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Richardsonian
Richardsonian Romanesque is a style of Romanesque Revival architecture named after the American architect Henry Hobson Richardson (1838–1886). The revival style incorporates 11th and 12th century southern French, Spanish, and Italian Romanesque characteristics. Richardson first used elements of the style in his Richardson Olmsted Complex in Buffalo, New York, designed in 1870. Multiple architects followed in this style in the late 19th century; Richardsonian Romanesque later influenced modern styles of architecture as well. History and development This very free revival style incorporates 11th and 12th century southern French, Spanish and Italian Romanesque characteristics. It emphasizes clear, strong picturesque massing, round-headed "Romanesque" arches, often springing from clusters of short squat columns, recessed entrances, richly varied rustication, blank stretches of walling contrasting with bands of windows, and cylindrical towers with conical caps embedded in the wall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Hobson Richardson
Henry Hobson Richardson, FAIA (September 29, 1838 – April 27, 1886) was an American architect, best known for his work in a style that became known as Richardsonian Romanesque. Along with Louis Sullivan and Frank Lloyd Wright, Richardson is one of "the recognized trinity of American architecture". Biography Early life Richardson was born at the Priestley Plantation in St. James Parish, Louisiana, and spent part of his childhood in New Orleans, where his family lived on Julia Row in a red brick house designed by the architect Alexander T. Wood. He was the great-grandson of inventor and philosopher Joseph Priestley, who is usually credited with the discovery of oxygen. Richardson went on to study at Harvard College and Tulane University. Initially, he was interested in civil engineering, but shifted to architecture, which led him to go to Paris in 1860 to attend the famed École des Beaux Arts in the atelier of Louis-Jules André. He was only the second U.S. citizen to attend ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herbert C Burdett
Herbert Channing Burdett (1855–1891) was an American architect trained in the office of Henry Hobson Richardson who, in a brief career, established himself as a successful designer of Shingle Style and Richardsonian Romanesque buildings in western New York. With his partner James Herbert Marling (1857–1895), Burdett designed several public buildings in Buffalo, New York and a number of residential properties for the leading citizens of Buffalo, Woodstock, Ontario and Burlington, Vermont. Owing to his premature death, Burdett is little remembered today outside those areas where his known buildings still survive. Early life Herbert Burdett was born on April 26, 1855, at 47 West Cedar Street in Boston, Massachusetts, the eldest of four children of Alfred Locke Burditt (1831–1901) and Mary Anna Joslin Burditt (1832–1900). A. L. Burditt, a native of Leominster, Massachusetts, was the longtime cashier of Leominster National Bank, as well as the treasurer of Leominster Savings ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harvey Ellis
Harvey Ellis (October 17, 1852, Rochester, New York – January 2, 1904, Syracuse, New York) was an architect, perspective renderer, painter and furniture designer. He worked in Rochester, New York; Utica, New York; St. Paul, Minnesota; Minneapolis, Minnesota; St. Joseph, Missouri; St. Louis, Missouri and Syracuse, New York. Early life in Rochester Ellis was born in Rochester, New York, Rochester on October 17, 1852, the oldest of four sons of Dewitt and Eliza Haseltine Ellis. Childhood drawings suggest an unusual artistic aptitude. After public grade school and, for a while, a private high school academy in Rochester, New York, Rochester, Ellis entered the United States Military Academy, United States Military Academy at West Point in 1871 but was among the first-year cadets discharged after seven months for academic insufficiency, in his case in French and mathematics. During the next five years, Ellis moved about between Albany and Rochester in New York state. Documentation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romanesque Revival Architecture
Romanesque Revival (or Neo-Romanesque) is a style of building employed beginning in the mid-19th century inspired by the 11th- and 12th-century Romanesque architecture. Unlike the historic Romanesque style, Romanesque Revival buildings tended to feature more simplified arches and windows than their historic counterparts. An early variety of Romanesque Revival style known as Rundbogenstil ("Round-arched style") was popular in German lands and in the German diaspora beginning in the 1830s. By far the most prominent and influential American architect working in a free "Romanesque" manner was Henry Hobson Richardson. In the United States, the style derived from examples set by him are termed Richardsonian Romanesque, of which not all are Romanesque Revival. Romanesque Revival is also sometimes referred to as the " Norman style" or " Lombard style", particularly in works published during the 19th century after variations of historic Romanesque that were developed by the Normans in En ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Longfellow, Alden & Harlow
Longfellow, Alden & Harlow (later Alden & Harlow), of Boston, Massachusetts, and Pittsburgh, Pennsylvania, Margaret Henderson Floyd, ''Architecture after Richardson: Regionalism before Modernism--Longfellow, Alden, and Harlow in Boston and Pittsburgh''. University of Chicago Press with Pittsburgh History and Landmarks Foundation, Chicago and Pittsburgh, 1st edition (September 1, 1994). ) was the architectural firm of Alexander Wadsworth Longfellow Jr. (1854–1934), Frank Ellis Alden (1859–1908), and Alfred Branch Harlow (1857–1927). The firm, successors to H. H. Richardson, continued to provide structures in the Romanesque revival style established by Richardson that is often referred to as Richardsonian Romanesque. Officially, the firm was Longfellow & Harlow from 1886 until March 1887, with Alden participating as its agent. Then, it was Longfellow, Alden & Harlow, until 1896, when it became Alden & Harlow. The split with Longfellow is described as amicable on page 62 of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richardson Olmsted Complex
