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Rebecca Njau
Rebeka Njau (née Nyanjega; born 15 December 1932) was Kenya's first female playwright and a pioneer in the representation of African women in literature. Her writing has addressed topics such as female genital mutilation and homosexuality. Her first novel, ''Ripples in the Pool'' (1975), appeared as number 203 in the Heinemann African Writers Series. Her earliest works appeared under the name "Rebecca Njau", and she had also published using the pseudonym "Marina Gashe". Biography Early life Rebeka Njau was born in 1932 in the village of Kanyariri, in Kiambu County to the northwest of Nairobi. Her family was Christian and she recalled the division this created with those around them:It was interesting for us, especially in our home, because we were surrounded by people [that] we would call primitive. They circumcised their girls. In our home my parents were Christians. It's like we lived in two countries because we were separated by traditions. We had nothing to do with one an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinemann (publisher)
William Heinemann Ltd., with the imprint Heinemann, was a London publisher founded in 1890 by William Heinemann. Their first published book, 1890's ''The Bondman'', was a huge success in the United Kingdom and launched the company. He was joined in 1893 by Sydney Pawling. Heinemann died in 1920 and Pawling sold the company to Doubleday, having worked with them in the past to publish their works in the United States. Pawling died in 1922 and new management took over. Doubleday sold his interest in 1933. Through the 1920s, the company was well known for publishing works by famous authors that had previously been published as serials. Among these were works by H. G. Wells, Rudyard Kipling, W. Somerset Maugham, George Moore, Max Beerbohm, and Henry James, among others. This attracted new authors to publish their first editions with the company, including Graham Greene, Edward Upward, J.B. Priestley and Vita Sackville-West. Throughout, the company was also known for its classics an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenyatta University
Kenyatta University (KU) is a public research university with its main campus in Nairobi County, Kenya. It acquired the status of university in 1985, being the third university after University of Nairobi (1970) and Moi University (1984). As of October 2014, it was one of 23 public universities in the country. Location The main campus of Kenyatta University sits on over , at Kahawa, in the Kasarani Constituency#Kasarani Sub-county, Kasarani Sub-county, north of Nairobi City County, approximately , by road, northeast of the central business district of Nairobi, the capital city of Kenya, off of the Thika Road, Nairobi-Thika Road. The list of KU campuses includes the following locations: # Main Campus - Kahawa, Nairobi # Ruiru Campus - Ruiru # Parkland Campus - Parklands, Nairobi, Parklands # Kitui Campus - Kwa Vonza # Mombasa Campus - Mombasa # City Centre Campus - Nairobi, Nairobi Central Business District # Nyeri Campus - Nyeri # Nakuru Campus - Nakuru # Kericho Campus - Keric ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grace Ogot
Grace Emily Ogot (née Akinyi; 15 May 1930 – 18 March 2015) was a Kenyan author, nurse, journalist, politician and diplomat. Together with Charity Waciuma she was the first Anglophone female Kenyan writer to be published.Mike Kuria, ed. ''Talking Gender: Conversations with Kenyan Women Writers'', 2003. PJ-Kenya, p. 71. She was one of the first Kenyan members of parliament and she became an assistant minister.Kenyan Writer Grace Ogor Dies , 18 March 2015, The Insider.org, Retrieved 14 May 2016 Biography Ogot was born Grace Emily Akinyi to a Christian family on 15 May 1930Peter Ngangi Nguli[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Margaret Busby
Margaret Yvonne Busby, , Hon. FRSL (born 1944), also known as Nana Akua Ackon, is a Ghanaian-born publisher, editor, writer and broadcaster, resident in the UK. She was Britain's youngest and first black female book publisherJazzmine Breary"Let's not forget" in ''Writing the Future: Black and Asian Writers and Publishers in the UK Market Place'', Spread the Word, April 2013, p. 30. when she and Clive Allison (1944–2011) co-founded Margaret Busby"Clive Allison obituary" ''The Guardian'', 3 August 2011. the London-based publishing house Allison and Busby (A & B) in the 1960s. She edited the anthology ''Daughters of Africa'' (1992), and its 2019 follow-up ''New Daughters of Africa''. She is a recipient of the Benson Medal from the Royal Society of Literature.Natasha Onwuemezi"Busby to compile anthology of African women writers" ''The Bookseller'', 15 December 2017. In 2020 she was voted one of the "100 Great Black Britons". [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daughters Of Africa
''Daughters of Africa: An International Anthology of Words and Writings by Women of African Descent from the Ancient Egyptian to the Present'' is a compilation of orature and literature by more than 200 women from Africa and the African diaspora, edited and introduced by Margaret Busby,Tonya Bolden"Book Review: Two Types of Revelation – ''Daughters of Africa''" ''Black Enterprise'', March 1993, p. 12. who compared the process of assembling the volume to "trying to catch a flowing river in a calabash". First published in 1992,Kinna"Daughters of Africa edited by Margaret Busby" Kinna Reads, 24 September 2010. in London by Jonathan Cape (having been commissioned by Candida Lacey, formerly of Pandora Press and later publisher of Myriad Editions), and in New York by Pantheon Books, ''Daughters of Africa'' is regarded as a pioneering work, covering a variety of genres – including fiction, essays, poetry, drama, memoirs and children's writing – and more than 1000 pages in extent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rivista Trimestrale Di Studi E Documentazione
