Rimon–Milgroim
''Milgroim. Journal for Art and Literature'' ( yi, מילגרױם: צײַטשריפֿט פאַר קונצט און ליטעראטור) was a Yiddish cultural magazine that was published between 1922 and 1924 in Berlin by Rimon. At the same time, the Hebrew language magazine ''Rimon'' was published in a similar format. ''Milgroym'' and ''rimon'' means "pomegranate" in Yiddish and Hebrew, respectively. History Milgroim was founded by Mark Wischnitzer and Rachel Wischnitzer.Delphine Bechtel: ''Milgroym, a Yiddish magazine'', 1997, S. 420–426 Co-editors of the first issue were David Bergelson and Der Nister. Franzisca Baruch and Ernst Böhm designed magazine covers for both editions. Six issues were published, after which the publication was discontinued. The table of contents of the magazine was in Yiddish and in English, each article had a short summary in English. The advertisements for books were written in Russian or Hebrew. The topics presented were taken from European art ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Cold Synagogue, Mogilev
, image = Mahiloŭ, Školišča, Chałodnaja synagoga. Магілёў, Школішча, Халодная сынагога (S. Judovin, 1913).jpg , coordinates = , map_type = Belarus , map_caption = Cold Synagogue in Mogilev , location = Mogilev, Mogilev Region, Belarus , architecture_style = Wooden , completed = 1680 , date_destroyed = 1938 The Cold Synagogue or Školišča Synagogue ( yi, די קאַלטע שול, be, Халодная сінагога на Школішчы) was a wooden synagogue located in Mogilev near the intersection of Vyalikaja Hramadzianskaya (now Grażdanskaya) and Pravaya Naberezhnaya Streets. It was established around 1680. There was a cheder next to the synagogue. The interior was almost entirely covered with magnificent polychromes made in 1740s by the Słuck painter Chaim ben Yitzchak ha-Levi Segal. In the beginning of the 20th century, several ethn ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Franzisca Baruch
Franzisca Baruch ( he, פרנציסקה ברוך; 21 November 1901 – 3 September 1989) was a German–Israeli graphic designer. She is known for designing Hebrew fonts, the cover of the first Israeli passport, the emblem of Jerusalem, and the logo of the ''Ha'aretz'' newspaper. Biography Early life and career in Germany Franzisca Baruch was born in Hamburg, Germany in 1901, and at the age of 17 was admitted to the (State School of Arts and Crafts). Baruch studied decoration, illustration, graphics, and lettering. She attended the graphic and book art class led by Ernst Böhm; she also took private courses in handwriting with Else Marcks-Penzig. In 1920 she won the first prize for designing Christmas plates for the porcelain manufacturer of the Prussian Royal house. A year later, in 1921, she drew the letters for the ''Passover Haggadah'', which was decorated with woodcuts by Jacob Steinhardt. To prepare for that work she studied the medieval Jewish manuscripts and the Pr ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Rachel Wischnitzer
Rachel Bernstein Wischnitzer (German: ''Rahel Wischnitzer-Bernstein''), (April 14, 1885 – November 20, 1989) was a Russian-born architect and art historian. Biography Wischnitzer was born into a middle-class Jewish family in Minsk, in Russian Empire, the daughter of Wladimir and Sophie (Halpern) Bernstein. Rachel's father was for a time in the insurance business. She had one sibling, a younger brother, Gustave, who later became a chemist. She learned Hebrew as a child, and her family observed the major Jewish holidays. After her family moved to Warsaw, she attended a state gymnasium there. At school she became interested in mathematics and the natural sciences. She learned French and German, and took private lessons in Polish. At this time she also developed an interest in Jewish history and culture.Sherman, Claire Richter. "Rachel Wischnitzer: pioneer scholar of Jewish art," ''Woman's Art Journal'', vol. 1, no. 2 (Autumn 1980/Winter 1981), pp. 42-46. Wischnitzer studied at t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Der Nister
