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Ranjani Arohana Scale
Ranjani is a Carnatic raga, which is also sometimes written as ''Ranjini''. This raga is a ''janya'' of the 59th ''Melakarta'' raga Dharmavati.''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications It is an asymmetric pentatonic scale, which is pleasing and has been more popular in last 50 years. It figures in ''ragamalikas'', ''slokams'', ''vrittams'' and light popular songs, as it is a pleasing scale. Structure and Lakshana This ragam is an asymmetric scale and is classified as an ''audava-audava'' ragam (five notes in the ascending and descending scale). * : * : The notes in this scale are ''chathushruthi rishabham, sadharana gandharam, prati madhyamam, chathusruthi dhaivatam'' in ''arohana'' and additional ''kakli nishadham'' in ''avarohanam'', in place of ''sadharna rishabham'' (see pictures). From ''Dharmavati'' scale (59th melakarta), the panchamam is removed in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carnatic Music
Carnatic music, known as or in the Dravidian languages, South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Karnataka, Andhra Pradesh, Telangana, Kerala and Tamil Nadu, and Sri Lanka. It is one of two main subgenres of Indian classical music that evolved from ancient Hindu Texts and traditions, particularly the Samaveda. The other subgenre being Hindustani music, which emerged as a distinct form because of Persian or Islamic influences from Northern India. The main emphasis in Carnatic music is on vocal music; most compositions are written to be sung, and even when played on instruments, they are meant to be performed in ''gāyaki'' (singing) style. Although there are stylistic differences, the basic elements of (the relative musical pitch), (the musical sound of a single note), (the mode or melodic formulæ), and (the rhythmic cycles) form the foundation of improvisation and composition in both Carnati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kannada
Kannada (; ಕನ್ನಡ, ), originally romanised Canarese, is a Dravidian language spoken predominantly by the people of Karnataka in southwestern India, with minorities in all neighbouring states. It has around 47 million native speakers, and was additionally a second or third language for around 13 million non-native speakers in Karnataka. Kannada was the court language of some of the most powerful dynasties of south and central India, namely the Kadambas, Chalukyas, Rashtrakutas, Yadava Dynasty or Seunas, Western Ganga dynasty, Wodeyars of Mysore, Nayakas of Keladi Hoysalas and the Vijayanagara empire. The official and administrative language of the state of Karnataka, it also has scheduled status in India and has been included among the country's designated classical languages.Kuiper (2011), p. 74R Zydenbos in Cushman S, Cavanagh C, Ramazani J, Rouzer P, ''The Princeton Encyclopedia of Poetry and Poetics: Fourth Edition'', p. 767, Princeton Unive ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shivaranjani
Shivaranjani or Sivaranjani is a musical scale used in Indian classical music. There are two scales, one in Hindustani music and one in Carnatic music. The Hindustani rāga is a pentatonic scale, as is the Carnatic scale categorized as Audava-Audava (''audava'' meaning 'of 5') resulting in 5 notes in the Arohanam and 5 in the Avarohanam. Hindustani scale The Hindustani rāga ''Shivaranjani'' belongs to the '' Kaafi thaat'' in terms of classification of the scale.''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras Its structure is as follows: * : * : The ''komal''(soft) ''gandhar''(g) in place of ''shuddh gandhar'' (G) is the difference between this rāga and the global musical scale of '' Bhoop''. Borrowed into Carnatic music In Karnatic Music, this is a ''janya'' rāga (derived scale) from 22nd mela-kartha raga Kharaharapriya. It is a ''audava-audava'' rāgam in Carnatic music classification (i.e., a ragam that has five notes in both its arohana ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shree Ranjani
Sriranjani is a ragam in Carnatic music (musical scale of South Indian classical music). It is a hexatonic scale (''shadava'' rāgam, which means "of six"). It is a derived scale (''janya'' rāgam), as it does not have all the seven ''swaras'' (musical notes). It is also written as Shri ranjani or Shree Ranjani. It also exist in Hindustani music, with a different scale. Aroh: Sa, komal Ga, Ma, Dha, komal Ni, Sa; Avroh: Sa, komal Ni, Dha, Ma, komal Ga, Ré, Sa. Structure and Lakshana ''Shree ranjani'' is a symmetric scale that does not contain ''panchamam''. It is called a ''shadava-shadava'' rāgam,''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras in Carnatic music classification (as it has six notes in both ascending and descending scales). Its ' structure is as follows (see Swara#Svaras in Carnatic music, ''swaras'' in Carnatic music for details on below notation and terms) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manoranjani
Manavati (pronounced mānavati, meaning the bride) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 5th ''Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. In Muthuswami Dikshitar school of Carnatic music, the 5th ''melakarta'' is Manōranjani.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras Structure and Lakshana It is the 5th rāgam in the 1st ''chakra Indu''. The mnemonic name is ''Indu-Ma''. The mnemonic phrase is ''sa ra ga ma pa dhi nu''. Its ' structure (ascending and descending scale) is as follows (see ''swaras'' in Carnatic music for details on below notation and terms): * : * : (this scale uses the notes ''shuddha rishabham, shuddha gandharam, shuddha madhyamam, chathusruthi dhaivatham, kakali nishadham'') As it is a ''melakarta'' rāgam, by definition it is a ''sampoorna'' rāgam (has all seven not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mararanjani
