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Richard Robinson (17th-century Actor)
Richard Robinson (died March 1648) was an actor in English Renaissance theatre and a member of Shakespeare's company the King's Men. Biography Robinson started out as a boy player with the company; in 1611 he played the Lady in their production of ''The Second Maiden's Tragedy.'' He was cast in their production of Ben Jonson's ''Catiline'' in the same year, and in their '' Bonduca,'' c. 1613. He became a sharer in the King's Men in 1619, perhaps succeeding Richard Cowley; and he was cast in their revival of Webster's ''The Duchess of Malfi'' c. 1621. Robinson reportedly played the part of Wittipol in Jonson's '' The Devil is an Ass'' in 1616. In the printed text of that play (1631), Jonson praises Robinson's acting of female roles and calls him an "ingenious youth." Robinson played the role of Aesopus in the company's 1626 production of Massinger's '' The Roman Actor,'' and Count Orsinio in Lodowick Carlell's '' The Deserving Favourite'' (1629). Robinson is included in the ca ...
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English Renaissance Theatre
English Renaissance theatre, also known as Renaissance English theatre and Elizabethan theatre, refers to the theatre of England between 1558 and 1642. This is the style of the plays of William Shakespeare, Christopher Marlowe and Ben Jonson. Background The term ''English Renaissance theatre'' encompasses the period between 1562—following a performance of ''Gorboduc'', the first English play using blank verse, at the Inner Temple during the Christmas season of 1561—and the ban on theatrical plays enacted by the English Parliament in 1642. In a strict sense "Elizabethan" only refers to the period of Queen Elizabeth's reign (1558–1603). ''English Renaissance theatre'' may be said to encompass ''Elizabethan theatre'' from 1562 to 1603, '' Jacobean theatre'' from 1603 to 1625, and '' Caroline theatre'' from 1625 to 1642. Along with the economics of the profession, the character of the drama changed towards the end of the period. Under Elizabeth, the drama was a unified ...
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1626 In Literature
This article contains information about the literary events and publications of 1626. Events *February – The King's Men premiere Ben Jonson's satire on the new newsgathering enterprise ''The Staple of News'', his first new play in almost a decade, at the Blackfriars Theatre in London. *November – The deaths of Lancelot Andrewes and Nicholas Felton, Bishop of Ely, prompt John Milton, then a student at Cambridge, to write elegies in Latin for both. *December 27 – Izaak Walton marries Rachel Floud (died 1640). New books Prose *Francis Bacon – ''The New Atlantis'' *Nicholas Breton – '' Fantastickes'' *Alonso de Castillo Solórzano – ''Jornadas alegres'' *Robert Fludd – ''Philosophia Sacra'' *Marie de Gournay – ''Les Femmes et Grief des Dames'' (The Ladies' Grievance) *Francisco de Quevedo – ''El Buscón'' (first published edition – unauthorized) Drama *Pieter Corneliszoon Hooft – ''Baeto, oft oorsprong der Holanderen'' * John Fletcher and collaborators – ...
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William Heminges
William Heminges (1602 – c. 1653?), also Hemminges, Heminge, and other variants, was a playwright and theatrical figure of the Caroline period. He was the ninth child and third son of John Heminges, the actor and colleague of William Shakespeare, and his wife Rebecca. William Heminges was christened on 3 October 1602 in the parish of St. Mary's, Aldermanbury, in London. He was educated at Winchester School and then at Christ Church, Oxford, where he attained his M.A. degree in 1628. Only two of his plays have survived, ''The Jews' Tragedy'' (1626; published 1662) and ''The Fatal Contract'' (c. 1639; published 1653). In these two tragedies, the dramatist was strongly influenced by the works of Shakespeare. A third play is lost: titled ''The Coursing of the Hare, or the Madcap'', it was staged at the Fortune Theatre in March 1633. Little is known of Heminges's life. The parish records of St. Giles in the Fields record the birth of a daughter in 1639, and the burials of two sons ...
