Ricciardo Meacci
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Ricciardo Meacci
Ricciardo Meacci (5 December 1856 - 15 January 1938) was an Italian (Sienese) painter from the school of "Purismo" who came under the influence of the "Pre-Raphaelite" movement.H. Zimmern, 'Ricciardo Meacci', ''The Magazine of Art'' (Cassell and Company, Ltd., London/Paris/New York/Melbourne 1899)pp. 158-62(Internet Archive). He received several commissions for mural paintings, examples of which survive in the grand buildings of his native city of Siena.F. Franco, 'Meacci Ricciardo', in ''Dizionario Biografico degli Italiani'', Vol. LXXII (Istituto dell'Enciclopedia Italiana, Roma, 2009), atreccani.it He is more widely-known, however, for his compressed but florid watercolour and gouache images of Christian devotional subjects, and moralized, allegorical scenes upon classical and romantic themes, original in composition but making reference to the Sienese quattrocento. These formal paintings, often conceived as triptychs, were cased in ornamental frames of modelled plaster, gilt, ...
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The Garden Of Hesperides By Ricciardo Meacci
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pr ...
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Cesare Maccari
Cesare Maccari (; 9 May 1840 – 7 August 1919) was an Italian painter and sculptor, most famous for his 1888 painting ''Cicerone denuncia Catilina'' (usually translated as ''Cicero Accuses Catiline'' or ''Cicero Denounces Catiline''). Early life Maccari was born in Siena, in the Grand Duchy of Tuscany. He was a student of the Institute of the Fine Arts in Siena together with Tito Sarrocchi, working in sculpture and helping complete the Monumento Pianigiani in Siena. He later worked in the atelier of Luigi Mussini in Florence. There in 1864 he was commissioned by an English society to copy works of Bernardino Pinturicchio found in the Cathedral of Siena. Some of his first patronage came from works the Marquis Pieri-Nerli, who also commissioned him to paint frescoes of the four evangelists for a private chapel in his home in Quinciano, a hamlet in the comune of Monteroni d'Arbia. Maccari soon won a stipend to study in Rome, that also allowed him to travel through Italy. Matu ...
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Ernest Louis, Grand Duke Of Hesse
, spouses = , issue = , house = Hesse-Darmstadt , father = Louis IV, Grand Duke of Hesse and by Rhine , mother =Princess Alice of the United Kingdom , birth_date = , birth_place = New Palace, Darmstadt, Grand Duchy of Hesse , death_date = , death_place = Schloss Wolfsgarten, Langen, Hesse, Nazi Germany , burial_place = Neues Mausoleum, Park Rosenhöhe, Darmstadt, Germany Ernest Louis (german: Ernst Ludwig Karl Albrecht Wilhelm; 25 November 1868 – 9 October 1937) was the last Grand Duke of Hesse and by Rhine, reigning from 1892 until 1918. Early life Ernest Louis was the elder son of Louis IV, Grand Duke of Hesse and by Rhine and Princess Alice of the United Kingdom, daughter of Queen Victoria and Prince Albert of Saxe-Coburg and Gotha. He was named Louis after his father. His nickname was "Ernie". One of seven siblings, two of whom died in childhood, Ernest grew up with his four surviving sisters in Darmstadt. One of his younge ...
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Queen Victoria
Victoria (Alexandrina Victoria; 24 May 1819 – 22 January 1901) was Queen of the United Kingdom of Great Britain and Ireland from 20 June 1837 until Death and state funeral of Queen Victoria, her death in 1901. Her reign of 63 years and 216 days was longer than that of List of monarchs in Britain by length of reign, any previous British monarch and is known as the Victorian era. It was a period of industrial, political, scientific, and military change within the United Kingdom, and was marked by a great expansion of the British Empire. In 1876, the British Parliament voted to grant her the additional title of Empress of India. Victoria was the daughter of Prince Edward, Duke of Kent and Strathearn (the fourth son of King George III), and Princess Victoria of Saxe-Coburg-Saalfeld. After the deaths of her father and grandfather in 1820, she was Kensington System, raised under close supervision by her mother and her comptroller, John Conroy. She inherited the throne aged 18 af ...
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Pinturicchio
Pinturicchio, or Pintoricchio (, ; born Bernardino di Betto; 1454–1513), also known as Benetto di Biagio or Sordicchio, was an Italian painter during the Renaissance. He acquired his nickname (meaning "little painter") because of his small stature and he used it to sign some of his artworks that were created during the fifteenth and sixteenth centuries."PINTURICCHIO." ''Benezit Dictionary of Artists''. ''Oxford Art Online''. Oxford University Press. Web. 14 February 2017. . Biography Early years Pinturicchio was born the son of Benedetto or Betto di Biagio, in Perugia. In his career, he may have trained under lesser known Perugian painters such as Bonfigli and Fiorenzo di Lorenzo. According to Vasari, Pinturicchio was a paid assistant of Perugino. The works of the Perugian Renaissance school are very similar and often paintings by Perugino, Pinturicchio, Lo Spagna, and a young Raphael may be mistaken, one for the other. In the execution of large frescoes, pupils an ...
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Perugino
Pietro Perugino (, ; – 1523), born Pietro Vannucci, was an Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil. Early years He was born Pietro Vannucci in Città della Pieve, Umbria, the son of Cristoforo Maria Vannucci. His nickname characterizes him as from Perugia, the chief city of Umbria. Scholars continue to dispute the socioeconomic status of the Vannucci family. While certain academics maintain that Vannucci worked his way out of poverty, others argue that his family was among the wealthiest in the town. His exact date of birth is not known, but based on his age at death that was mentioned by Vasari and Giovanni Santi, it is believed that he was born between 1446 and 1452. Pietro most likely began studying painting in local workshops in Perugia such as those of Bartolomeo Caporali or Fiorenzo di Lorenzo. The date of the first Florentine sojou ...