Der Nister ( yi, דער נסתּר ֹor דער ניסטער, "the Hidden One"; 1 November 1884 – 4 June 1950 in a Soviet Gulag) was the pseudonym of Pinchus Kahanovich ( yi, פּנחס קאַהאַנאָוויטש), a Yiddish author, philosopher, translator, and critic. Early years Kahanovich was born in Berdychiv, Ukraine, the third in a family of four children with ties to the Korshev sect of Hasidic Judaism. His father was Menakhem Mendl Kahanovich, a smoked-fish merchant at Astrakhan on the Volga River; his mother's name was Leah. He received a traditional religious education, but was drawn through his reading to secular and Enlightenment ideas, as well as to Zionism. In 1904 he left Berdychiv hoping to evade the military draft, and this was probably the time when he started using the pseudonym. He moved to Zhytomyr, near Kiev, where he earned a modest living as a teacher of Hebrew at an orphanage for Jewish boys. At that time he also wrote his first book, in Yid ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Joseph Opatoshu
Joseph Opatoshu () (January 1, 1886 – October 7, 1954) was a Polish-born Yiddish novelist and short story writer.Keenoy, Ray (2003). "Opatoshu, Joseph (Yoysef)." In: Sorrel Kerbel (Ed.), ''Jewish Writers of the Twentieth Century''. New York: Fitzroy Dearborn. p. 747-749. He was the father of actor David Opatoshu. Biography Opatoshu was born in 1886 as Yosef Meir Opatowski to Jewish parents, Dovid and Nantshe, near Mława, Congress Poland. His father, a wood merchant, came from a Hasidic family and had become a ''Maskil''. He sent Yosef to the best Polish schools in the country. At the age of 19 Yosef went to study engineering in Nancy, France. However, privation sent him to the United States in 1907, where he settled in New York City, where his name became Joseph Opatovsky, and he later took the professional name of Joseph Opatoshu. Works Novels * 1914 From the New York Ghetto * 1914 Di naye heym * 1918 Alone: Romance of a Forest-Girl * 1919 Hebrew * 1921 In Polish ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hugo Von Hofmannsthal
Hugo Laurenz August Hofmann von Hofmannsthal (; 1 February 1874 – 15 July 1929) was an Austrian novelist, librettist, poet, dramatist, narrator, and essayist. Early life Hofmannsthal was born in Landstraße, Vienna, the son of an upper-class Christian Austrian mother, Anna Maria Josefa Fohleutner (1852–1904), and a Christian Austrian–Italian bank manager, Hugo August Peter Hofmann, Edler von Hofmannsthal (1841–1915). His great-grandfather, Isaak Löw Hofmann, Edler von Hofmannsthal, from whom his family inherited the noble title "Edler von Hofmannsthal", was a Jewish tobacco farmer ennobled by the Austrian emperor. He was schooled in Vienna at Akademisches Gymnasium, where he studied the works of Ovid, later a major influence on his work. He began to write poems and plays from an early age. Some of his early works were written under pseudonyms, such as ''Loris Melikow'' and ''Theophil Morren'', because he was not allowed to publish as a student. He met the German poet ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Dovid Hofshteyn
Dovid Hofshteyn ( yi, דוד האָפשטיין ''Dovid Hofshteyn'', russian: Давид Гофштейн; June 12, 1889 in Korostyshiv – August 12, 1952), also known as David Hofstein, was a Yiddish poet. He was one of the 13 Jewish intellectuals executed on the Night of the Murdered Poets. Biography He was born in Korostyshiv, near Kyiv, and received a traditional Jewish education; his application to the Kiev University was declined. Hofshteyn began to write in Yiddish, Hebrew, Russian, and Ukrainian. His sister Shifra Kholodenko also became a poet. After the October Revolution, which he welcomed, Hofshteyn wrote only in Yiddish. He was coeditor of the Moscow Yiddish monthly '' Shtrom'', the last organ of free Jewish expression in the Soviet Union. The poems in which he acclaimed the communist regime established him as one of the Kiev triumvirate of Yiddish poets, along with Leib Kvitko and Peretz Markish. Hofshteyn's elegies for Jewish communities devastated by the White m ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Moyshe Kulbak