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Cuthbert Burbage
Cuthbert Burbage (c. 15 June 1565 – 15 September 1636) was an English English usually refers to: * English language * English people English may also refer to: Peoples, culture, and language * ''English'', an adjective for something of, from, or related to England ** English national ide ... theatrical figure, son of James Burbage, builder of the The Theatre, Theatre in Shoreditch and elder brother of the actor Richard Burbage. From 1589 he was the owner of the ground lease of the Theatre. Best known for his central role in the construction of the Globe Theatre, he was for four decades a significant agent in the success and endurance of William Shakespeare, Shakespeare's company, the King's Men (playing company), King's Men. Family The Burbage family is now thought to have come to London from Bromley in Kent. Cuthbert Burbage, baptized 15 June 1565 at St. Stephen Coleman Street near the Guildhall, London, London Guildhall, was the elder of the tw ...
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Richard Burbage
Richard Burbage (c. 1567 – 13 March 1619) was an English stage actor, widely considered to have been one of the most famous actors of the Globe Theatre and of his time. In addition to being a stage actor, he was also a theatre owner, entrepreneur, and painter. He was the younger brother of Cuthbert Burbage. They were both actors in drama. Burbage was a business associate and friend to William Shakespeare. The son of James Burbage, a joiner who became a theatrical impresario and entrepreneur, also founded the first theatre. Burbage was a popular actor by his early 20s. He excelled in plays with the theme of tragedies. His early acting career is poorly documented. As many young actors of his time, he may have played the part of women in productions before taking any of the roles he is known for. As James Burbage acted for the Earl of Leicester's company, it has been suggested that his son, Richard, likely got his start with the company as well. Burbage was described as be ...
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Nicholas Tooley
Nicholas Tooley (c. 1583 – June 1623) was a Renaissance actor in the King's Men, the acting company of William Shakespeare. Recent research has shown that Tooley was born in late 1582 or early 1583; his birth name was not Tooley but Wilkinson. (In 1623 he signed a codicil to his last will and testament "Nicholas Wilkinson, ''alias'' Tooley.")Edwin Nunzeger, ''A Dictionary of Actors and of Other Persons Associated with the Public Representation of Plays in England Before 1642'', New Haven, Yale University Press, 1929; pp. 374–5. He has been associated with the "Nick" in the surviving "plot" of ''The Seven Deadly Sins'', dated c. 1591. The association, if accurate, indicates that he began as a boy player. He was apprenticed to Richard Burbage, and may have followed that actor to the Lord Chamberlain's Men when that company re-formed in 1594. Tooley is mentioned in a letter of Joan Alleyn, Edward Alleyn's wife, in 1603, and he received a 20-shilling bequest in Augustine Ph ...
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John Fletcher (playwright)
John Fletcher (1579–1625) was a Jacobean playwright. Following William Shakespeare as house playwright for the King's Men, he was among the most prolific and influential dramatists of his day; during his lifetime and in the early Restoration, his fame rivalled Shakespeare's. He collaborated on writing plays with Francis Beaumont, and also with Shakespeare on three plays. Though his reputation has declined since, Fletcher remains an important transitional figure between the Elizabethan popular tradition and the popular drama of the Restoration. Biography Early life Fletcher was born in December 1579 (baptised 20 December) in Rye, Sussex, and died of the plague in August 1625 (buried 29 August in St. Saviour's, Southwark). His father Richard Fletcher was an ambitious and successful cleric who was in turn Dean of Peterborough, Bishop of Bristol, Bishop of Worcester and Bishop of London (shortly before his death), as well as chaplain to Queen Elizabeth. As Dean of Pete ...
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The Wild Goose Chase
''The Wild Goose Chase'' is a late Jacobean stage play, a comedy written by John Fletcher, first performed in 1621. It is often classed among Fletcher's most effective and best-constructed plays; Edmund Gosse called it "one of the brightest and most coherent of Fletcher's comedies, a play which it is impossible to read and not be in a good humour." The drama's wit, sparkle, and urbanity anticipated and influenced the Restoration comedy of the later decades of the seventeenth century. The term "wild-goose chase" is first documented when used by Shakespeare in the early 1590s, but appears as a term with which his audience would be familiar, as there is no attempt to define its meaning. History Firm data on the play's date of authorship and early performance history have not survived. "In the absence of evidence to the contrary, the year 1621 is a plausible date." "No one has ever questioned Fletcher's sole authorship of this play..."; his distinctive style is continuous through ...
