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Reprise (Russell Watson Album)
''Reprise'' is the third album by British tenor Russell Watson released in 2002. Track listing Composers/librettists and/or songwriters in brackets #"Torna a Surriento" (Ernesto De Curtis/ Giambattista De Curtis) – 4:48 #"Granada" (AgustÃn Lara) – 4:03 #" Santa Lucia" (Teodoro Cottrau) – 4:01 #"That's Amore" (Harry Warren/ Jack Brooks) – 3:10 #"Ave Maria" (Franz Schubert) – 4:34 #" Questa o Quella" (Giuseppe Verdi) – 2:01 #" Nothing Sacred" (Jim Steinman/ Don Black) – 4:07 #"The Pearl Fishers' Duet" (Georges Bizet/Eugène Cormon/Michel Carré) – 5:03 #" Pourquoi Me réveiller?" (Jules Massenet/Édouard Blau/Paul Milliet/Georges Hartmann) – 2:35 #"Recondita armonia" (Giacomo Puccini/Luigi Illica/Giuseppe Giacosa) – 2:52 #"La Danza" (Gioachino Rossini/ Carlo Pepoli) – 3:19 #"Core 'ngrato" (Salvatore Cardillo/Riccardo Cordiferro) – 6:45 #"The Living Years" (Mike Rutherford/B. A. Robertson) – 5:49 #"I Don't Know How I Got By" (Diane Warren) – 3:39 #"The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Russell Watson
Russell Watson is an English tenor who has released singles and albums of both operatic-style and pop songs. He began singing as a child, and became known after performing at a working men's club. He came to attention in 1999 when he sang "God Save the Queen" at the Rugby League Challenge Cup Final at Wembley Stadium, "Barcelona" at the last match of the Premiership season between Manchester United and Tottenham Hotspur at Old Trafford, and a full set of songs at the 1999 UEFA Champions League Final in Barcelona between Manchester United and Bayern Munich. Watson's debut album ''The Voice'' was released in May 2001; four others followed. An album planned for November 2006 was delayed due to the removal of a benign pituitary tumour. This album, titled '' That's Life'', was eventually released in March 2007. Later that year, it was discovered that there had been a regrowth of the pituitary tumour and bleeding into Watson's brain. He underwent emergency surgery and was discharg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ave Maria (Schubert)
"" ("", D. 839, Op. 52, No. 6, 1825), in English: "Ellen's Third Song", was composed by Franz Schubert in 1825 as part of his Op. 52, a setting of seven songs from Walter Scott's 1810 popular narrative poem ''The Lady of the Lake'', loosely translated into German. It is one of Schubert's most popular works. Beyond the song as originally composed by Schubert, it is often performed and recorded by many singers under the title "Ave Maria" (the Latin name of the prayer Hail Mary, and also the opening words and refrain of Ellen's song, a song which is itself a prayer to the Virgin Mary), in musically simplified arrangements and with various lyrics that commonly differ from the original context of the poem. It was arranged in three versions for piano by Franz Liszt. ''The Lady of the Lake'' and the "Ave Maria" The piece was composed as a setting of a song (verse XXIX from Canto Three) from Walter Scott's popular narrative poem ''The Lady of the Lake'', in a German translation by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Édouard Blau
Édouard Blau (30 May 1836 – 7 January 1906) was a French dramatist and opera librettist. He was a cousin of Alfred Blau, another librettist of the same period.Smith C. Édouard Blau. In: ''The New Grove Dictionary of Opera''. Macmillan, London & New York, 1997. Going to Paris at the age of 20 he worked at the Assistance Publique but from 1870 concentrated on theatrical writing. For his libretti he collaborated with Louis Gallet, Alfred Blau, Camille du Locle and Louis de Gramont. Operas to librettos by Édouard Blau *Georges Bizet **''La Coupe du roi de Thulé'' (1868–69) **''Don Rodrigue'' (1873) *Jacques Offenbach **''La Marocaine'' (1879) **''Belle Lurette'' (1880) *Benjamin Godard **''Dante'' (1880) *Jules Massenet **''Le Cid'' (1885) **''Werther'' (1892) *Édouard Lalo **''Le roi d'Ys ' (''The King of Ys'') is an opera in three acts and five tableaux by the French composer Édouard Lalo, to a libretto by Édouard Blau, based on the old Breton legend of the drowned c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jules Massenet
