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Rhonda Roland Shearer
Rhonda Roland Shearer is an American sculptor, scholar, and journalist, who founded the nonprofit organization Art Science Research Laboratory with her late husband Stephen Jay Gould. The mission statement avows that the lab aims to "infuse intellectual rigor and critical thinking in disciplines that range from Academics to Journalism. ASRL researches conventional beliefs and misinformation and transmits its findings by means of scientific methods and state-of-the-art computer technologies." Sculpture As a sculptor, she has exhibited her work in New York City, Los Angeles and London, as well as smaller cities throughout the United States. One of her works reflected her feminist principles by calling attention to the gender disparity in the public art that New York City commissions. Of the hundreds of monuments erected in the city, she emphasized, only three depict real women: Gertrude Stein, Eleanor Roosevelt and Joan of Arc. In the traveling museum exhibition catalogue, Shearer de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Science Research Laboratory
Art is a diverse range of human behavior, human activity, and resulting product, that involves creative or imagination, imaginative talent expressive of technical proficiency, beauty, emotional power, or conceptual ideas. There is no generally agreed definition of what constitutes art, and its interpretation has varied greatly throughout history and across cultures. In the Western tradition, the three classical branches of visual art are painting, sculpture, and architecture. Theatre, dance, and other performing arts, as well as literature, music, film and other media such as interactive media, are included in a broader definition of the arts. Until the 17th century, ''art'' referred to any skill or mastery and was not differentiated from crafts or sciences. In modern usage after the 17th century, where aesthetic considerations are paramount, the fine arts are separated and distinguished from acquired skills in general, such as the decorative arts, decorative or applied arts. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Economist
''The Economist'' is a British weekly newspaper printed in demitab format and published digitally. It focuses on current affairs, international business, politics, technology, and culture. Based in London, the newspaper is owned by The Economist Group, with its core editorial offices in the United States, as well as across major cities in continental Europe, Asia, and the Middle East. In 2019, its average global print circulation was over 909,476; this, combined with its digital presence, runs to over 1.6 million. Across its social media platforms, it reaches an audience of 35 million, as of 2016. The newspaper has a prominent focus on data journalism and interpretive analysis over original reporting, to both criticism and acclaim. Founded in 1843, ''The Economist'' was first circulated by Scottish economist James Wilson to muster support for abolishing the British Corn Laws (1815–1846), a system of import tariffs. Over time, the newspaper's coverage expanded further into ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scientific Method
The scientific method is an empirical method for acquiring knowledge that has characterized the development of science since at least the 17th century (with notable practitioners in previous centuries; see the article history of scientific method for additional detail.) It involves careful observation, applying rigorous skepticism about what is observed, given that cognitive assumptions can distort how one interprets the observation. It involves formulating hypotheses, via induction, based on such observations; the testability of hypotheses, experimental and the measurement-based statistical testing of deductions drawn from the hypotheses; and refinement (or elimination) of the hypotheses based on the experimental findings. These are ''principles'' of the scientific method, as distinguished from a definitive series of steps applicable to all scientific enterprises. Although procedures vary from one field of inquiry to another, the underlying process is frequently the sa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Media Ethics
Media ethics is the subdivision dealing with the specific ethical principles and standards of media, including broadcast media, film, theatre, the arts, print media and the internet. The field covers many varied and highly controversial topics, ranging from war journalism to Benetton ad campaigns. Media ethics promotes and defends values such as a universal respect for life and the rule of law and legality. Media Ethics defines and deals with ethical questions about how media should use texts and pictures provided by the citizens. Literature regarding the ways in which specifically the Internet impacts media ethics in journalism online is scarce, thereby complicating the idea for a universal code of media ethics. History of media ethics Research and publications in the field of information ethics has been produced since the 1980s. Notable figures include and Robert Hauptman (who focused his work specifically on censorship, privacy, access to information, balance in collection ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mona Lisa
