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Rashied Ali Quintet
''Rashied Ali Quintet'' is an album by the free jazz ensemble of the same name, led by drummer Ali, and featuring saxophonist Bob Ralston, trumpeter Earl Cross, guitarist James Blood Ulmer, and bassist John Dana. It was recorded during 1973 at Marzette Watts's studio in New York City, and was released on vinyl that year by Ali's Survival Records. In 1999, the album was reissued on CD by Survival in conjunction with the Knit Classics label. The recording marks one of Ulmer's first recorded appearances. Reception In a review for AllMusic, Wilson McCloy called the album "an exciting effort," and wrote: "The music is potentially off-putting to listeners unfamiliar with Ulmer's dissonant chord comping and the ebbs and flows of Rashied Ali's sound/time keeping. However, the exuberant improvisations and seamlessly structured arrangements make this a truly invigorating set." The authors of ''The Penguin Guide to Jazz Recordings'' called the album "oddly disappointing," but noted the sign ...
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Rashied Ali
Rashied Ali, born Robert Patterson (July 1, 1933 – August 12, 2009) was an American free jazz and avant-garde drummer best known for playing with John Coltrane in the last years of Coltrane's life. Biography Early life Patterson was born and raised in Philadelphia, Pennsylvania. His family was musical; his mother sang with Jimmie Lunceford. His brother, Muhammad Ali, is also a drummer, who played with Albert Ayler. Ali, his brother, and his father converted to Islam. Starting off as a pianist he eventually took up the drums, via trumpet and trombone. He joined the United States Army and played with military bands during the Korean War. After his military service, he returned home and studied with Philly Joe Jones, then toured with Sonny Rollins. Career Ali moved to New York in 1963 and worked in groups with Bill Dixon and Paul Bley. He was scheduled to be the second drummer alongside Elvin Jones on John Coltrane's free jazz album '' Ascension'', but he dropped out just befor ...
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Marzette Watts
Marzette Watts (March 9, 1938, Montgomery, Alabama – March 2, 1998, Nashville) was an American jazz tenor and soprano saxophonist. He performed and recorded on bass clarinet as well. He had a brief career in music and is revered for his 1966 self-titled free jazz release. He was known also as a sound engineer. Watts played piano early in his life; he did not play music regularly in his teens. He studied at Alabama State College, where he was a founding member of SNCC; this association led to his being forced to leave the state at the behest of the governor of Alabama. He moved to New York, where he lived in a loft building on Cooper Square which also had as a tenant Leroi Jones (later Amiri Baraka), with whom he participated in the Organization of Young Men. Watts returned to college in New York, completing his studies in 1962; he then moved to Paris to study painting at the Sorbonne and began playing saxophone for extra money. Returning to New York in 1963, Watts studied unde ...
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Free Jazz
Free jazz is an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s when musicians attempted to change or break down jazz conventions, such as regular tempos, tones, and chord changes. Musicians during this period believed that the bebop, hard bop, and modal jazz that had been played before them was too limiting. They became preoccupied with creating something new and exploring new directions. The term "free jazz" has often been combined with or substituted for the term "avant-garde jazz". Europeans tend to favor the term "free improvisation". Others have used "modern jazz", "creative music", and "art music". The ambiguity of free jazz presents problems of definition. Although it is usually played by small groups or individuals, free jazz big bands have existed. Although musicians and critics claim it is innovative and forward-looking, it draws on early styles of jazz and has been described as an attempt to return to primitive, often re ...
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Survival Records
Survival, or the act of surviving, is the propensity of something to continue existing, particularly when this is done despite conditions that might kill or destroy it. The concept can be applied to humans and other living things (or, hypothetically, any sentient being), to physical object, and to abstract things such as beliefs or ideas. Living things generally have a self-preservation instinct to survive, while objects intended for use in harsh conditions are designed for survivability. Meaning The word, "survival", derives from the Late Latin '' supervivere'', literally meaning "to outlive". Most commonly, "the term 'survival' means physical survival — that is, a struggle to avoid physical extermination". For example, Charles Darwin's theory of natural selection incorporates the concept of the survival of the fittest in the struggle for existence. Darwin defines the biological concept of fitness as reproductive success, so in Darwinian terms the phrase is best understood a ...
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Duo Exchange
''Duo Exchange'' is an album by drummer Rashied Ali and saxophonist Frank Lowe. It was probably recorded in September 1972 at the studio of Marzette Watts in New York City, and was issued by Ali's Survival Records in 1973 as the label's inaugural release. In 2020, Survival Records released an expanded double-CD album titled ''Duo Exchange: Complete Sessions'' featuring incomplete and alternate takes, as well as studio discussion. Reception In a review for AllMusic, Wilson McCloy wrote: "The interaction between Ali and Frank Lowe is exciting and of a consistently high level, making this recording a worthy and historical addition to the collections of all fans of avant-garde duos." In an AllMusic review of the Complete Sessions, Thom Jurek stated: "''Duo Exchange''... is among the most intense, canny articulations of the drums/saxophone duo ever recorded... Lowe... goes at Ali, not around or through him and, as the drummer proceeds similarly, they find bliss and terror in the eye of ...
