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Ray Charles Live
''Ray Charles Live'' is a double LP compilation album by Ray Charles, released by Atlantic Records in 1973. It consists of live concert recordings previously released on ''Ray Charles at Newport'' and ''Ray Charles in Person'' (recorded at the Newport Jazz Festival in 1958 and at Herndon Stadium in Atlanta in 1959, respectively). Later CD re-issues of this compilation include an additional, previously unreleased, track from the 1958 Newport concert, "Swanee River Rock". Reception and legacy ''The Penguin Guide to Blues Recordings'' describes ''Ray Charles Live'' as “a wonderfully vivid live album, regardless of genre.” Collage filmmaker Bruce Connor used the Herndon Stadium version of "What I'd Say" on his 1962 film ''Cosmic Ray'' Track listing LP 1 (Newport concert) side one #" The Right Time" (Herman) – 4:06 #"In a Little Spanish Town" (Lewis/Wayne/Young) – 3:47 #" I Got a Woman" (Charles) – 6:24 #"Blues Waltz" (Roach) – 6:29 side two #"Hot Rod" (Charles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ray Charles
Ray Charles Robinson Sr. (September 23, 1930 – June 10, 2004) was an American singer, songwriter, and pianist. He is regarded as one of the most iconic and influential singers in history, and was often referred to by contemporaries as "The Genius". Among friends and fellow musicians he preferred being called "Brother Ray". Charles was blinded during childhood, possibly due to glaucoma. Charles pioneered the soul music genre during the 1950s by combining blues, jazz, rhythm and blues, and gospel styles into the music he recorded for Atlantic Records. He contributed to the integration of country music, rhythm and blues, and pop music during the 1960s with his crossover success on ABC Records, notably with his two ''Modern Sounds'' albums. While he was with ABC, Charles became one of the first black musicians to be granted artistic control by a mainstream record company. Charles's 1960 hit "Georgia On My Mind" was the first of his three career No. 1 hits on the ''Billboard'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Collage Film
Collage film is a style of film created by juxtaposing found footage from disparate sources. The term has also been applied to the physical collaging of materials onto film stock. Surrealist roots The surrealist movement played a critical role in the creation of the collage film form. In 1936, the American artist Joseph Cornell produced one of the earliest collage films with his reassembly of ''East of Borneo'' (1931), combined with pieces of other films, into a new work he titled ''Rose Hobart'' after the leading actress.Rony, Fatimah Tobing. The Quick and the Dead: Surrealism and the Found Ethnographic Footage Films of Bontoc Eulogy and Mother Dao: The Turtlelike. Camera Obscura. January 2003, Vol. 18 Issue 52 When Salvador Dalí saw the film, he was famously enraged, believing Cornell had stolen the idea from his thoughts. But Adrian Brunel made, twelve years before, ''Crossing the Great Sagrada'' (1924) and Henri Storck conceived, four years earlier, ''Story of the Unknow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David "Fathead" Newman
David "Fathead" Newman (February 24, 1933 – January 20, 2009) was an American jazz and rhythm-and-blues saxophonist, who made numerous recordings as a session musician and leader, but is best known for his work as a sideman on seminal 1950s and early 1960s recordings by Ray Charles. The AllMusic Guide to Jazz wrote that "there have not been many saxophonists and flutists more naturally soulful than David 'Fathead' Newman." Newman was a leading exponent of the "Texas Tenor" saxophone style, a big-toned, bluesy approach popularized by jazz tenor players from that state. Early life Newman was born in Corsicana, Texas, United States, on February 24, 1933, but grew up in Dallas, where he studied first the piano and then the saxophone. According to one account, he got his nickname "Fathead" in school when "an outraged music instructor used it as an epithet after catching Mr. Newman playing a Sousa march from memory rather than from reading the sheet music, which rested upside down ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcus Belgrave
Marcus Batista Belgrave (June 12, 1936 – May 24, 2015) was an American jazz trumpet player from Detroit, born in Chester, Pennsylvania. He recorded with numerous musicians from the 1950s onwards. Belgrave was inducted into the class of 2017 of the National Rhythm & Blues Hall of Fame in Detroit, Michigan. Biography Belgrave was tutored by Clifford Brown before joining the Ray Charles touring band. Belgrave later worked with Motown Records, and recorded with Martha Reeves and the Vandellas, The Temptations, The Four Tops, Gunther Schuller, Carl Craig, Max Roach, Ella Fitzgerald, Charles Mingus, Tony Bennett, La Palabra, Sammy Davis Jr., Dizzy Gillespie, Odessa Harris and John Sinclair, plus more recently with his wife Joan Belgrave, among others. Belgrave was an occasional faculty member at Stanford Jazz Workshop and a visiting professor of jazz trumpet at the Oberlin Conservatory. Belgrave died on May 23, 2015, in Ann Arbor, Michigan, of heart failure, after being hos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vocals
