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Robert Bruce (Rossini)
''Robert Bruce'' is an 1846 pastiche opera in three acts, with music by Gioachino Rossini and Louis Niedermeyer to a French-language libretto by Alphonse Royer and Gustave Vaëz. The plot concerns the defeat of the forces of Edward II of England by Robert the Bruce, King of Scots, and is adapted from Walter Scott's ''History of Scotland''. The music was stitched together by Niedermeyer, with the composer's permission, with pieces from ''La donna del lago'', ''Zelmira'', and other Rossini operas. The work was premiered on 30 December 1846, by the Paris Opera at the Salle Le Peletier.Osborne 1986, p. 288. In his second edition (2007), Osborne gives the date of the premiere on p. 137 as 23 December and on p. 357 as 30 December. Weinstock 1968, p. 238, explains that the premiere was originally scheduled for 23 December, which is the date found in the printed libretto, but was postponed to 30 December because the lead mezzo-soprano, Rosine Stoltz, was ill. See also ''Le Ménestrel''v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pasticcio
In music, a ''pasticcio'' or ''pastiche'' is an opera or other musical work composed of works by different composers who may or may not have been working together, or an adaptation or localization of an existing work that is loose, unauthorized, or inauthentic. Etymology The term is first attested in the 16th century referring both to a kind of pie containing meat and pasta (''see pastitsio'') and to a literary mixture; for music, the earliest attestation is 1795 in Italian and 1742 in English. It derives from the post-classical Latin ''pasticium'' (13th century), a pie or pasty.''Oxford English Dictionary'', March 2008 revision, ''s.v.'' pasticcio In opera In the 18th century, opera ''pasticcios'' were frequently made by composers such as Handel, for example ''Oreste'' (1734), ''Alessandro Severo'' (1738) and ''Giove in Argo'' (1739), as well as Gluck, and Johann Christian Bach. These composite works would consist mainly of portions of other composers' work, although they could ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rosine Stoltz
Rosine Stoltz (born Victoire or Victorine Noël) (13 January 1815 – 30 July 1903) was a French mezzo-soprano. A prominent member of the Paris Opéra, she created many leading roles there including Ascanio in Berlioz's '' Benvenuto Cellini'', Marguerite in Auber's '' Le lac des fées'', the title role in '' Marie Stuart'', and two Donizetti heroines, Léonor in ''La favorite'' and Zayda in ''Dom Sébastien''. Early life and training Stoltz was born Victoire Noël on the boulevard du Montparnasse in Paris, the daughter of the concierges Florentin Noël and Clara Stoll. She received her first vocal training as a pensionnaire at the École Royale de Chant et Déclamation directed by Alexandre-Étienne Choron. Early career Just short of her sixteenth birthday she left Choron's school to travel in the Low Countries under the name of Mlle Ternaux. Her principal biographer Gustave Bord speculates that she had run away from the school with the son of the famous merchant of shawls on th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Mazilier
Joseph Mazilier (1 March 1801 in Marseilles – 19 May 1868 in Paris) was a 19th-century French dancer, balletmaster and choreographer. He was born as ''Giulio Mazarini''. He was most noted for his ballets ''Paquita'' (1844) and '' Le Corsaire'' (1856). He created the role of James in ''La Sylphide'' with Marie Taglioni. Marie Guy-Stéphan debuted in ''Aelia et Mysis'' at the Paris Opéra when she moved in 1853 to Paris. Ballets *'' La Gypsy'' (1839) *''La Vendetta'' (1839) *'' Le Diable Amoureux'' (1840) *''Lady Henrietta, or the Servant of Greenwich'' (''Lady Henriette, ou la Servante de Greenwich'') (1944) *'' Le Diable à Quatre'' (1845) *''Paquita'' (1846) *''Betty'' (1846) *''Griseldis, ou les Cinq sens'' (1848) *''Vert-vert'' (''Green-Green'') (1851) *''Orfa'' (1852) *''Aelia et Mysis, ou l'Atellane'' (1853) *''Jovita, ou les Boucaniers'' (1853) *''La Fonti'' (1855) *'' Le Corsaire'' (1856) *''Les Elfes'' (1856) *'' Marco Spada ou La Fille du Bandit'' (1857) *''Une fête ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adèle Dumilâtre