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Domenico Ghirlandaio
Domenico di Tommaso Curradi di Doffo Bigordi (, , ; 2 June 1448 – 11 January 1494), professionally known as Domenico Ghirlandaio, also spelled as Ghirlandajo, was an Italian Renaissance painter born in Florence. Ghirlandaio was part of the so-called "third generation" of the Florentine Renaissance, along with Verrocchio, the Pollaiolo brothers and Sandro Botticelli. Ghirlandaio led a large and efficient workshop that included his brothers Davide Ghirlandaio and Benedetto Ghirlandaio, his brother-in-law Bastiano Mainardi from San Gimignano, and later his son Ridolfo Ghirlandaio. Many apprentices passed through Ghirlandaio's workshop, including the famous Michelangelo. His particular talent lay in his ability to posit depictions of contemporary life and portraits of contemporary people within the context of religious narratives, bringing him great popularity and many large commissions.Toman, Rolf Life and works Early years Ghirlandaio was born Domenico di Tommaso di ...
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John Ruskin
John Ruskin (8 February 1819 20 January 1900) was an English writer, philosopher, art critic and polymath of the Victorian era. He wrote on subjects as varied as geology, architecture, myth, ornithology, literature, education, botany and political economy. Ruskin's writing styles and literary forms were equally varied. He wrote essays and treatises, poetry and lectures, travel guides and manuals, letters and even a fairy tale. He also made detailed sketches and paintings of rocks, plants, birds, landscapes, architectural structures and ornamentation. The elaborate style that characterised his earliest writing on art gave way in time to plainer language designed to communicate his ideas more effectively. In all of his writing, he emphasised the connections between nature, art and society. Ruskin was hugely influential in the latter half of the 19th century and up to the First World War. After a period of relative decline, his reputation has steadily improved since the 1960s wi ...
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William Morris
William Morris (24 March 1834 – 3 October 1896) was a British textile designer, poet, artist, novelist, architectural conservationist, printer, translator and socialist activist associated with the British Arts and Crafts Movement. He was a major contributor to the revival of traditional British textile arts and methods of production. His literary contributions helped to establish the modern fantasy genre, while he helped win acceptance of socialism in ''fin de siècle'' Great Britain. Morris was born in Walthamstow, Essex, to a wealthy middle-class family. He came under the strong influence of medievalism while studying Classics at Oxford University, there joining the Birmingham Set. After university, he married Jane Burden, and developed close friendships with Pre-Raphaelite artists Edward Burne-Jones and Dante Gabriel Rossetti and with Neo-Gothic architect Philip Webb. Webb and Morris designed Red House in Kent where Morris lived from 1859 to 1865, before moving t ...
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Charles Fairfax Murray
Charles Fairfax Murray (30 September 1849 – 25 January 1919) was a British painter, dealer, collector, benefactor, and art historian who was connected with the second wave of the Pre-Raphaelites. Early years The youngest of four children, he was born on 30 September 1849 in Bow, near London, but grew up in Sudbury, Suffolk, where he studied drawing, possibly under Thomas Gainsborough's great nephew Gainsborough Dupont. At the age of 12 he was employed in the drawing office of the railway entrepreneurs Peto & Betts and was taken into Sir Samuel Morton Peto's home to draw portraits of his family. Taken up by John Ruskin at the age of 16, Fairfax Murray was installed as Edward Burne-Jones's first studio assistant in 1867. He rapidly became one of the circle of Pre-Raphaelite founder Dante Gabriel Rossetti, and the friend of William Morris and Philip Webb. He was given work as artist and glass-painter for Morris, Marshall, Faulkner and Co., working to Burne Jones's designs; ...
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Helen Zimmern
Helen Zimmern (25 March 1846 – 11 January 1934) was a naturalised British writer and translator born in Germany. She was instrumental in making European culture more accessible in English. Biography Zimmern and her parents emigrated in 1850 to Britain, where her father became a Nottingham lace merchant. She was naturalised on coming of age, as one of the three daughters of the merchant Hermann Theodore Zimmern and his wife Antonia Marie Therese Regina Zimmern. Her sister was the suffragist Alice Zimmern; the political scientist Alfred Eckhard Zimmern was a cousin. The family moved to London in 1856.C. A. Creffield, "Zimmern, Helen (1846–1934)", ''Oxford Dictionary of National Biography'' (Oxford, UK: OUP, 2004Retrieved 21 October 2017/ref> Her first appearance in print was a story for '' Once a Week''. She was soon writing for the '' Argosy'' and other magazines. A series of children's stories first published 1869–71 in ''Good Words for the Young'' was reprinted as ''Stor ...
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Edward Burne-Jones
Sir Edward Coley Burne-Jones, 1st Baronet, (; 28 August, 183317 June, 1898) was a British painter and designer associated with the Pre-Raphaelite Brotherhood which included Dante Gabriel Rossetti, John Millais, Ford Madox Brown and Holman Hunt. Burne-Jones worked with William Morris as a founding partner in Morris, Marshall, Faulkner & Co in the design of decorative arts. Burne-Jones's early paintings show the influence of Dante Gabriel Rossetti, but by 1870 he had developed his own style. In 1877, he exhibited eight oil paintings at the Grosvenor Gallery (a new rival to the Royal Academy). These included ''The Beguiling of Merlin''. The timing was right and Burne-Jones was taken up as a herald and star of the new Aesthetic Movement. In the studio of Morris and Co. Burne-Jones worked as a designer of a wide range of crafts including ceramic tiles, jewellery, tapestries, and mosaics. Among his most significant and lasting designs are those for stained glass windows the pr ...
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