Moyshe Kulbak ( yi, משה קולבאַק; be, Майсей (Мойша) Кульбак; 1896 1937) was a Belarusian Jewish writer who wrote in Yiddish. Biography Born in Smarhon (present-day Belarus, then in the Russian Empire) to a Jewish family, Kulbak studied at the famous Volozhin Yeshiva. During the World War I World War I (28 July 1914 11 November 1918), often abbreviated as WWI, was one of the deadliest global conflicts in history. Belligerents included much of Europe, the Russian Empire, the United States, and the Ottoman Empire, with fightin ... he lived in Kovno (today, Kaunas, Lithuania), where he began to write poetry in Hebrew, before switching to Yiddish.Novershtern, Avraham (August 19, 2010).Kulbak, Moyshe" ''YIVO Encyclopedia of Jews in Eastern Europe''. yivoencyclopedia.org. Retrieved 2016-12-25. He made his publishing debut in Yiddish in 1916, with the poem "Shterndl" (Little star). In 1918 he moved to the city of Minsk; in 1919, after the Sov ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Leib Kvitko
Leyb Moiseyevich Kvitko (russian: Лев Моисе́евич Кви́тко, yi, לייב קוויטקאָ) (October 15, 1890 – August 12, 1952) was a prominent Yiddish poet, an author of well-known children's poems and a member of the Jewish Anti-Fascist Committee (JAC). He was one of the editors of ''Eynikayt'' (the JAC's newspaper) and of the ''Heymland'', a literary magazine. He was executed in Moscow on August 12, 1952 together with twelve other members of the JAC, a massacre known as the Night of the Murdered Poets. Kvitko was rehabilitated in 1955. He was born in a Ukraine, Ukrainian shtetl, attended traditional Jewish religious school for boys (cheder) and was orphaned early. He moved to Kyiv in 1917 and soon became one of the leading Yiddish poets of the "Kiev Group". He lived in Weimar Republic, Germany between 1921 and 1925 joining there the Communist Party of Germany and publishing critically acclaimed poetry. He returned to the Soviet Union in 1925 and moved t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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El Lissitzky
Lazar Markovich Lissitzky (russian: link=no, Ла́зарь Ма́ркович Лиси́цкий, ; – 30 December 1941), better known as El Lissitzky (russian: link=no, Эль Лиси́цкий; yi, על ליסיצקי), was a Russian artist, designer, photographer, typographer, polemicist and architect. He was an important figure of the Russian avant-garde, helping develop suprematism with his mentor, Kazimir Malevich, and designing numerous exhibition displays and propaganda works for the Soviet Union. His work greatly influenced the Bauhaus and constructivist movements, and he experimented with production techniques and stylistic devices that would go on to dominate 20th-century graphic design. Lissitzky's entire career was laced with the belief that the artist could be an agent for change, later summarized with his edict, "" (goal-oriented creation).Glazova Lissitzky, of Lithuanian Jewish оrigin, began his career illustrating Yiddish children's books in an effort to pr ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Lissitzky Cold Synagogue Mogilev Dragon 01
Lazar Markovich Lissitzky (russian: link=no, Ла́зарь Ма́ркович Лиси́цкий, ; – 30 December 1941), better known as El Lissitzky (russian: link=no, Эль Лиси́цкий; yi, על ליסיצקי), was a Russian artist, designer, photographer, typographer, polemicist and architect. He was an important figure of the Russian avant-garde, helping develop suprematism with his mentor, Kazimir Malevich, and designing numerous exhibition displays and propaganda works for the Soviet Union. His work greatly influenced the Bauhaus and constructivist movements, and he experimented with production techniques and stylistic devices that would go on to dominate 20th-century graphic design. Lissitzky's entire career was laced with the belief that the artist could be an agent for change, later summarized with his edict, "" (goal-oriented creation).Glazova Lissitzky, of Lithuanian Jewish оrigin, began his career illustrating Yiddish children's books in an effort to p ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |