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Ramaswami Dikshitar
Ramaswami Dikshita (, 1735–1817) or Dikshitar was a South Indian composer of Carnatic music and the father of Muthuswami Dikshitar. He was a member of the courts of Amar Singh of Thanjavur, Amarasimha () and Thuljaji, Tulaja II () of Thanjavur. Ramaswami Dikshitar was instructed in music and music theory by Melattur Veerabhadrayya and Venkata Vaidyanatha Dīkshitar, a grandson of Venkatamakhin, author of the Chaturdandiprakashika. His ragamalika using 108 ragas and tala (music), talas is notable and the longest of its type. He also composed varnams in a variety of ragas. He is popularly considered the creator of the raga, Hamsadhvani. Others believe that he was the first to create a composition using it which made it popular. His son Muthuswami Dikshitar's acclaimed work, Vatapi Ganapatim was composed using the same raga. Besides Muthuswami, Ramaswami Dikshitar had two other sons, Chinnaswami and Balaswami, and a daughter, Balamba. Balaswami's grandson was the composer and sch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venkata Vaidyanatha Dīkshitar
Venkata or Venkat may refer to: * Venkata (hill) or Venkatadri, one of the seven sacred peaks of Tirumala hill in Andhra Pradesh, India ** Venkateswara ("the Lord of Venkata"), a form of the Hindu god Vishnu Places in India * Venkatagiri, Nellore district, Andhra Pradesh * Venkatapuram, Khammam, a mandal in Khammam district, Telangana * Venkatapuram, Krishna, a village in Krishna district, Andhra Pradesh * Venkatapuram, Kurnool, a village in Kurnool district, Andhra Pradesh People * Venkata I (died 1542), king of the Vijayanagara Empire, South India * Venkata II (reign 1585–1614 CE), king of the Vijayanagara Empire, South India * Venkata III (reign 1632–1642), king of the Vijayanagara Empire, South India * C. V. Raman (18881970), Indian physicist, 1930 Nobel Prize for Physics * P. A. Venkatachalam, Indian biomedical engineer * R. R. Venkat (fl. 2004–2013), Indian film producer * C. S. Venkatakrishnan, American banker, CEO of Barclays * Srinivasaraghavan Venkataraghavan (bor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carnatic Composers
Carnatic most often refers to: *Carnatic region, Southern India *Carnatic music, the classical music of Southern India Carnatic may also refer to: *Carnatic Wars, a series of military conflicts in India during the 18th century *, a ''Bangor''-class minesweeper of the Royal Indian Navy, that served in World War II *, a 74-gun third rate ship of the line of the Royal Navy, launched at Deptford in 1783 *, a 74-gun third rate ship of the line of the Royal Navy, launched at Portsmouth Dockyard in 1823 * – one of several vessels of that name *Carnatic Hall Carnatic Hall was an 18th-century mansion that was located in Mossley Hill, Liverpool, England. The house was built in 1779 for slave trader Peter Baker, who served as Mayor of Liverpool in 1795. Originally on the site of Mossley Hall (home of ..., built by slave trader, now closed university residence {{disambiguation, ship ca:Carnàtic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vatapi Ganapatim
"Vatapi Ganapatim", also known as "Vatapi ganapatim bhajeham" or "Vatapi ganapatim bhaje", is a Sanskrit ''kriti'' song by the South Indian poet-composer Muthuswami Dikshitar (1775–1835), one of the "Trinity of Carnatic music". The panegyrical hymn praises Vatapi Ganapati, Ganesha (Ganapati) worshipped in a shrine in Tiruchenkattankudi Utrapatishwaraswamy Temple dedicated to lord Shiva in Thiruvarur district in the Tamil Nadu state of India. The hymn is composed in Hamsadhvani raga (musical mode); however, in tradition of kritis, individual performers add their own variations in the tune as a part of improvisation. ''Vatapi Ganapatim'' is considered the best-known piece of Muthuswami Dikshitar and is one of the most popular compositions of Carnatic music (South Indian classical music school). The hymn is traditionally sung at the beginning of many Carnatic music concerts. Background: Vatapi Ganapati "Vatapi Ganapatim" is a part of the series of hymns called ''Shodasha G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hamsadhvani
Hamsadhvani (meaning "the cry of the swan"), is a rāga in Carnatic music (musical scale of Carnatic tradition of Indian classical music). It is an ''audava'' rāgam (or ''owdava'' rāga, meaning pentatonic scale). It is a ''janya'' rāga of the Melakartha raga, Sankarabharanam (29th) but according to Hamsadhvani's prayoga or the way it is sung it is said to be the janya of Kalyani (65th). ''Hamsadhvani'' is also extensively used in Hindustani music and said to be borrowed into it from Carnatic music.''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras It was created by the Carnatic composer Ramaswami Dikshitar (1735–1817), father of Muthuswami Dikshitar (one of the musical trinity of Carnatic music), and brought into Hindustani music by Aman Ali Khan of the Bhendibazaar gharana. It has become popular due to Amir Khan. Structure and lakshana ''Hamsadhvani'' does not contain ''madhyamam'' or ''dhaivatham''. It is a pentatonic scale (''audava-audava'' r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Varnam
Varṇam is a type of composition in the Carnatic music system consisting of short metric pieces which encapsulate the main features (patterns of notes) of a ''raga''. Varnams capture the ''raga bhavam'', ''ranjaka prayogas'' ''visesha sancharas'', etc. ''Dhatu'' and ''janta prayogas'' (phrase usage) are usually part of a varnam. Understanding of these aspects is key to developing ''manodharma sangeetham'' (i.e., improvisation aspects of Carnatic music such as ''raga aalapana'', ''swara kalpana'', ''neraval'', etc.). Known for their complex structure, varnams are a fundamental form in Carnatic music. All varnams consist of lyrics, Bradnock (1992), p631 as well as ''swara'' passages, including a ''pallavi'', an '' anupallavi'', ''muktaayi swaras'', a ''charanam'', and '' chitta swaras''. There are different types of varnams, such as ''taana varnam'', ''pada varnam'', ''daru varnam'' and ''ragamalika varnam''. They also come in different ''taalams'' (beat cycles). Though the mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tala (music)
