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Revolutions (Jean-Michel Jarre Album)
''Revolutions'' is the ninth studio album by electronic musician and composer Jean-Michel Jarre, first released in August 1988. The album reached number 2 in the UK charts, Jarre's best chart position since ''Oxygène''. The Destination Docklands concert in London coincided with the release of the album. Composition and recording The album was recorded and mixed at Croissy studio. The song "London Kid" was a collaboration with Shadows guitarist Hank Marvin. The title track contains reworked samples of an unpublished composition by Turk Kudsi Erguner, which Jarre had acquired from ethnologist Xavier Bellenger. Erguner took his case to court and won a modest indemnity. Jarre removed the flute part—the Ney—from new releases of the record and from live performances, the track was later retitled as "Revolution, Revolutions". The title track also featured vocoder by Jarre and Michel Geiss. The track "September" is dedicated to South African ANC activist Dulcie September, who wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Michel Jarre
Jean-Michel André Jarre (; born 24 August 1948) is a French composer, performer and record producer. He is a pioneer in the electronic, ambient and new-age genres, and is known for organising outdoor spectacles featuring his music, accompanied by vast laser displays, large projections and fireworks. Jarre was raised in Lyon by his mother and grandparents and trained on the piano. From an early age, he was introduced to a variety of art forms, including street performers, jazz musicians and the artist Pierre Soulages. But his musical style was perhaps most heavily influenced by Pierre Schaeffer, a pioneer of musique concrète at the Groupe de Recherches Musicales. His first mainstream success was the 1976 album ''Oxygène''. Recorded in a makeshift studio at his home, the album sold an estimated 18 million copies. ''Oxygène'' was followed in 1978 by ''Équinoxe'', and in 1979, Jarre performed to a record-breaking audience of more than a million people at the Place de l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
African National Congress
The African National Congress (ANC) is a Social democracy, social-democratic political party in Republic of South Africa, South Africa. A liberation movement known for its opposition to apartheid, it has governed the country since 1994, when the 1994 South African general election, first post-apartheid election installed Nelson Mandela as President of South Africa. Cyril Ramaphosa, the incumbent national President, has served as President of the ANC since 18 December 2017. Founded on 8 January 1912 in Bloemfontein as the South African Native National Congress (SANNC), the organisation was formed to agitate, by moderate methods, for the rights of black South Africans. When the National Party (South Africa), National Party government came to power 1948 South African general election, in 1948, the ANC's central purpose became to oppose the new government's policy of institutionalised apartheid. To this end, its methods and means of organisation shifted; its adoption of the techn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percussion Instrument
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, and cym ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Akai MPC60
The Akai MPC (originally MIDI Production Center, now Music Production Center) is a series of music workstations produced by Akai from 1988 onwards. MPCs combine sampling and sequencing functions, allowing users to record portions of sound, modify them and play them back as sequences. The first MPCs were designed by Roger Linn, who had designed the successful LM-1 and LinnDrum drum machines in the 1980s. Linn aimed to create an intuitive instrument, with a grid of pads that can be played similarly to a traditional instrument such as a keyboard or drum kit. Rhythms can be built not just from samples of percussion but samples of any recorded sound. The MPC had a major influence on the development of electronic and hip hop music. It led to new sampling techniques, with users pushing its technical limits to creative effect. It had a democratizing effect on music production, allowing artists to create elaborate tracks without traditional instruments or recording studios. Its pad i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vocoder
A vocoder (, a portmanteau of ''voice'' and ''encoder'') is a category of speech coding that analyzes and synthesizes the human voice signal for audio data compression, multiplexing, voice encryption or voice transformation. The vocoder was invented in 1938 by Homer Dudley at Bell Labs as a means of synthesizing human speech. This work was developed into the channel vocoder which was used as a voice codec for telecommunications for speech coding to conserve bandwidth in transmission. By encrypting the control signals, voice transmission can be secured against interception. Its primary use in this fashion is for secure radio communication. The advantage of this method of encryption is that none of the original signal is sent, only envelopes of the bandpass filters. The receiving unit needs to be set up in the same filter configuration to re-synthesize a version of the original signal spectrum. The vocoder has also been used extensively as an electronic musical instrument. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Music Studios
