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Recital I (for Cathy)
''Recital I (for Cathy)'' is a stage work by the Italian composer Luciano Berio. It was written for Cathy Berberian, with whom Berio was married from 1950 to 1964, and is scored for mezzo-soprano and 17 instruments. It was first performed on 27 April 1972 in Lisbon in the Calouste Gulbenkian Foundation Grand Auditórium by Cathy Berberian with Orquesta Gulbenkian, conducted by the composer. Synopsis In the piece a singer—who is, in Berberian's description, not a singer who gives a recital but an actress-singer who plays the role of a singer who gives a recital —enters the stage to find that the pianist who is to accompany her hasn't arrived. Accompanied by an off-stage harpsichord she starts her recital with a performance of Claudio Monteverdi's "Lettera amorosa" and "Lamento della ninfa" but stops to look for the pianist. She then begins a long spoken monologue that is interrupted by over forty, often very brief musical fragments taken from Berberian's repertoire, including ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cathy Berberian (1972)
Catherine Anahid Berberian (July 4, 1925 – March 6, 1983) was an American mezzo-soprano and composer based in Italy. She worked closely with many contemporary avant-garde music composers, including Luciano Berio, Bruno Maderna, John Cage, Henri Pousseur, Sylvano Bussotti, Darius Milhaud, Roman Haubenstock-Ramati, and Igor Stravinsky. She also interpreted works by Claudio Monteverdi, Heitor Villa-Lobos, Kurt Weill, Philipp zu Eulenburg and others. As a recital curator, she presented several vocal genres in a classical context, including arrangements of songs by The Beatles by Louis Andriessen as well as folk songs from several countries and cultures. As a composer, she wrote ''Stripsody'' (1966), in which she exploits her vocal technique using comic book sounds (onomatopoeia), and ''Morsicat(h)y'' (1969), a composition for the keyboard (with the right hand only) based on Morse code. Biography Cathy Berberian was born in Attleboro, Massachusetts to Armenian parents, Yervant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
London Sinfonietta
The London Sinfonietta is an English contemporary chamber orchestra founded in 1968 and based in London. The ensemble has headquarters at Kings Place and is Resident Orchestra at the Southbank Centre. Since its inaugural concert in 1968—giving the world premiere of Sir John Tavener’s ''The Whale''—the London Sinfonietta's commitment to making new music has seen it commission over 300 works, and premiere many hundreds more. The core of the London Sinfonietta is its 18 Principal Players. In September 2013 the ensemble launched its Emerging Artists Programme. The London Sinfonietta's recordings comprise a catalogue of 20th-century classics, on numerous labels as well as the ensemble's own London Sinfonietta Label. Directors David Atherton and Nicholas Snowman founded the orchestra in 1968. Atherton was its first music director, from 1968 to 1973 and again from 1989 to 1991. Snowman was its general manager from 1968 to 1972. Michael Vyner served as the artistic directo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the ''Gesamtkunstwerk'' ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle ''Der Ring des Nibelungen'' (''The Ring of the Nibelung''). His compositions, particularly those of his later period, are notable for their complex textures, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Banalités (Poulenc)
''Banalités'' ( FP 107) is a set of five mélodies for voice and piano composed by Francis Poulenc in 1940 on poems by Guillaume Apollinaire (1880–1918). History of the work Composed in 1940, the mélodies were premiered at salle Gaveau, on 14 December 1940, by Pierre Bernac (baritone) and the composer (piano).Banalités on Bibliothèque nationale de France Titles # Chanson d’Orkenise # Hôtel # Fagnes de Wallonie # Voyage à Paris # SanglotsSource of the poems "Chanson d'Orkenise", "Fagnes de Wallonie" and "Sanglots" are taken from the collection ''Il y a'' (1925). "Hôtel", written in 1913, was published in the posthumous collection ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francis Poulenc
Francis Jean Marcel Poulenc (; 7 January 189930 January 1963) was a French composer and pianist. His compositions include songs, solo piano works, chamber music, choral pieces, operas, ballets, and orchestral concert music. Among the best-known are the piano suite '' Trois mouvements perpétuels'' (1919), the ballet ''Les biches'' (1923), the ''Concert champêtre'' (1928) for harpsichord and orchestra, the Organ Concerto (1938), the opera ''Dialogues des Carmélites'' (1957), and the '' Gloria'' (1959) for soprano, choir, and orchestra. As the only son of a prosperous manufacturer, Poulenc was expected to follow his father into the family firm, and he was not allowed to enrol at a music college. Largely self-educated musically, he studied with the pianist Ricardo Viñes, who became his mentor after the composer's parents died. Poulenc also made the acquaintance of Erik Satie, under whose tutelage he became one of a group of young composers known collectively as ''Les Six''. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manuel De Falla
Manuel de Falla y Matheu (, 23 November 187614 November 1946) was an Andalusian Spanish composer and pianist. Along with Isaac Albéniz, Francisco Tárrega, and Enrique Granados, he was one of Spain's most important musicians of the first half of the 20th century. He has a claim to being Spain's greatest composer of the 20th century, although the number of pieces he composed was relatively modest. Biography Falla was born Manuel María de los Dolores Falla y Matheu in Cádiz. He was the son of José María Falla, a Valencian, and María Jesús Matheu, from Catalonia. In 1889 he continued his piano lessons with Alejandro Odero and learned the techniques of harmony and counterpoint from Enrique Broca. At age 15 he became interested in literature and journalism and founded the literary magazines ''El Burlón'' and ''El Cascabel''. Madrid By 1900 he was living with his family in the capital, where he attended the Real Conservatorio de Música y Declamación. He studied piano ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Blue Angel
