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Ricky Martin (1999 Album)
''Ricky Martin'' is the fifth studio album and first English album by Puerto Rican singer Ricky Martin. It was released on May 11, 1999, by Columbia Records. Following the release of four Spanish-language albums, and the huge success of his fourth studio album, '' Vuelve'' (1998), Martin announced the recording of his first English language album. He worked with producers KC Porter, Robi Rosa, and Desmond Child to create the album. Musically, ''Ricky Martin'' consists of dance-pop tracks, power ballads, mid-tempo pop songs, and rock numbers. After the album's release, Martin embarked on the worldwide Livin' la Vida Loca Tour, which was the highest-grossing tour of 2000 by a Latin artist. The album was supported by four singles. The lead single "Livin' la Vida Loca" topped the charts in more than 20 countries and is considered to be Martin's biggest hit and one of the best-selling singles of all time. It topped the ''Billboard'' Hot 100 chart for five consecutive weeks, becoming ...
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Ricky Martin
Enrique Martín Morales (born December 24, 1971), known professionally as Ricky Martin, is a Puerto Rican singer, songwriter, and actor. He is known for his musical versatility, with his Ricky Martin albums discography, discography spanning Latin pop, Pop music, pop, Dance music, dance, reggaeton, and Salsa music, salsa genres. Dubbed the "Honorific nicknames in popular music#M, King of Latin Pop", the "King of Latin Music", and the "Latin Pop God", he is regarded as one of the most influential artists in the world. Born in San Juan, Puerto Rico, San Juan, Martin began appearing in television commercials at age nine and began his musical career at twelve, as a member of Puerto Rican boy band Menudo (group), Menudo. He began his solo career in 1991 while in Sony Music Mexico, gaining recognition in Latin America with the release of his first two studio albums, ''Ricky Martin (1991 album), Ricky Martin'' (1991) and ''Me Amaras (album), Me Amaras'' (1993), both of which were focu ...
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She's All I Ever Had
"She's All I Ever Had" is a song recorded by Puerto Rican singer Ricky Martin for his fifth studio album and English-language debut, ''Ricky Martin'' (1999). The song was written by Jon Secada, Robi Rosa, and George Noriega, while the production was handled by Secada, Walter Afanasieff, and Noriega, with co-production from Rosa. It was released by Columbia Records as the second single from the album on June 15, 1999. A slow-tempo pop and rock ballad, it is a romantic love song, narrating the story of a man who misses his woman, while continuing to live and breathe for her. The song received widely positive reviews from music critics, who complimented the production and Martin's vocals. It was ranked as the third-best song from the Latin explosion of 1999 by ''Latina''. "She's All I Ever Had" was commercially successful, peaking at numbers two and three on the US ''Billboard'' Hot 100 and Canada Top Singles charts, respectively. A Spanish-language version of the song, entitled ...
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Grammy Award For Best Pop Vocal Album
The Grammy Award for Best Pop Vocal Album is an honor presented at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards, to recording artists for quality vocal pop music albums. Awards in several categories are distributed annually by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position." The honor was first presented in 1968 at the 10th Grammy Awards as Best Contemporary Album to The Beatles for '' Sgt. Pepper's Lonely Hearts Club Band''. The category was then discontinued until 1995 where it emerged with the new name Best Pop Album. In 2001, the category became known as Best Pop Vocal Album. According to the category description guide for the 52nd Grammy Awards, the award is presented to artists that perform "albums containing at least 51% playing time of ...
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Paste (magazine)
''Paste'' is a monthly music and entertainment digital magazine, headquartered in Atlanta, Georgia, with studios in Atlanta and Manhattan, and owned by Paste Media Group. The magazine began as a website in 1998. It ran as a print publication from 2002 to 2010 before converting to online-only. History The magazine was founded as a quarterly in July 2002 and was owned by Josh Jackson, Nick Purdy, and Tim Regan-Porter. In October 2007, the magazine tried the " Radiohead" experiment, offering new and current subscribers the ability to pay what they wanted for a one-year subscription to ''Paste''. The subscriber base increased by 28,000, but ''Paste'' president Tim Regan-Porter noted the model was not sustainable; he hoped the new subscribers would renew the following year at the current rates and the increase in web traffic would attract additional subscribers and advertisers. Amidst an economic downturn, ''Paste'' began to suffer from lagging ad revenue, as did other magazine pub ...
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Music Journalism
Music journalism (or music criticism) is media criticism and reporting about music topics, including popular music, classical music, and traditional music. Journalists began writing about music in the eighteenth century, providing commentary on what is now regarded as classical music. In the 1960s, music journalism began more prominently covering popular music like rock and pop after the breakthrough of The Beatles. With the rise of the internet in the 2000s, music criticism developed an increasingly large online presence with music bloggers, aspiring music critics, and established critics supplementing print media online. Music journalism today includes reviews of songs, albums and live concerts, profiles of recording artists, and reporting of artist news and music events. Origins in classical music criticism Music journalism has its roots in classical music criticism, which has traditionally comprised the study, discussion, evaluation, and interpretation of music that has be ...
