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Rinpa
is one of the major historical schools of Japanese painting. It was created in 17th century Kyoto by Hon'ami Kōetsu (1558–1637) and Tawaraya Sōtatsu (d. c.1643). Roughly fifty years later, the style was consolidated by brothers Ogata Kōrin (1658–1716) and Ogata Kenzan (1663–1743). The term "Rinpa" is an abbreviation consisting of the last syllable from "Kōrin" with the word for (with rendaku changing this to "pa"), coined in the Meiji period. Previously, the style was referred to variously as the , or , or the . History Hon'ami Kōetsu founded an artistic community of craftsmen supported by wealthy merchant patrons of the Nichiren Buddhist sect at Takagamine in northeastern Kyoto in 1615. Both the affluent merchant town elite and the old Kyoto aristocratic families favored arts which followed classical traditions, and Kōetsu obliged by producing numerous works of ceramics, calligraphy and lacquerware. His collaborator, Tawaraya Sōtatsu, maintained an atelier in K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tawaraya Sōtatsu
was a Japanese furniture designer and painter of the Rinpa school. Sōtatsu is best known for his decorations of calligraphic works by his partner Hon'ami Kōetsu (1558–1637), and his spectacular and highly influential ''byōbu'' folding screens, such as National Treasures ''Wind God and Thunder God'' and his painting of the ''Sekiya'' and ''Miotsukushi'' chapters from The Tale of Genji. He also popularized a technique called '' tarashikomi'', in which a second layer of paint is applied before the first layer is dry. He is also credited with co-founding the Rinpa school of Japanese painting, together with Kōetsu.''Bridge of Dreams: the Mary Griggs Burke collection of Japanese art''. (2000) p. 308. ''Rinpa'' was not strictly a school, but a group of artist directly influenced by Sōtatsu and Kōetsu. Some of the most notable Rinpa artists are Ogata Kōrin (1658–1716), Ogata Kenzan (1663–1743) and Sakai Hōitsu (1761–1828). Biography The exact date of Sōtatsu's b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ogata Kōrin
Ogata Kōrin ( ja, 尾形光琳; 1658 – June 2, 1716) was a Japanese landscape illustrator, lacquerer, painter, and textile designer of the Rinpa School. Kōrin is best known for his ''byōbu'' folding screens, such as '' Irises'' and '' Red and White Plum Blossoms'' (both registered National Treasures), and his paintings on ceramics and lacquerware produced by his brother Kenzan (1663–1743). Also a prolific designer, he worked with a variety of decorative and practical objects, such as round fans, ''makie'' writing boxes or ''inrō'' medicine cases. He is also credited with reviving and consolidating the Rinpa school of Japanese painting, fifty years after its foundation by Hon'ami Kōetsu (1558–1637) and Tawaraya Sōtatsu (c. 1570 – c. 1640). In fact the term "Rinpa", coined in the Meiji period, means "school of ōin". In particular he had a lasting influence on Sakai Hōitsu (1761–1828), who replicated many of his paintings and popularized his work, organi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ogata Kenzan
, originally , and also known by the pseudonym Shisui, was a Japanese potter and painter. Biography Ogata Kenzan was born in Kyoto into a rich merchant family. His older brother was the painter Ogata Kōrin (1658–1716). Kenzan studied with the potter Nonomura Ninsei and made his own kiln. In 1712 a nobleman began patronizing his kiln, he moved to the east area of Kyoto. He was one of the greatest ceramicists of the Tokugawa era. He is associated with Kyō ware. In 1713, he moved to Edo where he also spent the rest of his life. Ogata Kenzan produced a distinctive style of freely brushed grasses, blossoms, and birds as decorative motifs for pottery. His pieces were noted for their perfect relation between design and shape. He often collaborated on the decoration of pottery with his older brother, Ogata Kōrin, after whom the style known as Rinpa was named. Bernard Leach Bernard Howell Leach (5 January 1887 – 6 May 1979), was a British studio potter and art teacher. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Painting
is one of the oldest and most highly refined of the Japanese visual arts, encompassing a wide variety of genres and styles. As with the history of Japanese arts in general, the long history of Japanese painting exhibits synthesis and competition between native Japanese aesthetics and the adaptation of imported ideas, mainly from Chinese painting, which was especially influential at a number of points; significant Western influence only comes from the 19th century onwards, beginning at the same time as Japanese art was influencing that of the West. Areas of subject matter where Chinese influence has been repeatedly significant include Buddhist religious painting, ink-wash painting of landscapes in the Chinese literati painting tradition, calligraphy of sinograms, and the painting of animals and plants, especially birds and flowers. However, distinctively Japanese traditions have developed in all these fields. The subject matter that is widely regarded as most characteristic o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yamato-e
is a style of Japanese painting inspired by Tang dynasty paintings and fully developed by the late Heian period. It is considered the classical Japanese style. From the Muromachi period (15th century), the term Yamato-e has been used to distinguish work from contemporary Chinese-style paintings , which were inspired by Chinese Song and Yuan-era ink wash paintings. Characteristic features of Yamato-e include many small figures and careful depictions of details of buildings and other objects, the selection of only some elements of a scene to be fully depicted, the rest either being ignored or covered by a "floating cloud", an oblique view from above showing interiors of buildings as though through a cutaway roof, and very stylised depiction of landscape. Yamato-e very often depict narrative stories, with or without accompanying text, but also show the beauty of nature, with famous places or the four seasons . The pictures are often on scrolls that can be hung on a wall (), hand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Genroku