Adèle Alphonsine Dumilâtre (30 June 1821 – 4 May 1909 in Paris) was a French dancer, famous in the days of romantic ballet. After her marriage to Francisco Drake del Castillo she became a Countess. Biography The youngest daughter of Comédie-Française actor Michel Dumilâtre, she studied dance with Charles Petit. Adèle's dancing with the lightness of figure that was in vogue in the 1830s gave her a sense of airiness. She danced in the Ballet of the Paris Opera from 1840 to 1848. She played the role of Myrtha in ''Giselle'' on 28 June 1841, together with Carlotta Grisi and Lucien Petipa. She was also known for her role in the opera ''Martha''. She danced the lead role in ''La Sylphide'' and also in ''Lady Henriette'' (1844). She danced with much success in Milan and London, where she performed Arthur Saint-Léon's '' The Marble Maiden'' in 1845. She performed at Her Majesty's Theatre (1843), the Theatre Royal, Drury Lane (1844–45), and La Scala (1846). ''The Times'' des ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucien Petipa
Lucien Petipa (December 22, 1815 – July 7, 1898) was a French ballet dancer in the early 19th century ( Romantic period), who was the brother of Marius Petipa, the famous ballet master of the Russian Imperial Ballet. He was born in Marseilles and died in Versailles. The son of Jean-Antoine Petipa, he was the original interpreter of many of the principal male roles during the Romantic era, working with choreographers such as Jean Coralli among others. Probably the most known role he created was Albert, duke of Sliesa (later to be known as count Albrecht) in the two-act ballet of ''Giselle'' in 1841, opposite the Italian-born ballerina Carlotta Grisi for whom the ballet was created. Between 1860 and 1868 he was '' maître de ballet'' at the Paris Opera and between 1872 and 1873 he ran the La Monnaie theater in Brussels.Ivor Guest. ''Petipa, (Joseph) Lucien'' oGrove Music Online Notable roles * Albert in ''Giselle'' (1841) * Achmed in '' La Péri'' (1843) Ballets * In 1857 Lucien ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rosine Stoltz As Marie In Robert Bruce - Gallica (adjusted)
Rosine may refer to: * Rosine (given name), list of people and fictional characters with this name * ''Rosine'', a film directed by Christine Carrière awarded a César in 1996 * ''Rosine'' a song by singer Soukous and composer Aurlus Mabélé * Rosine, Kentucky Rosine () is an unincorporated community in Ohio County, Kentucky, Ohio County, Kentucky, United States. Bill Monroe, ''The Father of Bluegrass'', is buried in the community and memorialized with a bronze cast disk affixed to the barn where his m ..., an unincorporated town in Ohio County, United States See also * Dewey Avenue–West Rosine Historic District in St. Joseph, Missouri, United States * Rosin (other) * Rosina (other) * Rose (other) {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maometto II
''Maometto II'' (or ') is an 1820 opera in two acts by Gioachino Rossini to an Italian libretto by Cesare della Valle. Set in the 1470s during a time of war between the Turks and Venetians, the work was commissioned by the Teatro di San Carlo in Naples. Della Valle based his libretto on his earlier play ''Anna Erizo''. The name of the title character, Maometto II, refers to the real-life Ottoman Sultan and conqueror of Constantinople Mehmed II, who lived from 1432 to 1481. Regarded "in some ways s hismost ambitious opera"Brauner, Patricia and Gossett, Philip, "''Maometto II''" in Holden p. 787 and as "the best of Rossini's Neapolitan operas", ''Maometto II'' failed to find an audience in Naples and, "to help ensure tssuccess in Venice and Paris, he smoothed out the most audacious elements of the score". Venice first saw it on 22 December 1822 and then, translated into French and changed significantly, it was presented as ''Le siège de Corinthe'' in 1826. Until the prepara ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mosè In Egitto
