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Remember Shakti – Saturday Night In Bombay
''Remember Shakti – Saturday Night in Bombay'' is a live album by the world fusion band Remember Shakti released in November 2001 on the Verve label. The live set features John McLaughlin on Guitar, U. Srinivas on Mandolin, Vikku Selvaganesh playing Kanjira, Ghatam, Mridangam, all Indian percussion instruments, Zakir Hussain on Tabla and a number of Indian guest musicians. Track listing # "Luki" (John McLaughlin) – # "Shringar" (Shivkumar Sharma) – # "Giriraj Sudha" (U. Srinivas) – # "Bell'alla" (Zakir Hussain) – Personnel * U. Srinivas – Electric Mandolin * Zakir Hussain – Tabla * John McLaughlin – Guitar * Vikku Selvaganesh – Kanjira, Ghatam, Mridangam, Indian percussion ;Guest musicians * Shankar Mahadeven – Vocals * Debashish Bhattacharya – Hindustani slide guitar * Bhavani Shankar – Dholak * Roshen Ali – Dholak * Aziz – Dholak * Taufiq Qureshi – def * Shivkumar Sharma – Santoor * A.K. Pallanivel – Tavil * Sivamani Sivamani (1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Remember Shakti
Remember Shakti is a quintet which combines elements of traditional Indian music with elements of jazz. The band consists of English guitarist John McLaughlin, and Zakir Hussain (tabla), U. Srinivas (deceased) (mandolin), Shankar Mahadevan (vocals), and V. Selvaganesh ( kanjira, ghatam, mridangam), who are of Indian descent. The band's name is derived from John Mclaughlin's acoustic Indian fusion band Shakti which was active in the 1970s. McLaughlin and Hussain were also members of that band, along with violinist L. Shankar and percussionists T.H. "Vikku" Vinayakram and R. Raghavan. The word Shakti translates in Sanskrit to "power" or "goddess of power". Biography After disbanding in the late 1970s, Shakti enjoyed a twenty-year hiatus before McLaughlin and Hussain decided to reform the band. In addition to John and Zakir, T.H. "Vikku" Vinayakram (ghatam, mridangam), returned for Remember Shakti's eponymous debut UK tour and album in 1997. However, McLaughlin could not locate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mridangam
The mridangam is a percussion instrument of ancient origin. It is the primary rhythmic accompaniment in a Carnatic music ensemble. In Dhrupad, a modified version, the pakhawaj, is the primary percussion instrument. A related instrument is the Kendang, played in Maritime Southeast Asia. During a percussion ensemble, the mridangam is often accompanied by the ghatam, the kanjira, and the morsing. Etymology The word "Mridangam" is formulated by the union (sandhi) of the two Sanskrit words ''mŗt'' (clay or earth) and ''anga'' (limb), as the earliest versions of the instrument were made of hardened clay. Legend In ancient Hindu sculpture, painting, and mythology, the mridangam is often depicted as the instrument of choice for a number of deities including Ganesha (the remover of obstacles) and Nandi, who is the vehicle and follower of Shiva. Nandi is said to have played the mridangam during Shiva's primordial ''tandava'' dance, causing a divine rhythm to resound across the h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2001 Live Albums
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sivamani
Sivamani (1 December 1959), commonly known by his stage name Drums Sivamani, is an Indian percussionist. He plays many instruments including drums, octoban, darbuka, udukai, ghatam and kanjira. He performed drumming during the IPL Championships in 2008 and 2010. He is affiliated with the Chennai Super Kings team, but gained recognition through his role as A. R. Rahman's lead percussionist. They have been close friends since childhood. In 2019, he was conferred with Padma Shri. Career Sivamani is a Chennai-based percussionist. He began drumming at the age of seven. Sivamani started his musical career at the age of 11, and later shifted to Mumbai. He was inspired by Noel Grant and Billy Cobham. He has played for M.S.Viswanathan, K.V. Mahadevan, Illayaraja, A. R. Rahman and others. In 1990, he shared the stage with Billy Cobham at Mumbai's Rang Bhavan. He has stated that S. P. Balasubrahmanyam is his godfather. Sivamani's earliest experiments with music were with Carnatic maestro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tavil
A ''thavil'' (Tamil language, Tamil:தவில்) or ''tavil'' is a barrel-shaped percussion instrument from Tamil Nadu. It is also widely used in Andhra Pradesh, Karnataka, Kerala, Tamilnadu and Telangana States of South India. It is used in temple, folk music, folk and Carnatic music, often accompanying the ''nadaswaram''. The ''thavil'' and the ''nadaswaram'' are essential components of traditional festivals and ceremonies in South India. In folk music contexts, a pair of wider, slimmer sticks are sometimes used. Thanjavur is famous for ''thavil'', so called ''Thanjavur Thavil''. In Kollywood Filmi songs thavils are mostly used, Notable movies: "Thillaanaa Mohanambal", "Paruthiveeran", "Karagattakaran", "Sarvam Thaala Mayam". History Thavil is a traditional musical instrument of the ancient city of Thanjavur in Tamil Nadu. It is an integral part of the Carnatic music in Thanjavur. It is mostly made in Thanjavur and Valayapatti. Physical components The ''thavil'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santoor