Singing is the act of creating musical sounds with the voice. A person who sings is called a singer, artist or vocalist (in jazz and/or popular music). Singers perform music (arias, recitatives, songs, etc.) that can be sung with or without accompaniment by musical instruments. Singing is often done in an ensemble of musicians, such as a choir. Singers may perform as soloists or accompanied by anything from a single instrument (as in art song or some jazz styles) up to a symphony orchestra or big band. Different singing styles include art music such as opera and Chinese opera, Indian music, Japanese music, and religious music styles such as gospel, traditional music styles, world music, jazz, blues, ghazal, and popular music styles such as pop, rock, and electronic dance music. Singing can be formal or informal, arranged, or improvised. It may be done as a form of religious devotion, as a hobby, as a source of pleasure, comfort, or ritual as part of music education or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keyboard Instrument
A keyboard instrument is a musical instrument played using a keyboard, a row of levers which are pressed by the fingers. The most common of these are the piano, organ, and various electronic keyboards, including synthesizers and digital pianos. Other keyboard instruments include celestas, which are struck idiophones operated by a keyboard, and carillons, which are usually housed in bell towers or belfries of churches or municipal buildings. Today, the term ''keyboard'' often refers to keyboard-style synthesizers. Under the fingers of a sensitive performer, the keyboard may also be used to control dynamics, phrasing, shading, articulation, and other elements of expression—depending on the design and inherent capabilities of the instrument. Another important use of the word ''keyboard'' is in historical musicology, where it means an instrument whose identity cannot be firmly established. Particularly in the 18th century, the harpsichord, the clavichord, and the early ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drown In My Own Tears
"Drown in My Own Tears", originally credited as "I'll Drown in My Tears", is a song written by Henry Glover. It is best known in the version released as a single in 1956 by Ray Charles on the Atlantic record label. History "Drown in My Own Tears" was first recorded in 1951 by Lula Reed, on the King label (King 4527) as part of a split-single 78rpm; blues pianist Sonny Thompson was featured on the A-side with the instrumental track, "Clang, Clang, Clang". The record was a No.5 hit on the US '' Billboard'' R&B chart. Ray Charles' recording featured his lead vocal and piano, with instrumentation by session musicians. It was his third number-one single on the ''Billboard'' R&B singles chart. It was one of his most important singles during his Atlantic period, where he dominated the R&B singles chart, and influenced him to recruit a singing group he later called the Raelettes. Personnel * Ray Charles, arranged and also played piano * Cecil Payne, baritone saxophone * Paul We ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frenesi
"Frenesí" is a musical piece originally composed by Alberto Domínguez Borrás for the marimba, and adapted as a jazz standard by Leonard Whitcup and others. Background The word ''frenesí'' is Spanish for "frenzy". Artie Shaw recording A hit version recorded by Artie Shaw and His Orchestra (with an arrangement by William Grant Still) reached number one on the ''Billboard'' pop chart on December 21, 1940, staying for 13 weeks, and was inducted into the Grammy Hall of Fame in 1982. Cover versions Other performers who have recorded the song include: * Julie London * Les Brown * Dave Brubeck on his 1967 album, '' Bravo! Brubeck!'' * Betty Carter * June Christy *Natalie Cole *Ray Charles * Bing Crosby *Tommy Dorsey *The Four Freshmen *Eydie Gorme *Woody Herman * Earl Hines *Harry James *Ben E. King *Steve Lawrence * Billy May * Glenn Miller *Anita O'Day * Perez Prado *Cliff Richard *Linda Ronstadt *Jack Emblow, *Pat Suzuki * Frank Sinatra *Three X Sisters vocals with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
What'd I Say
"What'd I Say" (or "What I Say") is an American rhythm and blues song by Ray Charles, released in 1959. As a single divided into two parts, it was one of the first soul songs. The composition was improvised one evening late in 1958 when Charles, his orchestra, and backup singers had played their entire set list at a show and still had time left; the response from many audiences was so enthusiastic that Charles announced to his producer that he was going to record it. After his run of R&B hits, this song finally broke Charles into mainstream pop music and itself sparked a new subgenre of R&B titled soul, finally putting together all the elements that Charles had been creating since he recorded " I Got a Woman" in 1954. The gospel and rhumba influences combined with the sexual innuendo in the song made it not only widely popular but very controversial to both white and black audiences. It earned Ray Charles his first gold record and has been one of the most influential songs in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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