''Mosè in Egitto'' (; "''Moses in Egypt''") is a three-act opera written by Gioachino Rossini to an Italian libretto by Andrea Leone Tottola, which was based on a 1760 play by Francesco Ringhieri, ''L'Osiride''. It premièred on 5 March 1818 at the recently reconstructed Teatro San Carlo in Naples, Italy. In 1827 Rossini revised and greatly enlarged the work to a four-act French libretto: ''Moïse et Pharaon, ou Le passage de la Mer Rouge'' (; "''Moses and Pharaoh, or The Crossing of the Red Sea''"). This was written by Luigi Balocchi and Victor-Joseph Étienne de Jouy. The première took place in the Salle Le Peletier of the Paris Opera on 26 March that year. Riccardo Muti and many scholars consider ''Moïse et Pharaon'', along with ''Guillaume Tell'', to be among Rossini's greatest achievements: :I prefer it because Rossini himself preferred it. Don't get me wrong. ''Mosè in Egitto'' is a wonderful opera, but it remains very much a mere sketch for ''Moïse et Pharaon''. An ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Armida (Rossini)
''Armida'' is an opera in three acts by Italian composer Gioachino Rossini to an Italian libretto (''dramma per musica'') by Giovanni Schmidt, based on scenes from ''Jerusalem Delivered, Gerusalemme liberata'' by Torquato Tasso. Performance history ''Armida'' was written to be performed at the Teatro di San Carlo, Naples, on 11 November 1817 to celebrate the opening of the rebuilt opera house, which had been destroyed by fire the previous year. Isabella Colbran sang the title role, which is one of the longest and most demanding that Rossini wrote, with difficult coloratura passages of every kind during the entire opera. The most notable are to be found in "D'amore al dolce impero" during Act 2, in the duets between Armida and Rinaldo, and in parts of the Act 3 finale. The first modern staging took place at the Teatro Comunale Florence, Teatro Comunale of Florence on 26 April 1952, during the Maggio Musicale Fiorentino, with Maria Callas and Francesco Albanese in the leading role ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Torvaldo E Dorliska
''Torvaldo e Dorliska'' is an operatic dramma semiserio in two acts by Gioachino Rossini to an Italian libretto by Cesare Sterbini, based on the novel/memoir ' (1787–1790) by the revolutionary Jean-Baptiste Louvet de Couvrai, whose work was the source of the '' Lodoïska'' libretto set by Luigi Cherubini (1791), and ''Lodoiska'' set by Stephen Storace (1794), and Simon Mayr (1796). ''Torvaldo e Dorliska'' is a rescue opera with an eventual happy ending. The inclusion of buffo roles is the reason for its designation as a 'semiserio' work, similar to Rossini's ''La gazza ladra''. Performance history ''Torvaldo and Dorliska'' was first performed at the Teatro Valle, Rome, on 26 December 1815. It remained in the repertory and appeared in several Italian cities including Venice for the next twenty five years, though it was never a great critical success. While there were no productions staged in London nor New York, it was staged in ten European cities in the ten years after its Ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bianca E Falliero
''Bianca e Falliero, ossia Il consiglio dei tre'' (English: ''Bianca and Falliero, or The Counsel of Three'') is a two-act operatic ''melodramma'' by Gioachino Rossini to an Italian libretto by Felice Romani. The libretto was based on Antoine-Vincent Arnault's play ''Les Vénitiens, ou Blanche et Montcassin''. Performance history The opera premiered on 26 December 1819 at La Scala. Giuseppe Fioravanti, a popular basso buffo of the day and the son of composer Valentino Fioravanti, sang in the premiere.Warrack & West 1992, pp. ? Carolina Bassi, Italian contralto considered one of the best in her day, also created a role in this opera. The work was performed thirty times during the initial season in Milan and was performed throughout Italy and elsewhere to some extent before largely disappearing into obscurity after 1846. It was revived at the Rossini Opera Festival in Pesaro in 1986 with Katia Ricciarelli, Marilyn Horne, and Chris Merritt. The opera is considered very dif ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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