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Robert Evett
Robert Evett (16 October 1874 – 15 January 1949) was an English singer, actor, theatre manager and producer. He was best known as a leading man in Edwardian musical comedies and later managed the George Edwardes theatrical empire. In 1892, at age 18, Evett joined the D'Oyly Carte Opera Company on tour in leading tenor roles. Six years later, he was starring in the company's London cast at the Savoy Theatre, where he stayed until the company left the Savoy in 1903. He soon began to appear in Edwardian musicals in the West End, first in ''The Earl and the Girl'' (1903). He continued to star in musicals and operettas for the next decade, including in ''The Little Michus'' (1905), ''The Merry Widow'' (1907), ''A Waltz Dream'' (1908) and '' The Girl in the Train'' (1910). In 1913 and 1914, he performed on Broadway. He also lent his voice to early acoustic recordings of songs. Upon the death of the famous producer George Edwardes in 1915, Evett returned to England; there he be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Evett, FH3380
The name Robert is an ancient Germanic given name, from Proto-Germanic "fame" and "bright" (''Hrōþiberhtaz''). Compare Old Dutch ''Robrecht'' and Old High German ''Hrodebert'' (a compound of ''Hrōþ, Hruod'' ( non, Hróðr) "fame, glory, honour, praise, renown" and ''berht'' "bright, light, shining"). It is the second most frequently used given name of ancient Germanic origin. It is also in use Robert (surname), as a surname. Another commonly used form of the name is Rupert (name), Rupert. After becoming widely used in Continental Europe it entered England in its Old French form ''Robert'', where an Old English cognate form (''Hrēodbēorht'', ''Hrodberht'', ''Hrēodbēorð'', ''Hrœdbœrð'', ''Hrœdberð'', ''Hrōðberχtŕ'') had existed before the Norman Conquest. The feminine version is Roberta (given name), Roberta. The Italian, Portuguese, and Spanish form is Roberto (given name), Roberto. Robert is also a common name in many Germanic languages, including English ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iolanthe
''Iolanthe; or, The Peer and the Peri'' () is a comic opera with music by Arthur Sullivan and libretto by W. S. Gilbert, first performed in 1882. It is one of the Savoy operas and is the seventh of fourteen operatic collaborations by Gilbert and Sullivan. In the opera, the fairy Iolanthe has been banished from fairyland because she married a mortal; this is forbidden by fairy law. Her son, Strephon, is an Arcadia (utopia), Arcadian shepherd who wants to marry Phyllis, a Ward (law), Ward of Court of Chancery, Chancery. All the members of the House of Lords, House of Peers also want to marry Phyllis. When Phyllis sees Strephon hugging a young woman (not knowing that it is his mother – immortal fairies all appear young), she assumes the worst and sets off a climactic confrontation between the peers and the fairies. The opera satire, satirises many aspects of British government, law and society. The confrontation between the fairies and the peers is a version of one of Gilbert's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Patience (opera)
''Patience; or, Bunthorne's Bride'', is a comic opera in two acts with music by Arthur Sullivan and libretto by W. S. Gilbert. The opera is a satire on the aesthetic movement of the 1870s and '80s in England and, more broadly, on fads, superficiality, vanity, hypocrisy and pretentiousness; it also satirises romantic love, rural simplicity and military bluster. First performed at the Opera Comique, London, on 23 April 1881, ''Patience'' moved to the 1,292-seat Savoy Theatre on 10 October 1881, where it was the first theatrical production in the world to be lit entirely by electric light. Henceforth, the Gilbert and Sullivan comic operas would be known as the Savoy Operas, and both fans and performers of Gilbert and Sullivan would come to be known as "Savoyards." ''Patience'' was the sixth operatic collaboration of fourteen between Gilbert and Sullivan. It ran for a total of 578 performances, which was seven more than the authors' earlier work, ''H.M.S. Pinafore'', and the seco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Pirates Of Penzance
''The Pirates of Penzance; or, The Slave of Duty'' is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert, W. S. Gilbert. Its official premiere was at the Fifth Avenue Theatre in New York City on 31 December 1879, where it was well received by both audiences and critics. Its London debut was on 3 April 1880, at the Opera Comique, where it ran for 363 performances. The story concerns Frederic, who, having completed his 21st year, is released from his apprenticeship to a band of tender-hearted pirates. He meets the daughters of Major-General Stanley, including Mabel, and the two young people fall instantly in love. Frederic soon learns, however, that he was born on the 29th of February, and so, technically, he has a birthday only once each leap year. His indenture specifies that he remain apprenticed to the pirates until his "twenty-first birthday", meaning that he must serve for another 63 years. Bound by his own sense of duty, Freder ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Sorcerer
''The Sorcerer'' is a two-act comic opera, with a libretto by W. S. Gilbert and music by Arthur Sullivan. It was the British duo's third operatic collaboration. The plot of ''The Sorcerer'' is based on a Christmas story, ''An Elixir of Love'', that Gilbert wrote for ''The Graphic'' magazine in 1876. A young man, Alexis, is obsessed with the idea of love levelling all ranks and social distinctions. To promote his beliefs, he invites the proprietor of J. W. Wells & Co., Family Sorcerers, to brew a love potion. This causes everyone in the village to fall in love with the first person they see and results in the pairing of comically mismatched couples. In the end, Wells must sacrifice his life to break the spell. The opera opened on 17 November 1877 at the Opera Comique in London, where it ran for 178 performances. It was considered a success by the standards of that time and encouraged the collaborators to write their next opera, ''H.M.S. Pinafore''. ''The Sorcerer'' was r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Grand Duke
