Resonance (Joe Pass Album)
''Resonance'' is a live album by jazz guitarist Joe Pass, recorded in 1974 and released posthumously in 2000. It was recorded during the same performances as '' Live at Donte's''. Reception Jim Ferguson ( JazzTimes) wrote in his review of ''Resonance'': "...the mercurial Pass turns tunes like "It Could Happen to You" (often given a ballad treatment) and Jobim's "Corcovado" into rousing, near-frantic tour de forces, where he establishes a brisk tempo and proceeds to tattoo variation after variation. He does eventually settle down, however, to play sweet and smooth on "Too Late Now" and "Misty," each of which features Pass' unmistakable combination of smooth single-note lines and silken chordal passages....Another look back at a brilliant performance from one of jazz's most unforgettable players." [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Joe Pass
Joe Pass (born Joseph Anthony Jacobi Passalaqua; January 13, 1929 – May 23, 1994) was an American jazz guitarist. Pass is well known for his work stemming from numerous collaborations with pianist Oscar Peterson and vocalist Ella Fitzgerald, and is often heralded as one of the most unique and notable jazz guitarists of the 20th century. Early life Pass was born in New Brunswick, New Jersey, New Brunswick, New Jersey, on January 13, 1929. His father, Mariano Passalaqua, was a steel mill worker who was born in Sicily. The family later moved to Johnstown, Pennsylvania. Pass became interested in the guitar after he saw Gene Autry on television. He got his first guitar when he was nine. He took guitar lessons every Sunday with a local teacher for 6-8 months and also practiced for many hours each day. Pass found work as a performer as early as age 14. He played with bands led by Tony Pastor (bandleader), Tony Pastor and Charlie Barnet, honing his guitar skills while learning the ro ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Antônio Carlos Jobim
Antônio Carlos Brasileiro de Almeida Jobim (25 January 1927 – 8 December 1994), also known as Tom Jobim (), was a Brazilian composer, pianist, guitarist, songwriter, arranger, and singer. Considered one of the great exponents of Brazilian music, Jobim internationalized bossa nova and, with the help of important American artists, merged it with jazz in the 1960s to create a new sound, with popular success. As a result, he is sometimes known as the "father of bossa nova". Jobim was a primary force behind the creation of the bossa nova style, and his songs have been performed by many singers and instrumentalists internationally since the early 1960s. In 1965, the album ''Getz/Gilberto'' was the first jazz record to win the Grammy Award for Album of the Year. It also won Best Jazz Instrumental Album – Individual or Group and Best Engineered Album, Non-Classical. The album's single '" Garota de Ipanema (The Girl from Ipanema)'", composed by Jobim, has become one of the most r ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Yardbird Suite
"Yardbird Suite" is a bebop standard composed by jazz saxophonist Charlie Parker in 1946. The title combines Parker's nickname "Yardbird" (often shortened to "Bird") and a colloquial use of the classical music term " suite" (in a manner similar to such jazz titles as Lester Young's "Midnight Symphony" and Duke Ellington's "Ebony Rhapsody"). The composition uses an 32-bar AABA form. The "graceful, hip melody, became something of an anthem for beboppers." Three Charlie Parker recordings Although, as Bob Dorough wrote in the liner notes to the re-release of his album ''Yardbird Suite'', fans used to follow Parker everywhere he played and often taped his performances, there are only three known commercial recordings of Parker himself playing the tune. The first two were recorded with a septet at Radio Recorders in Hollywood on March 28, 1946. The session was supervised and produced by Ross Russell for his Dial Records label. Besides Parker on alto saxophone was Miles Davis on trump ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bert Shefter