Electronic Music Studios (EMS) is a synthesizer company formed in Putney, London in 1969 by Peter Zinovieff, Tristram Cary and David Cockerell. It is now based in Ladock, Cornwall. Founders The founding partners had wide experience in both electronics and music. Cockerell, who was EMS' main equipment designer in its early years, was an electronics engineer and computer programmer. In the mid-1960s Zinovieff had formed the electronic music group Unit Delta Plus with Delia Derbyshire and Brian Hodgson of the BBC Radiophonic Workshop. Cary was a noted composer and a pioneer in electronic music—he was one of the first people in the UK to work in the musique concrete field and built one of the country's first electronic music studios; he also worked widely in film and TV, composing scores for numerous Ealing Studios and Hammer Films productions, and he is well known for his work on the BBC's ''Doctor Who'', notably on the classic serial ''The Daleks''. VCS 3 The company's firs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
OSC OSCar
The OSCar was a synthesizer manufactured by the Oxford Synthesiser Company from 1983 to 1985. It was ahead of its time in several ways and its later versions were among the few mono-synths of its time to have MIDI. Around 2000 were made. History When synthesizer manufacturer Electronic Dream Plant folded in 1982, Chris Huggett went on to form the Oxford Synthesiser Company. The OSCar synthesizer was launched in 1983. Chris Huggett designed the electronics while independent product designer Anthony Harrison-Griffin was responsible for the unique look and build of the OSCar. Design and features Harrison-Griffin's use of distinctive black rubberized components to protect the controls and main casing became one of the instrument's most distinctive visual features. He even built a dummy 3-pin mains socket into the ends to safely store the plug. While the basic structure of the OSCar is the common subtractive synthesis model, it has many unusual features and design quirks. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
EMS Synthi AKS
The EMS Synthi A and the EMS Synthi AKS, is a portable modular analog synthesiser made by EMS of England. The Synthi A model debuted in May 1971, and then Sythni AKS model appeared in March 1972 a with a built-in keyboard and sequencer. The EMS Sythi models are notable for its patch pin matrix, its functions and internal design are similar to the VCS 3 synthesiser, also made by EMS. EMS is still run by Robin Wood in Cornwall, and in addition to continuing to build and sell new units, the company repairs and refurbishes EMS equipment. When launched in 1972, the Synthi AKS retailed for around £450. There was an optional three octave (37 note) DK1 monophonic keyboard available for it, later the DK2 (Dynamic Keyboard 2) was available, this allowed independent control of two Oscillators, thus enabling the player to play two notes together. The Synthi instruments were used widely in progressive rock and electronic music. As with the VCS3, a Synthi AKS was worth considerably more ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elka Synthex
The Elka Synthex is a polyphonic analog synthesizer produced by Italian music instrument manufacturer Elka from 1981 to 1985. Overview The Synthex was conceived and developed by independent Italian designer Mario Maggi, who then gained the financial backing of the Elka company of Italy, who produced the synthesizer from 1981 to 1985. Elka, a company more noted for its organs, had previously introduced their Rhapsody 490, 610 string machine, the monophonic Solist 505 and the big combo organ/synth X-705. A total of 1850 units were produced. Today is a highly sought-after instrument which recently reached quotations around 8,000 GBP. It was succeeded by the Elka EK-22 (based on the CEM3396 chip which was also featured in e.g. Oberheim's Matrix line of synthesizers) and the Elka EK-44 (based on Yamaha's 4-OP FM). Features and architecture The Synthex is an 8-voice analog synthesizer with 2 oscillators per note, separate envelope generators, and chorus. The use of stable DCOs (digitall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fairlight CMI
The Fairlight CMI (short for Computer Musical Instrument) is a digital synthesizer, sampler, and digital audio workstation introduced in 1979 by Fairlight. — with links to some Fairlight history and photos It was based on a commercial licence of the Qasar M8 developed by Tony Furse of Creative Strategies in Sydney, Australia. It was one of the earliest music workstations with an embedded sampler and is credited for coining the term sampling in music. It rose to prominence in the early 1980s and competed with the Synclavier from New England Digital. History Origins: 1971–1979 In the 1970s, Kim Ryrie, then a teenager, had an idea to develop a build-it-yourself analogue synthesizer, the ETI 4600, for the magazine he founded, ''Electronics Today International'' (ETI). Ryrie was frustrated by the limited number of sounds that the synthesizer could make. After his classmate, Peter Vogel, graduated from high school and had a brief stint at university in 1975, Ryrie asked ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
