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Red Post
Red Post is a crossroads near Launcells in Cornwall, England. It is on the A3072 Holsworthy, Devon, Holsworthy to Stratton, Cornwall, Stratton road where it is crossed by the B3254 road.Ordnance Survey ''One-inch Map of England & Wales; Bude: sheet 174''. 1946 References

{{Cornwall-geo-stub Roads in England Geography of Cornwall ...
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Red Post Crossroads - Geograph
Red is the color at the long wavelength end of the visible spectrum of light, next to orange and opposite violet. It has a dominant wavelength of approximately 625–740 nanometres. It is a primary color in the RGB color model and a secondary color (made from magenta and yellow) in the CMYK color model, and is the complementary color of cyan. Reds range from the brilliant yellow-tinged scarlet and vermillion to bluish-red crimson, and vary in shade from the pale red pink to the dark red burgundy. Red pigment made from ochre was one of the first colors used in prehistoric art. The Ancient Egyptians and Mayans colored their faces red in ceremonies; Roman generals had their bodies colored red to celebrate victories. It was also an important color in China, where it was used to color early pottery and later the gates and walls of palaces. In the Renaissance, the brilliant red costumes for the nobility and wealthy were dyed with kermes and cochineal. The 19th century brought the ...
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Launcells
Launcells ( kw, Lannseles) is a hamlet and civil parish in north-east Cornwall, England, United Kingdom. It is located east of Bude. Within the civil parish are the hamlets of Launcells Cross, Red Post, Grimscott, and Buttsbear Cross. In 2001, 563 people lived within the civil parish, decreasing to 531 at the 2011 census. Geography The River Tamar forms the eastern boundary of the civil parish, as well as the Cornish boundary with Devon. Parish church The parish church is dedicated to St Swithin: nearby, in the wooded valley is the holy well of St Swithin. There are two aisles but the arcades differ: while the north is of granite the south is of older Polyphant stone. The fine series of over 60 benchends is from the same workshop as those of Kilkhampton and Poughill. Other features of interest are the medieval wall painting and the tomb of Sir John Chamond, 1624. The church also features an unusual post-Reformation wall painting which has been dated between 1680-1690. ...
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