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Rasqueado
Rasgueado (also called Rageo (spelled so or Rajeo), Rasgueo or Rasgeo in Andalusian dialect and flamenco jargon, or even occasionally Rasqueado) is a guitar finger strumming technique commonly associated with flamenco guitar music. It is also used in classical and other fingerstyle guitar picking techniques. The rasgueado is executed using the fingers of the strumming hand in rhythmically precise, and often rapid, strumming patterns. The important characteristic of this strumming style is the fingernail (outer) side of the finger tips (as opposed to their fleshy inner side) is also used, and in such case, in reverse of the way it is done when the fleshy side of the finger tips is used, namely downward (index, middle, ring and little finger) and upward (thumb). History Prior to the 19th century, the terms ''battuto'' (from the Italian) or ''golpeado'' were sometimes used to describe the technique."Rasgueado". ''The New Grove Dictionary of Music and Musicians''. 2nd edition, Oxford ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andalusian Spanish
The Andalusian dialects of Spanish ( es, andaluz, , ) are spoken in Andalusia, Ceuta, Melilla, and Gibraltar. They include perhaps the most distinct of the southern variants of peninsular Spanish, differing in many respects from northern varieties in a number of phonological, morphological and lexical features. Many of these are innovations which, spreading from Andalusia, failed to reach the higher strata of Toledo and Madrid speech and become part of the Peninsular norm of standard Spanish. Andalusian Spanish has historically been stigmatized at a national level, though this appears to have changed in recent decades, and there is evidence that the speech of Seville or the enjoys high prestige within Western Andalusia. Due to the large population of Andalusia, Andalusian dialects are among the most widely spoken dialects in Spain. Within the Iberian Peninsula, other southern varieties of Spanish share some core elements of Andalusian, mainly in terms of phonetics notably Ext ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concierto De Aranjuez
The ''Concierto de Aranjuez'' (, "Aranjuez Concerto") is a classical guitar concerto by the Spanish composer Joaquín Rodrigo. Written in 1939, it is by far Rodrigo's best-known work, and its success established his reputation as one of the most significant Spanish composers of the 20th century. Inspiration and history The ''Concierto de Aranjuez'' was inspired by the gardens at the Royal Palace of Aranjuez, the spring resort palace and gardens built by Philip II in the last half of the 16th century and rebuilt in the middle of the 18th century by Ferdinand VI. The work attempts to transport the listener to another place and time through the evocation of the sounds of nature. According to the composer, the first movement is "animated by a rhythmic spirit and vigour without either of the two themes... interrupting its relentless pace"; the second movement "represents a dialogue between classical guitar and solo instruments (cor anglais, bassoon, oboe, horn etc.)"; and the last ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hand
A hand is a prehensile, multi-fingered appendage located at the end of the forearm or forelimb of primates such as humans, chimpanzees, monkeys, and lemurs. A few other vertebrates such as the koala (which has two opposable thumbs on each "hand" and fingerprints extremely similar to human fingerprints) are often described as having "hands" instead of paws on their front limbs. The raccoon is usually described as having "hands" though opposable thumbs are lacking. Some evolutionary anatomists use the term ''hand'' to refer to the appendage of digits on the forelimb more generally—for example, in the context of whether the three digits of the bird hand involved the same homologous loss of two digits as in the dinosaur hand. The human hand usually has five digits: four fingers plus one thumb; these are often referred to collectively as five fingers, however, whereby the thumb is included as one of the fingers. It has 27 bones, not including the sesamoid bone, the number o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Finger
A finger is a limb of the body and a type of digit, an organ of manipulation and sensation found in the hands of most of the Tetrapods, so also with humans and other primates. Most land vertebrates have five fingers ( Pentadactyly). Chambers 1998 p. 603 Oxford Illustrated pp. 311, 380 Land vertebrate fingers The five-rayed anterior limbs of terrestrial vertebrates can be derived phylogenetically from the pectoral fins of fish. Within the taxa of the terrestrial vertebrates, the basic pentadactyl plan, and thus also the fingers and phalanges, undergo many variations. Morphologically the different fingers of terrestrial vertebrates are homolog. The wings of birds and those of bats are not homologous, they are analogue flight organs. However, the phalanges within them are homologous. Chimpanzees have lower limbs that are specialized for manipulation, and (arguably) have fingers on their lower limbs as well. In the case of Primates in general, the digits of the hand a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thumb
The thumb is the first digit of the hand, next to the index finger. When a person is standing in the medical anatomical position (where the palm is facing to the front), the thumb is the outermost digit. The Medical Latin English noun for thumb is ''pollex'' (compare ''hallux'' for big toe), and the corresponding adjective for thumb is ''pollical''. Definition Thumb and fingers The English word ''finger'' has two senses, even in the context of appendages of a single typical human hand: # Any of the five terminal members of the hand. # Any of the four terminal members of the hand, other than the thumb Linguistically, it appears that the original sense was the first of these two: (also rendered as ) was, in the inferred Proto-Indo-European language, a suffixed form of (or ), which has given rise to many Indo-European-family words (tens of them defined in English dictionaries) that involve, or stem from, concepts of fiveness. The thumb shares the following with each of the o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Forearm
