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Rebetika
Rebetiko ( el, ρεμπέτικο, ), plural rebetika ( ), occasionally transliterated as rembetiko or rebetico, is a term used today to designate originally disparate kinds of urban Greek music which have come to be grouped together since the so-called rebetika revival, which started in the 1960s and developed further from the early 1970s onwards. Rebetiko briefly can be described as the urban popular song of the Greeks, especially the poorest, from the late 19th century to the 1950s. In 2017 rebetiko was added in the UNESCO Intangible Cultural Heritage Lists. Definition and etymology The word (plural ) is an adjectival form derived from the Greek word ( el, ρεμπέτης, ). The word is today construed to mean a person who embodies aspects of character, dress, behavior, morals and ethics associated with a particular subculture. The etymology of the word remains the subject of dispute and uncertainty; an early scholar of rebetiko, Elias Petropoulos, and the modern Gre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rebetiko Rock
Rebetiko ( el, ρεμπέτικο, ), plural rebetika ( ), occasionally transliterated as rembetiko or rebetico, is a term used today to designate originally disparate kinds of urban Greek music which have come to be grouped together since the so-called rebetika revival, which started in the 1960s and developed further from the early 1970s onwards. Rebetiko briefly can be described as the urban popular song of the Greeks, especially the poorest, from the late 19th century to the 1950s. In 2017 rebetiko was added in the UNESCO Intangible Cultural Heritage Lists. Definition and etymology The word (plural ) is an adjectival form derived from the Greek word ( el, ρεμπέτης, ). The word is today construed to mean a person who embodies aspects of character, dress, behavior, morals and ethics associated with a particular subculture. The etymology of the word remains the subject of dispute and uncertainty; an early scholar of rebetiko, Elias Petropoulos, and the modern Gre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elias Petropoulos
Elias Petropoulos ( el, Ηλίας Πετρόπουλος; Athens June 26, 1928 - Paris September 3, 2003) was a Greek author, folklorist and urban historian. A self-described "urban anthropologist," he wrote on aspects of Greek life that were rarely considered objects of serious study, including the subcultures, slangs, and music of homosexuals, drug users, and criminals. Some of his books were regarded as immoral during the rule of the Greek military junta of 1967–74, resulting in fines and jail terms and ultimately in his decision to leave Greece to live permanently in France. Biography Petropoulos was born in Athens on 26 June 1928, but spent his early years in Thessaloniki, where his father, a junior civil servant, was transferred when Elias was six. They lived in an Ottoman house that his father transformed by eliminating the more typical Turkish elements. According to anthropologist Christos Panagiotopoulos, the young Petropoulos did not appreciate the restyling of the ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rebetes
A rebetis (Greek: ρεμπέτης ; pl. rebetes ρεμπέτες {{IPA, e(m)ˈbetes}) is a musician involved in the scene of the Greek musical genre of rebetiko, which flourished between 1920 and 1955. Prominent ''rebetes'' include: *Rita Abatzi * Babis Tsertos *Yiorgos Batis *Sotiria Bellou * Anestis Delias *Roza Eskenazi * Mihalis Genitsaris * Dimitris Gogos (Bayianderas) * Giannis Eitziridis (Yovan Tsaous) * Apostolos Hatzichristos * Manolis Hiotis * Manolis Chrysafakis * Anna Chrysafi * Apostolos Nikolaidis *Marika Ninou *Giannis Papaioannou *Vangelis Papazoglou * Stratos Pagioumtzis * Stelios Perpiniadis (Stellakis) *Kostas Roukounas *Kostas Skarvelis *Prodromos Tsaousakis *Vassilis Tsitsanis *Markos Vamvakaris (Markos) * Kostas Kaplanis * Andonis Kalyvopoulos * A. Kostis * Antonis Dalgas * Giorgos Theologitis (Katsaros) * Stelios Keromytis * Giorgos Mouflouzelis * Giorgos Kavouaras * Odysseas Moshonas ''Note'': Sometimes (not without controversy) this definition is extended ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laïko
Laïko or laïkó ( el, λαϊκό ραγούδιlaïkó 'tragoúdi'' ; “ongof the people", "popular ong, pl: ''laïká'' 'tragoúdia'' is a Greek music genre composed in Greek language in accordance with the tradition of the Greek people. Also called "folk song" or "urban folk music" ( ''astikí laïkí mousikí''), in its plural form is a Greek music genre which has taken many forms over the years. Laïkó followed after the commercialization of Rebetiko music. It is strongly dominated by Greek folk music and it is used to describe Greek popular music as a whole. When used in context, it refers mostly to the form it took in the period from the 1950s to the 1980s. Rebetiko and elafró tragoudi Until the 1930s the Greek discography was dominated by two musical genres: the Greek folk music ( ''dimotiká'') and the ''elafró tragoudi'' (, literally: "light eightsong"). The latter was represented by ensembles of singers/musicians or solo artists like Attik and Nikos Gounar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kanun (instrument)