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A Wife For A Month
''A Wife for a Month'' is a late Jacobean era stage play, a tragicomedy written by John Fletcher and originally published in the first Beaumont and Fletcher folio of 1647. The play was licensed for performance by Sir Henry Herbert, the Master of the Revels, on 27 May 1624; it was acted by the King's Men. The partial cast list added to the play in the second Beaumont and Fletcher folio of 1679 mentions Joseph Taylor, Robert Benfield, Richard Robinson, John Underwood, Nicholas Tooley, and George Birch. The list contains a contradiction, since Tooley died in June 1623 and could not have been cast in a 1624 production. Commentators have suggested this Tooley's name may be a mistake for that of John Lowin, or else that Fletcher may have drawn up the cast list when he was writing the play; the cast list would therefore reflect the author's intention rather than the onstage reality. Since Fletcher functioned as a house dramatist for the King's Men in the final phase of his caree ...
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The Double Marriage
''The Double Marriage'' is a Jacobean era stage play, a tragedy written by John Fletcher and Philip Massinger, and initially printed in the first Beaumont and Fletcher folio of 1647. Date and performance Though firm evidence on the play's date of authorship and early stage history is lacking, scholars usually assign the play to the 1619–22 period. It was acted by the King's Men, with Joseph Taylor playing the lead – a production that must have occurred after Taylor joined that company in the spring of 1619. The play's absence from the fairly thorough Revels Office records of Sir Henry Herbert probably indicates a date prior to May 1622, when Herbert first occupied the office of Master of the Revels. The cast list added to the play in the second Beaumont and Fletcher folio of 1679 mentions, in addition to Taylor, John Lowin, Robert Benfield, Richard Robinson, John Underwood, Nicholas Tooley, George Birch, and Richard Sharpe. ''The Double Marriage,'' like many of the p ...
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1629 In Literature
This article contains information about the literary events and publications of 1629. Events *January – Pedro Calderón de la Barca and his friends break into a convent in an attempt to seize Pedro de Villegas, who had stabbed Calderón's brother. *April 6 – Tommaso Campanella is released from custody in Rome, and gains the confidence of Pope Urban VIII. *July – Richard James lends Oliver St John a manuscript tract on the bridling of parliaments which was written in 1612 by Sir Robert Dudley, titular Duke of Northumberland. St John circulates it among parliamentary supporters, and James is arrested as a result. *September – Pierre Corneille brings his first play, ''Mélite'' to a group of travelling actors. *November 22 – The King's Men perform ''Othello'' at the Blackfriars Theatre. *''unknown dates'' **The first known performance is given at the Corral de comedias de Almagro in Spain (rediscovered in the 1950s) by Juan Martinez's theatrical company ''Autor''. **Ini ...
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The Deserving Favourite
''The Deserving Favourite'' is a Literature in English#Caroline and Cromwellian literature, Caroline era stage play, a tragicomedy written by Lodowick Carlell that was first published in 1629. The earliest of Carlell's plays "and also the best," it is notable for its influence on other plays of the Caroline era. Performance and publication The play was first printed in 1629 in a book size, quarto issued by the Worshipful Company of Stationers and Newspaper Makers, stationer Matthew Rhodes. (The work was not entered into the Stationers' Register prior to publication. This violation of the rules was unusual, though not unprecedented; the same is true of a few other plays of the era, like ''Greene's Tu Quoque'' in 1614, and ''A Fair Quarrel'' in 1617.) The title page states that the play had "lately" been acted, first at Court before King Charles I of England, Charles I and then "publicly" at the Blackfriars Theatre, by the King's Men (playing company), King's Men. Carlell dedicate ...
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