Rebel Rouser
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Rebel Rouser
"Rebel-'Rouser" is a rock and roll instrumental song written by Duane Eddy and Lee Hazlewood and originally released on Jamie Records in 1958 by "Duane Eddy and his 'twangy' guitar" as a single (Jamie 1104) with "Stalkin'" on its B-side. Both tracks were produced by Lester Sill and Lee Hazlewood. It was Eddy's third single as a solo artist, following the 1957 release of the single "Ramrod"/"Caravan" on the Ford record label (a release that was credited to "Duane Eddy and His Rock-A-Billies", although Al Casey (who wrote "Ramrod") actually played lead guitar on both tracks) and which was followed in 1958 by the release of the "Moovin' n' Groovin'"/"Up And Down" single on Jamie (Jamie 1101), which was also released as "Duane Eddy and his 'twangy' guitar". "Rebel-'Rouser" also appeared on Duane Eddy's debut album, ''Have 'Twangy' Guitar Will Travel''. The song was originally called "Rabble Rouser" by Duane Eddy when it was recorded at Clay Ramsey and his son Floyd's "Audio Recorde ...
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Duane Eddy
Duane Eddy (born April 26, 1938) is an American rock and roll guitarist. In the late 1950s and early 1960s, he had a string of hit records produced by Lee Hazlewood, which were noted for their characteristically "twangy" sound, including "Rebel-'Rouser", "Peter Gunn", and "Because They're Young". He had sold 12 million records by 1963. He was inducted into the Rock and Roll Hall of Fame in 1994, and the Musicians Hall of Fame and Museum in 2008. Early life Eddy was born in Corning, New York. He began playing the guitar at the age of five. In 1951, his family moved to Tucson, and then to Coolidge, Arizona. At the age of 16 he formed a duo, Jimmy and Duane, with his friend Jimmy Delbridge (who later recorded as Jimmy Dell). Career While performing at local radio station KCKY, they met disc jockey Lee Hazlewood, who produced the duo's single, "Soda Fountain Girl", recorded and released in 1955 in Phoenix. Hazlewood then produced Sanford Clark's 1956 hit, "The Fool", featuring g ...
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When The Saints Go Marching In
"When the Saints Go Marching In", often referred to as simply "The Saints", is a traditional black spiritual. It originated as a Christian hymn and is often played by jazz bands. This song was famously recorded on May 13, 1938, by Louis Armstrong and his orchestra. The song is sometimes confused with a similarly titled composition "When the Saints Are Marching In" from 1896 by Katharine Purvis (lyrics) and James Milton Black (music). Origins and usage The origins of this song are unclear. It apparently evolved in the early 1900s from a number of similarly titled gospel songs, including "When the Saints Are Marching In" (1896) and "When the Saints March In for Crowning" (1908). The first known recorded version was in 1923 by the Paramount Jubilee Singers on Paramount 12073. Although the title given on the label is "When All the Saints Come Marching In", the group sings the modern lyrics beginning with "When the saints go marching in". No author is shown on the label. Several ot ...
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G Major
G major (or the key of G) is a major scale based on G, with the pitches G, A, B, C, D, E, and F. Its key signature has one sharp. Its relative minor is E minor and its parallel minor is G minor. The G major scale is: Notable compositions Baroque period In Baroque music, G major was regarded as the "key of benediction". Of Domenico Scarlatti's 555 keyboard sonatas, G major is the home key for 69, or about 12.4%, sonatas. In the music of Johann Sebastian Bach, "G major is often a key of chain rhythms", according to Alfred Einstein, although Bach also used the key for some -based works, including his third and fourth '' Brandenburg Concertos''. Pianist Jeremy Denk observes that the ''Goldberg Variations'' are 80 minutes in G major. Classical era Twelve of Joseph Haydn's 106 symphonies are in G major. Likewise, one of Haydn's most famous piano trios, No. 39 (with the ''Gypsy Rondo''), and one of his last two complete published string quartets (Op. 77, No. 1), a ...
