Reginaldus Libert
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Reginaldus Libert
Reginaldus Libert (Reginald; also Liebert) (fl. c. 1425–1435) was a French composer of the early Renaissance. He was a minor member of the Burgundian School, a contemporary of Guillaume Dufay, and one of the first to use fauxbourdon in a mass setting. Little to nothing is known of his life. He may be the same as a Reginaldus who was employed at the cathedral in Cambrai as a singing teacher to the boys in 1424. Four compositions by Libert have been identified. Two are rondeaux, which was the popular type of French chanson at the time. Both rondeaux are for three voices with only the uppermost voice being supplied with a text (instruments were often used for the other parts, especially in the music of the Burgundians). His most famous composition is a complete setting of the mass, for three voices, which contains some of the earliest use of fauxbourdon. An unusual feature of this mass is that it contains music not only for the Ordinary (Kyrie, Gloria, Credo, Sanctus, Agnus ...
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Renaissance Music
Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century '' ars nova'', the Trecento music was treated by musicology as a coda to Medieval music and the new era dated from the rise of triadic harmony and the spread of the ' ''contenance angloise'' ' style from Britain to the Burgundian School. A convenient watershed for its end is the adoption of basso continuo at the beginning of the Baroque period. The period may be roughly subdivided, with an early period corresponding to the career of Guillaume Du Fay (c. 1397–1474) and the cultivation of cantilena style, a middle dominated by Franco-Flemish School and the four-part textures favored by Johannes Ockeghem (1410's or 20's – 1497) and Josquin des Prez (late 1450's – 1521), and culminating during the Counter-Reformation in the florid counterpoint of Palest ...
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Sanctus
The Sanctus ( la, Sanctus, "Holy") is a hymn in Christian liturgy. It may also be called the ''epinikios hymnos'' ( el, ἐπινίκιος ὕμνος, "Hymn of Victory") when referring to the Greek rendition. In Western Christianity, the ''Sanctus'' forms part of the Ordinary and is sung (or said) as the final words of the Preface of the Eucharistic Prayer of remembrance, consecration, and praise. The preface, which alters according to the season, usually concludes with words describing the praise of the worshippers joining with the angels, who are pictured as praising God with the words of the ''Sanctus''. In the Byzantine Rite and general Eastern Orthodox Christianity, the ''Sanctus'' is offered as a response by the choir during the Holy Anaphora. ''Tersanctus'' ("Thrice Holy") is another, rarer name for the Sanctus. The same name is sometimes used for the ''Trisagion''. Text In Greek ''Hágios, hágios, hágios, Kýrios Sabaṓth; plḗrēs ho ouranós kaí hē gê ...
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French Male Classical Composers
French (french: français(e), link=no) may refer to: * Something of, from, or related to France ** French language, which originated in France, and its various dialects and accents ** French people, a nation and ethnic group identified with France ** French cuisine, cooking traditions and practices Fortnite French places Arts and media * The French (band), a British rock band * "French" (episode), a live-action episode of ''The Super Mario Bros. Super Show!'' * ''Française'' (film), 2008 * French Stewart (born 1964), American actor Other uses * French (surname), a surname (including a list of people with the name) * French (tunic), a particular type of military jacket or tunic used in the Russian Empire and Soviet Union * French's, an American brand of mustard condiment * French catheter scale, a unit of measurement of diameter * French Defence, a chess opening * French kiss, a type of kiss involving the tongue See also * France (other) * Franch, a surname * French ...
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French Classical Composers
French (french: français(e), link=no) may refer to: * Something of, from, or related to France ** French language, which originated in France, and its various dialects and accents ** French people, a nation and ethnic group identified with France ** French cuisine, cooking traditions and practices Fortnite French places Arts and media * The French (band), a British rock band * "French" (episode), a live-action episode of ''The Super Mario Bros. Super Show!'' * ''Française'' (film), 2008 * French Stewart (born 1964), American actor Other uses * French (surname), a surname (including a list of people with the name) * French (tunic), a particular type of military jacket or tunic used in the Russian Empire and Soviet Union * French's, an American brand of mustard condiment * French catheter scale, a unit of measurement of diameter * French Defence, a chess opening * French kiss, a type of kiss involving the tongue See also * France (other) * Franch, a surname * Frenc ...
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Year Of Death Missing
A year or annus is the orbital period of a planetary body, for example, the Earth, moving in its orbit around the Sun. Due to the Earth's axial tilt, the course of a year sees the passing of the seasons, marked by change in weather, the hours of daylight, and, consequently, vegetation and soil fertility. In temperate and subpolar regions around the planet, four seasons are generally recognized: spring, summer, autumn and winter. In tropical and subtropical regions, several geographical sectors do not present defined seasons; but in the seasonal tropics, the annual wet and dry seasons are recognized and tracked. A calendar year is an approximation of the number of days of the Earth's orbital period, as counted in a given calendar. The Gregorian calendar, or modern calendar, presents its calendar year to be either a common year of 365 days or a leap year of 366 days, as do the Julian calendars. For the Gregorian calendar, the average length of the calendar year (the me ...
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Year Of Birth Missing
A year or annus is the orbital period of a planetary body, for example, the Earth, moving in its orbit around the Sun. Due to the Earth's axial tilt, the course of a year sees the passing of the seasons, marked by change in weather, the hours of daylight, and, consequently, vegetation and soil fertility. In temperate and subpolar regions around the planet, four seasons are generally recognized: spring, summer, autumn and winter. In tropical and subtropical regions, several geographical sectors do not present defined seasons; but in the seasonal tropics, the annual wet and dry seasons are recognized and tracked. A calendar year is an approximation of the number of days of the Earth's orbital period, as counted in a given calendar. The Gregorian calendar, or modern calendar, presents its calendar year to be either a common year of 365 days or a leap year of 366 days, as do the Julian calendars. For the Gregorian calendar, the average length of the calendar year (the mea ...
