Recordings From Live Performance, 1981 - 1983
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Recordings From Live Performance, 1981 - 1983
''Recordings From Live Performance, 1981 – 1983'' is a live album by American post-punk band Savage Republic, released in 1992 by Independent Project Records. Track listing Personnel Adapted from the ''Recordings From Live Performance, 1981 – 1983'' liner notes. ;Savage Republic * Philip Drucker (as Jackson Del Rey) – percussion (A1, A3, B1-B3, D4), vocals (B1, D1, D3, D4), guitar (C2, C3, D3), monotone guitar (A2) * Mark Erskine – drums * Bruce Licher – bass guitar (A2, A3, B2, B3, C2, D2-D4), vocals (A2, B1, C3, D3), monotone guitar (A1, D1), percussion (B1, C1), backing vocals (B3), design * Jeff Long – bass guitar (A1, B3, C1, C3, D1, D3), vocals (B3, C1, D3), monotone guitar (A3, B2) * Robert Loveless – keyboards (A1, C2, D1) ;Additional musicians * Kendra Smith Kendra Smith (born March 14, 1960)Strong, Martin C. (2003) ''The Great Indie Discography'', Canongate, is an American musician who was a founding member of The Dream Sy ...
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Savage Republic
Savage Republic (originally named Africa Corps) is an American, Los Angeles-based post-punk band, formed in the early 1980s. The group reformed in 2002 and remains active with a different lineup. They are known for lengthy songs with an emphasis on percussion and droning guitars. History The band was originally named Africa Corps, and was formed by UCLA students Bruce Licher (guitar) and Mark Erskine (drums/percussion).Strong, Martin C. (2003) ''The Great Indie Discography'', Canongate, , pp. 490-491 They were joined by Philip Drucker (aka Jackson Del Rey), Robert Loveless, and Jeff Long.Enthal, Andrea & Robbins, IraSavage Republic, ''Trouser Press''. Retrieved March 22, 2013 Shortly before the release of debut album ''Tragic Figures'' in 1982 (on Licher's own Independent Project label) they changed their name to Savage Republic.Unterberger, RichieSavage Republic Biography, AllMusic. Retrieved March 22, 2013 Licher was also responsible for the group's sleeve designs, which were ...
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Post-punk
Post-punk (originally called new musick) is a broad genre of punk music that emerged in the late 1970s as musicians departed from punk's traditional elements and raw simplicity, instead adopting a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and DIY ethic but determined to break from rock cliches, artists experimented with styles like funk, electronic music, jazz, and dance music; the production techniques of dub and disco; and ideas from art and politics, including critical theory, modernist art, cinema and literature. These communities produced independent record labels, visual art, multimedia performances and fanzines. The early post-punk vanguard was represented by groups including Siouxsie and the Banshees, Wire, Public Image Ltd, the Pop Group, Cabaret Voltaire, Magazine, Pere Ubu, Joy Division, Talking Heads, Devo, Gang of Four, the Slits, the Cure, and the Fall. The movement was closely related to the development of ...
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Experimental Rock
Experimental rock, also called avant-rock, is a subgenre of rock music that pushes the boundaries of common composition and performance technique or which experiments with the basic elements of the genre. Artists aim to liberate and innovate, with some of the genre's distinguishing characteristics being improvisation (music), improvisational performances, avant-garde influences, odd instrumentation, opaque lyrics (or instrumentals), unorthodox structures and rhythms, and an underlying rejection of commercial aspirations. From its inception, rock music was experimental, but it was not until the late 1960s that rock artists began creating extended and complex compositions through advancements in multitrack recording. In 1967, the genre was as commercially viable as Popular music, pop music, but by 1970, most of its leading players had incapacitated themselves in some form. In Germany, the krautrock subgenre merged elements of improvisation and psychedelic rock with electronic music, ...
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Independent Project Records
Independent Project Records is an American independent record label currently based in Bishop, California. IPR was founded by Bruce Licher in 1980 in Los Angeles, then moved to Sedona, AZ between 1992-2009. The label started when the Project 197 7” EP was released. 1982 was when the first letterpress covers were made. IPR is a partner entity to Independent Project Press. The label is significant for its use letterpress printing as an artistic element in packaging and helping to launch the careers of bands such as Camper Van Beethoven and Savage Republic. History Licher received a Grammy nomination for the artwork for For Against's debut album on IPR, '' Echelons'' (1987). Discography As listed on Esophagus.com and Discogs.com Discogs (short for discographies) is a database of information about audio recordings, including commercial releases, promotional releases, and bootleg or off-label releases. While the site was originally created with a goal of becoming the l ...
