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Regular Tuning
Among alternative guitar-tunings, regular tunings have equal musical intervals between the paired notes of their successive open strings. ''Guitar tunings'' assign pitches to the open strings of guitars. Tunings can be described by the particular pitches that are denoted by notes in Western music. By convention, the notes are ordered from lowest to highest. The ''standard tuning'' defines the string pitches as E, A, D, G, B, and E. Between the open-strings of the standard tuning are three perfect-fourths (E–A, A–D, D–G), then the major third G–B, and the fourth perfect-fourth B–E. In contrast, regular tunings have constant intervals between their successive open-strings: * 3 semitones (minor third): Minor-thirds, or ''Diminished'' tuning * 4 semitones (major third): Major-thirds or ''Augmented'' tuning, * 5 semitones (perfect fourth): All-fourths tuning, * 6 semitones ( augmented fourth, tritone, or diminished fifth): Augmented-fourths tuni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
All-fifths Tuning
Among guitar tunings, all-fifths tuning refers to the set of tunings in which each interval between consecutive open strings is a perfect fifth. All-fifths tuning is also called fifths, perfect fifths, or mandoguitar. The conventional "standard tuning" consists of perfect fourths and a single major third between the ''g'' and ''b'' strings: :E-A-d-g-b-e' All-fifths tuning has the set of open strings :C-G-d-a-e'-b' or G'-D-A-e-b-f', which have intervals of 3 octaves minus a half-step between the lowest and highest string. The conventional tuning has an interval of 2 octaves between lowest and highest string. All-fifths tuning is a tuning in intervals of perfect fifths like that of a mandolin or a violin. It has a wide range. It was used by jazz guitarist Carl Kress in the form : B'-F-c-g-d'-a'. An approximation: new standard tuning All-fifths tuning has been approximated with tunings that avoid the high b' replacing it with a g' in the New Standard Tuning of King ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Major-thirds Tuning
Among alternative tunings for guitar, a major-thirds tuning is a regular tuning in which each interval between successive open strings is a major third ("M3" in musical abbreviation). Other names for major-thirds tuning include major-third tuning, M3 tuning, all-thirds tuning, and augmented tuning. By definition, a major-third interval separates two notes that differ by exactly four semitones (one-third of the twelve-note octave). The Spanish guitar's tuning mixes four perfect fourths (five semitones) and one major-third, the latter occurring between the G and B strings: :E–A–D–''G''–''B''–E. This tuning, which is used for acoustic and electric guitars, is called "''standard''" in English, a convention that is followed in this article. While standard tuning is irregular, mixing four fourths and one major third, M3 tunings are regular: Only major-third intervals occur between the successive strings of the M3 tunings, for example, the open augmented ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar Tunings
Guitar tunings are the assignment of pitches to the open strings of guitars, including acoustic guitars, electric guitars, and classical guitars. Tunings are described by the particular pitches that are made by notes in Western music. By convention, the notes are ordered and arranged from the lowest-pitched string (i.e., the deepest bass-sounding note) to the highest-pitched string (i.e., the highest sounding note), or the thickest string to thinnest, or the lowest frequency to the highest. This sometimes confuses beginner guitarists, since the highest-pitched string is referred to as the 1st string, and the lowest-pitched is the 6th string. Standard tuning defines the string pitches as E, A, D, G, B, and E, from the lowest pitch (low E2) to the highest pitch (high E4). Standard tuning is used by most guitarists, and frequently used tunings can be understood as variations on standard tuning. To aid in memorising these notes, mnemonics are used, for example, Elephants And D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Augmented-fourths Tuning
Among alternative tunings for guitar, each augmented-fourths tuning is a regular tuning in which the musical intervals between successive open-string notes are each '' augmented fourths''. Because augmented fourths are alternatively called "tritones" ("tri-tones") or "diminished fifths", augmented-fourths tuning is also called tritone tuning or diminished-fifths tuning. The standard guitar-tuning :E-A-d-g-b'-e' interjects exactly one major third amid four perfect fourths for the intervals between its successive open strings. In contrast, the augmented fourths tunings :C-F-c-f-c'-f ' and :B-F-b-f-b'-f' have only augmented-fourths intervals. The set of augmented-fourths tunings has three properties that simplify learning by beginners and improvisation by experts: Regular intervals, string repetition, and lefty-righty symmetry. These properties characterize augmented-fourths tunings among non-trivial tunings. Properties The set of augmented-fourths tunings ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Standard Tuning
New standard tuning (NST) is an alternative tuning for the guitar that approximates all-fifths tuning. The guitar's strings are assigned the notes C2-G2-D3-A3-E4-G4 (from lowest to highest); the five lowest open strings are each tuned to an interval of a perfect fifth ; the two highest strings are a minor third apart (E,G). All-fifths tuning is typically used for mandolins, cellos, violas, and violins. On a guitar, tuning the strings in fifths would mean the first string would be a high B, something that was impractical until recently. NST provides a good approximation to all-fifths tuning. Like other regular tunings, NST allows chord fingerings to be shifted from one set of strings to another. NST's C-G range is wider, both lower and higher, than the E-E range of standard tuning in which the strings are tuned to the open notes E2-A2-D3-G3-B3-E4. The greater range allows NST guitars to play repertoire that would be impractical, if not impossible, on a standard-tuned guit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
All-fifths Tuning