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Gustave Reese
Gustave Reese ( ; 29 November 1899 – 7 September 1977) was an American musicologist and teacher. Reese is known mainly for his work on medieval and Renaissance music, particularly with his two publications ''Music in the Middle Ages'' (1940) and ''Music in the Renaissance'' (1954); these two books remain the standard reference works for these two eras, with complete and precise bibliographical material, allowing for almost every piece of music mentioned to be traced back to a primary source. Early life and education Reese was born in New York City on 29 November 1899. He was an avid scholar and had interests in many areas outside music, including art, architecture, and literature. He studied law at New York University, graduating in 1921. Though he was admitted to the New York State Bar, he opted to re-enroll and pursue a Bachelor of Music from NYU, which he received in 1930. Career In 1927, however, he was already teaching classes at the university in medieval and Renaiss ...
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Brian Trowell
Brian Lewis Trowell (21 February 1931 – 12 November 2015) was an English musicologist and the Heather Professor of Music at the University of Oxford. Prior to his post at Oxford, he was the King Edward Professor of Music at King's College London. In the mid-1980s, he served as president of the Royal Musical Association. Education and career Brian Trowell was born in Wokingham in 1931. He received his BA from the University of Cambridge in 1953, and a doctorate there in 1960, under Thurston Dart. Trowell taught at Birmingham University from 1957 to 1962, at King's College London in 1964–64, was Director of Opera at the Guildhall School of Music and Drama in 1963–67, became the Gresham Professor of Music, and from 1967 to 1970 was the Head of Radio Opera at the BBC. He returned to King's College in 1970 and was the King Edward VII Professor of Music there from 1974 to 1988. When Denis Arnold, the Heather Professor of Music at Oxford (1974–1986) died in 1986, Trowell even ...
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Trent Codices
The Trent Codices are a collection of seven large music manuscripts compiled around the middle of the 15th century, currently kept in the northern Italian city of Trent. They contain mostly sacred vocal music composed between 1400 and 1475. Containing more than 1,500 separate musical compositions by 88 different named composers, as well as a huge amount of anonymous music (including the famous ''Missa Caput''), they are the largest and most significant single manuscript source from the entire century from anywhere in Europe. Contents The Trent Codices consist of seven separate volumes. Six of these are held in the "Museo Provinciale d'Arte" within the Castello del Buonconsiglio and have the shelfmarks "Monumenti e Collezioni Provinciale, 1374–1379." However they are almost universally referred to by their older shelfmarks Trent 87-92. Thus the RISM sigla ''I-TRmn 87-92'' or ''I-TRmp'' are often seen. A seventh manuscript was discovered in 1920 by Rudolf Ficker and is held at ...
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Proper (liturgy)
The proper (Latin: ''proprium'') is a part of the Christian liturgy that varies according to the date, either representing an observance within the liturgical year, or of a particular saint or significant event. The term is used in contrast to the '' ordinary'', which is that part of the liturgy that is reasonably constant, or at least selected without regard to date, or to the ''common'', which contains those parts of the liturgy that are common to an entire category of saints, such as apostles or martyrs. Propers may include hymns and prayers in the canonical hours and in the Eucharist. West The proper of the mass, strictly speaking, consists of the Introit, Gradual, Alleluia or Tract, Sequence, Offertory, and Communion - in other words, all the variable portions of a mass which are spoken or sung by the choir or the people. These are sometimes called the "minor propers" to distinguish them from the collect, secret, postcommunion, and readings - in other words, all the variab ...
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Agnus Dei
is the Latin name under which the " Lamb of God" is honoured within the Catholic Mass and other Christian liturgies descending from the Latin liturgical tradition. It is the name given to a specific prayer that occurs in these liturgies, and is the name given to the music pieces that accompany the text of this prayer. The use of the title "Lamb of God" in liturgy is based on , in which St. John the Baptist, upon seeing Jesus, proclaims "Behold, the Lamb of God, who takes away the sin of the world!" Liturgical usage Latin Catholic The Syrian custom of a chant addressed to the Lamb of God was introduced into the Roman Rite Mass by Pope Sergius I (687–701) in the context of his rejection of the Council of Trullo of 692 (which was well received in the Byzantine East), whose canons had forbidden the iconographic depiction of Christ as a lamb instead of a man. The verse used in the first and second invocations may be repeated as many times as necessary whilst the celebr ...
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Credo
In Christian liturgy, the credo (; Latin for "I believe") is the Nicene-Constantinopolitan Creed – or its shorter version, the Apostles' Creed – in the Mass, either as a prayer, a spoken text, or sung as Gregorian chant or other musical settings of the Mass. History After the formulation of the Nicene Creed, its initial liturgical use was in baptism, which explains why the text uses the singular "I ...." instead of "we...." The text was gradually incorporated into the liturgies, first in the east and in Spain, and gradually into the north, from the sixth to the ninth centuries. In 1014 it was accepted by the Church of Rome as a legitimate part of the Mass. It is recited in the Western Mass directly after the homily on all Sundays and solemnities; in modern celebrations of the Tridentine Mass as an extraordinary form of the Roman Rite, the Credo is recited on all Sundays, feasts of the I class, II class feasts of the Lord and of the Blessed Virgin, on the days within the octav ...
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