Jules Émile Frédéric Massenet (; 12 May 1842 – 13 August 1912) was a French composer of the Romantic era best known for his operas, of which he wrote more than thirty. The two most frequently staged are '' Manon'' (1884) and ''Werther'' (1892). He also composed oratorios, ballets, orchestral works, incidental music, piano pieces, songs and other music. While still a schoolboy, Massenet was admitted to France's principal music college, the Paris Conservatoire. There he studied under Ambroise Thomas, whom he greatly admired. After winning the country's top musical prize, the Prix de Rome, in 1863, he composed prolifically in many genres, but quickly became best known for his operas. Between 1867 and his death forty-five years later he wrote more than forty stage works in a wide variety of styles, from opéra-comique to grand-scale depictions of classical myths, romantic comedies, lyric dramas, as well as oratorios, cantatas and ballets. Massenet had a good sense of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Werther
''Werther'' is an opera (''drame lyrique'') in four acts by Jules Massenet to a French libretto by Édouard Blau, Paul Milliet and Georges Hartmann (who used the pseudonym Henri Grémont). It is loosely based on Goethe's epistolary novel ''The Sorrows of Young Werther'', which was based both on fact and on Goethe's own early life. Earlier examples of operas using the story were made by Kreutzer (1792) and Pucitta (1802). Milnes R. Werther. In: ''The New Grove Dictionary of Opera''. Macmillan, London and New York, 1997. Performance history Massenet started composing ''Werther'' in 1885, completing it in 1887. He submitted it to Léon Carvalho, the director of the Paris Opéra-Comique, that year, but Carvalho declined to accept it on the grounds that the scenario was too serious. With the disruption of the fire at the Opéra-Comique and Massenet's work on other operatic projects (especially ''Esclarmonde''), it was put to one side, until the Vienna Opera, pleased with the succes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michel Carré
Michel Carré (20 October 1821, Besançon – 27 June 1872, Argenteuil) was a prolific French librettist. He went to Paris in 1840 intending to become a painter but took up writing instead. He wrote verse and plays before turning to writing libretti. He wrote the text for Charles Gounod's ''Mireille'' (1864) on his own, and collaborated with Eugène Cormon on Bizet's ''Les pêcheurs de perles''. However, the majority of his libretti were completed in tandem with Jules Barbier, with whom he wrote the libretti for numerous operas, including Camille Saint-Saëns's ''Le timbre d'argent'' (libretto written in 1864, first performed in 1877), Gounod's ''Faust'' (1859), '' Roméo et Juliette'' (1867), and Offenbach's ''Les contes d'Hoffmann'' (1881). As with the other libretti by Barbier and himself, these were adaptations of existing literary masterworks. His son, Michel-Antoine (1865–1945), followed in his father's footsteps, also writing libretti, and later directing silent films. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugène Cormon
Pierre-Étienne Piestre, known as Eugène Cormon (5 May 1810 – March 1903), was a French dramatist and librettist. He used his mother's name, Cormon, during his career. Cormon wrote dramas, comedies and, from the 1840s, libretti; around 150 of his works were published. He was stage manager at the Paris Opéra from 1859 to 1870, and administrator of the Théâtre du Vaudeville from 1874. His libretti include ''Les dragons de Villars'' (with Lockroy), ''Gastibelza'' (with d'Ennery) and ''Les pêcheurs de Catane'' (with Carré) for Maillart, ''Les pêcheurs de perles'' (with Carré) for Bizet, ''Robinson Crusoé'' (with Crémieux) for Offenbach, and ''Les Bleuets'' (with Trianon) for Cohen. The Fontainebleau act as well as the auto-da-fé scene of Verdi's opera ''Don Carlos'' is based in part on Cormon's 1846 play ''Philippe II, Roi d'Espagne'' ("''Philip II, King of Spain''"). At the Moscow Art Theatre in 1927 the seminal Russian theatre practitioner Constantin Stan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges Bizet
Georges Bizet (; 25 October 18383 June 1875) was a French composer of the Romantic music, Romantic era. Best known for his operas in a career cut short by his early death, Bizet achieved few successes before his final work, ''Carmen'', which has become one of the most popular and frequently performed works in the entire opera repertoire. During a brilliant student career at the Conservatoire de Paris, Bizet won many prizes, including the prestigious Prix de Rome in 1857. He was recognised as an outstanding pianist, though he chose not to capitalise on this skill and rarely performed in public. Returning to Paris after almost three years in Italy, he found that the main Parisian opera theatres preferred the established classical repertoire to the works of newcomers. His keyboard and orchestral compositions were likewise largely ignored; as a result, his career stalled, and he earned his living mainly by arranging and transcribing the music of others. Restless for success, he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Au Fond Du Temple Saint