The Richardson Olmsted Campus in Buffalo, New York, United States, was designated a National Historic Landmark in 1986. ''Note:'' This includes , , an''Accompanying three photographs''/ref> The site was designed by the American architect Henry Hobson Richardson in concert with the famed landscape team of Frederick Law Olmsted and Calvert Vaux in the late 1800s, incorporating a system of enlightened treatment for people with mental illness developed by Dr. Thomas Story Kirkbride. Over the years, as mental health treatment changed and resources were diverted, the buildings and grounds began a slow deterioration. In 2006, the Richardson Center Corporation was formed to restore the buildings. Today, the Richardson Olmsted Campus is being converted, beginning with the now open Hotel Henry Urban Resort Conference Center and 100 Acres: The Kitchens at Hotel Henry, both within the Towers Building and two flanking buildings (about one-third of the Campus). The Richardson Olmsted Campus wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mabel Tainter Memorial Building
The Mabel Tainter Center for the Arts, originally named the Mabel Tainter Memorial Building and also known as the Mabel Tainter Theater, is a historic landmark in Menomonie, Wisconsin, and is registered on the U.S. National Register of Historic Places.National Register of Historical Places - WISCONSIN (WI), Dunn County National Register of Historic Places. History The building was commissioned by Captain and Mrs. Andrew Tainter (whose son's house, the , is also on the National Register), to honor their late daughter Mabel Tainter, who died in 1886 at age 19. The lumber baron's ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Museum Of Natural History
The American Museum of Natural History (abbreviated as AMNH) is a natural history museum on the Upper West Side of Manhattan in New York City. In Theodore Roosevelt Park, across the street from Central Park, the museum complex comprises 26 interconnected buildings housing 45 permanent exhibition halls, in addition to a planetarium and a library. The museum collections contain over 34 million specimens of plants, animals, fossils, minerals, rocks, meteorites, human remains, and human cultural artifacts, as well as specialized collections for frozen tissue and genomic and astrophysical data, of which only a small fraction can be displayed at any given time. The museum occupies more than . AMNH has a full-time scientific staff of 225, sponsors over 120 special field expeditions each year, and averages about five million visits annually. The AMNH is a private 501(c)(3) organization. Its mission statement is: "To discover, interpret, and disseminate—through scientific research and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theodore Link
Theodore C. Link, FAIA, (March 17, 1850 – November 12, 1923) was a German-born American architect and newspaper publisher. He designed buildings for the 1904 World's Fair, Louisiana State University, and the Mississippi State Capitol. Early life Theodore Carl Link was born on March 17, 1850, near Heidelberg, Germany. He was trained in engineering at the University of Heidelberg and the École Centrale Paris. Career Link emigrated to the United States, arriving in St. Louis in 1873 to work for the Atlantic and Pacific Railroad company. He married Annie Fuller on September 22, 1875. That year, St. Louis Surveyor Julius Pitzman recommended him to the job of superintendent of public parks for St. Louis. In 1889, Link joined the American Institute of Architects and started his own private architectural practice. After a four-year interim as a German-language newspaper publisher in Pittsburgh, Pennsylvania, Link returned to St. Louis just after the turn of the century as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beaux-Arts Architecture
Beaux-Arts architecture ( , ) was the academic architectural style taught at the École des Beaux-Arts in Paris, particularly from the 1830s to the end of the 19th century. It drew upon the principles of French neoclassicism, but also incorporated Renaissance and Baroque elements, and used modern materials, such as iron and glass. It was an important style in France until the end of the 19th century. History The Beaux-Arts style evolved from the French classicism of the Style Louis XIV, and then French neoclassicism beginning with Style Louis XV and Style Louis XVI. French architectural styles before the French Revolution were governed by Académie royale d'architecture (1671–1793), then, following the French Revolution, by the Architecture section of the Académie des Beaux-Arts. The Academy held the competition for the Grand Prix de Rome in architecture, which offered prize winners a chance to study the classical architecture of antiquity in Rome. The formal neoclassicism ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shepley, Rutan & Coolidge
Shepley, Rutan and Coolidge was a successful architecture firm based in Boston, Massachusetts, operating between 1886 and 1915, with extensive commissions in monumental civic, religious, and collegiate architecture in the spirit and style of Henry Hobson Richardson. History The firm grew out of Richardson's architectural practice. After Richardson's death at age 47 in 1886, a trio consisting of George Foster Shepley (1860–1903), Charles Hercules Rutan (1851–1914), and Charles Allerton Coolidge (1858–1936) gained control of the firm and completed all of its nearly two dozen pending projects, including the John J. Glessner House in Chicago. Many of Richardson's projects were completed and modified in stages over years, making exact attribution difficult for such buildings as the Ames Gate Lodge in North Easton, Massachusetts, and even Richardson's masterwork Trinity Church, Boston. Two of the principals had been educated at the Massachusetts Institute of Technology: Sheple ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rustication (architecture)
Two different styles of rustication in the Palazzo Medici-Riccardi in Florence; smooth-faced above and rough-faced below.">Florence.html" ;"title="Palazzo Medici-Riccardi in Florence">Palazzo Medici-Riccardi in Florence; smooth-faced above and rough-faced below. Rustication is a range of masonry techniques used in classical architecture giving visible surfaces a finish texture that contrasts with smooth, squared-block masonry called ashlar. The visible face of each individual block is cut back around the edges to make its size and placing very clear. In addition the central part of the face of each block may be given a deliberately rough or patterned surface. Rusticated masonry is usually "dressed", or squared off neatly, on all sides of the stones except the face that will be visible when the stone is put in place. This is given wide joints that emphasize the edges of each block, by angling the edges ("channel-jointed"), or dropping them back a little. The main part of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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