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Reges Tharsis
"Reges Tharsis et insulae" ("Kings of Tarshish and the islands") is a common Latin motet and antiphon title. It is the beginning of the Latin Vulgate translation of Psalm 71:10 (Psalm 72 according to the Hebrew numbering). The wording was used in European cathedrals as a responsory for The Feast of Epiphany, "The Day of the Three Kings," and with slightly altered text as an antiphon for Epiphany.Music in Early English Religious Drama: Minstrels Playing - Page 270 Richard Rastall - 2001 "8/338+lat Reges Tharsis et Insule munera offerent. Reges Arabum et Saba dona adducent. As the text goes on to say, this is Psalm 71/10 (AV 72): it is precisely quoted. The text occurs in the liturgy as follows: (a) Antiphon for the Epiphany (WA " The oldest surviving musical setting of the text is as Gregorian chant. A very large number of composers set the text over the centuries: Renaissance composers such as Palestrina, and Byrd, classical composers such as Joseph Leopold Eybler, up to modern comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tarshish
Tarshish ( Phoenician: ''TRŠŠ'', he, תַּרְשִׁישׁ ''Taršīš'', , ''Tharseis'') occurs in the Hebrew Bible with several uncertain meanings, most frequently as a place (probably a large city or region) far across the sea from Phoenicia (modern Lebanon) and the Land of Israel. Tarshish was said to have exported vast quantities of important metals to Phoenicia and Israel. The same place-name occurs in the Akkadian inscriptions of Esarhaddon (the Assyrian king, d. 669 BC) and also on the Phoenician inscription of the Nora Stone in Sardinia; its precise location was never commonly known, and was eventually lost in antiquity. Legends grew up around it over time so that its identity has been the subject of scholarly research and commentary for more than two thousand years. Its importance stems in part from the fact that Hebrew biblical passages tend to understand Tarshish as a source of King Solomon's great wealth in metals – especially silver, but also gold, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was generally believed the name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psalm 72
Psalm 72 is the 72nd psalm from the Book of Psalms. Traditionally seen as being written by King Solomon, its heading may be translated 'to or for Solomon'. In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 71. This psalm concludes Book 2 of the Psalms. Heading Lutheran theologian John Brug writes "The heading of Psalm 72 is 'Of Solomon'. This may also be translated 'to or for Solomon'. For this reason some commentators regard this as a Psalm written by David to express his hope for Solomon." Joseph Benson calls it "a psalm for Solomon" and associates it with the anointing of Solomon as king while David was still living, as recorded in . Analysis Some commentators see David's prayers as fulfilled in some sense in the reign of Solomon: a temple will be built and there will be great peace and prosperity; yet the language is larger than Solomon. "The whole earth is filled with his glory" (verse 19) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Responsory
A responsory or respond is a type of chant in western Christian liturgies. Definition The most general definition of a responsory is any psalm, canticle, or other sacred musical work sung responsorially, that is, with a cantor or small group singing verses while the whole choir or congregation respond with a refrain. However, this article focuses on those chants of the western Christian tradition that have traditionally been designated by the term responsory. In the Roman Rite and rites strongly influenced by it, such as the pre-reformation English rite and the monastic rite of the Rule of St. Benedict, these chants ordinarily follow readings at services of the Divine Office (also called the Liturgy of the Hours); however, they have also been used as processional chants. Structure and performance A responsory has two parts: a respond (or refrain), and a verse. Methods of performance vary, but typically the respond will be begun by the cantor then taken up by the entire choi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epiphany (holiday)
Epiphany ( ), also known as Theophany in Eastern Christian traditions, is a Christian feast day that celebrates the revelation (theophany) of God incarnation (Christianity), incarnate as Jesus Christ. In Western Christianity, the feast commemorates principally (but not solely) the Biblical Magi, visit of the Magi to the Christ Child, and thus Jesus Christ's physical manifestation to the Gentiles. It is sometimes called Three Kings' Day, and in some traditions celebrated as Little Christmas. Moreover, the feast of the Epiphany, in some Christian denominations, denominations, also initiates the liturgical season of Epiphanytide. Eastern Christians, on the other hand, commemorate the baptism of Jesus in the Jordan River, seen as his manifestation to the world as the Son of God. The spot marked by Al-Maghtas in Jordan, adjacent to Qasr al-Yahud in the West Bank, is considered to be the original site of the baptism of Jesus and the ministry of John the Baptist. The traditional dat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Three Kings
The biblical Magi from Middle Persian ''moɣ''(''mard'') from Old Persian ''magu-'' 'Zoroastrian clergyman' ( or ; singular: ), also referred to as the (Three) Wise Men or (Three) Kings, also the Three Magi were distinguished foreigners in the Gospel of Matthew and Christian tradition. They are said to have visited Jesus after his birth, bearing gifts of gold, frankincense and myrrh. They are regular figures in traditional accounts of the nativity celebrations of Christmas and are an important part of Christian tradition. The Gospel of Matthew is the only one of the four canonical gospels to mention the Magi. has it that they came "from the east" to worship the "king of the Jews". The gospel never mentions the number of Magi. Still, most western Christian denominations have traditionally assumed them to have been three in number, based on the statement that they brought three gifts. In Eastern Christianity, especially the Syriac churches, the Magi often number twelve. Their ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antiphon
