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Redwood (album)
''Redwood'' is an album by Lúnasa that was released in 2003 on Green Linnet Records. It was their fourth major release, and their last album on Green Linnet Records. The band conceived the album in October 2001 whilst staying in a Californian lodge; the band aimed to record an album that would capture the band's live feel whilst at the same time retaining the sonic quality that the band feature on their albums. The band took a ten-day break from their February 2002 American tour to record the album at Prairie Sun Recording Studios in California. It is characterised by a more relaxed sound than previous albums, and less guest musicians. Releasing the album became an issue when the band entered a heated dispute with Green Linnet, a feud which almost prevented the album from being released. Ultimately the band left the label and three versions of ''Redwood'' were released, with alternating artwork and music masters. The official version was self-released by the band on their website ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allmusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shooglenifty
Shooglenifty are a Scottish, Edinburgh-based six-piece Celtic fusion band that tours internationally. The band blends Scottish traditional music with influences ranging from electronica to alternative rock. They contributed to Afro Celt Sound System's 1996 album '' Volume 1: Sound Magic''. The band have performed in countries including Australia, Austria, Cuba, Belgium, France, Norway, Ireland, Italy, Denmark, New Zealand, Indonesia, South Africa, Lebanon, Spain, the US, Canada, Malaysia, Singapore, Japan, India, Germany, Sweden, the Netherlands, Russia, Luxembourg, Hungary, the Czech Republic, Slovakia, Slovenia, Poland, Switzerland, Portugal, Mexico and the UK. They have performed for a number of notable fans, including Prince Charles, Tony Blair, Nelson Mandela, and Emperor Akihito of Japan. Several of the band members had previously played together in Swamptrash. Angus R. Grant, the band's fiddler and frontman, died in October 2016 at the age 49. Eilidh Shaw joined the band ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cillian Vallely
Cillian Vallely is an Irish musician, born in Armagh, Northern Ireland. He plays traditional Irish music on the uilleann pipes and low whistle, and studied at the Armagh Pipers Club with his mother and father, Brian and Eithne, and then with the late Armagh piper Mark Donnelly. His brothers, Niall and Caoimhín, also play traditional music. Since 1999, he has been a member of the band Lúnasa with whom he has recorded seven albums. He has also performed and toured with Riverdance, Natalie Merchant, Tim O'Brien & Mary Chapin-Carpenter in The Crossing, New York-based Whirligig, and the Celtic Jazz Collective with Lewis Nash and Peter Washington. In the past couple of years, he has worked on various collaborations between traditional and classical music, along with his brother Niall and the composer Micheal O’Suilleabhain. He has recorded on over 40 albums including ''Callan Bridge'' with his brother Niall, ''On Common Ground'' with Kevin Crawford and various guest spots wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breton Music
Since the early 1970s, Brittany has experienced a tremendous revival of its folk music. Along with flourishing traditional forms such as the bombard- biniou pair and fest-noz ensembles incorporating other additional instruments, it has also branched out into numerous subgenres. Traditional Breton music Traditional Breton folk music includes a variety of vocal and instrumental styles. Purely traditional musicians became the heroes of the roots revival in the second half of the 20th century, notably the Goadec sisters (Maryvonne, Thasie, and Eugénie). At the end of the 19th century, the vicomte Theodore Hersart de la Villemarqué's collection of largely nationalistic Breton songs, '' Barzaz Breiz'', was also influential, and was partially responsible for preserving Breton traditions. Vocal music Kan ha diskan (roughly translated as ''call and response singing'') is probably the most common type of Breton vocal music, and is the most typical style to accompany dance music. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bothy Band
A bothy band is a musical group which comes from the farming culture of nineteenth century Scotland. At that time agriculture was relatively labour-intensive. As a result, large farms often had a small community associated with them, the farm toun. This was made up of married couples who lived in small cottages and single men who lived together in a '' bothy'', or shelter. In order to entertain themselves and the other members of the toun, the young men of the bothy would hold musical evenings, the ''bothy nichts'', with the music provided by their own impromptu band, the bothy band. A good band might well become known outside the toun, and be in demand for local events such as dances. See also *Bothy ballads *The Bothy Band The Bothy Band were an Irish traditional band active during the mid 1970s. They quickly gained a reputation as one of the most influential bands playing Irish traditional music. Their enthusiasm and musical virtuosity had a significant influen ... 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medley (music)