''The Grand Duke; or, The Statutory Duel'', is the final Savoy Opera written by librettist W. S. Gilbert and composer Arthur Sullivan, their fourteenth and last opera together. It premiered at the Savoy Theatre on 7 March 1896, and ran for 123 performances. Despite a successful opening night, the production had a relatively short run and was the partnership's only financial failure, and the two men never worked together again. In recent decades, the opera has been revived professionally, first in the US and then in the UK. In ''The Grand Duke'', Gilbert and Sullivan come full circle, back to the theme of their first collaboration, ''Thespis (opera), Thespis'': a troupe of actors taking political power. The plot hinges on the mis-interpretation of a 100-year-old law regarding statutory duels (decided by drawing cards). The baffled leading man of the troupe, Ludwig, spearheads the rebellion against the hypochondriac, miserly Grand Duke and becomes engaged to four different w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Princess Ida
''Princess Ida; or, Castle Adamant'' is a comic opera with music by Arthur Sullivan and libretto by W. S. Gilbert. It was their eighth operatic collaboration of fourteen. ''Princess Ida'' opened at the Savoy Theatre on 5 January 1884, for a run of 246 performances. The piece concerns a princess who founds a women's university and teaches that women are superior to men and should rule in their stead. The prince to whom she had been married in infancy sneaks into the university, together with two friends, with the aim of collecting his bride. They disguise themselves as women students, but are discovered, and all soon face a literal war between the sexes. The opera satirizes feminism, women's college, women's education and Charles Darwin, Darwinian evolution, which were controversial topics in conservative Victorian era, Victorian England. ''Princess Ida'' is based on a narrative poem by Alfred, Lord Tennyson called ''The Princess (Tennyson poem), The Princess'' (1847), and Gilb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cox And Box
''Cox and Box; or, The Long-Lost Brothers'', is a one-act comic opera with a libretto by F. C. Burnand and music by Arthur Sullivan, based on the 1847 farce '' Box and Cox'' by John Maddison Morton. It was Sullivan's first successful comic opera. The story concerns a landlord who lets a room to two lodgers, one who works at night and one who works during the day. When one of them has the day off, they meet each other in the room and tempers flare. Sullivan wrote this piece five years before his first opera with W. S. Gilbert, '' Thespis''. The piece premiered in 1866 and was seen a few times at charity benefits in 1867. Once given a professional production in 1869, it became popular, running for 264 performances and enjoying many revivals and further charity performances. During the 20th century, it was frequently played by the D'Oyly Carte Opera Company in an abridged version, as a curtain raiser for the shorter Gilbert and Sullivan operas. It has been played by numerous pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Chieftain
''The Chieftain'' is a two-act comic opera by Arthur Sullivan and F. C. Burnand based on their 1867 opera, ''The Contrabandista''. It consists of substantially the same first act as the 1867 work with a completely new second act. It premiered at the Savoy Theatre on December 12, 1894, under the management of Richard D'Oyly Carte, for a run of 97 performances (by Sullivan's standards, a flop). The opening cast included Florence St. John, Courtice Pounds, Walter Passmore, Richard Temple, Scott Russell, Florence Perry, Emmie Owen, R. Scott Fishe and Rosina Brandram. Background In 1894, impresario Richard D'Oyly Carte needed a new piece for the Savoy Theatre. Gilbert and Sullivan's ''Utopia Limited'' had closed in June after a comparatively short (by G&S standards) nine-month run. André Messager's '' Mirette'' was an unsuccessful stop-gap, and Carte had to close the theatre in August. Desperate for a new work, he commissioned Sullivan and Burnand to patch up ''The Contrabandist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mirette (opera)
''Mirette'' is an opéra comique in three acts composed by André Messager, first produced at the Savoy Theatre, London, on 3 July 1894. ''Mirette'' exists in two distinct versions. The first version of the libretto was written in French by Michel Carré but this was never performed. English lyrics were written by Frederic E. Weatherly, and English dialogue based on the Carré libretto was written by Harry Greenbank. This first English version of the opera ran for 41 performances, closing on 11 August 1894. This was the shortest run of any opera produced at the Savoy Theatre under the management of Richard D'Oyly Carte. The second version, advertised as a "new version with new lyrics by Adrian Ross," ran for 61 performances, from 6 October 1894 to 6 December 1894. Both versions essentially tell the same story, with the second version emphasising comedy over the romance of the first version. The music has been mostly forgotten. However, one song ("Long ago in Alcala") becam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Utopia Limited
''Utopia, Limited; or, The Flowers of Progress'', is a Savoy opera, with music by Arthur Sullivan and libretto by W. S. Gilbert. It was the second-to-last of Gilbert and Sullivan's fourteen collaborations, premiering on 7 October 1893 for a run of 245 performances. It did not achieve the success of most of their earlier productions. Gilbert's libretto Satire, satirises limited liability company, limited liability companies, and particularly the idea that a bankrupt company could leave creditors unpaid without any liability on the part of its owners. It also lampoons the Companies Act 1862, Joint Stock Company Act by imagining the absurd convergence of natural persons (or sovereign nations) with legal commercial entities under the limited companies laws. In addition, it mocks the conceits of the late 19th-century British Empire and several of the nation's beloved institutions. In mocking the adoption by a "barbaric" country of the cultural values of an "advanced" nation, i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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