States, indigenous peoples of the United States * American, something of, from, or related to the Americas, also known as "America" ** Indigenous peoples of the Americas * American (word), for analysis and history of the meanings in various contexts Organizations * American Airlines, U.S.-based airline headquartered in Fort Worth, Texas * American Athletic Conference, an American college athletic conference * American Recordings (record label), a record label previously known as Def American * American University, in Washington, D.C. Sports teams Soccer * Ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2008 Deaths
This is a list of deaths of notable people, organised by year. New deaths articles are added to their respective month (e.g., Deaths in ) and then linked here. 2022 2021 2020 2019 2018 2017 2016 2015 2014 2013 2012 2011 2010 2009 2008 2007 2006 2005 2004 2003 2002 2001 2000 1999 1998 1997 1996 1995 1994 1993 1992 1991 1990 1989 1988 1987 See also * Lists of deaths by day The following pages, corresponding to the Gregorian calendar, list the historical events, births, deaths, and holidays and observances of the specified day of the year: Footnotes See also * Leap year * List of calendars * List of non-standard ... * Deaths by year {{DEFAULTSORT:deaths by year ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1929 Births
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album '' Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slip ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Metropolitan Opera Centennial Gala
''The Metropolitan Opera Centennial Gala'' was a televised concert, lasting more than eight hours, that New York City's Metropolitan Opera staged on 22 October 1983 to commemorate the hundredth anniversary of its first performance. A 230-minute selection of excerpts from the concert was first released in 1985 on a pair of Pioneer Artists Laserdiscs, subsequently appearing on a pair of Bel Canto Paramount Home Video VHS videocassettes in 1989 and on a Pioneer Classics DVD in 1998. A remastered double DVD of the film was issued by Deutsche Grammophon in 2009. Background The Metropolitan Opera's first performance was given on 22 October 1883 at its former home on the junction of Broadway and 39th Street in New York City: a staging of Charles Gounod's ''Faust'' starring Italo Campanini in the title role and Christine Nilsson as Marguerite. With the one hundredth anniversary of that occasion chancing to fall on a Saturday, the Met chose to commemorate its centenary with a two-part gala ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norman Treigle
Norman Treigle (né Adanelle Wilfred Treigle (March 6, 1927February 16, 1975) was an American operatic bass-baritone, who was acclaimed for his great abilities as a singing-actor, and specialized in roles that evoked villainy and terror. Biography Treigle ( ) was born in New Orleans, the fifth and final child of a poor carpenter and his wife. Following his 1946 marriage to the former Loraine Siegel, the bass-baritone began vocal studies with the contralto Elisabeth Wood. In 1947, he made his operatic debut with the New Orleans Opera Association, as the Duke of Verona in '' Roméo et Juliette''. Between 1949 and 1951, he attended Loyola University of the South's College of Music, while performing various roles with the local opera company. ( Loyola's archives now preserve Treigle's personal papers.) In 1953, Treigle made his New York City Opera debut, as Colline in ''La bohème''. Three years later, the bass-baritone scored his first significant success, as the tormented Reve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tito Capobianco
Tito Capobianco (28 August 1931 – 8 September 2018) was an Argentine American stage director and general manager of several opera companies. Early life Capobianco was born in La Plata, Argentina. His parents had fled from Fascist Italy in 1928 and settled in La Plata, near Buenos Aires. His parents were both musical; his father played trumpet in the local symphonic band. He grew up speaking Italian (a later advantage in the opera world) and attended a bilingual Spanish-Italian school until 4th grade. He continued his musical education at ''Hermanos Maristas de la Enseñanza'' and St. Joseph's College. He then qualified for the chorus and opera school of the Teatro Argentino de La Plata, where he graduated from being a super to singing baritone roles; he also learned stage managing. Career He made his official debut with ''Aida'' at the Teatro Argentino de La Plata in 1953, then worked at the Teatro Colón in Buenos Aires. His American debut came in 1962 with a production of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New York City Opera
The New York City Opera (NYCO) is an American opera company located in Manhattan in New York City. The company has been active from 1943 through 2013 (when it filed for bankruptcy), and again since 2016 when it was revived. The opera company, dubbed "the people's opera" by New York Mayor Fiorello La Guardia, was founded in 1943. The company's stated purpose was to make opera accessible to a wide audience at a reasonable ticket price. It also sought to produce an innovative choice of repertory, and provide a home for American singers and composers. The company was originally housed at the New York City Center theater on West 55th Street in Manhattan. It later became part of the Lincoln Center for the Performing Arts at the New York State Theater from 1966 to 2010. During this time it produced autumn and spring seasons of opera in repertory, and maintained extensive education and outreach programs, offering arts-in-education programs to 4,000 students in over 30 schools. In 2011, th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera News
''Opera News'' is an American classical music magazine. It has been published since 1936 by the Metropolitan Opera Guild, a non-profit organization located at Lincoln Center which was founded to engender the appreciation of opera and also support the Metropolitan Opera of New York City. ''Opera News'' was initially focused primarily on the Met, particularly providing information for listeners of the Saturday afternoon live Metropolitan Opera radio broadcasts. Over the years, the magazine has broadened its scope to include the larger American and international opera scenes. Currently published monthly, ''Opera News'' offers opera related feature articles; artist interviews; production profiles; musicological pieces; music-business reportage; reviews of performances in the United States and Europe; reviews of recordings, videos, books and audio equipment; and listings of opera performances in the U.S. The Editor-in-Chief is currently F. Paul Driscoll. Regular contributors to the mag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wozzeck
''Wozzeck'' () is the first opera by the Austrian composer Alban Berg. It was composed between 1914 and 1922 and first performed in 1925. The opera is based on the drama ''Woyzeck'', which the German playwright Georg Büchner left incomplete at his death. Berg attended the first production in Vienna of Büchner's play on 5 May 1914, and knew at once that he wanted to base an opera on it. (At the time, the play was still known as ''Wozzeck'', due to an incorrect transcription by Karl Emil Franzos, who was working from a barely-legible manuscript; the correct title would not emerge until 1921.) From the fragments of unordered scenes left by Büchner, Berg selected 15 to form a compact structure of three acts with five scenes each. He adapted the libretto himself, retaining "the essential character of the play, with its many short scenes, its abrupt and sometimes brutal language, and its stark, if haunted, realism..." The plot depicts the everyday lives of soldiers and the townspeopl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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