In music, a medley is a piece composed from parts of existing pieces played one after another, sometimes overlapping. They are common in popular music, and most medleys are songs rather than instrumentals. A medley which is a remixed series is called a megamix, often done with tracks for a single artist, or for popular songs from a given year or genre. A cover version combining elements of multiple pre-existing songs is a ''cover medley''. A medley is the most common form of overture for musical theatre productions. In Latin music, medleys are known as '' potpourrís'' or ''mosaicos''; the latter were popularized by artists such as Roberto Faz and Billo Frómeta, and most commonly consist of boleros, guarachas, merengues or congas. See also * Segue, a term for the transition between songs * DJ mix * Mashup (music) * List of Genesis medleys * List of "Weird Al" Yankovic polka medleys Polka-style medleys of cover songs are a distinguishing part of American musician, sat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polkas
Polka is a dance and genre of dance music originating in nineteenth-century Bohemia, now part of the Czech Republic. Though associated with Czech culture, polka is popular throughout Europe and the Americas. History Etymology The term ''polka'' referring to the dance is derived from the Czech word ''Polka'' meaning "Polish woman" (feminine form corresponding to ''Polák'', a Pole)."polka, n.". Oxford University Press. (accessed 11 July 2012). Czech cultural historian Čeněk Zíbrt also attributes the term to the Czech word ''půlka'' (half), referring to both the half-tempo and the half-jump step of the dance.Čeněk Zíbrt, "Jak se kdy v Čechách tancovalo: dějiny tance v Čechách, na Moravě, ve Slezsku a na Slovensku z věků nejstarších až do nové doby se zvláštním zřetelem k dějinám tance vůbec", Prague, 189(Google eBook)/ref> The word was widely introduced into the major European languages in the early 1840s. Origin and popularity The polka' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hornpipe
The hornpipe is any of several dance forms played and danced in Britain and Ireland and elsewhere from the 16th century until the present day. The earliest references to hornpipes are from England with Hugh Aston's Hornepype of 1522 and others referring to Lancashire hornpipes in 1609 and 1613. It is suggested that the hornpipe as a dance began around the 16th century on English sailing vessels. However, the dance does not seem to have become associated with sailors until after 1740 when the dancer Yates performed 'a hornpipe in the character of a Jack Tar' at Drury Lane Theatre, after which, in 1741 at Covent Garden we hear of "a hornpipe by a gentleman in the character of a sailor". Movements were those familiar to sailors of that time: "looking out to sea" with the right hand to the forehead, then the left, lurching as in heavy weather, and giving the occasional rhythmic tug to their breeches both fore and aft. Folk hornpipes The hornpipe is an Irish, Scottish and English d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slip Jig
Slip jig () refers to both a style within Irish music, and the Irish dance to music in slip-jig time. The slip jig is in time, traditionally with accents on 5 of the 9 beats — two pairs of crotchet/quaver (quarter note/eighth note) followed by a dotted crotchet note. The slip jig is one of the four most common Irish stepdances, the others being the reel, the jig and the hornpipe. It is danced in soft shoes. At one time only men danced it, then for several decades only women, and today slip jigs can be danced by any dancer, though at a competitive level they are almost exclusively danced by women. This dance is graceful and controlled, with heels very high, often called "the ballet of Irish dance". There are also traditional Irish '' céilí'' dances which are slip jigs, though these are much less common than reels and double jigs. Because of its timing, the slip jig is longer than the reel for the same number of bars of music. In Irish stepdance competition, the tempo of 11 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reel
A reel is an object around which a length of another material (usually long and flexible) is wound for storage (usually hose are wound around a reel). Generally a reel has a cylindrical core (known as a '' spool'') with flanges around the ends (known as the ''rims'') to retain the material wound around the core. In most cases the core is hollow in order to pass an axle and allow the reel to rotate like a wheel, and crank or handles may exist for manually turning the reel, while others are operated by (typically electric) motors. Construction The size of the core is dependent on several factors. A smaller core will obviously allow more material to be stored in a given space. However, there is a limit to how tightly the stored material can be wound without damaging it and this limits how small the core can be. Other issues affecting the core size include: * Mechanical strength of the core (especially with big reels) * Acceptable turning speed (for a given rate of material ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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