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F-sharp Major
F-sharp major (or the key of F) is a major scale based on F, consisting of the pitches F, G, A, B, C, D, and E. Its key signature has six sharps. The F-sharp major scale is: : Its relative minor is D-sharp minor (or enharmonically E-flat minor) and its parallel minor is F-sharp minor. Its direct enharmonic, G-flat major, contains the same number of flats in its key signature. Music in F-sharp major F-sharp major is the key of the minuet in Haydn's "Farewell" Symphony, of Beethoven's Piano Sonata No. 24, Op. 78, Verdi's "Va, pensiero" from ''Nabucco'', a part of Franz Liszt's Hungarian Rhapsody No. 2, Mahler's unfinished Tenth Symphony, Korngold's Symphony Op. 40, and Scriabin's Fourth Piano Sonata. The key was the favorite tonality of Olivier Messiaen, who used it repeatedly throughout his work to express his most exciting or transcendent moods, most notably in the ''Turangalîla-Symphonie''. Like G-flat major, F-sharp major is rarely used in orchestral musi ...
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F Major
F major (or the key of F) is a major scale based on F, with the pitches F, G, A, B, C, D, and E. Its key signature has one flat. Its relative minor is D minor and its parallel minor is F minor F minor is a minor scale based on F, consisting of the pitches F, G, A, B, C, D, and E. Its key signature consists of four flats. Its relative major is A-flat major and its parallel major is F major. Its enharmonic equivalent, E-sharp mi .... The F major scale is: : F major is the home key of the English horn, the basset horn, the French horn, horn in F, the trumpet in F and the bass Wagner tuba. Thus, music in F major for these transposing instruments is written in C major. Most of these sound a perfect fifth lower than written, with the exception of the trumpet in F which sounds a fourth higher. (The basset horn also often sounds an octave and a fifth lower.) Notable compositions in F major *Antonio Vivaldi **Twelve Trio Sonatas, Op. 1 (Vivaldi), Trio sonata Op. ...
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E Major
E major (or the key of E) is a major scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature has four sharps. Its relative minor is C-sharp minor and its parallel minor is E minor. Its enharmonic equivalent, F-flat major, has eight flats, including the double-flat B, which makes it impractical to use. The E major scale is: Music in E major Antonio Vivaldi used this key for the "Spring" concerto from ''The Four Seasons''. Johann Sebastian Bach used E major for a violin concerto, as well as for his third partita for solo violin; the key is especially appropriate for the latter piece because its tonic (E) and subdominant (A) correspond to open strings on the violin, enhancing the tone colour (and ease of playing) of the bariolage in the first movement. Only two of Joseph Haydn's 106 symphonies are in E major: No. 12 and No. 29. Ludwig van Beethoven used E major for two of his piano sonatas, Op. 14/1 and Op. 109. Starting with B ...
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Papa-Oom-Mow-Mow
"Papa-Oom-Mow-Mow" is a novelty nonsensical doo-wop song by the Rivingtons in 1962. It peaked at number 48 on the ''Billboard'' Hot 100, and number 35 on the '' Cashbox'' charts. The band released two similar follow-up songs over the next several months, "Mama-Oom-Mow-Mow (The Bird)" and "The Bird's the Word". "Surfin' Bird" Together with the Rivingtons' 1963 novelty song "The Bird's the Word", "Papa-Oom-Mow-Mow" was the basis for the song "Surfin' Bird", a number four hit in 1963 by The Trashmen. The combination of the songs, played at a much livelier pace than the original doo-wop songs, was ad-libbed at an early live performance by the band and later released as a single. Initially, the single did not credit the original songwriters, but after the Rivingtons asked for their copyright to be respected, the songwriting credits were amended. The Trashmen's follow-up single "Bird Dance Beat" referenced "Surfin' Bird" in the lyrics and featured several sections of the "Papa-Oom-Mow ...
