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Rhapsody No. 2 (Bartók)
Rhapsody No. 2, Sz. 89 and 90, BB 96, is the second of two virtuoso works for violin and piano, subsequently arranged with orchestra accompaniment, written by Béla Bartók. It was composed in 1928 and orchestrated in 1929. The orchestral version was revised in 1935, and the version with piano in 1945. It is dedicated to Hungarian violinist Zoltán Székely, who later became the first violinist of the Hungarian String Quartet in 1937, two years after the founding of the ensemble. Bartók evidently composed both rhapsodies purely as a personal gesture, rather than on commission, and did so without telling anyone until they were both completed . According to Székely, he and the composer met one day in 1928 and, after chatting for a time, Bartók suddenly announced that he had a surprise for him, and produced the manuscripts of the two rhapsodies, which no one else had previously seen. "One is for you; one is for Szigeti," Bartók told him. “You may choose which one you like f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
András Szőllősy
András Szőllősy (; 27 February 1921 in Orăştie – 6 December 2007 in Budapest) was the creator of the Szőllősy index (abbreviated "Sz."), a frequently used index of the works of Hungarian composer Béla Bartók. Szőllősy studied composition under Zoltán Kodály at the Franz Liszt Academy of Music where he was a professor of music history and theory from 1950 until his death. He was awarded a Ph.D. from the University of Budapest. He won numerous prizes and awards for his own compositions, including Distinguished Composition of the Year 1970 at UNESCO's International Rostrum of Composers in Paris for ''Concerto No. 3 for sixteen strings'', and the 1971 Erkel Prize. In 1985 he won the Kossuth Prize – the highest official recognition of the Hungarian state – and in 1987 he was proclaimed Commandeur of the Ordre des Arts et des Lettres by the French government. He became a member of the Széchenyi Academy of Literature and Arts in 1993 and was awarded the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhapsody No
Rhapsody may refer to: * A work of epic poetry, or part of one, that is suitable for recitation at one time ** Rhapsode, a classical Greek professional performer of epic poetry Computer software * Rhapsody (online music service), an online music store subscription service * Rhapsody (operating system), the code name for the Apple Macintosh operating system that eventually evolved into Mac OS X * '' Rhapsody: A Musical Adventure'', a 1998 video game developed by Nippon Ichi Software * Rational Rhapsody, a UML and SysML software tool for developing embedded and real-time systems Music * Rhapsody (music), an episodic instrumental composition of indefinite form * ''Rhapsody'' (Ashton), a ballet by Frederick Ashton based on a Rachmaninoff rhapsody * ''Rhapsody'' (John Ireland), a 1915 piano composition by John Ireland * ''Rhapsody'' (operetta), an operetta by Fritz Kreisler (music) and John La Touche (lyrics) * ''Rhapsody'' (Osborne), a composition by Willson Osborne * Rha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions For Violin And Orchestra
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungarian/ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1928 Compositions
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album '' Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipknot. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions By Béla Bartók
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungarian/ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cambridge Companions To Music
The Cambridge Companions to Music form a book series published by Cambridge University Press Cambridge University Press is the university press of the University of Cambridge. Granted letters patent by Henry VIII of England, King Henry VIII in 1534, it is the oldest university press A university press is an academic publishing hou .... Each book is a collection of essays on the topic commissioned by the publisher. on Cambridge University Press website, accessed 21 September 2015. Volumes (sortable table) References External links ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lydian Mode
The modern Lydian mode is a seven-tone musical scale formed from a rising pattern of pitches comprising three whole tones, a semitone, two more whole tones, and a final semitone. : Because of the importance of the major scale in modern music, the Lydian mode is often described as the scale that begins on the fourth scale degree of the major scale, or alternatively, as the major scale with the fourth scale degree raised half a step. This sequence of pitches roughly describes the scale underlying the fifth of the eight Gregorian (church) modes, known as Mode V or the authentic mode on F, theoretically using B but in practice more commonly featuring B. The use of the B as opposed to B would have made such piece in the modern day F major scale. Ancient Greek Lydian The name Lydian refers to the ancient kingdom of Lydia in Anatolia. In Greek music theory, there was a Lydian scale or "octave species" extending from ''parhypate hypaton'' to ''trite diezeugmenon'', equivalent in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acoustic Scale
