Rape Of The Bastard Nazarene
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Rape Of The Bastard Nazarene
''Rape of the Bastard Nazarene'' is the first studio album by English death metal band Akercocke. It was released on 28 December 1999, through the band's own record label Goat of Mendes. Musical style AllMusic described the album's style as "an interesting mix of two musical styles that don't often go together. About half of ''Rape of the Bastard Nazarene'' ..consists of utterly standard-issue death metal, complete with whiplash tempos, hyperspeed blast drumming and the often comical 'death growl' vocals. The other half of the album is doomy, synth-heavy post-punk, seemingly influenced by the likes of Killing Joke and (especially on the unexpectedly melodic, catchy "Marguerite & Gretchen") ''Pornography''-era Cure A cure is a substance or procedure that ends a medical condition, such as a medication, a surgical operation, a change in lifestyle or even a philosophical mindset that helps end a person's sufferings; or the state of being healed, or cured. The ...." Track listi ...
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Akercocke
Akercocke are an English extreme metal band from London, formed in 1997 by Jason Mendonça and David Gray. The band also features Paul Scanlan and Nathanael Underwood. History Akercocke's first album, '' Rape of the Bastard Nazarene'', was self-released by the band in 1999. Akercocke later signed to Peaceville Records, releasing ''The Goat of Mendes'' in 2001, which reached number 4 in Terrorizer's album of the year chart. In 2003 the album '' Choronzon'' was released, through Earache Records. This album was voted number 1 metal release of the year by Terrorizer. Paul Scanlan left the band after this album, and was replaced by Matt Wilcock. '' Words That Go Unspoken, Deeds That Go Undone'' was released in October 2005. On 18 January 2007, Peter Theobalds left the band, and was replaced by Peter Benjamin. Akercocke released their fifth album, ''Antichrist'', in May 2007. Whilst touring to promote the album, due to the anti-Christian nature of the music, the band generated cont ...
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Blackened Death Metal
Blackened death metal (also known as black death metal) is an extreme subgenre of heavy metal that fuses elements of black metal and death metal. The genre emerged in early 1990s when black metal bands began incorporating elements of death metal and vice versa. The genre typically employs death growls, tremolo picking, blast beats, and Satanic lyrics and imagery. Bands of the genre typically employ corpse paint, which was adapted from black metal. Characteristics The genre is commonly death metal that incorporates musical, lyrical or ideological elements of black metal, such as an increased use of tremolo picking, anti-Christian or Satanic lyrical themes and chord progressions similar to those used in black metal. Blackened death metal bands are also more likely to wear corpse paint and suits of armour, than bands from other styles of death metal. Lower range guitar tunings, death growls and abrupt tempo changes are common in the genre. Some blackened death metal bands, s ...
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The Goat Of Mendes
''The Goat of Mendes'' is the second studio album by English death metal band Akercocke. It was released on 11 September 2001, through Peaceville Records. Release ''The Goat of Mendes'' was released in standard and digipak CD format. The album included a music video for "Infernal Rites". A video for "Horns of Baphomet" was also released in 2001. Dean Seddon, at the time vocalist of symphonic black metal Symphonic black metal is a subgenre of black metal that emerged in the 1990s and incorporates symphonic and orchestral elements. Notable symphonic black metal bands include Cradle Of Filth, Dimmu Borgir, Emperor, and Carach Angren. History ... band Hecate Enthroned, provided backing vocals for the track "The Serpent". Reception Akercocke drummer and lyricist David Gray has remarked that ''The Goat of Mendes'' is "in my opinion, our best album". Track listing References Akercocke albums 2001 albums {{2000s-death-metal-album-stub ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Chronicles Of Chaos (webzine)
''Chronicles of Chaos'' (shortened as CoC) was an metal music, extreme metal webzine. It focused on artists that are generally outside the metal mainstream, and occasionally covers other forms of Extreme metal, extreme music as well. Online since August 1995, ''Chronicles of Chaos'' was one of the first webzines in the world for that genre of music.(December 9, 2008).Adrian Bromley RIP, Antimusic News. Retrieved January 21, 2013. It was a nonprofit publication since its inception. ''Chronicles of Chaos'' stopped publishing new articles in August 2015. History ''Chronicles of Chaos'' was founded by Canada, Canadians Gino Filicetti and Adrian Bromley in 1995,Albert, Jaclyn; O'Connor, Laura (January 31, 2009). "Adrian Bromley", ''Billboard (magazine), Billboard'' 121 (4): 18. and started out in the shape of a monthly e-mail digest. In its early years, ''CoC'' was one of the few to publish reviews and interviews on the Internet featuring bands such as Eyehategod, Nevermore, Strapping ...
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Kerrang!
''Kerrang!'' is a British weekly magazine devoted to rock, punk and heavy metal music, currently published by Wasted Talent (the same company that owns electronic music publication ''Mixmag''). It was first published on 6 June 1981 as a one-off supplement in the ''Sounds'' newspaper. Named after the onomatopoeic word that derives from the sound made when playing a power chord on a distorted electric guitar, ''Kerrang!'' was initially devoted to the new wave of British heavy metal and the rise of hard rock acts. In the early 2000s, it became the best-selling British music weekly. History ''Kerrang!'' was founded in 1981. The editor of the weekly music magazine ''Sounds'', Alan Lewis, suggested that Geoff Barton edit a one-off special edition focusing on the new wave of British heavy metal phenomenon and on the rise of other hard rock acts.