A revue is a type of multi-act popular theatrical entertainment that combines music, dance, and sketches. The revue has its roots in 19th century popular entertainment and melodrama but grew into a substantial cultural presence of its own during its golden years from 1916 to 1932. Though most famous for their visual spectacle, revues frequently satirized contemporary figures, news or literature. Similar to the related subforms of operetta and musical theatre, the revue art form brings together music, dance and sketches to create a compelling show. In contrast to these, however, revue does not have an overarching storyline. Rather, a general theme serves as the motto for a loosely-related series of acts that alternate between solo performances and dance ensembles. Owing to high ticket prices, ribald publicity campaigns and the occasional use of prurient material, the revue was typically patronized by audience members who earned more and felt even less restricted by middle-class ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Présence Africaine
''Présence Africaine'' is a pan-African quarterly cultural, political, and literary magazine, published in Paris, France, and founded by Alioune Diop in 1947. In 1949, ''Présence Africaine'' expanded to include a publishing house and a bookstore on rue des Écoles in the Latin Quarter of Paris. The journal was highly influential in the Pan-Africanist movement, the decolonisation struggle of former French colonies, and the birth of the Négritude movement. Magazine The magazine published its first issue in November 1947, founded by Alioune Diop a Senegal-born professor of philosophy, along with a cast of African, European, and American intellectuals, writers, and social scientists, including Aimé Césaire, Léopold Sédar Senghor, Alioune Sarr, Richard Wright, Albert Camus, André Gide, Jean-Paul Sartre, Théodore Monod, Georges Balandier and Michel Leiris. While not all authors published in the magazine were from the African diaspora, its subtitle (''Revue Culturelle du Monde N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Daily Nation
The ''Daily Nation'' is the highest circulation Kenyan independent newspaper with 170,000 copies. History The ''Daily Nation'' was started in the year 1958 as a Swahili weekly called ''Taifa'' by the Englishman Charles Hayes. It was bought in 1959 by the Aga Khan, and became a daily newspaper, ''Taifa Leo'' (Swahili for "Nation Today"), in January 1960. An English language edition called ''Daily Nation'' was published on 3 October 1960, in a process organised by former editor of the British ''News Chronicle'', Michael Curtis. The publisher was East African Newspapers (Nation Series) Ltd, which later became the Nation Media Group with operations throughout the African Great Lakes region. The newspaper is published by Nation Media Group from its headquarters at Nation Centre on Kimathi Street in Nairobi. It also maintains a website, which hosts online editions of the daily and Sunday titles. Access is partially free and the site's daily hit rate is more than three million. A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sacred Seed, 2003
Sacred describes something that is dedicated or set apart for the service or worship of a deity; is considered worthy of spiritual respect or devotion; or inspires awe or reverence among believers. The property is often ascribed to objects (a " sacred artifact" that is venerated and blessed), or places (" sacred ground"). French sociologist Émile Durkheim considered the dichotomy between the sacred and the profane to be the central characteristic of religion: "religion is a unified system of beliefs and practices relative to ''sacred things'', that is to say, things set apart and forbidden." Durkheim, Émile. 1915. ''The Elementary Forms of the Religious Life''. London: George Allen & Unwin. . In Durkheim's theory, the sacred represents the interests of the group, especially unity, which are embodied in sacred group symbols, or using team work to help get out of trouble. The profane, on the other hand, involve mundane individual concerns. Etymology The word ''sacred'' desce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ngũgĩ Wa Thiong'o
Ngũgĩ wa Thiong'o (; born James Ngugi; 5 January 1938) is a Literature of Kenya, Kenyan author and academic who writes primarily in Gikuyu language, Gikuyu and who formerly wrote in English language, English. He has been described as having been "considered East Africa’s leading novelist". His work includes novels, plays, short stories, and essays, ranging from literary and social criticism to children's literature. He is the founder and editor of the Gikuyu-language journal Mũtĩiri. His short story ''The Upright Revolution: Or Why Humans Walk Upright'', is translated into 100 languages from around the world. In 1977, Ngũgĩ embarked upon a novel form of theatre in his native Kenya that sought to liberate the theatrical process from what he held to be "the general bourgeois education system", by encouraging spontaneity and audience participation in the performances.Ngũgĩ wa Thiong'o, ''Decolonising the Mind: The Politics of Language in African Literature'', 1994, pp. 57†... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Beautyful Ones Are Not Yet Born
'' ''The Beautyful Ones Are Not Yet Born'' is the debut novel by Ghanaian writer Ayi Kwei Armah. It was published in 1968 by Houghton Mifflin, and then republished in the influential Heinemann African Writers Series in 1969. The novel tells the story of an unnamed man who struggles to reconcile himself with the reality of post-independence Ghana. Plot ''The Beautyful Ones Are Not Yet Born'' focuses on life in post-independence Ghana and takes place between Passion Week in 1965 and February 25, 1966 (the day after the overthrow of Kwame Nkrumah, Ghana’s first president). Working as a railway clerk, the unnamed protagonist refuses a bribe at work. On his way home, he runs into his old classmate Koomson, who is now a corrupt minister in Nkrumah’s government. Upon returning home, he is confronted by his wife, Oyo, who does not understand why the man refuses to participate in financial dealings which would better their family’s life. Oyo comments on a deal Koomson has mentione ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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