A tala ( IAST ''tāla'') literally means a 'clap, tapping one's hand on one's arm, a musical measure'. It is the term used in Indian classical music similar to musical meter, that is any rhythmic beat or strike that measures musical time. The measure is typically established by hand clapping, waving, touching fingers on thigh or the other hand, verbally, striking of small cymbals, or a percussion instrument in the Indian subcontinental traditions. Along with ''raga'' which forms the fabric of a melodic structure, the ''tala'' forms the life cycle and thereby constitutes one of the two foundational elements of Indian music. ''Tala'' is an ancient music concept traceable to Vedic era texts of Hinduism, such as the '' Samaveda'' and methods for singing the Vedic hymns. The music traditions of the North and South India, particularly the ''raga'' and ''tala'' systems, were not considered as distinct till about the 16th century. There on, during the tumultuous period of Islamic rul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raga
A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as a result has no direct translation to concepts in classical European music. Each ''rāga'' is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "colour the mind" and affect the emotions of the audience. Each ''rāga'' provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the ''rāga'' in keeping with rules specific to the ''rāga''. ''Rāga''s range from small ''rāga''s like Bahar (raga), Bahar and Shahana that are not much more than songs to big ''rāga''s like Malkauns, Darbari and Yaman (raga), Yaman, which have great scope for improvisation and for which performances ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ragamalika
Ragamalika, literally a garland of ragas, is a popular form of composition in Carnatic music where different segments of the composition are set to different ragas. It is also known as ''Raga Kadambakam,'' and forms parallel to the composition form talamalika which features segments set to different talas. Ragatalamalika are a special kind of ragamalika compositions featuring a range of talas. Navaragamalika is a popular type of ragamalika composition where the music is set to 9 ragas. Ramaswami Dikshitar is referred to as ''Ragamalika Chakravarti'' (King of Ragamalika) for his varied ragamalika compositions in Telugu. Over the years, composers composed elaborate pieces such as the '''ashtottarashata ragatalamalika’'' of Ramaswami Dikshitar with 108 ragas and 108 talas, and 'melakarta ragamalika' of Maha Vaidyanatha Iyer featuring all 72 sampoorna melakarta ragas. Compositions A few examples of ragamalikas are: * ''Manasa Verutarula, Sivamohanasakti nannu, Samajagamana Ninnu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chaturdandiprakashika
The ''Chaturdandiprakashika'' (; "The Illuminator of the Four Pillars of Music") is a Sanskrit treatise written by the musicologist Venkatamakhin in the mid-17th century. It introduced a theoretical melakarta system to classify and organise ragas in the Carnatic music tradition of India. In the 20th-century, this system would form the basis of the thaat system that is used in Hindustani classical music today. Some portions of the ''Chaturdandiprakashika'' are now lost. Description In Carnatic music, a mela is a scale of svaras in ascending order in a melodic unit forms the basis and gives birth to ragas. While the concept of melas is said to have been introduced by Vidyaranya in the 14th century, and a number of other musicologists before Venkatamakhin had expounded on the subject, there was a lack of a standard work that systematically classified the ragas of classical music. Vijayaraghava Nayak () commissioned Venkatamakhin to prepare such a treatise which led to the creation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venkatamakhin
Venkatamakhin (; ) or Venkatamakhi, was an Indian poet, musician, and musicologist of Carnatic music. He is renowned for his '' Chaturdandiprakashika'' in which he explicates the melakarta system of classifying ragas. Venkatamakhin composed geethams and prabandhas, as well as 24 ashtapadis in praise of Lord Thyagaraja of Tiruvarur. Biography Venkatamakhin or Venkateswara Dikshita was the son of the musician, scholar, and priest, Govinda Dikshita, a Kannada Brahmin from Honnali near Shivamogga, who was also a minister of Raghunatha Nayak of Thanjavur. He was instructed in the veena by his father and his brother, Yagnanarayan. He was later schooled in the scholarly aspects of classical music by Tanappacharya. Venkatamakhin was also versed in Sanskrit and equipped with knowledge in varied subjects such as astrology, logic, philosophy, and alankara. Like his father, Venkatamakhin served as a minister to Raghunatha Nayak's successor, Vijayaraghava Nayak (). Seeing as to how ther ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melattur Veerabhadrayya , a variety of Bharata Natyam dance which originated in the Tamil village
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Melattur may refer to: * Melattur, Kerala, a town in the Indian state of Kerala * Melattur, Tamil Nadu, a village in the Indian state of Tamil Nadu * Melattur style {{Use Indian English, date=July 2020 The Melattur style of Bharatanatyam dance was developed largely out of the devadasi traditions and Melattur Bhagavata Mela by Mangudi Dorairaja Iyer (1900–1980), a sanyasi following Srividya Upasana. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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