The forearm is the region of the upper limb between the elbow and the wrist. The term forearm is used in anatomy to distinguish it from the arm, a word which is most often used to describe the entire appendage of the upper limb, but which in anatomy, technically, means only the region of the upper arm, whereas the lower "arm" is called the forearm. It is homologous to the region of the leg that lies between the knee and the ankle joints, the crus. The forearm contains two long bones, the radius and the ulna, forming the two radioulnar joints. The interosseous membrane connects these bones. Ultimately, the forearm is covered by skin, the anterior surface usually being less hairy than the posterior surface. The forearm contains many muscles, including the flexors and extensors of the wrist, flexors and extensors of the digits, a flexor of the elbow (brachioradialis), and pronators and supinators that turn the hand to face down or upwards, respectively. In cross-section, the for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pickguard
A pickguard (also known more correctly as scratchplate) is a piece of plastic or other (often laminated) material that is placed on the body of a guitar, mandolin or similar plucked string instrument. The main purpose of the pickguard is to protect the guitar's finish from being scratched by the nails of the picking hand, as it was included on guitars not played with a plectrum. The pick does not normally contact that part of the guitar when used correctly. As well as serving a practical purpose, the pickguard may also be used for decoration and is often made in a contrasting color to that of the guitar body (popular variants are white pickguards on darker guitars and black pickguards on lighter guitars). As well as plastic, other pickguard materials can include acrylic glass, glass, plywood, fabrics, metal, and mother-of-pearl/pearloid varieties. Expensive guitars may have luxury pickguards made from exotic woods, [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Flamenco
New flamenco (or ''nuevo flamenco'') or flamenco fusion is a musical genre that was born in Spain, starting in the 1980s. It combines flamenco guitar virtuosity and traditional flamenco music with musical fusion (with genres like jazz, blues, rock, rumba, and years later reggaeton, hip hop, or electronic). Origins Spain in the 1970s had changed in politics and society after the democratic transition. Traditional flamenco artists, being displaced in Spain in the 1950s and 1960s by rock-and-roll and influenced by the variety of musical styles that came from the rest of Europe and America, created the so-called "flamenco fusion". José Antonio Pulpón was the decisive instigator of this fusion. He urged the cantaor Agujetas to collaborate with the Andalusian rock group Pata Negra, and fostered the artistic union between Paco de Lucía and Camarón de la Isla, who gave flamenco a creative boost, representing the definitive break with Mairena's conservatism . Camarón was a popul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paco De Lucía
Francisco Sánchez Gómez (21 December 194725 February 2014), known as Paco de Lucía (;), was a Spanish virtuoso flamenco guitarist, composer, and record producer. A leading proponent of the new flamenco style, he was one of the first flamenco guitarists to branch into classical and jazz. Richard Chapman and Eric Clapton, authors of ''Guitar: Music, History, Players'', describe de Lucía as a "titanic figure in the world of flamenco guitar", and Dennis Koster, author of ''Guitar Atlas, Flamenco'', has referred to de Lucía as "one of history's greatest guitarists". De Lucía was noted for his fast and fluent picados (fingerstyle runs). A master of contrast, he often juxtaposed picados and rasgueados (flamenco strumming) with more sensitive playing and was known for adding abstract chords and scale tones to his compositions with jazz influences. These innovations saw him play a key role in the development of traditional flamenco and the evolution of new flamenco and Latin ja ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pepe Romero
Pepe Romero (born March 8, 1944, in Málaga, Spain) is a classical and flamenco guitarist. Biography Early life Pepe Romero was born in Spain, the second son of celebrated guitarist and composer Celedonio Romero, who was his only guitar teacher. His first professional appearance was in a shared concert with his father at the Teatro Lope de Vega, Seville, when Pepe was only seven years old, playing a gavotte by Bach and ''Sevilla'' by Albéniz. In 1957 Celedonio Romero left Franco's Spain for the United States with his singer actress wife, Angelita, and his three sons, Celin, Pepe and Angel, settling in the San Diego area. Teaching Romero served as guitar professor at the University of Southern California, Southern Methodist University, University of San Diego and University of California at San Diego, before taking up the post of adjunct professor at USC Thornton School of Music. Romero published a guitar method, ''La Guitarra'', in 2012. Career In 1959, Pepe made his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tellur
Tristan Murail (born 11 March 1947) is a French composer associated with the "spectral" technique of composition. Among his compositions is the large orchestral work ''Gondwana''. Early life and studies Murail was born in Le Havre, France. His father, Gérard Murail, is a poet and his mother, Marie-Thérèse Barrois, a journalist. One of his brothers, Lorris Murail, and his younger sister Elvire Murail, a.k.a. Moka, are also writers, and his younger sister Marie-Aude Murail is a French children's writer. Following his university studies in Arabic and economics, Murail attended the Paris Conservatory, where he studied composition with Olivier Messiaen Kennedy, Michael (2006), ''The Oxford Dictionary of Music'', from 1967 to 1972. He taught computer music and composition at IRCAM in Paris from 1991 to 1997. While there, he assisted in the development of Patchwork composition software. In 1973 he was a founding member of the ''Ensemble l'Itinéraire''. From 1997 until 2010, he was a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tristan Murail
Tristan Murail (born 11 March 1947) is a French composer associated with the "spectral" technique of composition. Among his compositions is the large orchestral work ''Gondwana''. Early life and studies Murail was born in Le Havre, France. His father, Gérard Murail, is a poet and his mother, Marie-Thérèse Barrois, a journalist. One of his brothers, Lorris Murail, and his younger sister Elvire Murail, a.k.a. Moka, are also writers, and his younger sister Marie-Aude Murail is a French children's writer. Following his university studies in Arabic and economics, Murail attended the Paris Conservatory, where he studied composition with Olivier Messiaen Kennedy, Michael (2006), ''The Oxford Dictionary of Music'', from 1967 to 1972. He taught computer music and composition at IRCAM in Paris from 1991 to 1997. While there, he assisted in the development of Patchwork composition software. In 1973 he was a founding member of the ''Ensemble l'Itinéraire''. From 1997 until 2010, he was a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
