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Robert De Févin
Robert de Févin (late 15th and early 16th centuries) was a French composer of the Renaissance. He was the brother of Antoine de Févin, a considerably more famous composer at the court of Louis XII of France. Whether he was older or younger than Antoine is not known. Little is known about his life, except that either he was born in Cambrai or Arras, the birthplace of his brother, and his father was an alderman in Arras in 1474. He held the post of ''maître de chapelle'' (chorus master) in Cambrai, to the dukes of Savoy, sometime around 1500; he may even have been born there. References to the "brothers Févin" as composers can be found from the time. Robert may have died before about 1518, as evidenced by a memorial note written on a copy of his ''Missa la sol mi fa re'', which was probably copied around that year. He wrote masses, motets and lamentations, though little of his work has survived. Three masses, a four-voice credo from a mass (the rest of which has been ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Music
Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century '' ars nova'', the Trecento music was treated by musicology as a coda to Medieval music and the new era dated from the rise of triadic harmony and the spread of the ' '' contenance angloise'' ' style from Britain to the Burgundian School. A convenient watershed for its end is the adoption of basso continuo at the beginning of the Baroque period. The period may be roughly subdivided, with an early period corresponding to the career of Guillaume Du Fay (c. 1397–1474) and the cultivation of cantilena style, a middle dominated by Franco-Flemish School and the four-part textures favored by Johannes Ockeghem (1410's or 20's – 1497) and Josquin des Prez (late 1450's – 1521), and culminating during the Counter-Reformation in the florid counterpoint of Pal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marian Antiphon
Marian hymns are Christian songs focused on Mary, mother of Jesus. They are used in both devotional and liturgical services, particularly by the Roman Catholic, Eastern Orthodox, Anglican, and Lutheran churches. They are often used in the month of May devotions. Some have also been adopted as Christmas hymns. Marian hymns are not popular among Protestants, as many Protestants see Marian veneration as idolatry. However, the practice is very common among Christians of Catholic traditions, and a key component of the Eastern Orthodox liturgy. There are many more hymns to Mary within the Eastern Orthodox yearly cycle of liturgy than in Roman Catholic liturgy. The Magnificat hymn (song of the Virgin Mary) is one of the eight most ancient Christian hymns and historian Marjorie Reeves states that it is perhaps the earliest Christian hymn. The Magnificat is named after the opening line in the 4th century Vulgate Bible, based on , and continues to be widely used to date by Roman Catholic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Male Classical Composers
French (french: français(e), link=no) may refer to: * Something of, from, or related to France ** French language, which originated in France, and its various dialects and accents ** French people, a nation and ethnic group identified with France ** French cuisine, cooking traditions and practices Fortnite French places Arts and media * The French (band), a British rock band * "French" (episode), a live-action episode of ''The Super Mario Bros. Super Show!'' * ''Française'' (film), 2008 * French Stewart (born 1964), American actor Other uses * French (surname), a surname (including a list of people with the name) * French (tunic), a particular type of military jacket or tunic used in the Russian Empire and Soviet Union * French's, an American brand of mustard condiment * French catheter scale, a unit of measurement of diameter * French Defence, a chess opening * French kiss, a type of kiss involving the tongue See also * France (other) * Franch, a surname * Fren ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Classical Composers
French (french: français(e), link=no) may refer to: * Something of, from, or related to France ** French language, which originated in France, and its various dialects and accents ** French people, a nation and ethnic group identified with France ** French cuisine, cooking traditions and practices Fortnite French places Arts and media * The French (band), a British rock band * "French" (episode), a live-action episode of ''The Super Mario Bros. Super Show!'' * ''Française'' (film), 2008 * French Stewart (born 1964), American actor Other uses * French (surname), a surname (including a list of people with the name) * French (tunic), a particular type of military jacket or tunic used in the Russian Empire and Soviet Union * French's, an American brand of mustard condiment * French catheter scale, a unit of measurement of diameter * French Defence, a chess opening * French kiss, a type of kiss involving the tongue See also * France (other) * Franch, a surname * Frenc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Composers
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustave Reese
Gustave Reese ( ; 29 November 1899 – 7 September 1977) was an American musicologist and teacher. Reese is known mainly for his work on medieval and Renaissance music, particularly with his two publications ''Music in the Middle Ages'' (1940) and ''Music in the Renaissance'' (1954); these two books remain the standard reference works for these two eras, with complete and precise bibliographical material, allowing for almost every piece of music mentioned to be traced back to a primary source. Early life and education Reese was born in New York City on 29 November 1899. He was an avid scholar and had interests in many areas outside music, including art, architecture, and literature. He studied law at New York University, graduating in 1921. Though he was admitted to the New York State Bar, he opted to re-enroll and pursue a Bachelor of Music from NYU, which he received in 1930. Career In 1927, however, he was already teaching classes at the university in medieval and Renaiss ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medici Codex