Among guitar tunings, all-fifths tuning refers to the set of tunings in which each interval between consecutive open strings is a perfect fifth. All-fifths tuning is also called fifths, perfect fifths, or mandoguitar. The conventional "standard tuning" consists of perfect fourths and a single major third between the ''g'' and ''b'' strings: :E-A-d-g-b-e' All-fifths tuning has the set of open strings :C-G-d-a-e'-b' or G'-D-A-e-b-f', which have intervals of 3 octaves minus a half-step between the lowest and highest string. The conventional tuning has an interval of 2 octaves between lowest and highest string. All-fifths tuning is a tuning in intervals of perfect fifths like that of a mandolin or a violin. It has a wide range. It was used by jazz guitarist Carl Kress in the form : B'-F-c-g-d'-a'. An approximation: new standard tuning All-fifths tuning has been approximated with tunings that avoid the high b' replacing it with a g' in the New Standard Tuning of King ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
All-fourths Tuning
Among alternative tunings for the guitar, all-fourths tuning is a regular tuning.: In contrast, the standard tuning has one irregularity—a major third between the third and second strings—while having perfect fourths between the other successive strings. The standard tuning's irregular major-third is replaced by a perfect fourth in all-fourths tuning, which has the open notes E2-A2-D3-G3-C4-F4. Among regular tunings, this all-fourths tuning best approximates the standard tuning. In all guitar tunings, the higher-octave version of a chord can be found by translating a chord by twelve frets higher along the fretboard. In every regular tuning, for example in all-fourths tuning, chords and intervals can be moved also ''diagonally''. For all-fourths tuning, all twelve major chords (in the first or open positions) are generated by two chords, the open F major chord and the D major chord. The regularity of chord-patterns reduces the number of finger&nb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Major-third
In classical music, a third is a musical interval encompassing three staff positions (see Interval number for more details), and the major third () is a third spanning four semitones. Forte, Allen (1979). ''Tonal Harmony in Concept and Practice'', p.8. Holt, Rinehart, and Winston. Third edition . "A large 3rd, or ''major 3rd'' (M3) encompassing four half steps." Along with the minor third, the major third is one of two commonly occurring thirds. It is qualified as ''major'' because it is the larger of the two: the major third spans four semitones, the minor third three. For example, the interval from C to E is a major third, as the note E lies four semitones above C, and there are three staff positions from C to E. Diminished and augmented thirds span the same number of staff positions, but consist of a different number of semitones (two and five). The major third may be derived from the harmonic series as the interval between the fourth and fifth harmonics. The ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Semitone
A semitone, also called a half step or a half tone, is the smallest musical interval commonly used in Western tonal music, and it is considered the most dissonant when sounded harmonically. It is defined as the interval between two adjacent notes in a 12-tone scale. For example, C is adjacent to C; the interval between them is a semitone. In a 12-note approximately equally divided scale, any interval can be defined in terms of an appropriate number of semitones (e.g. a whole tone or major second is 2 semitones wide, a major third 4 semitones, and a perfect fifth 7 semitones. In music theory, a distinction is made between a diatonic semitone, or minor second (an interval encompassing two different staff positions, e.g. from C to D) and a chromatic semitone or augmented unison (an interval between two notes at the same staff position, e.g. from C to C). These are enharmonically equivalent when twelve-tone equal temperament is used, but are not the same thing in meantone temper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Root Note
In music theory, the concept of root is the idea that a chord can be represented and named by one of its notes. It is linked to harmonic thinking—the idea that vertical aggregates of notes can form a single unit, a chord. It is in this sense that one speaks of a "C chord" or a "chord on C"—a chord built from C and of which the note (or pitch) C is the root. When a chord is referred to in Classical music or popular music without a reference to what type of chord it is (either major or minor, in most cases), it is assumed a major triad, which for C contains the notes C, E and G. The root need not be the bass note, the lowest note of the chord: the concept of root is linked to that of the inversion of chords, which is derived from the notion of invertible counterpoint. In this concept, chords can be inverted while still retaining their root. In tertian harmonic theory, wherein chords can be considered stacks of third intervals (e.g. in common practice tonality), the root of a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Interval (music)
In music theory, an interval is a difference in pitch between two sounds. An interval may be described as horizontal, linear, or melodic if it refers to successively sounding tones, such as two adjacent pitches in a melody, and vertical or harmonic if it pertains to simultaneously sounding tones, such as in a chord. In Western music, intervals are most commonly differences between notes of a diatonic scale. Intervals between successive notes of a scale are also known as scale steps. The smallest of these intervals is a semitone. Intervals smaller than a semitone are called microtones. They can be formed using the notes of various kinds of non-diatonic scales. Some of the very smallest ones are called commas, and describe small discrepancies, observed in some tuning systems, between enharmonically equivalent notes such as C and D. Intervals can be arbitrarily small, and even imperceptible to the human ear. In physical terms, an interval is the ratio between two sonic freq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Note
In music, a note is the representation of a musical sound. Notes can represent the Pitch (music), pitch and Duration (music), duration of a sound in musical notation. A note can also represent a pitch class. Notes are the building blocks of much written music: musical analysis#Discretization, discretizations of musical phenomena that facilitate performance, comprehension, and musical analysis, analysis. The term ''note'' can be used in both generic and specific senses: one might say either "the piece 'Happy Birthday to You' begins with two notes having the same pitch", or "the piece begins with two repetitions of the same note". In the former case, one uses ''note'' to refer to a specific musical event; in the latter, one uses the term to refer to a class of events sharing the same pitch. (See also: Key signature names and translations.) Two notes with fundamental frequency, fundamental frequencies in a ratio equal to any integer power of two (e.g., half, twice, or four times ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