Bert Shefter (May 15, 1902 – June 29, 1999) was a Russian-born film composer who worked primarily in America. Biography He was born in Poltava, Russian Empire (now Ukraine.) After emigrating to the USA he attended the Carnegie Institute, Philadelphia’s Curtis Institute of Music & the Damrosch Institute, NYC. He began his musical career as a duo-pianist with Morton Gould (known as "Shefter & Gould".) They performed in theaters and on the radio between 1930 - 1936. He developed his skills as a conductor, and began appearing both as solo pianist and conductor on stage. He was the guest conductor at Carnegie Hall during the 1946-1947 season. He formed his own orchestra, and appeared on New York radio including some broadcasts over the NBC Network. He also conducted his orchestra on recordings for several record labels and for the "Muzak" store music service. His first work in film music was as musical director for the production '' One Too Many'' in 1950. In the late 19 ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Maurice Ravel
Joseph Maurice Ravel (7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with Impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In the 1920s and 1930s Ravel was internationally regarded as France's greatest living composer. Born to a music-loving family, Ravel attended France's premier music college, the Paris Conservatoire; he was not well regarded by its conservative establishment, whose biased treatment of him caused a scandal. After leaving the conservatoire, Ravel found his own way as a composer, developing a style of great clarity and incorporating elements of modernism, baroque, neoclassicism and, in his later works, jazz. He liked to experiment with musical form, as in his best-known work, ''Boléro'' (1928), in which repetition takes the place of development. Renowned for his abilities in orchestration, Ravel made some orchestral arrangements of other compose ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Mitchell Parish
Mitchell Parish (born Michael Hyman Pashelinsky; July 10, 1900 – March 31, 1993) was an American lyricist, notably as a writer of songs for stage and screen. Biography Parish was born to a Jewish family in Lithuania, Russian Empire in July 1900 His family emigrated to the United States, arriving on February 3, 1901, aboard the '' SS Dresden'' when he was less than a year old. They settled first in Louisiana where his paternal grandmother had relatives, but later moved to New York City, where he grew up on the Lower East Side of Manhattan and received his education in the public schools. He attended Columbia University and N.Y.U. and was a member of Phi Beta Kappa. He eventually abandoned the notion of practicing law to become a songwriter. He served his apprenticeship as a writer of special material for vaudeville acts, and later established himself as a writer of songs for stage, screen and numerous musical revues. By the late 1920s, Parish was a well-regarded Tin Pan Alley ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Peter DeRose
Peter DeRose (or De Rose) (March 10, 1896 – April 23, 1953) was an American composer of jazz and pop music during the era of Tin Pan Alley. Biography A native of New York City, he showed a gift for all things musical at an early age. He learned to play the piano from an older sister. F.B. Haviland published his first song, "Tiger Rose Waltzes", when he was eighteen years old. After graduating from DeWitt Clinton High School in 1917, he found a job at a music store as a stock room clerk. His composition "When You're Gone, I Won't Forget" led to a job at the New York office of Italian music publisher G. Ricordi & Co. In 1923, he met May Singhi Breen when she performed on radio with the ukulele group The Syncopators. A relationship developed, and she left the group to join DeRose in a musical radio show on NBC called ''The Sweethearts of the Air'' in which he played piano and she played ukulele. The show lasted for 16 years, during which time the two entertainers were married. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Lamp Is Low
"The Lamp Is Low" is a popular song of the 1930s. The music was written by Peter DeRose and Bert Shefter, adapted from Pavane pour une infante défunte, a piece by Maurice Ravel. The lyrics were written by Mitchell Parish. Mildred Bailey made the first notable recording of "The Lamp is Low" for Vocalion Records (catalog No. 4845) on April 24, 1939. Covers by other musicians quickly followed, including one by Tommy Dorsey and His Orchestra (vocal by Jack Leonard) recorded on May 1, 1939 for Victor Records (catalog No. 26259). The Dorsey version was a big hit and helped the song to feature on the hit parade in 1939 for nine weeks. The song continues to be a favorite of jazz musicians. Other recordings *Dorothy Lamour - Bluebird-B-10302-A - recorded on April 26, 1939 with Lou Bring's Orchestra. *Kay Kyser and his Orchestra, (vocal by Ginny Simms), recorded April 30, 1939. * Glenn Miller and his Orchestra (vocal by Ray Eberle), recorded for Bluebird Records on May 25, 1939. *Jimmy D ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Johnny Mercer