In music, the acoustic scale, overtone scale, Lydian dominant scale, Lydian 7 scale, or the Pontikonisian Scale is a seven-note synthetic scale. : This differs from the major scale in having an augmented fourth and a minor seventh scale degree. It is the fourth mode of the melodic minor ascending scale. The term "acoustic scale" is sometimes used to describe a particular mode of this seven-note collection (e.g. the specific ordering C–D–E–F–G–A–B) and is sometimes used to describe the collection as a whole (e.g. including orderings such as E–F–G–A–B–C–D). History In traditional music, the overtone scale persists in the music of peoples of South Siberia, especially in Tuvan music. Overtone singing and the sound of the Jew's harp are naturally rich in overtones, but melodies performed on the igil (bowed instrument distantly related to the violin) and plucked string instruments such as the doshpuluur or the chanzy also often follow the overtone sc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Máramaros County
Máramaros County (german: Komitat Maramuresch; hu, Máramaros vármegye; la, Comitatus Maramarosiensis; ro, Comitatul Maramureș; rue, Комітат Марамарош; uk, Kомітат Мармарош; ) was an administrative county (comitatus) of the Kingdom of Hungary. Its territory is now in north-western Romania and western Ukraine. The capital of the county was Máramarossziget (present-day Sighetu Marmației). Geography Máramaros county shared borders with the Austrian crownlands Galicia (now in Poland and Ukraine) and Bukovina (now in Romania and Ukraine) and the Hungarian counties Bereg, Ugocsa, Szatmár, Szolnok-Doboka and Beszterce-Naszód. It was situated on both sides of the river Tisza, and in the Carpathian mountains. Its area was 9,716 km2 around 1910. History The first mention of the region in the written sources is from 1199 ("''cum in Maramorisio tempore venationis venatum ivissemus''"). In the 13th century, it was almost uninhabited or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ruthenians
Ruthenian and Ruthene are exonyms of Latin origin, formerly used in Eastern and Central Europe as common ethnonyms for East Slavs, particularly during the late medieval and early modern periods. The Latin term Rutheni was used in medieval sources to describe all Eastern Slavs of the Grand Duchy of Lithuania, as an exonym for people of the former Kievan Rus', thus including ancestors of the modern Belarusians, Rusyns and Ukrainians. The use of ''Ruthenian'' and related exonyms continued through the early modern period, developing several distinctive meanings, both in terms of their regional scopes and additional religious connotations (such as affiliation with the Ruthenian Greek Catholic Church). In medieval sources, the Latin term ''Rutheni'' was commonly applied to East Slavs in general, thus encompassing all endonyms and their various forms (Ukrainian: ''русини'', Belarusian: ''русіны''). By opting for the use of exonymic terms, authors who wrote in Latin were ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phrygian Mode
The Phrygian mode (pronounced ) can refer to three different musical modes: the ancient Greek ''tonos'' or ''harmonia,'' sometimes called Phrygian, formed on a particular set of octave species or scales; the Medieval Phrygian mode, and the modern conception of the Phrygian mode as a diatonic scale, based on the latter. Ancient Greek Phrygian The octave species (scale) underlying the ancient-Greek Phrygian ''tonos'' (in its diatonic genus) corresponds to the medieval and modern Dorian mode. The terminology is based on the '' Elements'' by Aristoxenos (fl. c. 335 BC), a disciple of Aristotle. The Phrygian ''tonos'' or ''harmonia'' is named after the ancient kingdom of Phrygia in Anatolia. In Greek music theory, the ''harmonia'' given this name was based on a ''tonos'', in turn based on a scale or octave species built from a tetrachord which, in its diatonic genus, consisted of a series of rising intervals of a whole tone, followed by a semitone, followed by a whole tone. : In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
László Somfai
László Somfai (born 15 August 1934) is a Hungarian musicologist. He was born in 1934 in Jászladány. He first studied History of Music, graduating in 1959 with a dissertation on the classical string quartet idiom of Joseph Haydn. He went on to earn a PhD in musicology. He is a professor at the Franz Liszt Academy of Music, where he specializes in classical style, Haydn, and Béla Bartók. He has also taught at the City University of New York and the University of California, Berkeley The University of California, Berkeley (UC Berkeley, Berkeley, Cal, or California) is a public land-grant research university in Berkeley, California. Established in 1868 as the University of California, it is the state's first land-grant u .... Among his work is the BB catalogue of Bartók's compositions. External links Biography at bartokfestival.hu 1934 births Living people Hungarian musicologists International Musicological Society presidents Bartók scholars {{Hung ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