Mararanjani (pronounced māraranjani) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 25th ''Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Sharāvati in Muthuswami Dikshitar school of Carnatic music.''Sri Muthuswami Dikshitar Keertanaigal'' by Vidwan A Sundaram Iyer, Pub. 1989, Music Book Publishers, Mylapore, Chennai''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras Structure and Lakshana It is the 1st rāgam in the 5th ''chakra Bana''. The mnemonic name is ''Bana-Pa''. The mnemonic phrase is ''sa ri gu ma pa dha na''. Its ' structure (ascending and descending scale) is as follows (see ''swaras'' in Carnatic music for details on below notation and terms): * : * : (the notes in this scale are ''chathusruthi rishabham, antara gandharam, shuddha madhyamam, shuddha dhaivatham, shuddha nishadham'') ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deva (composer)
Devanesan Chokkalingam, also known as Deva, is a south Indian film composer and singer who predominantly works in Tamil Cinema. He has composed songs and provided background music for Tamil, Kannada, Telugu, and Malayalam films in a career spanning about 36 years. He has composed music for more than 400 films. Personal life Deva was born to M. C. Chokkalingam and M. C. Krishnaveni. Even in his childhood, Deva was attracted to the world of music. Teaming up with Chandra Bose, he staged many musical programmes. He started learning classical music under Dhanraj and has completed a course in Western music at Trinity College of Music in London. His son Srikanth Deva is also a music director, as are his brothers, who have formed the duo Sabesh–Murali. His nephew Jai is an actor. Career Before coming to cinema, Deva worked for some time in the television field. In those days, Deva's brothers were working in the musical troupes of Illayaraja and other music directors as instru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Veettai Paaru Naattai Paaru
''Veettai Paaru Naattai Paaru'' () is a 1994 Indian Tamil-language political satire film directed by Thulasidas. A remake of the Malayalam film ''Sandesam'' (1991), it stars Sivakumar, Saravanan, Thalaivasal Vijay and Jayanthi. The film was released on 5 February 1994. Plot Palanivel, a military personnel, comes home to enjoy retirement with his wife and family. But politics has divided his two sons Siva and Sakthi. They support opposing political parties and things escalate when one of the parties wins in the local elections. Palanivel and his family are caught in the middle and even lose their previous land whose sale proceeds is for the political coffers but ends up in the pockets of the politicians. The brothers eventually realise their folly when their leaders are exposed. Cast * Sivakumar as Palanivel * Saravanan as Siva * Thalaivasal Vijay as Sakthi * Jayanthi as Palanivel's wife * Ranjitha as Saravanan's fiancée * Meera as Saravanan's sister * Vaishnavi as Palan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambujam Krishna
Ambujam Krishna (1917 - 1989) was a composer of Carnatic Kritis. She has composed more than 600 kritis in various Carnatic ragas. Personal life Ambujam Krishna is the daughter of K. V. Ranga Iyengar, an advocate of Madurai. She had her music training under Karaikudi Ganesan and Ganesha Bhagavathar. She married T. S. Krishna who was an industrialist and son of T. V. Sundaram Iyengar. She graduated in Home Science from the Delhi University. Industrialist Suresh Krishna is her son. Musical journey Ambujam Krishna has composed kritis in various languages such as Sanskrit, Kannada, Tamil and Telugu. She has also composed songs with more than one language in the same song. It is called Manipravalam in Tamil. Her compositions have been published in two volumes under the title ''Geetamala''. Her compositions have been tuned by various music masters like T. N. Seshagopalan, V. V. Sadagopan, S. Ramanathan, Semmangudi Srinivasa Iyer and others. She was a senior office bearer of Sri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raga
A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as a result has no direct translation to concepts in classical European music. Each ''rāga'' is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "colour the mind" and affect the emotions of the audience. Each ''rāga'' provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the ''rāga'' in keeping with rules specific to the ''rāga''. ''Rāga''s range from small ''rāga''s like Bahar (raga), Bahar and Shahana that are not much more than songs to big ''rāga''s like Malkauns, Darbari and Yaman (raga), Yaman, which have great scope for improvisation and for which performances ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thyagaraja
Thyagaraja (Telugu: త్యాగరాజ) (4 May 1767 – 6 January 1847), also known as Thyāgayya and in full as Kakarla Thyagabrahmam, was a composer and vocalist of Carnatic music, a form of Indian classical music. Tyagaraja and his contemporaries, Shyama Shastri and Muthuswami Dikshitar, are regarded as the Trinity of Carnatic music. Thyagaraja composed thousands of devotional compositions, most in Telugu and in praise of Lord Rama, many of which remain popular today, the most popular being "Nagumomu". Of special mention are five of his compositions called the ''Pancharatna Kritis'' ( "five gems"), which are often sung in programs in his honour, and ''Utsava Sampradaya Krithis'' ( Festive ritual compositions), which are often sung to accompany temple rituals. Tyagaraja lived through the reigns of four kings of the Maratha dynasty — Tulaja II (1763–1787), Amarasimha (1787–1798), Serfoji II (1798–1832) and Sivaji II (1832–1855), although he served none of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avarohana
An Avarohana, Avarohanam or Avaroha, in the context of Indian classical music, is the descending scale of any raga.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, ''Glossary'' pages, Pub. 1990, CBH Publications The notes descend in pitch from the upper tonic (taar shadja or Sa) down to the lower tonic, possibly in a crooked (vakra) manner. Examples In raga Darbari, an Asavari-thaat raga with vadi-samvadi R-P, the avroha is R' n S' d~ n P, m P g~ m R S, with andolan on the dhaivat and gandhar. In Malahari, which is ''janya'' raga of 15th ''melakarta'' Mayamalavagowla Mayamalavagowla (pronounced ) is a raga of Carnatic music (musical scale of South Indian classical music). It is classified as 15th '' melakarta'' raga under Venkatamakhin's '' melakarta'' system. Originally known as ''malavagowla'', "maya" was ..., the avarohana is ''S D1 P M1 G2 R1 S''. See swaras in Carnatic music for description of this notation. In Sahana, a ''janya'' raga of 28th ''melakarta'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
