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Revoltella Museum
The Revoltella Museum ( it, Museo Revoltella) is a modern art gallery founded in Trieste in 1872 by Baron Pasquale Revoltella. The baron, after he left his house to the city (located in Piazza Venezia) and all the works, furniture and books it contained. Museum The main building, designed by Friedrich Hitzig, was built in 1858. In order to expand the original collection in 1907 the city acquired the Brunner palace located nearby. However, this building was only put to full use in 1963, following a reconstruction by Carlo Scarpa. The museum today is composed of three buildings with a total exhibition area of 4,000 square meters and the main entrance from Via Diaz. Exhibits In addition to the works bequeathed by baron Revoltella, the city also acquired additional artworks over the years. On permanent display today are about 350 paintings and sculptures. The Brunner palace host works of Italian authors of the second half of the 19th century (third floor), the works acquired in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Painting Palazzo Revoltella
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, sy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isidoro Grünhut
Isidoro Grünhut (27 August 1862, Trieste – 5 May 1896, Florence) was an Italian painter of Jewish ancestry; known for genre scenes and portraits. Biography His father, Israel, was originally from Regensburg. His mother, Giuditta née Panzieri, was from an upper-class family in Ancona.Biography from the ''Dizionario Biografico degli Italiani'' @ He displayed artistic talent at an early age, but his father was opposed to his pursuit of that as a career. At the age of sixteen, he rebelled, running away from home to join up with an "" named Benelli; providing drawing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Museums Established In 1872
Art is a diverse range of human activity, and resulting product, that involves creative or imaginative talent expressive of technical proficiency, beauty, emotional power, or conceptual ideas. There is no generally agreed definition of what constitutes art, and its interpretation has varied greatly throughout history and across cultures. In the Western tradition, the three classical branches of visual art are painting, sculpture, and architecture. Theatre, dance, and other performing arts, as well as literature, music, film and other media such as interactive media, are included in a broader definition of the arts. Until the 17th century, ''art'' referred to any skill or mastery and was not differentiated from crafts or sciences. In modern usage after the 17th century, where aesthetic considerations are paramount, the fine arts are separated and distinguished from acquired skills in general, such as the decorative or applied arts. The nature of art and related concepts, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Museums And Galleries In Friuli-Venezia Giulia
Art is a diverse range of human activity, and resulting product, that involves creative or imaginative talent expressive of technical proficiency, beauty, emotional power, or conceptual ideas. There is no generally agreed definition of what constitutes art, and its interpretation has varied greatly throughout history and across cultures. In the Western tradition, the three classical branches of visual art are painting, sculpture, and architecture. Theatre, dance, and other performing arts, as well as literature, music, film and other media such as interactive media, are included in a broader definition of the arts. Until the 17th century, ''art'' referred to any skill or mastery and was not differentiated from crafts or sciences. In modern usage after the 17th century, where aesthetic considerations are paramount, the fine arts are separated and distinguished from acquired skills in general, such as the decorative or applied arts. The nature of art and related concepts, such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buildings And Structures In Trieste
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artistic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ignacio Zuloaga
Ignacio Zuloaga y Zabaleta (July 26, 1870October 31, 1945) was a Spanish painter, born in Eibar (Guipuzcoa), near the monastery of Loyola. Family He was the son of metalworker and damascener Plácido Zuloaga and grandson of the organizer and director of the royal armoury ( Don Eusebio) in Madrid. His uncle was Daniel Zuloaga. His great-grandfather who was also the royal armourer was a friend and contemporary of Goya. Biography In his youth, he drew and worked in the armourer's workshop of his father, Plácido. His father's craftmanship, a familial trade, was highly respected throughout Europe, but he intended his son for either commerce, engineering, or architecture, but during a short trip to Rome with his father, he decided to become a painter. His first painting was exhibited in Paris in 1890. At the age of 18 he moved to Paris, settling in Montmartre, to find work and training as a painter. He was nearly destitute, and lived off some meager contributions by his moth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mario Sironi