''The Blue Angel'' (german: Der blaue Engel) is a 1930 German musical comedy-drama film directed by Josef von Sternberg, and starring Marlene Dietrich, Emil Jannings and Kurt Gerron. Written by Carl Zuckmayer, Karl Vollmöller and Robert Liebmann – with uncredited contributions by Sternberg – it is based on Heinrich Mann's 1905 novel ''Professor Unrat'' (''Professor Filth'') and set in an unspecified northern German port city. ''The Blue Angel'' presents the tragic transformation of a respectable professor to a cabaret clown and his descent into madness. The film is the first feature-length German full-talkie and brought Dietrich international fame. In addition, it introduced her signature song, Friedrich Hollaender and Robert Liebmann's "Falling in Love Again (Can't Help It)". It is considered to be a classic of German cinema. The film was shot simultaneously in German- and English- language versions, although the latter version was thought lost for many years. The Germa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marlene Dietrich
Marie Magdalene "Marlene" DietrichBorn as Maria Magdalena, not Marie Magdalene, according to Dietrich's biography by her daughter, Maria Riva ; however Dietrich's biography by Charlotte Chandler cites "Marie Magdalene" as her birth name . (, ; 27 December 1901 – 6 May 1992) was a German and American actress and singer whose career spanned from the 1910s to the 1980s. In 1920s Berlin, Dietrich performed on the stage and in silent films. Her performance as Lola-Lola in Josef von Sternberg's ''The Blue Angel'' (1930) brought her international acclaim and a contract with Paramount Pictures. She starred in many Hollywood films, including six iconic roles directed by Sternberg: ''Morocco'' (1930) (her only Academy Award nomination), ''Dishonored'' (1931), '' Shanghai Express'' and ''Blonde Venus'' (both 1932), ''The Scarlet Empress'' (1934) and '' The Devil Is a Woman'' (1935), ''Desire'' (1936) and ''Destry Rides Again'' (1939). She successfully traded on her glamorous persona a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Falling In Love Again (Can't Help It)
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Falling in Love Again may refer to: Film * ''Falling in Love Again'' (1980 film), a romantic comedy starring Elliott Gould * ''Falling in Love Again'' (2003 film), a Canadian animated short Music Albums * ''Falling in Love Again'' (David Gates album), 1980 * ''Falling in Love Again'' (Davitt Sigerson album), 1984 Songs * "Falling in Love Again" (Anika Moa song), 2002 * "Falling in Love Again" (Eagle-Eye Cherry song), 1998 * "Falling in Love Again" (Marvin Gaye song), 1977 * "Falling in Love Again (Can't Help It)", composed by Frederick Hollander and Sammy Lerner, 1930 * "Falling in Love Again", by Anjulie * "Falling in Love Again", by Celine Dion from ''Courage'' See also * Falling in love (other) Falling in love is the development of strong feelings of attachment and love, usually towards another person. The term is metaphorical, emphasizing that the process, like the physical act of falling, is sudden, uncontrollable and leaves the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friedrich Hollaender
Friedrich Hollaender (in exile also Frederick Hollander; 18 October 189618 January 1976) was a German film score, film composer and author. Life and career He was born in London to a Jewish family, where his father, operetta composer Victor Hollaender, worked as a musical director at the Ringling Bros. and Barnum & Bailey Circus, Barnum & Bailey Circus. Young Hollaender had a solid music and theatre family background: his uncle Gustav was director of the Stern Conservatory in Berlin, and his uncle Felix Hollaender was a well-known novelist and drama critic, who later worked with Max Reinhardt at the Deutsches Theater (Berlin), Deutsches Theater. In 1899 Hollaender's family returned to Berlin. His father began teaching at the Stern Conservatory, where his son became a student in Engelbert Humperdinck (composer), Engelbert Humperdinck's master class. In the evening he played the piano at silent film performances in local cinemas, developing the art of musical improvisation. By t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Fairy-Queen
''The Fairy-Queen'' (1692; Purcell catalogue number Z.629) is a semi-opera by Henry Purcell; a "Restoration spectacular". The libretto is an anonymous adaptation of William Shakespeare's comedy '' A Midsummer Night's Dream''. First performed in 1692, ''The Fairy-Queen'' was composed three years before Purcell's death at the age of 35. Following his death, the score was lost and only rediscovered early in the twentieth century. Purcell did not set any of Shakespeare's text to music; instead he composed music for short masques in every act but the first. The play itself was also slightly modernised in keeping with seventeenth-century dramatic conventions, but in the main the spoken text is as Shakespeare wrote it. The masques are related to the play metaphorically, rather than literally. Many critics have stated that they bear no relationship to the play. Recent scholarship has shown that the opera, which ends with a masque featuring Hymen, the God of Marriage, was composed for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Purcell
Henry Purcell (, rare: September 1659 – 21 November 1695) was an English composer. Purcell's style of Baroque music was uniquely English, although it incorporated Italian and French elements. Generally considered among the greatest English opera composers, Purcell is often linked with John Dunstaple and William Byrd as England's most important early music composers. No later native-born English composer approached his fame until Edward Elgar, Ralph Vaughan Williams, Gustav Holst, William Walton and Benjamin Britten in the 20th century. Life and work Early life Purcell was born in St Ann's Lane, Old Pye Street, Westminster – the area of London later known as Devil's Acre, a notorious slum – in 1659. Henry Purcell Senior, whose older brother Thomas Purcell was a musician, was a gentleman of the Chapel Royal and sang at the coronation of King Charles II of England. Henry the elder had three sons: Edward, Henry and Daniel. Daniel Purcell, the youngest of the b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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