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Ramp (album)
''Ramp'' is an album by the American alternative rock band Giant Sand, released in 1991. The album was released via frontman Howe Gelb's Amazing Black Sand label, before being picked up by Restless Records. Production The majority of the album was produced by Gelb. Victoria Williams contributed backing vocals to the album's second track, "Romance of Falling," the only track produced by Dusty Wakeman. Pappy Allen also makes an appearance on ''Ramp''. The album was recorded in Los Angeles and Tucson. Critical reception Robert Christgau wrote: "The first side makes something of the dissociated atmospherics that undermined the band's previous umpteen releases; the second's almost popwise. Together they're what country-rock was never really like, or wanted to be." ''Trouser Press'' thought that "Gelb seems to have found a way to propel himself at will into a deconstruction zone where boogie can mutate into pre-rock vocal harmony ('Warm Storm') and Sun Ra can be construed as a lounge l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giant Sand
Giant Sand is an American musical group from Tucson, Arizona, United States. Its most constant member is singer-songwriter Howe Gelb. The group started as Giant Sandworms in the late 1970s post-punk and paisley underground scenes. They later shortened their name and developed an idiosyncratic sound rooted in alternative country, but touching on a wide range of other styles and featuring Gelb's beatnik-influenced vocals and songwriting. Since about 2012, they have also performed as Giant Giant Sand when featuring a larger ensemble than their traditional four to six musicians. Members have included keyboardist Chris Cacavas (of Green on Red), bassist Paula Jean Brown (who was briefly a member of The Go-Go's and was married to Gelb at the time), Mark Walton (of The Dream Syndicate and Continental Drifters), drummer Tom Larkins (later to become a Jonathan Richman sideman), and Iain Shedden, drummer with Australian band The Saints. For a long while the band's rhythm section consis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Christgau
Robert Thomas Christgau ( ; born April 18, 1942) is an American music journalist and essayist. Among the most well-known and influential music critics, he began his career in the late 1960s as one of the earliest professional rock critics and later became an early proponent of musical movements such as hip hop, riot grrrl, and the import of African popular music in the West. Christgau spent 37 years as the chief music critic and senior editor for ''The Village Voice'', during which time he created and oversaw the annual Pazz & Jop critics poll. He has also covered popular music for ''Esquire'', ''Creem'', ''Newsday'', ''Playboy'', ''Rolling Stone'', ''Billboard'', NPR, ''Blender'', and ''MSN Music'', and was a visiting arts teacher at New York University. CNN senior writer Jamie Allen has called Christgau "the E. F. Hutton of the music world – when he talks, people listen." Christgau is best known for his terse, letter-graded capsule album reviews, composed in a concentrat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Convertino
Calexico is a Tucson, Arizona-based Americana, Tex-Mex, indie rock band. The band's two main members, Joey Burns and John Convertino, first played together in Los Angeles as part of the group Giant Sand. They have recorded a number of albums on Quarterstick Records, while their 2005 EP ''In the Reins'', recorded with Iron & Wine, reached the Billboard 200 album charts. Their musical style is influenced by traditional Latin sounds of mariachi, conjunto, cumbia, and tejano mixed with country, jazz, and post-rock. The band is named for the border town of Calexico, California, and has been described by some as "desert noir". History Formation Calexico had its origins in 1990 when Joey Burns, who was studying music at the University of California, Irvine, met up with John Convertino, who was playing drums with Howe Gelb in Giant Sand. Burns joined them, after first playing upright bass on a European tour. Giant Sand moved to Tucson, Arizona in 1994. Burns and Convertino formed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joey Burns
Calexico is a Tucson, Arizona-based Americana, Tex-Mex, indie rock band. The band's two main members, Joey Burns and John Convertino, first played together in Los Angeles as part of the group Giant Sand. They have recorded a number of albums on Quarterstick Records, while their 2005 EP ''In the Reins'', recorded with Iron & Wine, reached the Billboard 200 album charts. Their musical style is influenced by traditional Latin sounds of mariachi, conjunto, cumbia, and tejano mixed with country, jazz, and post-rock. The band is named for the border town of Calexico, California, and has been described by some as "desert noir". History Formation Calexico had its origins in 1990 when Joey Burns, who was studying music at the University of California, Irvine, met up with John Convertino, who was playing drums with Howe Gelb in Giant Sand. Burns joined them, after first playing upright bass on a European tour. Giant Sand moved to Tucson, Arizona in 1994. Burns and Convertino formed t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Austin American-Statesman
The ''Austin American-Statesman'' is the major daily newspaper for Austin, the capital city of Texas. It is owned by Gannett. The paper prints Associated Press, ''New York Times'', ''The Washington Post'', and ''Los Angeles Times'' international and national news, but has strong Central Texas coverage, especially in political reporting. The ''Statesman'' benefits from the culture and writing heritage of Austin. It extensively covers the music scene, especially the annual South by Southwest Music Festival. The newspaper co-sponsors Austin events such as the Capital 10K, one of the largest 10K runs in the U.S., and the Season for Caring charity campaign. In the Austin market, the ''Statesman'' competes with the ''Austin Chronicle'', an alternative weekly. Circulation In 2009, the ''Austin American-Statesman'' ranked 60th in circulation among daily newspapers, according to the Audit Bureau of Circulations. Figures from Scarborough Research show the ''Statesman'' — in print an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trouser Press