was a after Jōkyō and before Hōei. The Genroku period spanned the years from the ninth month of 1688 to the third month of 1704. The reigning emperor was .Titsingh, Isaac. (1834). ''Annales des empereurs du japon'', p. 415. The period was known for its peace and prosperity, as the previous hundred years of peace and seclusion in Japan had created relative economic stability. The arts and architecture flourished. There were unanticipated consequences when the shogunate debased the quality of coins as a strategy for financing the appearance of continuing Genroku affluence. This strategic miscalculation caused abrupt inflation. Then, in an effort to solve the ensuing crisis, the introduced what were called the Kyōhō Reforms. Change of era The was 1688. The new era name was created to mark the beginning of the reign of Higashiyama. The previous era ended and the new one commenced in Jōkyō 5, on the 30th day of the 9th month. A sense of optimism is suggested in the era ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Tea Ceremony
The Japanese tea ceremony (known as or ) is a Japanese cultural activity involving the ceremonial preparation and presentation of , powdered green tea, the procedure of which is called . While in the West it is known as "tea ceremony", it is seldom ceremonial in practice. Most often tea is served to family, friends, and associates; religious and ceremonial connotations are overstated in western spaces. While in the West it is known as a form of tea ceremony, in Japan the art and philosophy of tea can be more accurately described as "Teaism" as opposed to focusing on the ceremonial aspect. Zen Buddhism was a primary influence in the development of the culture of Japanese tea. Much less commonly, Japanese tea practice uses leaf tea, primarily , a practice known as . Tea gatherings are classified as either an informal tea gathering () or a formal tea gathering (). A is a relatively simple course of hospitality that includes confections, thin tea, and perhaps a light meal. A is a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toyotomi Hideyoshi
, otherwise known as and , was a Japanese samurai and ''daimyō'' (feudal lord) of the late Sengoku period regarded as the second "Great Unifier" of Japan.Richard Holmes, The World Atlas of Warfare: Military Innovations that Changed the Course of History, Viking Press 1988. p. 68. Hideyoshi rose from a peasant background as a Affinity (medieval), retainer of the prominent lord Oda Nobunaga to become one of the most powerful men in Japan. Hideyoshi succeeded Nobunaga after the Honnō-ji Incident in 1582 and continued Nobunaga's campaign to unite Japan that led to the closing of the Sengoku period. Hideyoshi became the ''de facto'' leader of Japan and acquired the prestigious positions of Daijō-daijin, Chancellor of the Realm and Sesshō and Kampaku, Imperial Regent by the mid-1580s. Hideyoshi launched the Japanese invasions of Korea (1592–1598), Japanese invasions of Korea in 1592 to initial success, but eventual military stalemate damaged his prestige before his death in 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ashikaga Clan
The was a prominent Japanese samurai clan which established the Muromachi shogunate and ruled Japan from roughly 1333 to 1573. The Ashikaga were descended from a branch of the Minamoto clan, deriving originally from the town of Ashikaga in Shimotsuke Province (modern-day Tochigi Prefecture). For about a century the clan was divided in two rival branches, the Kantō Ashikaga, who ruled from Kamakura, and the Kyōto Ashikaga, rulers of Japan. The rivalry ended with the defeat of the first in 1439. The clan had many notable branch clans, including the Hosokawa, Imagawa, Hatakeyama (after 1205), Kira , Shiba, and Hachisuka clans. After the head family of the Minamoto clan died out during the early Kamakura period, the Ashikaga came to style themselves as the head of the Minamoto, co-opting the prestige which came with that name. Another Ashikaga clan, not related by blood, and derived instead from the Fujiwara clan, also existed. History Emperor Go-Daigo 後醍醐天皇 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maeda Clan
was a Japanese samurai clan who occupied most of the Hokuriku region of central Honshū from the end of the Sengoku period through the Meiji restoration of 1868. The Maeda claimed descent from the Sugawara clan of Sugawara no Kiyotomo and Sugawara no Michizane in the eighth and ninth centuries; however, the line of descent is uncertain. The Maeda rose to prominence as ''daimyō'' of Kaga Domain under the Edo period Tokugawa shogunate, which was second only to the Tokugawa clan in ''kokudaka''. Origins "Maeda" is a place name in Kaitō District of western Owari Province, and was the seat of the senior branch of the Maeda clan in the Azuchi-Momoyama period. Maeda Nagatane (1550-1631) entered into the service of Maeda Toshiie, and his descendants became hereditary retainers of the Maeda clan of Kaga Domain. This branch received the ''kazoku'' peerage title of ''danshaku'' (baron) after the Meiji restoration. A cadet branch of the Owari Maeda were given the castle of Arako in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raku Ware
is a type of Japanese pottery traditionally used in Japanese tea ceremonies, most often in the form of ''chawan'' tea bowls. It is traditionally characterised by being hand-shaped rather than thrown, fairly porous vessels, which result from low firing temperatures, lead glazes and the removal of pieces from the kiln while still glowing hot. In the traditional Japanese process, the fired raku piece is removed from the hot kiln and is allowed to cool in the open air. The Western version of raku was developed in the 20th century by studio potters. Typically wares are fired at a high temperature, and after removing pieces from the kiln, the wares are placed in an open-air container filled with combustible material, which is not a traditional Raku practice in Japan. The Western process can give a great variety of colors and surface effects, making it very popular with studio and amateur potters. History In the 16th century, Sen no Rikyū, the Japanese tea master, was involved wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