An antiphon (Greek ἀντίφωνον, ἀντί "opposite" and φωνή "voice") is a short chant in Christian ritual, sung as a refrain. The texts of antiphons are the Psalms. Their form was favored by St Ambrose and they feature prominently in Ambrosian chant, but they are used widely in Gregorian chant as well. They may be used during Mass, for the Introit, the Offertory or the Communion. They may also be used in the Liturgy of the Hours, typically for Lauds or Vespers. They should not be confused with Marian antiphons or processional antiphons. When a chant consists of alternating verses (usually sung by a cantor) and responds (usually sung by the congregation), a refrain is needed. The looser term antiphony is generally used for any call and response style of singing, such as the kirtan or the sea shanty and other work songs, and songs and worship in African and African-American culture. Antiphonal music is that performed by two choirs in interaction, often singing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gregorian Chant
Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song in Latin (and occasionally Greek) of the Roman Catholic Church. Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redactions. Although popular legend credits Pope Gregory I with inventing Gregorian chant, scholars believe that it arose from a later Carolingian synthesis of the Old Roman chant and Gallican chant. Gregorian chants were organized initially into four, then eight, and finally 12 modes. Typical melodic features include a characteristic ambitus, and also characteristic intervallic patterns relative to a referential mode final, incipits and cadences, the use of reciting tones at a particular distance from the final, around which the other notes of the melody revolve, and a vocabulary of musical motifs woven together through a process called centonization to create families of related ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Compositions By Giovanni Pierluigi Da Palestrina
This is a list of compositions by Giovanni Pierluigi da Palestrina, sorted by genre. The volume (given in parentheses for motets) refers to the volume of the Breitkopf & Härtel complete edition in which the work can be found. Six of the volumes of masses and some of his motets and other works were published in these editions during Palestrina's lifetime. Others were collected later, from papal choirbooks and other sources. The dates of most pieces are unknown, unless they were known to have been composed in connection with some celebration. Of those works published during Palestrina's lifetime, many were composed considerably earlier than their date of publication, and of the others a large number remained unpublished until the 19th century. The 32 volumes of Palestrina's collected works were published by Breitkopf & Härtel between 1862 and 1907. The volumes of the masses maintain the order of works in the previously published volumes (with the Collected Works Vol. 10 correspon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Compositions By William Byrd
This is a list of the musical compositions by William Byrd, one of the most celebrated English composers of the Renaissance. Vocal works Masses (c. 1592–5) *Mass for Three Voices (c. 1593–4) *Mass for Four Voices (c. 1592–3) * Mass for Five Voices (c. 1594–5) Latin motets ''Cantiones sacrae'' (''Cantiones , quae ab argumento sacrae vocantur'') (1575) *Emendemus in melius á 5 *Libera me Domine et pone me á *Peccantem me quotidie á 5 *Aspice Domine á 6 *Attollite portas á 6 *O lux beata Trinitas á 6 *Laudate pueri Dominum á 6 *Memento homo á 6 *Siderum rector á 5 *Da mihi auxilium á 6 *Domine secundum actum meum á 6 *Diliges Dominum á 8 *Miserere mihi Domine á 6 *Tribue Domine; Te deprecor; Gloria Patri á 6 *Libera me Domine de morte aeterna á 5 *Gloria patri á 6 *Te deprecor á 6 ''Liber primus sacrarum cantionum'' (''Cantiones Sacrae I'') (1589) (all for 5 voices) *Defecit in dolore – Sed tu Domine *Domine praestolamur – Veni Domine noli tardare * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Leopold Eybler
Joseph Leopold Eybler (8 February 1765 – 24 July 1846) was an Austrian composer and contemporary of Wolfgang Amadeus Mozart. Life Eybler was born into a musical family in Schwechat near Vienna.Badura-Skoda and Herrmann-Schneider (n.d.) His father was a teacher, choir director and friend of the Haydn family. Joseph Eybler studied music with his father before attending Stephansdom (the cathedral school of St. Stephen's Boys College) in Vienna. He studied composition under Johann Georg Albrechtsberger, who declared him to be the greatest musical genius in Vienna apart from Mozart. He also received praise from Haydn who was his friend, distant cousin and patron. In 1792 he became choir director at the Karmeliterkirche (Carmelite Church) in Vienna. Two years later he moved to the Schottenkloster, where he remained for the next thirty years (1794–1824). Eybler also held court posts, including that of court Kapellmeister (chapel master) (1824–33). The Empress Marie Therese commiss ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Scott Whiteley
John Scott Whiteley (born 1950) is an English organist and composer. He has performed extensively around the world and since 1985 has undertaken an annual tour of the US. He has performed in most major UK Cathedrals and concert halls, and was Assistant Organist and later Organist and Director of the Girls' choir at York Minster between 1975 and 2010. He is currently Organist Emeritus of York Minster. Career John Scott Whiteley was educated at London University and at the Royal College of Music, after which he was awarded scholarships to study with Fernando Germani in Siena and Flor Peeters in Malines. In 1976 Whiteley won first prize in the National Organ Competition of Great Britain. He has researched and written a book about Belgian composer Joseph Jongen, which has been described by ''Organists' Review'' as "a benchmark publication of impressive scholarship." His numerous recordings include ''Great Romantic Organ Music'', ''The Dupré Legacy'' and ''The complete organ wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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