''Trouser Press'' was a rock and roll magazine started in New York in 1974 as a mimeographed fanzine by editor/publisher Ira Robbins, fellow fan of the Who Dave Schulps and Karen Rose under the name "Trans-Oceanic Trouser Press" (a reference to a song by the Bonzo Dog Doo-Dah Band and an acronymic play on the British TV show ''Top of the Pops)''. Publication of the magazine ceased in 1984. The unexpired portion of mail subscriptions was completed by ''Rolling Stone'' sister publication ''Record'', which itself folded in 1985. ''Trouser Press'' has continued to exist in various formats. History The magazine's original scope was British bands and artists (early issues featured the slogan "America's Only British Rock Magazine"). Initial issues contained occasional interviews with major artists like Brian Eno and Robert Fripp and extensive record reviews. After 14 issues, the title was shortened to simply ''Trouser Press'', and it gradually transformed into a professional magazine w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spin Alternative Record Guide
The ''Spin Alternative Record Guide'' is a music reference book compiled by the American music magazine '' Spin'' and published in 1995 by Vintage Books. It was edited by rock critic Eric Weisbard and Craig Marks, who was the magazine's editor-in-chief at the time. The book features essays and reviews from a number of prominent critics on albums, artists, and genres considered relevant to the alternative music movement. Contributors who were consulted for the guide include Ann Powers, Rob Sheffield, Simon Reynolds, and Michael Azerrad. The book did not sell particularly well and received a mixed reaction from reviewers in 1995. The quality and relevance of the contributors' writing were praised, while the editors' concept and comprehensiveness of alternative music were seen as ill-defined. Nonetheless, it inspired a number of future music critics and helped revive the career of folk artist John Fahey, whose music was covered in the guide. Content Spanning 468 pages, the ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Essential Album Guide
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Encyclopedia Of Popular Music
''The Encyclopedia of Popular Music'' is an encyclopedia created in 1989 by Colin Larkin. It is the "modern man's" equivalent of the '' Grove Dictionary of Music'', which Larkin describes in less than flattering terms.''The Times'', ''The Knowledge'', Christmas edition, 22 December 2007- 4 January 2008. It was described by ''The Times'' as "the standard against which all others must be judged". History of the encyclopedia Larkin believed that rock music and popular music were at least as significant historically as classical music, and as such, should be given definitive treatment and properly documented. ''The Encyclopedia of Popular Music'' is the result. In 1989, Larkin sold his half of the publishing company Scorpion Books to finance his ambition to publish an encyclopedia of popular music. Aided by a team of initially 70 contributors, he set about compiling the data in a pre-internet age, "relying instead on information gleaned from music magazines, individual expertise a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alternative Rock
Alternative rock, or alt-rock, is a category of rock music that emerged from the independent music underground of the 1970s and became widely popular in the 1990s. "Alternative" refers to the genre's distinction from Popular culture, mainstream or commercial rock or pop music. The term's original meaning was broader, referring to musicians influenced by the musical style or independent, DIY ethic, DIY ethos of late-1970s punk rock.di Perna, Alan. "Brave Noise—The History of Alternative Rock Guitar". ''Guitar World''. December 1995. Traditionally, alternative rock varied in terms of its sound, social context, and regional roots. Throughout the 1980s, magazines and zines, college radio airplay, and word of mouth had increased the prominence and highlighted the diversity of alternative rock's distinct styles (and music scenes), such as noise pop, indie rock, grunge, and shoegaze. In September 1988, Billboard (magazine), ''Billboard'' introduced "alternative" into their charting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pappy & Harriet's
Pappy & Harriet's Pioneertown Palace is a honky-tonk, barbecue restaurant and music venue near Joshua Tree National Park in Pioneertown, California. Accessible from California State Route 62, the restaurant lies four miles northeast of Yucca Valley. In 1946, a group of filmmakers built a Western-style movie set in the high desert 25 miles north of Palm Springs for the cowboy actors Roy Rogers and Gene Autry. Production designers decorated the facades of "Main Street" with a Western saloon, bank, chapel and a cantina. Pioneertown and its cantina were used in more than 50 films and television programs throughout the 1940s and 1950s, including ''The Cisco Kid'' and ''Judge Roy Bean''. In 1972, John Aleba and his wife Francis purchased the building and John further developed the property into a cantina. 1946-1982 In 1946, at the site where Pappy & Harriet's stands today, filmmakers built a cantina set that was used in numerous Westerns during the 1950s. In 1972, Harriet's mother, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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