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New Directions In Modern Music
''New Directions in Modern Music'' is a live album by the Rashied Ali Quartet. It was recorded at The East in Brooklyn, New York, during 1971, and was released in 1973 by Ali's Survival Records. On the album, Ali is featured on drums and percussion, and is joined by saxophonist and flutist Carlos Ward, pianist Fred Simmons, and bassist Stafford James. In 1999, the recording was reissued by Survival in conjunction with Knit Classics. Ali stated that the quartet, which stayed together for about three years, was "the first group that I got together after Trane died, after I went to Europe and got that whole thing out of my system." The band eventually broke up because "it got to the point where were weren't working at all and everyone was such a good musician, and getting calls from other people." The group's regular pianist was Don Pullen; however, he was unable to attend the recording session, and was replaced by Simmons. Reception In a review for AllMusic, Wilson McCloy wrote ...
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Earl Cross
Earl Cross (December 8, 1933 – 1987) was a free jazz trumpeter best known for his association with saxophonists Noah Howard and Charles Tyler and percussionist Juma Sultan, as well as with the 1970s loft jazz scene in New York City. Career Cross was born and raised in St. Louis, Missouri, and began playing music in his mid-teens. After high school, he entered the Air Force, where he associated with trumpeter Richard Williams, saxophonist Frank Haynes, and pianist Freddie Redd. He then went to California, where he performed in bands led by Larry Williams and Monty Waters, and also led his own group, which featured saxophonists Waters and Dewey Redman, trumpeters Alden Griggs and Norman Spiller, pianist Sonny Donaldson, bassist Benny Wilson, and drummer Art Lewis. In 1967, Cross moved to New York City and joined a band led by Sun Ra, whom he described as "an institution." During the 1970s, he participated in the loft jazz scene, and recorded with Rashied Ali, Noah Howard, Juma S ...
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James Blood Ulmer
James "Blood" Ulmer (born February 8, 1940) is an American jazz, free funk and blues guitarist and singer. Ulmer plays a Gibson Byrdland guitar. His guitar sound has been described as "jagged" and "stinging". His singing has been called "raggedly soulful". Biography Willie James Ulmer was born in St. Matthews, South Carolina, United States. He began his career playing with soul jazz ensembles, first in Pittsburgh, Pennsylvania, from 1959 to 1964, and then in the Columbus, Ohio, area from 1964 to 1967. He recorded with organist Hank Marr in 1964 (released 1967). After moving to New York in 1971, Ulmer played with Art Blakey's Jazz Messengers, Joe Henderson, Paul Bley, Rashied Ali, and Larry Young. In the early 1970s, Ulmer joined Ornette Coleman; he was the first electric guitarist to record and tour extensively with Coleman. He has credited Coleman as a major influence. Coleman's reliance on electric guitar in his fusion-oriented recordings owes a debt to Ulmer. His appearan ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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The Penguin Guide To Jazz
''The Penguin Guide to Jazz'' is a reference work containing an encyclopedic directory of jazz recordings on CD which were (at the time of publication) currently available in Europe or the United States. The first nine editions were compiled by Richard Cook and Brian Morton, two chroniclers of jazz resident in the United Kingdom. History The first edition was published in Britain by Penguin Books in 1992. Every subsequent two years, through 2010, a new edition was published with updated entries. The eighth and ninth editions, published in 2006 and 2008, respectively, each included 2,000 new CD listings. The title took on different forms over the lifetime of the work, as audio technology changed. The seventh edition was known as ''The Penguin Guide to Jazz on CD'' while subsequent editions were titled ''The Penguin Guide to Jazz Recordings''. The earliest edition had the title ''The Penguin Guide to Jazz on CD, LP and Cassette''. Richard Cook died in 2007, prior to the comp ...
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The Virgin Encyclopedia Of Jazz
''The Encyclopedia of Popular Music'' is an encyclopedia created in 1989 by Colin Larkin. It is the "modern man's" equivalent of the '' Grove Dictionary of Music'', which Larkin describes in less than flattering terms.''The Times'', ''The Knowledge'', Christmas edition, 22 December 2007- 4 January 2008. It was described by ''The Times'' as "the standard against which all others must be judged". History of the encyclopedia Larkin believed that rock music and popular music were at least as significant historically as classical music, and as such, should be given definitive treatment and properly documented. ''The Encyclopedia of Popular Music'' is the result. In 1989, Larkin sold his half of the publishing company Scorpion Books to finance his ambition to publish an encyclopedia of popular music. Aided by a team of initially 70 contributors, he set about compiling the data in a pre-internet age, "relying instead on information gleaned from music magazines, individual expertise a ...
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The Penguin Guide To Jazz Recordings
''The Penguin Guide to Jazz'' is a reference work containing an encyclopedic directory of jazz recordings on CD which were (at the time of publication) currently available in Europe or the United States. The first nine editions were compiled by Richard Cook and Brian Morton, two chroniclers of jazz resident in the United Kingdom. History The first edition was published in Britain by Penguin Books in 1992. Every subsequent two years, through 2010, a new edition was published with updated entries. The eighth and ninth editions, published in 2006 and 2008, respectively, each included 2,000 new CD listings. The title took on different forms over the lifetime of the work, as audio technology changed. The seventh edition was known as ''The Penguin Guide to Jazz on CD'' while subsequent editions were titled ''The Penguin Guide to Jazz Recordings''. The earliest edition had the title ''The Penguin Guide to Jazz on CD, LP and Cassette''. Richard Cook died in 2007, prior to the comp ...
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