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The Rivingtons
The Rivingtons were a 1960s doo-wop band, known for their 1962 novelty hit "Papa-Oom-Mow-Mow". The members were lead vocalist Carl White (June 21, 1932 - January 7, 1980), tenor Al Frazier (d. November 13, 2005), baritone Sonny Harris, and bassist Turner "Rocky" Wilson, Jr. Frazier was replaced by Madero White for a period in the late 1970s. History The Rivingtons had originally been known as The Sharps and had had success in the charts with Thurston Harris's "Little Bitty Pretty One" in 1957. They then appeared on Duane Eddy's 1958 hit "Rebel Rouser", providing handclaps and rebel yells. They also recorded on Warner Brothers Records as The Crenshaws in 1961. Their first hit as the Rivingtons was "Papa-Oom-Mow-Mow" (Liberty #55427, 1962). Like many such songs, it began with the bass chanting nonsense syllables (in this case the title), followed by the tenor singing over repetitions of it. "Mama-Oom-Mow-Mow", an even more baroque rewrite of the theme, failed to sell, but the ...
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Saxophone
The saxophone (often referred to colloquially as the sax) is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to produce a sound wave inside the instrument's body. The pitch is controlled by opening and closing holes in the body to change the effective length of the tube. The holes are closed by leather pads attached to keys operated by the player. Saxophones are made in various sizes and are almost always treated as transposing instruments. Saxophone players are called '' saxophonists''. The saxophone is used in a wide range of musical styles including classical music (such as concert bands, chamber music, solo repertoire, and occasionally orchestras), military bands, marching bands, jazz (such as big bands and jazz combos), and contemporary music. The saxophone is also used as a solo and melody instrument or as a member of a horn section in som ...
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Gil Bernal
Gil Bernal (1931–2011) was a singer and a session musician. His saxophone can be heard on recordings such as " Searchin'" by The Coasters. In the 1950s he played on Duane Eddy's 1958 album ''Have 'Twangy' Guitar Will Travel''. In later years, he played on Warren Zevon's 2003 album '' The Wind'' and the ''Chávez Ravine'' album by Ry Cooder. Background Bernal was born on February 4, 1931 in Watts, Los Angeles. His father was Sicilian and his mother Mexican. Career As well as a musician, Bernal was a singer in his own right. As singer he sang on his own singles, which included "Keep Those Wanderin' Eyes Off My Baby", "Tower of Strength" and "The Dogs". Early years to the 1950s By the time he was in his teens he was an accomplished singer and saxophonist. In the early days he played at parties. In 1950, he ended up replacing a sax player that Lionel Hampton had fired. He then toured nationally with Hampton in a band that included Quincy Jones and Little Jimmy Scott. In the peri ...
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Los Angeles
Los Angeles ( ; es, Los Ángeles, link=no , ), often referred to by its initials L.A., is the largest city in the state of California and the second most populous city in the United States after New York City, as well as one of the world's most populous megacities. Los Angeles is the commercial, financial, and cultural center of Southern California. With a population of roughly 3.9 million residents within the city limits , Los Angeles is known for its Mediterranean climate, ethnic and cultural diversity, being the home of the Hollywood film industry, and its sprawling metropolitan area. The city of Los Angeles lies in a basin in Southern California adjacent to the Pacific Ocean in the west and extending through the Santa Monica Mountains and north into the San Fernando Valley, with the city bordering the San Gabriel Valley to it's east. It covers about , and is the county seat of Los Angeles County, which is the most populous county in the United States with an estim ...
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Gold Star Studios
Gold Star Studios was an independent recording studio located in Los Angeles, California, United States. For more than thirty years, from 1950 to 1984, Gold Star was one of the most successful commercial recording studios in the world. Founded by David S. Gold and Stan Ross and opened in October 1950, Gold Star Recording Studios was located at 6252 Santa Monica Boulevard near the corner of Vine Street in Hollywood, Los Angeles, Hollywood, the studio name was a combination of the names of the two owners -- (Dave) GOLD and STA(n) R(oss). The studio was renowned for its unique custom-designed recording equipment, which was designed and built by Gold, and for its echo chambers (also designed and built by Gold), which were utilised heavily by producers, most notably, Phil Spector. Many big bands and orchestras recorded at Gold Star. Band leader Phil Carreon and Vocalist Ray Vasquez recorded at the facility in the 1950s. Peak years In the mid-1950s, aspiring pop star and future recor ...
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