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Rasa (theology)
Rasa (IAST ) refers to the creation and reception of a distinct 'flavor' or quality of something. As a Sanskrit theological concept, rasa was popularized by specific to Krishna-centered bhakti traditions, such as Gaudiya Vaishnavism from the fifteenth century. The theological use of the word can be found early, about two thousand years before the Nimbarka or Chaitanya schools of bhakti, in a phrase that Chaitanya traditions frequently quote: "Truly, the Lord is ''rasa''" (''raso vai sah'') of the Taittiriya Upanishad (2.7.1). This statement expresses the view that God is the one who enjoys the ultimate rasa, or spiritual rapture and emotions. It is believed Rupa Goswami developed, under the direct guidance of Caitanya, the articulated and formulated theology of rasa as "the soul's particular relationship with the divinity in devotional love". Rupa's text draws largely from the foundational theory of rasa formed by Bharata Muni, the originator of Sanskrit dramaturgy, or '' Natya Sa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
IAST
The International Alphabet of Sanskrit Transliteration (IAST) is a transliteration scheme that allows the lossless romanisation of Indic scripts as employed by Sanskrit and related Indic languages. It is based on a scheme that emerged during the nineteenth century from suggestions by Charles Trevelyan, William Jones, Monier Monier-Williams and other scholars, and formalised by the Transliteration Committee of the Geneva Oriental Congress, in September 1894. IAST makes it possible for the reader to read the Indic text unambiguously, exactly as if it were in the original Indic script. It is this faithfulness to the original scripts that accounts for its continuing popularity amongst scholars. Usage Scholars commonly use IAST in publications that cite textual material in Sanskrit, Pāḷi and other classical Indian languages. IAST is also used for major e-text repositories such as SARIT, Muktabodha, GRETIL, and sanskritdocuments.org. The IAST scheme represents more than a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rasa Lila
The rasalila (), also rendered the raslila or the ras dance, is part of the traditional story of Krishna described in Hindu scriptures such as the Bhagavata Purana and literature such as the Gita Govinda, where he dances with Radha and the gopis of Vraja. Rasalila has also been a popular theme for other India classical dances including Bharatanatyam, Odissi, Manipuri, Kuchipudi, and Kathak. The Indian classical dance of Kathak evolved from the rasalila of Vraja and ''Manipuri Raas Leela Classical Dance'' (Vrindavana) also known as ''Natwari Nritya'', which was revived in 1960s by the Kathak dancer, Uma Sharma. Etymology The term, '' rasa'' meaning "aesthetics" and ''lila'' meaning "act," "play" or "dance" is a concept from Hinduism, which roughly translates to "play (lila) of aesthetics (rasa)," or more broadly as "Dance of Divine Love". Apart from the definition above, the term also comes from the Sanskrit words '' rasa'' and ''lila'', with ''rasa'' meaning "juice", "nectar", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sringara
Sringara ( sa, शृङ्गार, ) is one of the nine rasas, usually translated as erotic love, romantic love, or as attraction or beauty. ''Rasa'' means "flavour", and the theory of rasa is the primary concept behind classical Indian arts including theatre, music, dance, poetry, and sculpture. Much of the content of traditional Indian arts revolves around the relationship between a man and a woman. The primary emotion thus generated is Sringara. The romantic relationship between lover and beloved is a metaphor for the relationship between the individual and the divine. Classical theater/dancers (i.e. Bharatanatyam, Odissi, Mohiniyattam) refer to Sringara as 'the Mother of all rasas.' Sringara gives scope for a myriad of other emotions including jealousy, fear, anger, compassion, and of course for the expression of physical intimacy. No other Rasa has such a vast scope. The treatment and performance of Sringara varies on a large scale from the grotesque (as in Koodiyattam) to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radha Krishna
Radha-Krishna (IAST , sa, राधा कृष्ण) are collectively known within Hinduism as the combined forms of feminine as well as the masculine realities of God. Krishna and Radha are the primeval forms of God and his pleasure potency (Hladini Shakti), respectively, in several Vaishnavism, Vaishnavite schools of thought. In Krishnaism, Krishnaite traditions of Vaishnavism, Krishna is referred to as ''Svayam Bhagavan'' and Radha is illustrated as the primeval potency of the three main potencies of God, ''Hladini (immense spiritual bliss), Sandhini (eternality) and Samvit (existential consciousness)'' of which Radha is an embodiment of the feeling of love towards the almighty Lord Krishna (''Hladini''). With Krishna, Radha is acknowledged as the Supreme Goddess. It is said that Krishna is only satiated by devotional service in loving servitude and Radha is the personification of devotional service to the supreme lord. Various devotees worship her with the understandin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