The qanun, kanun, ganoun or kanoon ( ar, قانون, qānūn; hy, քանոն, k’anon; ckb, قانون, qānūn; el, κανονάκι, kanonáki; he, קָאנוּן, ''qanun''; fa, , ''qānūn''; tr, kanun; az, qanun; ) is a string instrument played either solo, or more often as part of an ensemble, in much of the Middle East, North Africa, West Africa, Central Asia, Armenia, and Greece. The name derives ultimately from Ancient Greek: κανών kanōn, meaning "rule, law, norm, principle". The qanun traces one of its origins to a stringed Assyrian instrument from the Old Assyrian Empire, specifically from the nineteenth century BC in Mesopotamia. This instrument came inscribed on a box of elephant ivory found in the old Assyrian capital Nimrud (ancient name: ''Caleh''). The instrument is a type of large zither with a thin trapezoidal soundboard that is famous for its unique melodramatic sound. Regional variants and technical specifications Arabic qanuns are usually ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santur
The santur (also ''santūr'', ''santour'', ''santoor'') ( fa, سنتور), is a hammered dulcimer of Iranian origins.--- Rashid, Subhi Anwar (1989). ''Al-ʼĀlāt al-musīqīyya al-muṣāhiba lil-Maqām al-ʻIrāqī''. Baghdad: Matbaʻat al-ʻUmmāl al-Markazīyya. History The santur was invented and developed in the area of Iran and Mesopotamia. "The earliest sign of it comes from Assyrian and Babylonian stone carvings (669 B.C.); it shows the instrument being played while hanging from the player's neck" (35). This instrument was traded and traveled to different parts of the Middle East. Each country customized and designed its own versions to adapt to their musical scales and tunings. The original santur was made with wood and stones and strung with goat intestines. The Mesopotamian santur has been claimed to be the father of the harp, the Chinese yangqin, the harpsichord, the qanun, the cimbalom, and the American and European hammered dulcimers. Name The name 'santur' co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cimbalom
The cimbalom (; ) or concert cimbalom is a type of chordophone composed of a large, trapezoidal box on legs with metal strings stretched across its top and a damping pedal underneath. It was designed and created by V. Josef Schunda in 1874 in Budapest, based on his modifications to the existing Hammered dulcimer instruments which were already present in Central and Eastern Europe. Today the instrument is mainly played in Hungary, Slovakia, Moravia, Romania, Moldova, and Ukraine. The cimbalom is typically played by striking two sticks, often with cotton-wound tips, against the strings which are on the top of the instrument. The steel treble strings are arranged in groups of 4 and are tuned in unison. The bass strings which are over-spun with copper, are arranged in groups of 3 and are also tuned in unison. The Hornbostel–Sachs musical instrument classification system registers the cimbalom with the number 314.122-4,5. The name “cimbalom” is also sometimes used to descr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Makam
The Turkish makam ( Turkish: ''makam'' pl. ''makamlar''; from the Arabic word ) is a system of melody types used in Turkish classical music and Turkish folk music. It provides a complex set of rules for composing and performance. Each makam specifies a unique intervalic structure (''cinsler'' meaning genera) and melodic development (''seyir''). Whether a fixed composition (''beste'', ''şarkı'', ''peşrev'', ''âyin'', etc.) or a spontaneous composition (''gazel'', ''taksim'', recitation of ''Kuran-ı Kerim'', ''Mevlid'', etc.), all attempt to follow the melody type. The rhythmic counterpart of makam in Turkish music is usul. Comparison in use in Turkish classical to folk music Turkish Classical Music and Turkish Folk Music are both based on modal systems. Makam is the name of the scale in classical music, while Ayak is the name of the scale in folk music. Makam and Ayak are similar; following are some examples: Yahyalı Kerem Ayağı : Hüseyni Makamı Garip Ayağı : Hicaz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
țambal
The cimbalom (; ) or concert cimbalom is a type of chordophone composed of a large, trapezoidal box on legs with metal strings stretched across its top and a damping pedal underneath. It was designed and created by V. Josef Schunda in 1874 in Budapest, based on his modifications to the existing Hammered dulcimer instruments which were already present in Central and Eastern Europe. Today the instrument is mainly played in Hungary, Slovakia, Moravia, Romania, Moldova, and Ukraine. The cimbalom is typically played by striking two sticks, often with cotton-wound tips, against the strings which are on the top of the instrument. The steel treble strings are arranged in groups of 4 and are tuned in unison. The bass strings which are over-spun with copper, are arranged in groups of 3 and are also tuned in unison. The Hornbostel–Sachs musical instrument classification system registers the cimbalom with the number 314.122-4,5. The name “cimbalom” is also sometimes used to descri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clarinet
The clarinet is a musical instrument in the woodwind family. The instrument has a nearly cylindrical bore and a flared bell, and uses a single reed to produce sound. Clarinets comprise a family of instruments of differing sizes and pitches. The clarinet family is the largest such woodwind family, with more than a dozen types, ranging from the BB♭ contrabass to the E♭ soprano. The most common clarinet is the B soprano clarinet. German instrument maker Johann Christoph Denner is generally credited with inventing the clarinet sometime after 1698 by adding a register key to the chalumeau, an earlier single-reed instrument. Over time, additional keywork and the development of airtight pads were added to improve the tone and playability. Today the clarinet is used in classical music, military bands, klezmer, jazz, and other styles. It is a standard fixture of the orchestra and concert band. Etymology The word ''clarinet'' may have entered the English language via the Fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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