The ''Mona Lisa'' ( ; it, Gioconda or ; french: Joconde ) is a half-length portrait painting by Italian artist Leonardo da Vinci. Considered an archetypal masterpiece of the Italian Renaissance, it has been described as "the best known, the most visited, the most written about, the most sung about, the most parodied work of art in the world". The painting's novel qualities include the subject's enigmatic expression, the monumentality of the composition, the subtle modelling of forms, and the atmospheric illusionism. The painting has been definitively identified to depict Italian noblewoman Lisa Gherardini, the wife of Francesco del Giocondo. It is painted in oil on a white Lombardy poplar panel. Leonardo never gave the painting to the Giocondo family, and later it is believed he left it in his will to his favored apprentice Salaì. It had been believed to have been painted between 1503 and 1506; however, Leonardo may have continued working on it as late as 1517. It was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Stella
Joseph Stella (born Giuseppe Michele Stella, June 13, 1877 – November 5, 1946) was an Italian-born American Futurist painter best known for his depictions of industrial America, especially his images of the Brooklyn Bridge. He is also associated with the American Precisionist movement of the 1910s–1940s. Biography and career Stella was born to a middle-class family in Italy, in Muro Lucano, a village in the province of Potenza. His grandfather Antonio and his father Michele were attorneys, but he came to New York City in 1896 to study medicine, following in the footsteps of his older brother Doctor Antonio Stella. At that tome Giuseppe changed his name to Joseph. However, he quickly abandoned his medical studies and turned instead to art, studying at the Art Students League and the New York School of Art under William Merritt Chase. His first paintings were Rembrandtesque depictions of city slum life. A remarkable draftsman, he made drawings throughout the various phas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Arensberg
Walter Conrad Arensberg (April 4, 1878 – January 29, 1954) was an American art collector, critic and poet. His father was part owner and president of a crucible steel company. He majored in English and philosophy at Harvard University. With his wife Louise (born as Mary Louise Stevens; 1879–1953), he collected art and supported artistic endeavors. Early life and career Walter Arensberg was born in Pittsburgh, Pennsylvania, the oldest child of Conrad Christian Arensberg and his second wife, Flora Belle Covert. Walter's father was President and partial owner of a successful Pittsburgh crucible steel company. Between 1896 and 1900, Walter attended Harvard University. Following graduation, he traveled to Europe, where he spent at least two years. In 1903, he returned to Harvard, as a graduate student. He did not complete his degree, but rather moved to New York City to work as a cub reporter from 1904-1906. Arensberg's first major book, ''The Cryptography of Dante'' (1921) was gre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bottle Rack
The ''Bottle Rack'' (also called ''Bottle Dryer'' or ''Hedgehog'') (''Egouttoir'' or ''Porte-bouteilles'' or ''Hérisson'') is a Dada, proto-Dada artwork created in 1914 by Marcel Duchamp. Duchamp labeled the piece a "Readymades of Marcel Duchamp, readymade", a term he used to describe his collection of ordinary, manufactured objects not commonly associated with art. The readymades did not have the serious tone of European Dada works, which criticized the violence of World War I, and instead focused on a more nonsensical nature, chosen purely on the basis of a "visual indifference". The Art Institute of Chicago purchased one of the replicas of ''Bottle Rack'' in 2018. Origin Marcel Duchamp claimed to have bought the ''Bottle Rack'' at a department store called Bazar de l'Hôtel de Ville near the Paris, France, Paris city hall. The ''Bottle Rack'' was a typical, metal rack used for the drying of bottles, but the spiky, aggressive appearance of the piece earned it the name of ''H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
In Advance Of The Broken Arm
''In Advance of the Broken Arm'', also called ''Prelude to a Broken Arm'', is a 1915 sculpture by Dada artist Marcel Duchamp that consisted of a regular snow shovel with "from Marcel Duchamp 1915" painted on the handle. One explanation for the title is that without the shovel to remove snow, one might fall and break an arm. This type of humor is not atypical of dadaist work. An antidote to what Duchamp called " retinal art", ''In Advance of the Broken Arm'' was the second of a series of sculptures that he named " ready-mades", the most famous of which is his 1917 ''Fountain''. At the time, the term "ready-made" referred to manufactured goods as opposed to handmade goods, but Duchamp used the term to describe "an ordinary object elevated to the dignity of a work of art by the mere choice of an artist". The original was hung from a wire in the studio and has since been lost. A replica of the sculpture is on display at the Yale University Art Gallery The Yale University Art Gal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcel Duchamp
Henri-Robert-Marcel Duchamp (, , ; 28 July 1887 – 2 October 1968) was a French painter, sculptor, chess player, and writer whose work is associated with Cubism, Dada, and conceptual art. Duchamp is commonly regarded, along with Pablo Picasso and Henri Matisse, as one of the three artists who helped to define the revolutionary developments in the plastic arts in the opening decades of the 20th century, responsible for significant developments in painting and sculpture. Duchamp has had an immense impact on twentieth-century and twenty first-century art, and he had a seminal influence on the development of conceptual art. By the time of World War I he had rejected the work of many of his fellow artists (such as Henri Matisse) as "retinal" art, intended only to please the eye. Instead, Duchamp wanted to use art to serve the mind. Early life and education Marcel Duchamp was born at Blainville-Crevon in Normandy, France, to Eugène Duchamp and Lucie Duchamp (formerly Lucie Nicolle) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