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Terrorizer (magazine)
''Terrorizer'' was an extreme music magazine published by Dark Arts Ltd. in the United Kingdom. It was released every four weeks with thirteen issues a year and featured a "Fear Candy" covermount CD, a twice yearly "Fear Candy Unsigned" CD, and a double-sided poster. History 1993 ''Terrorizer'' published its first issue in October 1993 with Sepultura on the cover and a price of £1.95. "Sure, the layout was a bit ropey, with several 'cut out'-style pictures in the live section and some horribly lo-fi video stills in the Pestilence feature, but what a line-up of bands! Sepultura, Morgoth, Entombed, Morbid Angel, At the Gates, Coroner, Dismember, Sinister, Death...it was a veritable smorgasbord of brutality.""The Age of Extremity", ''Terrorizer #100''. The magazine's name derives from seminal grindcore band Terrorizer (which got the name from the death metal band Master's first demo in 1985) and as such the magazine was an early champion of the emerging death metal scene, a t ...
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Death Metal
Death metal is an extreme subgenre of heavy metal music. It typically employs heavily distorted and low-tuned guitars, played with techniques such as palm muting and tremolo picking; deep growling vocals; aggressive, powerful drumming, featuring double kick and blast beat techniques; minor keys or atonality; abrupt tempo, key, and time signature changes; and chromatic chord progressions. The lyrical themes of death metal may include slasher film-style violence,Moynihan, Michael, and Dirik Søderlind (1998). Lords of Chaos (2nd ed.). Feral House. , p. 27 political conflict, religion, nature, philosophy, true crime and science fiction. Building from the musical structure of thrash metal and early black metal, death metal emerged during the mid-1980s. Bands such as Venom, Celtic Frost, Slayer, and Kreator were important influences on the genre's creation. Possessed, Death, Necrophagia, Obituary, Autopsy, and Morbid Angel are often considered pioneers of the genre. In t ...
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Record Label
A record label, or record company, is a brand or trademark of music recordings and music videos, or the company that owns it. Sometimes, a record label is also a publishing company that manages such brands and trademarks, coordinates the production, manufacture, distribution, marketing, promotion, and enforcement of copyright for sound recordings and music videos, while also conducting talent scouting and development of new artists, and maintaining contracts with recording artists and their managers. The term "record label", derives from the circular label in the center of a vinyl record which prominently displays the manufacturer's name, along with other information. Within the mainstream music industry, recording artists have traditionally been reliant upon record labels to broaden their consumer base, market their albums, and promote their singles on streaming services, radio, and television. Record labels also provide publicists, who assist performers in gaining positi ...
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Blast Beat
A blast beat is a type of drum beat that originated in hardcore punk and grindcore, and is often associated with certain styles of extreme metal, namely black metal and death metal,Adam MacGregor, ''PCP Torpedo'' by Agoraphobic Nosebleed review, ''Dusted'', 11 June 2006 Access date: 2 October 2008. "There is one uniformly present attribute in all examples of 'grindcore', that being the so-called 'blast-beat.'" and occasionally in metalcore. In Adam MacGregor's definition, "the blast-beat generally comprises a repeated, sixteenth-note figure played at a very fast tempo, and divided uniformly among the bass drum, snare, and ride, crash, or hi-hat cymbal." Blast beats have been described by ''PopMatters'' contributor Whitney Strub as, "maniacal percussive explosions, less about rhythm per se than sheer sonic violence". Napalm Death is said to have coined the term,Strub, Whitney"Behind the Key Club: An Interview with Mark 'Barney' Greenway of Napalm Death" ''PopMatters'', 11 ...
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Post-punk
Post-punk (originally called new musick) is a broad genre of punk music that emerged in the late 1970s as musicians departed from punk's traditional elements and raw simplicity, instead adopting a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and DIY ethic but determined to break from rock cliches, artists experimented with styles like funk, electronic music, jazz, and dance music; the production techniques of dub and disco; and ideas from art and politics, including critical theory, modernist art, cinema and literature. These communities produced independent record labels, visual art, multimedia performances and fanzines. The early post-punk vanguard was represented by groups including Siouxsie and the Banshees, Wire, Public Image Ltd, the Pop Group, Cabaret Voltaire, Magazine, Pere Ubu, Joy Division, Talking Heads, Devo, Gang of Four, the Slits, the Cure, and the Fall. The movement was closely related to the development of ...
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Killing Joke
Killing Joke are an English rock music, rock band from Notting Hill, London, England, formed in 1979 by Jaz Coleman (vocals, keyboards), Paul Ferguson (drums), Geordie Walker (guitar) and Youth (musician), Youth (bass). Their first album, ''Killing Joke (1980 album), Killing Joke'', was released in 1980. After the release of ''Revelations (Killing Joke), Revelations'' in 1982, bassist Youth was replaced by Paul Raven (musician), Paul Raven. The band achieved mainstream success in 1985 with both the album ''Night Time (album), Night Time'' and the single "Love Like Blood (song), Love Like Blood". The band's musical style emerged from the post-punk scene, but stood out due to their heavier approach, and has been cited as a key influence on industrial rock. Their style evolved over many years, at times incorporating elements of gothic rock, synth-pop and electronic music, often baring Walker's prominent guitar and Coleman's "savagely strident vocals". Killing Joke have influenced ...
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