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Live In Europe 1988
Live may refer to: Arts, entertainment, and media Films * ''Live!'' (2007 film), 2007 American film * ''Live'' (2014 film), a 2014 Japanese film *'' ''Live'' (Apocalyptica DVD) Music * Live (band), American alternative rock band * List of albums titled ''Live'' Extended plays * ''Live EP'' (Anal Cunt album) * ''Live EP'' (Breaking Benjamin EP) * ''Live'' (Roxus EP) * ''Live'' (The Smithereens EP) *''CeCe Peniston (EP Live)'' *'' Ozzy Osbourne Live E.P.'', 1980 *'' Live EP (Live at Fashion Rocks)'', by David Bowie * ''Live EP'' (The Jam EP) Songs * "Live" (Russian song) * "Live" (Superfly song) * "Live" (The Merry-Go-Round song) Radio *BBC Radio 5 Live *CILV-FM, branded LiVE 88.5, a radio station in Ottawa, Canada Television * ''Live'' (South Korean TV series), a 2018 South Korean television series * ''Live'' (Danish TV series) * Live! (TV channel), Italy *''Live! with Kelly'', US TV talk show Types of media *Live action (cinematography), a motion picture not produced using ...
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Complete Studio Box Set
''Complete Studio Box Set'' is an anthology box set by American post-punk band Savage Republic, released in 2002 by Mobilization Records. Track listing Release history References External links ''Complete Studio Box Set''at Discogs Discogs (short for discographies) is a database of information about audio recordings, including commercial releases, promotional releases, and bootleg or off-label releases. While the site was originally created with a goal of becoming the la ... (list of releases) {{Authority control 2002 compilation albums Savage Republic albums ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Post-punk
Post-punk (originally called new musick) is a broad genre of punk music that emerged in the late 1970s as musicians departed from punk's traditional elements and raw simplicity, instead adopting a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and DIY ethic but determined to break from rock cliches, artists experimented with styles like funk, electronic music, jazz, and dance music; the production techniques of dub and disco; and ideas from art and politics, including critical theory, modernist art, cinema and literature. These communities produced independent record labels, visual art, multimedia performances and fanzines. The early post-punk vanguard was represented by groups including Siouxsie and the Banshees, Wire, Public Image Ltd, the Pop Group, Cabaret Voltaire, Magazine, Pere Ubu, Joy Division, Talking Heads, Devo, Gang of Four, the Slits, the Cure, and the Fall. The movement was closely related to the development of ...
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Urinals (band)
The Urinals are an American punk rock band from Southern California, United States. Known for their minimalist approach to songwriting and recording — their lyrics have been called "punk haiku" — the band influenced other punk rockers of the 1970s and 1980s including the Minutemen. They have also been known as 100 Flowers and Chairs of Perception. History Founded in 1978 by John Talley-Jones, Kjehl Johansen, and Kevin Barrett, the band's first performance was a parody of punk rock performed for a talent show at their UCLA dorm. Though none of the group's members could play their instruments well, they continued to perform in on-campus venues. Their songs were usually short, seldom utilizing more than two chords. The band’s first off-campus show was at Raul’s in Austin, Texas. Returning to L.A., they appeared with such groups as The Go-Go's and Black Flag. A roughly-recorded, four-song EP produced by Vitus Matare (of L.A.'s The Last and later Trotsky Icepick) foll ...
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Kendra Smith
Kendra Smith (born March 14, 1960)Strong, Martin C. (2003) ''The Great Indie Discography'', Canongate, is an American musician who was a founding member of The Dream Syndicate, a member of Opal, and later recorded as a solo artist. Biography After one privately pressed release with Suspects in 1979, Smith formed The Dream Syndicate in 1981 with Steve Wynn, and went on to record an EP and an album as bassist with the group before leaving in 1983 to join former Rain Parade guitarist David Roback in Rainy Day (she had worked with Roback before, providing backing vocals on the Rain Parade album ''Emergency Third Rail Power Trip''). Rainy Day released an album and a single in 1984 before Roback and Smith became a duo in the psychedelic-tinged band Clay Allison, later Opal.Phares, Heather "Kendra Smith Biography, ''Allmusic'', Macrovision Corporation Opal only released one record, the ''Northern Line'' EP, and one album, ''Happy Nightmare Baby'', before they split up but had recorded ...
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Audio Mastering
Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device (the master), the source from which all copies will be produced (via methods such as pressing, duplication or replication). In recent years digital masters have become usual, although analog masters—such as audio tapes—are still being used by the manufacturing industry, particularly by a few engineers who specialize in analog mastering. Mastering requires critical listening; however, software tools exist to facilitate the process. Results depend upon the intent of the engineer, the skills of the engineer, the accuracy of the speaker monitors, and the listening environment. Mastering engineers often apply equalization and dynamic range compression in order to optimize sound translation on all playback systems. It is standard practice to make a copy of a master recording—known as a safety copy—in cas ...
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Vinyl Record
A phonograph record (also known as a gramophone record, especially in British English), or simply a record, is an analog sound storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near the periphery and ends near the center of the disc. At first, the discs were commonly made from shellac, with earlier records having a fine abrasive filler mixed in. Starting in the 1940s polyvinyl chloride became common, hence the name vinyl. The phonograph record was the primary medium used for music reproduction throughout the 20th century. It had co-existed with the phonograph cylinder from the late 1880s and had effectively superseded it by around 1912. Records retained the largest market share even when new formats such as the compact cassette were mass-marketed. By the 1980s, digital media, in the form of the compact disc, had gained a larger market share, and the record left the mainstream in 1991. Since the 1990s, records co ...
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