The Medici Codex of 1518 is a music book prepared for the Pope Leo X, the second son of Lorenzo the Magnificent of the Medici family, who was pope from 1513 to 1521. The codex contains 53 motets by 21 composers, and was presented to Leo's nephew Lorenzo di Piero de' Medici, Duke of Urbino at his wedding to the French princess Madeleine de La Tour d'Auvergne in 1518. The wedding was held on 2 May 1518 in Amboise, France. The book was given to the nuptial couple at their triumphant return to Florence on 8 September 1518. Edward Lowinsky, in the three volume facsimile edition (1968) proposed that Jean Mouton, a leading court composer for French king, Francis I, was the editor.Historical Introduction Edward E. Lowinsky 1968 "strengthening our thesis that Mouton was its editor" Ten motets by Jean Mouton were included in the Medici Codex. The book also contains a tribute motet to Leo ''Gaude felix Florentia'' by Andreas de Silva, motets by composers of the Franco-Flemish school, inclu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josquin Des Prez
Josquin Lebloitte dit des Prez ( – 27 August 1521) was a composer of High Renaissance music, who is variously described as French or Franco-Flemish. Considered one of the greatest composers of the Renaissance, he was a central figure of the Franco-Flemish School and had a profound influence on the music of 16th-century Europe. Building on the work of his predecessors Guillaume Du Fay and Johannes Ockeghem, he developed a complex style of expressive—and often imitative—movement between independent voices (polyphony) which informs much of his work. He further emphasized the relationship between text and music, and departed from the early Renaissance tendency towards lengthy melismatic lines on a single syllable, preferring to use shorter, repeated motifs between voices. Josquin was a singer, and his compositions are mainly vocal. They include masses, motets and secular chansons. Josquin's biography has been continually revised by modern scholarship, and remains hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lamentations Of Jeremiah
The Book of Lamentations ( he, אֵיכָה, , from its incipit meaning "how") is a collection of poetic laments for the destruction of Jerusalem in 586 BCE. In the Hebrew Bible it appears in the Ketuvim ("Writings") as one of the Five Megillot (or "Five Scrolls") alongside the Song of Songs, Book of Ruth, Ecclesiastes and the Book of Esther although there is no set order. In the Christian Old Testament it follows the Book of Jeremiah, as the prophet Jeremiah is its traditional author. However, according to modern scholarship, while the destruction of Jerusalem by Babylon in 586/7 BCE forms the background to the poems, they were probably not written by Jeremiah. Most likely, each of the book's chapters was written by a different anonymous poet, and they were then joined to form the book. Some motifs of a traditional Mesopotamian "city lament" are evident in this book, such as mourning the desertion of the city by God, its destruction, and the ultimate return of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoine De Févin
Antoine de Févin (ca. 1470 – late 1511 or early 1512) was a Franco-Flemish composer of the Renaissance. He was active at the same time as Josquin des Prez, and shares many traits with his more famous contemporary. Life Févin was most likely born in Arras, the son of an alderman. His brother Robert de Févin was also a composer. Most likely Antoine left Arras in the late 1480s, though there is no evidence that he went to Italy, the commonest destination for Franco-Flemish composers of the time. In the 1490s it is likely he became a priest (although there is no known documentation of that today), and he also may have obtained a master's degree at a university, since he is commonly known as ''maistre'' later in his life. By 1507, he was working as a singer and composer in the chapelle royale for Louis XII of France, who praised him highly. He died at Blois. The Swiss music theorist and biographer Heinrich Glarean, writing in 1547, noted that Févin was a follower of Josqui ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lamentations (music)
''The Lamentations of Jeremiah the Prophet'' have been set by various composers. Renaissance England Thomas Tallis set the first lesson, and second lesson, of Tenebrae on Maundy Thursday between 1560, and 1569: "when the practice of making musical settings of the Holy Week readings from the Book of Jeremiah enjoyed a brief and distinguished flowering in England (the practice had developed on the continent during the early 15th century)". The lessons are drawn from ''Lamentations'' (Lam. 1, vv.1-2, and Lam. 1, vv.3-5). These famous and notably expressive settings are both ''a'' 5 for ATTBB and employ a sophisticatedly imitative texture. Tallis like many other composers included the following text: * the announcements ''Incipit Lamentatio Ieremiae Prophetae'' ("Here begins the Lamentation of Jeremiah the Prophet"), and ''De Lamentatione Ieremiae Prophetae'' ("From the Lamentation of Jeremiah the Prophet"); * the Hebrew letters ALEPH, BETH, GIMEL, DALETH, and HE, that headed each ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was generally believed the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