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Billboard Hot 100
The ''Billboard'' Hot 100 is the music industry standard record chart in the United States for songs, published weekly by '' Billboard'' magazine. Chart rankings are based on sales (physical and digital), radio play, and online streaming in the United States. The weekly tracking period for sales was initially Monday to Sunday when Nielsen started tracking sales in 1991, but was changed to Friday to Thursday in July 2015. This tracking period also applies to compiling online streaming data. Radio airplay, which, unlike sales figures and streaming, is readily available on a real-time basis, is also tracked on a Friday to Thursday cycle effective with the chart dated July 17, 2021 (previously Monday to Sunday and before July 2015, Wednesday to Tuesday). A new chart is compiled and officially released to the public by ''Billboard'' on Tuesdays but post-dated to the following Saturday. The first number-one song of the ''Billboard'' Hot 100 was " Poor Little Fool" by Ricky Ne ...
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Lead Single
A lead single (also known as a debut single) is the first single to be released from a studio album by an artist or a band, usually before the album itself is released and also occasionally on the same day of the album's release date. Release strategies Artists often choose songs that are more up-tempo, yet representative of the album's sound, as lead singles. Such songs are often catchier and attract the attention of listeners. The subsequent single might then be slower in tempo, in order to demonstrate the range of the album. Female vocalists like Mariah Carey and Christina Aguilera often maintain a formula of an up-tempo first lead single with a slow ballad follow-up. For example, two singles were released by Miley Cyrus before her album ''Bangerz'' - an up-tempo track called, "We Can't Stop" was released as the first single, and a slow-ballad song, "Wrecking Ball" as the second. This was a successful practice of 1980s heavy metal bands. Girls Aloud chose to use " The Show ...
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Singles (music)
In music, a single is a type of Art release#Music, release, typically a song Sound recording, recording of fewer tracks than an LP record or an album. One can be released for record sales, sale to the public in a variety of formats. In most cases, a single is a song that is released separately from an album, although it usually also appears on an album. In other cases a recording released as a single may not appear on an album. Despite being referred to as a single, in the era of music downloads, singles can include up to as many as three tracks. The biggest digital music distributor, the iTunes Store, accepts as many as three tracks that are less than ten minutes each as a single. Any more than three tracks on a musical release or thirty minutes in total running time is an extended play (EP) or, if over six tracks long, an album. Historically, when mainstream music was purchased via vinyl records, singles would be released double-sided, i.e. there was an A-side and B-side, A- ...
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Livin' La Vida Loca Tour
The Livin' La Vida Loco World Tour was the first major world concert tour by Puerto Rican singer Ricky Martin to support his first English-language album ''Ricky Martin''. The tour started in October 1999 and continued until October 2000. The tour covered four continents, North America, Europe, Asia and Australia. According to 2000 year-end report, Ricky Martin had the 10th highest-grossing tour in the US, with 44 shows grossing $36.3 million and drawing an audience of 617,488. That October, attendance and sales data reported from 60 concert dates in the United States, Canada and Mexico show the tour grossed $51.3 million and drew 875,151 fans, according to Billboard Boxscore, International dates, not reported to Boxscore would push Martin's grosses higher. Opening act *Jessica Simpson (North America, 1999 dates) Setlist This setlist represents concerts held Summer 2000 #"Livin' la Vida Loca" #"Love You for a Day" #" Bombón de Azúcar" #"Spanish Eyes" #"Lola, Lola" #" Vuelve" # ...
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Tempo
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ...
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Power Ballads
A sentimental ballad is an emotional style of music that often deals with romantic and intimate relationships, and to a lesser extent, loneliness, death, war, drug abuse, politics and religion, usually in a poignant but solemn manner.J. M. Curtis, ''Rock Eras: Interpretations of Music and Society, 1954-1984'' (Popular Press, 1987), p. 236. Ballads are generally melodic enough to get the listener's attention. Sentimental ballads are found in most music genres, such as pop, R&B, soul, country, folk, rock and electronic music. Usually slow in tempo, ballads tend to have a lush musical arrangement which emphasizes the song's melody and harmonies. Characteristically, ballads use acoustic instruments such as guitars, pianos, saxophones, and sometimes an orchestral set. Many modern mainstream ballads tend to feature synthesizers, drum machines and even, to some extent, a dance rhythm. Sentimental ballads had their origins in the early Tin Pan Alley music industry of the later 19t ...
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Dance-pop
Dance-pop is a popular music subgenre that originated in the late 1970s to early 1980s. It is generally uptempo music intended for nightclubs with the intention of being danceable but also suitable for contemporary hit radio. Developing from a combination of dance and pop with influences of disco, post-discoSmay, David & Cooper, Kim (2001). ''Bubblegum Music Is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears'': "... think about Stock-Aitken-Waterman and Kylie Minogue. Dance pop, that's what they call it now — Post-Disco, post-new wave and incorporating elements of both." Feral House: Publisher, p. 327. . and synth-pop, it is generally characterised by strong beats with easy, uncomplicated song structures which are generally more similar to pop music than the more free-form dance genre, with an emphasis on melody as well as catchy tunes. The genre, on the whole, tends to be producer-driven, despite some notable exceptions. Da ...
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