The Indian santoor instrument is a trapezoid-shaped hammered dulcimer, and a variation of the Iranian santur. The instrument is generally made of walnut and has 25 bridges. Each bridge has 4 strings, making for a total of 100 strings. It is a traditional instrument in Jammu and Kashmir (union territory), Jammu and Kashmir, and dates back to ancient times. It was called ''Shatha Tantri Veena'' in ancient Sanskrit texts. Development In ancient Sanskrit texts, it has been referred to as ''shatatantri vina'' (100-stringed vina). In Kashmir the santoor was used to accompany Music of Kashmir, folk music. It is played in a style of music known as the ''Sufiana Mausiqi''. Some researchers slot it as an improvised version of a primitive instrument played in the Mesopotamian times (1600–900 B.C.) Sufi mystics used it as an accompaniment to their hymns. In Indian santoor playing, the specially-shaped mallets (''mezrab'') are lightweight and are held between the index and middle fingers. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shivkumar Sharma
Pandit Shivkumar Sharma (13 January 1938 – 10 May 2022) was an Indian classical musician and santoor player who is credited with adapting the santoor for Indian classical music. As a music composer, he collaborated with Indian flautist Hariprasad Chaurasia under the collaborative name Shiv–Hari and composed music for such hit Indian films as ''Faasle'' (1985), '' Chandni'' (1989), and ''Lamhe'' (1991). Sharma was awarded the Sangeet Natak Akademi Award in 1986 and the Padma Shri and Padma Bhushan (India's fourth and third highest civilian awards) in 1991 and 2001. Early life Sharma was born on 13 January 1938, in Jammu, which was part of the Jammu and Kashmir princely state then. His father Uma Dutt Sharma was a vocalist and a tabla player. His father started teaching him vocals and tabla, when he was just five. His father saw an opportunity to introduce him to the santoor, a hammered dulcimer, which was a folk instrument that traced its origins to ancient Persia, but wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dholak
The ''dholak'' is a two-headed hand drum, a folk percussion instrument. The instrument is about 45 cm in length and 27 cm in breadth and is widely used in ''qawwali'', '' kirtan'', '' lavani'' and '' bhangra''. The drum has two different sized drumheads. The smaller drumhead is made of goat skin for sharp notes while the bigger drumhead is made of buffalo skin for low pitch. The two drumheads allow a combination of bass and treble with rhythmic high and low pitches. The body or shell of the Dholak is made of sheesham or mango wood. The larger membrane has a compound (Syahi) applied which helps to lower the pitch and produce the sound. The smaller drumhead is played with the left hand which produces a high pitch. A cotton rope lacing and screw-turnbuckle are used to release tension while playing. Steel rings/pegs are twisted inside the laces to attain fine tuning. Dholak can be played in three ways — on the player’s lap, while standing, or pressed down with one knee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhavani Shankar
Bhavani Shankar is an Indian pakhawaj drum player. Bhavani Shankar was born into a musical family, beginning his study of pakhawaj and tabla at the age of eight. His father Babulalji was a renowned Kathak performer, a style of Indian classical dance. He has played with many Indian artists including bansuri player Hariprasad Chaurasia, santoor player Shiv Kumar Sharma and tabla players Zakir Hussain and Anindo Chatterjee Pandit Anindo Chatterjee is an Indian tabla player of the Farukhabad gharana school. He was born into a musical family. Chatterjee is a disciple of Pandit Jnan Prakash Ghosh. As director of the Farrukhabad Gharana of Tabla, founded by Haji .... In the last years he has made his mark as a composer for films and experimental fusion projects. References External linksItunes.apple.com [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shankar Mahadeven
Shankar may refer to: People *Shankar (name), including a list of people with the name * Sankar (writer) (Mani Shankar Mukherjee), Bengali writer *L. Shankar, Indian violinist *S. Shankar, Indian film director commonly credited as Shankar *Sankar (writer & director), Indian film director, screenwriter, short story writer, and Novelist from Kerala. *Shankar (actor) (Shankar Panicker, born 1960), Indian film actor and director popularly known as Shankar *Shankar–Ehsaan–Loy, an Indian musical trio which composes music for film soundtracks Fictional * Shankar Roy Chowdhury, protagonist of the ''Chander Pahar'' franchise Places *Shankar, Jalandhar, a village located in Jallandhar, Punjab, India *Shankar, Iran, a village in Sistan and Baluchestan Province, Iran See also *Shankar's Virus, a computer virus that infects Word documents *Shankar's International Dolls Museum, New Delhi *''Shankar's Weekly'', a magazine founded by K. Shankar Pillai * Shankar Party unofficial name give ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electric Mandolin
The electric mandolin is an instrument tuned and played as the mandolin and amplified in similar fashion to an electric guitar. As with electric guitars, electric mandolins take many forms. Most common is a carved-top eight-string instrument fitted with an electric pickup in similar fashion to many archtop semi-acoustic guitars. Solid body mandolins are common in 4-, 5-, and 8-string forms. Acoustic electric mandolins also exist in many forms. History Electric mandolins were built in the United States as early as the late 1920s. Among the first companies to produce them were Stromberg-Voisinet, Electro (which later became Rickenbacker), Vivi-Tone, and National. Gibson and Vega introduced their electric mandolins in 1936. In the United States, luthier/inventor Paul Bigsby began building solid-body electric mandolins (technically, they consisted of a solid wood core housing the electronics, with hollow wings forming the body) in 1949. His first one had ten strings and was bu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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