Mario Sironi (May 12, 1885 – August 13, 1961) was an Italian modernist artist who was active as a painter, sculptor, illustrator, and designer. His typically somber paintings are characterized by massive, immobile forms. Biography He was born in Sassari on the island of Sardinia. His father was an engineer; his maternal grandfather was the architect and sculptor Ignazio Villa.Sironi and Ferrari 2002, p. 159 Sironi spent his childhood in Rome. He embarked on the study of engineering at the University of Rome but quit after a nervous breakdown in 1903, one of many severe depressions that would recur throughout his life. Thereafter he decided to study painting, and began attending the Scuola Libera del Nudo of the Accademia di Belle Arti di Roma. There he met Giacomo Balla, who became "his first real teacher". Sironi returned to Milan in 1905 before traveling to Paris in 1906.Braun Like his friends Gino Severini and Umberto Boccioni, he began painting in a Divisionist style unde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Rotta
Antonio Rotta (28 February 1828 – 10/11 September 1903) was an Italian painter, mainly of genre subjects. Biography Rotta was born on 28 February 1828 in Gorizia in the Kingdom of Illyria. He enrolled at the Accademia Reale di Belle Arti of Venice, where he studied under Ludovico Lipparini. His early genre paintings of Venetian scenes were followed by a number of religious and history paintings, among them ''Tiziano istruisce Irene di Spilimbergo'' ("Titian Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italian (Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school. He was born in Pieve di Cadore, nea ... teaching Irene of Spilimberg"). He returned to genre painting, and produced many scenes of Venetian life, often featuring children. One of the best-known of these was ''Il Ciabattino'', "the cobbler". Many of his works were sold abroad. In 1891 he exhibited in Berlin. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manlio Rho
Manlio Rho (1901 – 1957) was a painter born in Como, Italy. He is considered one of the most important abstract artists in Italy. Life and work In the late 1920s Manlio Rho was deeply involved in Como's engagement with the European abstract movement led by Wassily Kandinsky and Kazimir Malevich. Together with the architects Giuseppe Terragni, Alberto Sartoris, and the painter Mario Radice, he created the ''astrattisti comaschi'', a group of artists that later included Aldo Galli, Carla Prina, and Carla Badiali. This event is widely regarded by critics as a pivotal moment in the history of Italian art of the 20th century. Having worked initially in a figurative manner, he began abstract works in the early 1930s, showing a consistent preference for colour and the harmony of shapes. The art of Rho is marked by a balance between strict geometry, similar to the "cold" abstractism of Russian suprematism, and a warmth considered typically North Italian. His works comprise ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arnaldo Pomodoro
Arnaldo Pomodoro (born 23 June 1926) is an Italian sculptor. He was born in Morciano, Romagna, and lives and works in Milan. His brother, Giò Pomodoro (1930–2002) was also a sculptor. Pomodoro designed a controversial fiberglass crucifix for the Cathedral of St. John the Evangelist in Milwaukee, Wisconsin. The piece is topped with a fourteen-foot diameter crown of thorns which hovers over the figure of Christ. Some of Pomodoro's '' Sphere Within Sphere'' (''Sfera con Sfera'') can be seen in the Vatican Museums, Trinity College, Dublin, the United Nations Headquarters and Mt. Sinai Hospital in New York, the Hirshhorn Museum and Sculpture Garden in Washington, D.C.Christian Theological Seminaryin Indianapolis, the de Young Museum in San Francisco, Tehran Museum of Contemporary Art, American Republic Insurance Company in Des Moines, Iowa, the Columbus Museum of Art in Columbus, Ohio, the University of California, Berkeley, the Virginia Museum of Fine Arts in Richmond, Virgini ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe De Nittis
Giuseppe De Nittis (February 25, 1846 – August 21, 1884)Efrem Gisella Calingaert. "De Nittis, Giuseppe." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 9 Aug. 2013. was one of the most important Italian painters of the 19th century, whose work merges the styles of Salon art and Impressionism. Biography De Nittis was born in Barletta, in the region of Apulia, where he lived with his family in the wealthiest district of the city near the intersection of the Corso Vittorio Emanuele and the Corso Garibaldi, just around the corner from the birthplace of another famous painter and contemporary, Geremia Discanno. Barletta at the time of the Bourbons, and in particular during the reign of Ferdinand II, nicknamed the "Bomb King" for having his own subjects cannonaded, was an extremely class-oriented city and those who could afford it gathered regularly near De Nittis' home beneath the Basilica of the Holy Sepulcher with its bronze Colossus of Heraclius in front. Si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giacomo Manzù
Giacomo Manzù, pseudonym of Giacomo Manzoni (22 December 1908 – 17 January 1991), was an Italian sculptor. Biography Manzù was born in Bergamo. His father was a shoemaker. Other than a few evening art classes, he was self-taught in sculpture, and later became a professor himself. He started working with wood during his military service in Veneto in 1928; later, after a short stay in Paris, he moved to Milan, where architect Giovanni Muzio commissioned him the decoration of the chapel of Università Cattolica del Sacro Cuore (1931–1932). In 1933 he exhibited a series of busts at the Triennale di Milano, which granted him national popularity. The following year he held a personal exhibition in Rome with the painter Aligi Sassu, with whom he shared a studio. In 1939 Manzù started a series of bronze bas-reliefs about the death of Jesus Christ; the works, exhibited in Rome in 1942, were criticized by the Fascist government and the ecclesiastical authorities. In 1940 h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