John Herndon Mercer (November 18, 1909 – June 25, 1976) was an American lyricist, songwriter, and singer, as well as a record label executive who co-founded Capitol Records with music industry businessmen Buddy DeSylva and Glenn E. Wallichs. He is best known as a Tin Pan Alley lyricist, but he also composed music, and was a popular singer who recorded his own songs as well as songs written by others from the mid-1930s through the mid-1950s. Mercer's songs were among the most successful hits of the time, including " Moon River", " Days of Wine and Roses", " Autumn Leaves", and "Hooray for Hollywood". He wrote the lyrics to more than 1,500 songs, including compositions for movies and Broadway shows. He received nineteen Oscar nominations, and won four Best Original Song Oscars. Early life Mercer was born in Savannah, Georgia, where one of his first jobs, aged 10, was sweeping floors at the original 1919 location of Leopold's Ice Cream. [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Harold Arlen
Harold Arlen (born Hyman Arluck; February 15, 1905 – April 23, 1986) was an American composer of popular music, who composed over 500 songs, a number of which have become known worldwide. In addition to composing the songs for the 1939 film '' The Wizard of Oz'' (lyrics by Yip Harburg), including " Over the Rainbow", Arlen is a highly regarded contributor to the Great American Songbook. "Over the Rainbow" was voted the 20th century's No. 1 song by the RIAA and the NEA. Life and career Arlen was born in Buffalo, New York, the child of a Jewish cantor. His twin brother died the next day. He learned to play the piano as a youth, and formed a band as a young man. He achieved some local success as a pianist and singer before moving to New York City in his early twenties, where he worked as an accompanist in vaudeville and changed his name to Harold Arlen. Between 1926 and about 1934, Arlen appeared occasionally as a band vocalist on records by The Buffalodians, Red Nichols, Joe ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Come Rain Or Come Shine
"Come Rain or Come Shine" is a popular music song, with music by Harold Arlen and lyrics by Johnny Mercer. It was written for the Broadway musical '' St. Louis Woman'', which opened on March 30, 1946, and closed after 113 performances. Chart performance It "became a modest hit during the show's run, making the pop charts with a Margaret Whiting (Paul Weston and His Orchestra) recording rising to number seventeen, and, shortly after, a Helen Forrest and Dick Haymes recording rising to number twenty-three." Other recordings The song has subsequently been recorded by a host of artists, including: *In 1955, Billie Holiday included it on her ''Music for Torching'' LP. *In 1956, Judy Garland included it on her '' Judy'' LP, as well her 1961 live album, ''Judy at Carnegie Hall''. *In 1956, Fran Warren included it on her album ''Mood Indigo''. *In 1958, Art Blakey & The Jazz Messengers recorded it for their album released in 1959, ''Moanin’''. *In 1959, Connie Francis included it on ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Irving Berlin
Irving Berlin (born Israel Beilin; yi, ישראל ביילין; May 11, 1888 – September 22, 1989) was a Russian-American composer, songwriter and lyricist. His music forms a large part of the Great American Songbook. Born in Imperial Russia, Berlin arrived in the United States at the age of five. He published his first song, "Marie from Sunny Italy", in 1907, receiving 33 cents for the publishing rights,Starr, Larry and Waterman, Christopher, American Popular Music: From Minstrelsy to MP3, Oxford University Press, 2009, pg. 64 and had his first major international hit, "Alexander's Ragtime Band", in 1911. He also was an owner of the Music Box Theatre on Broadway. For much of his career Berlin could not read sheet music, and was such a limited piano player that he could only play in the key of F-sharp; he used his custom piano equipped with a transposing lever when he needed to play in keys other than F-sharp. "Alexander's Ragtime Band" sparked an international dance craze ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |