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Renato Capecchi
Renato Capecchi (born Cairo, November 6, 1923; died Milan, June 30, 1998) was an Italian baritone, actor, and opera director. He sang in the Italian premiere of Shostakovich's '' The Nose'' and Prokofiev's ''War and Peace'', and in the world premieres of Gian Francesco Malipiero's ''La donna è mobile'', Giorgio Federico Ghedini's ''Billy Budd'' and ''Lord Inferno'', and Sylvano Bussotti's ''L'ispirazione.'' In 1951, Capecchi made his New York Metropolitan Opera debut as Germont in '' La traviata'' and sang regularly in leading roles there until 1954. After a period of singing primarily in European opera houses, he returned to the Metropolitan Opera in 1975 where he specialized in smaller comic roles in otherwise tragic operas such the Sacristan in ''Tosca'' and Benoit and Alcindoro in ''La bohème''. Amongst the productions Capecchi directed were '' The Daughter of the Regiment'' at New York City Opera (1985), '' Così fan tutte'' in Susa, Italy (1978), and the US premiere o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renato Capecchi 60
Renatus is a first name of Latin origin which means "born again" (natus = born). In Italian, Portuguese and Spanish it exists in masculine and feminine forms: Renato and Renata. In French they have been translated to René and Renée. Renata is a common female name in the Czech Republic, Croatia, Lithuania, Poland and Slovakia. The feminine Renate is common in German, Dutch and Norwegian. In Russia the names Renat (russian: Ренат, links=no) (usually as Rinat) and Renata (russian: Рената, links=no) are widespread among the Tatar population. The name has a spiritual meaning, i.e., to be born again with baptism, i.e., from water and the Holy Spirit. It was extensively adopted by early Christians in ancient Rome, due to the importance of baptism. The onomastic is Saint Renatus, a martyr, Bishop of Sorrento in the 5th century, which is celebrated on 6 October. In Persian Mithraism, which spread widely in the West as a religion of the soldiers and officials under the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Fille Du Régiment
' (''The Daughter of the Regiment'') is an opéra comique in two acts by Gaetano Donizetti, set to a French libretto by Jules-Henri Vernoy de Saint-Georges and Jean-François Bayard. It was first performed on 11 February 1840 by the Paris Opéra-Comique at the Salle de la Bourse. The opera was written by Donizetti while he was living in Paris between 1838 and 1840 preparing a revised version of his then-unperformed Italian opera, ''Poliuto'', as ''Les martyrs'' for the Paris Opéra. Since ''Martyrs'' was delayed, the composer had time to write the music for ''La fille du régiment'', his first opera set to a French text, as well as to stage the French version of ''Lucia di Lammermoor'' as ''Lucie de Lammermoor''. ''La fille du régiment'' quickly became a popular success partly because of the famous aria "''Ah! mes amis, quel jour de fête!''", which requires the tenor to sing no fewer than eight high Cs – a frequently sung ninth is not written. ', a slightly different Italia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Un Giorno Di Regno
''Un giorno di regno, ossia Il finto Stanislao'' (''A One-Day Reign, or The Pretend Stanislaus'', but often translated into English as ''King for a Day'') is an operatic '' melodramma giocoso'' in two acts by Giuseppe Verdi to an Italian libretto written in 1818 by Felice Romani. Originally written for the Bohemian composer Adalbert GyrowetzGossett, p. 37: Gossett goes on to note that "for many Italian librettists of the time, French operatic texts were a rich vein to be mined." (Although ''Le faux Stanislas'' was a verse drama, not an operatic libretto.)Budden, p. 73 the libretto was based on the play ''Le faux Stanislas'' written by the Frenchman Alexandre-Vincent Pineux Duval in 1808. ''Un giorno'' was given its premiere performance at the Teatro alla Scala, Milan on 5 September 1840. After the success of his first opera, '' Oberto'' in 1839, Verdi received a commission from La Scala impresario Merelli to write three more operas. ''Un giorno'' was first of the three, but he wro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Puritani
' (''The Puritans'') is an 1835 opera by Vincenzo Bellini. It was originally written in two acts and later changed to three acts on the advice of Gioachino Rossini, with whom the young composer had become friends. The music was set to a libretto by Count Carlo Pepoli, an Italian émigré poet whom Bellini had met at a salon run by the exile Princess Belgiojoso, which became a meeting place for many Italian revolutionaries. The opera is based on ''Têtes Rondes et Cavaliers'' (''Roundheads and Cavaliers''), a historical play written by Jacques-François Ancelot and Joseph Xavier Saintine and set in the English Civil War, which some sources state was based on Walter Scott's 1816 novel ''Old Mortality,'' while others state that there is no connection. When Bellini arrived in Paris in mid-August 1833, he had intended to stay only about three weeks, the main aim being to continue the negotiations with the Paris Opéra which had begun on his way to London a few months earlier. Howe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Cenerentola
' (''Cinderella, or Goodness Triumphant'') is an operatic ''dramma giocoso'' in two acts by Gioachino Rossini. The libretto was written by Jacopo Ferretti, based on the libretti written by Charles-Guillaume Étienne for the opera '' Cendrillon'' with music by Nicolas Isouard (first performed Paris, 1810) and by Francesco Fiorini for ' with music by Stefano Pavesi (first performed Milan, 1814). All these operas are versions of the fairy tale '' Cendrillon'' by Charles Perrault. Rossini's opera was first performed in Rome's Teatro Valle on 25 January 1817. Rossini composed ''La Cenerentola'' when he was 25 years old, following the success of ''The Barber of Seville'' the year before. ''La Cenerentola'', which he completed in a period of three weeks, is considered to have some of his finest writing for solo voice and ensembles. Rossini saved some time by reusing an overture from '' La gazzetta'' and part of an aria from ''The Barber of Seville'' and by enlisting a collaborator, Luca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Barber Of Seville
''The Barber of Seville, or The Useless Precaution'' ( it, Il barbiere di Siviglia, ossia L'inutile precauzione ) is an ''opera buffa'' in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's French comedy ''The Barber of Seville'' (1775). The première of Rossini's opera (under the title ''Almaviva, o sia L'inutile precauzione'') took place on 20 February 1816 at the Teatro Argentina, Rome, with designs by Angelo Toselli. Rossini's ''Barber of Seville'' has proven to be one of the greatest masterpieces of comedy within music, and has been described as the opera buffa of all "opere buffe". After two hundred years, it remains a popular work. Composition history Rossini's opera recounts the events of the first of the three plays by French playwright Pierre Beaumarchais that revolve around the clever and enterprising character named Figaro, the barber of the title. Mozart's opera ''The Marriage of Fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Marriage Of Figaro
''The Marriage of Figaro'' ( it, Le nozze di Figaro, links=no, ), K. 492, is a ''commedia per musica'' (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on the 1784 stage comedy by Pierre Beaumarchais, '' La folle journée, ou le Mariage de Figaro'' ("The Mad Day, or The Marriage of Figaro"). It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity. Considered one of the greatest operas ever written, it is a cornerstone of the repertoire and appears consistently among the top ten in the Operabase list of most frequently performed operas. In 2017, BBC News Magazine asked 172 opera singers to vote for the best operas ever written. ''The Marriage of Figaro'' came in first out of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saratoga, California
Saratoga is a city in Santa Clara County, California. Located in Silicon Valley, in the southern Bay Area, its population was 31,051 at the 2020 census. Saratoga is an affluent residential community, known for its wineries, restaurants, and attractions like Villa Montalvo, Mountain Winery, and Hakone Gardens. History The area comprising Saratoga was earlier inhabited by the Ohlone Native Americans. In 1847, European settlers created a settlement at what is now Saratoga when William Campbell (father of Benjamin Campbell, the founder of nearby Campbell, California), constructed a sawmill about southeast of the present downtown area. An early map noted the area as Campbell's Gap. In 1851, Martin McCarthy, who had leased the mill, built a toll road down to the Santa Clara Valley, and founded what is now Saratoga as ''McCarthysville''. The toll gate was located at the present-day intersection of Big Basin Way and 3rd St., giving the town its first widely used name: ''Toll Gate''. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaetano Merola
Gaetano Merola (4 January 1881 – 30 August 1953) was an Italian conducting, conductor, pianist and founder of the San Francisco Opera. Biography Merola was born in Naples, the son of a Neapolitan court violinist and studied piano and conductor at the Music conservatories of Naples, Naples conservatory. He emigrated to the United States in 1899 and served as an assistant conductor at the Metropolitan Opera, Henry Wilson Savage's opera company in Boston, and Fortune Gallo's traveling San Carlo Opera Company. Oscar Hammerstein I hired Merola as choral conductor of his Manhattan Opera Company where Merola remained until the company folded in 1910. He then served as conductor in Hammerstein's Stoll Theatre, London Opera House before returning to New York as an operetta conductor. Merola conducted the premieres of several shows, including Victor Herbert's ''Naughty Marietta (operetta), Naughty Marietta'', Rudolf Friml's ''The Firefly (operetta), The Firefly'' and Sigmund Romberg's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Gazzaniga
Giuseppe Gazzaniga (5 October 1743 – 1 February 1818) was a member of the Neapolitan school of opera composers. He composed fifty-one operas and is considered to be one of the last Italian opera buffa composers. Biography Born in Verona, Gazzaniga was initially intended for the priesthood at the urging of his devout parents. He eventually convinced his father to allow him to pursue a career in music and began studies first in Venice and then at the Conservatorio di Sant'Onofrio a Porta Capuana in Naples. While there, he was a pupil of Niccolò Piccinni and Nicola Porpora. Gazzaniga presented his first opera, '' Il barone di Trocchia'', at the Teatro di San Carlo in 1768. He would spend the next several decades writing mostly operas in Italy with the exception of a few trips to Dresden, Vienna, and Prague. His most successful opera was his ''Don Giovanni Tenorio'' written in 1787 to a libretto by Giovanni Bertati, possibly an inspiration for the libretto of Mozart's ''Don Gi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Susa, Italy
Susa ( lat, Segusio, french: Suse, frp, Suisa) is a town and ''comune'' in the Metropolitan City of Turin, Piedmont, Italy. In the middle of Susa Valley, it is situated on at the confluence of the Cenischia with the Dora Riparia, a tributary of the Po River, at the foot of the Cottian Alps, 51 km (32 mi) west of Turin. History Susa ( la, Segusio) was founded by the Ligures. It was the capital of the Segusini (also known as Cottii). In the late 1st century BC it became voluntarily part of the Roman Empire. Remains of the Roman city have been found in the excavations of the central square, the Piazza Savoia. Susa was the capital of the province of Alpes Cottiae. According to the medieval historian Rodulfus Glaber, Susa was "the oldest of Alpine towns". In the Middle and Modern ages, Susa remained important as a hub of roads connecting southern France to Italy. Taking part of the county or march of Turin (sometimes "march of Susa"). In 1167, Frederick I, Holy Roman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Così Fan Tutte
(''All Women Do It, or The School for Lovers''), K. 588, is an opera buffa in two acts by Wolfgang Amadeus Mozart. It was first performed on 26 January 1790 at the Burgtheater in Vienna, Austria. The libretto was written by Lorenzo Da Ponte who also wrote ''Le nozze di Figaro'' and ''Don Giovanni''. Although it is commonly held that was written and composed at the suggestion of the Emperor Joseph II, recent research does not support this idea. There is evidence that Mozart's contemporary Antonio Salieri tried to set the libretto but left it unfinished. In 1994, John Rice uncovered two terzetti by Salieri in the Austrian National Library. The short title, ''Così fan tutte'', literally means "So do they all", using the feminine plural (''tutte'') to indicate women. It is usually translated into English as "Women are like that". The words are sung by the three men in act 2, scene 3, just before the finale; this melodic phrase is also quoted in the overture to the opera. Da P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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