"" ("At the back of the holy temple") is a duet from Georges Bizet's 1863 opera '' Les pêcheurs de perles''. The libretto was written by Eugène Cormon and Michel Carré. Generally known as "The Pearl Fishers' Duet", it is one of the most popular numbers in Western opera – it appeared on seven of the Classic 100 Countdowns conducted by ABC Classic FM. It is sung by Nadir (tenor) and Zurga ( baritone) in act 1. Context After a self-imposed absence, Nadir returns to the shores of Ceylon, where his friend Zurga has just been elected Fisher King by the local pearl fishermen. The two had once fallen in love with the same woman, but then pledged to each other to renounce that love and remain true to each other. On meeting again, they sing this duet, remembering how they first fell in love/were fascinated with a veiled priestess of Brahma whom they saw passing through the adoring crowd. A key moment in the opera, this duet is the clearest depiction of the triangular relationships be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Black (lyricist)
Donald Blackstone (born 21 June 1938) known by pen name Don Black is an English lyricist. His works have included numerous musicals, movie, television themes and hit songs. He has provided lyrics for John Barry, Charles Strouse, Matt Monro, Andrew Lloyd Webber, Quincy Jones, Hoyt Curtin, Lulu, Jule Styne, Henry Mancini, Meat Loaf, Michael Jackson, Elmer Bernstein, Michel Legrand, Hayley Westenra, A. R. Rahman, Marvin Hamlisch and Debbie Wiseman. AllMusic stated that "Black is perhaps best-known for his collaborations with Andrew Lloyd Webber, and for the James Bond theme songs he co-wrote with composer John Barry: ' Thunderball', ' Diamonds Are Forever' and ' The Man with the Golden Gun'." Early life He was born Donald Blackstone in London, the youngest of five children of Russian Jewish immigrants from Ukraine, Morris and Betsy (née Kersh) Blackstone. His father worked as a garment presser and his mother in a clothes shop and during his childhood the family lived in a cou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jim Steinman
James Richard Steinman (November 1, 1947 – April 19, 2021) was an American composer, lyricist and record producer. He also worked as an arranger, pianist, and singer. His work included songs in the adult contemporary, rock, dance, pop, musical theater, and film score genres. He produced albums for Bonnie Tyler and for Meat Loaf, including ''Bat Out of Hell'' (one of the best-selling albums in history) and '' Bat Out of Hell II: Back into Hell''. His most successful chart singles include Tyler's "Total Eclipse of the Heart", Air Supply's "Making Love Out of Nothing at All", Meat Loaf's "I'd Do Anything for Love (But I Won't Do That)", the Sisters of Mercy's "This Corrosion" and "More", Barry Manilow's "Read 'Em and Weep", Celine Dion's cover of "It's All Coming Back to Me Now" (originally released by Steinman's project Pandora's Box) and Boyzone's " No Matter What" (the group's first and only single to be popular and chart in the US). Steinman's only solo album '' Bad for G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nothing Sacred – A Song For Kirsty
"Nothing Sacred – A Song for Kirsty" is a song performed by Russell Watson. It was released as a charity single in December 2002 and reached a peak of number 17 in the UK Singles Chart. The song was recorded by Watson in order to raise money for Francis House Children's Hospice in Manchester, England, which had been open since 1991 but was in need of funds to avoid being closed. The plight of the hospice was highlighted by the eponymous Kirsty Howard who had appeared in several advertising campaigns and was raising money through the ''Kirsty Appeal''. At the time of the single's release, the Kirsty Appeal fund to save Francis House stood at around £1.6 million, still £3.4 million off the target of £5 million. Background and production The single was recorded by Russell Watson after he met Kirsty (who was born with a rare condition where her heart was back to front) at the 2002 Commonwealth Games in Manchester, England. According to a spokesman for the record l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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