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Ramakeri
Ramakeri () is a Raga, rāga belonging to the tradition of Odissi music. Falling under the ''meḷa'' Barādi, the raga uses ''komala rusabha, komala dhaibata'' and ''tibra madhyama'' swaras and is traditionally associated with the ''karuṇa rasa.'' The raga is mentioned in treatises such as the ''Gita Prakasa'' and ''Sangita Narayana.'' This raga has been used by the 12th-century Odia composer Jayadeva in his Gita Govinda. Structure An ancient raga, Ramakeri has been used by hundreds of poet-composers for well-over the past many centuries. Its ''aroha-abaroha'' are given below : ''Aroha :'' S r G P d S ''Abaroha :'' S N d P m G r S The raga dwells or does ''nyasa'' on the ''gandhara'', as per tradition and evokes a solemn mood. Compositions Some of the well-known traditional compositions in this raga include : * ''Kuru Yadunandana'' (24th prabandha of the Gita Govinda) by Jayadeva * ''Syame Tu Nuha Bimana'' by Banamali Dasa References [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gita Govinda
The ''Gita Govinda'' ( sa, गीत गोविन्दम्; ) is a work composed by the 12th-century Hindu poet, Jayadeva. It describes the relationship between Krishna, Radha and ''gopis'' (female cow herders) of Vrindavan. The ''Gita Govinda'' is organized into twelve chapters. Each chapter is further sub-divided into one or more divisions called ''Prabandha''s, totalling twenty-four in all. The prabandhas contain couplets grouped into eights, called ''Ashtapadis''. It is mentioned that Radha is greater than Krishna. The text also elaborates the eight moods of Heroine, the ''Ashta Nayika'', which has been an inspiration for many compositions and choreographic works in Indian classical dances. Summary The work delineates the love of Krishna for Radha, the milkmaid, his faithlessness and subsequent return to her, and is taken as symbolical of the human soul's straying from its true allegiance but returning at length to the God which created it. Chapters # ''Sāmoda ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baradi
Baradi () is a rāga belonging to the tradition of Odissi music. Falling under the ''meḷa'' Barādi, the raga uses ''komala rusabha, komala dhaibata'' and ''tibra madhyama'' swaras and is traditionally associated with the ''karuṇa rasa.'' The raga is mentioned in treatises such as the ''Gita Prakasa'' and ''Sangita Narayana.'' This raga has been used by the 12th-century Odia composer Jayadeva in his Gita Govinda along with its ''angaraga'' Desa Barādi. Structure An ancient raga, Baradi has been used by hundreds of poet-composers for well-over the past many centuries. The raga is ''sampurna'' or heptatonic in its ''aroha'' and ''abaroha'' (ascent and descent). Its ''aroha-abaroha'' are given below : ''Aroha :'' S r G m P d N S ''Abaroha :'' S N d P m G r S The raga dwells or does ''nyasa'' on the ''gandhara'', as per tradition and evokes a solemn mood. Compositions Some of the well-known traditional compositions in this raga include : * ''Sajani Tora Dharuchi Kara'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raga
A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as a result has no direct translation to concepts in classical European music. Each ''rāga'' is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "colour the mind" and affect the emotions of the audience. Each ''rāga'' provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the ''rāga'' in keeping with rules specific to the ''rāga''. ''Rāga''s range from small ''rāga''s like Bahar (raga), Bahar and Shahana that are not much more than songs to big ''rāga''s like Malkauns, Darbari and Yaman (raga), Yaman, which have great scope for improvisation and for which performances ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Odissi Music
music () is a genre of classical music in India, originated from the eastern state of Odisha. The traditional ritual music for the service of Lord Jagannatha, Odissi music has a history spanning over two thousand years, authentic ''sangita-shastra''s or treatises, unique Ragas & Talas and a distinctive style of rendition. The various aspects of Odissi music include ''odissi prabandha, chaupadi, chhānda, champu, chautisa, janāna, mālasri, bhajana, sarimāna, jhulā, kuduka, koili, poi, boli,'' and more. Presentation dynamics are roughly classified into four: ''raganga'', ''bhabanga, natyanga'' and ''dhrubapadanga''. Some great composer-poets of the Odissi tradition are the 12th-century poet Jayadeva, Balarama Dasa, ''Atibadi'' Jagannatha Dasa, Dinakrusna Dasa, ''Kabi Samrata'' Upendra Bhanja, Banamali Dasa, ''Kabisurjya'' Baladeba Ratha and ''Kabikalahansa'' Gopalakrusna Pattanayaka. According to Bharata Muni's '' Natya Shastra'', Indian classical music has four significan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gita Prakasa
The Gitaprakasa ( IAST: 'Gītaprakāśa'; "Illuminator of music") is a 16th-century musical treatise belonging to the tradition of Odissi music, written by the musicologist Krusnadasa Badajena Mahapatra. Mahapatra was a court musician of Gajapati Mukundadeba. It is the second earliest music treatise discovered from Odisha. The Gita Prakasa is one of the cornerstones of the Odissi music tradition and is widely quoted by later authorities such as the ''Sangita Narayana'' and the ''Sangita Muktabali''. The treatise was first published by the Odisha Sangeet Natak Akademi in 1983, based on two palm leaf manuscripts preserved in the Odisha State Museum, Bhubaneswar. Both manuscripts were collected from Puri district, Odisha and were roughly dated to the 18th century. Author Krusnadesa Badajena Mahapatra was a 16th-century musician par excellence from Odisha. The author reveals no information about his family, age or any other details in his text. However, the period to which he belong ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sangita Narayana
The Sangita Narayana ( IAST: 'Sangīta Nārāyana') is a 17th-century musical treatise belonging to the tradition of Odissi music, written by musician ''Kabiratna'' Purusottama Misra and attributed to Gajapati ''Sarbagya'' Jagannatha Narayana Deva of Paralakhemundi. It is the one of the most important musical treatises discovered from Odisha and is one of the fundamental texts followed in Odissi music till date. The treatise was first published by the Odisha Sangeet Natak Akademi in 1966, followed by a critical edition published by the Indira Gandhi National Centre for the Arts in 2009. Manuscripts of the work are found across India, indicating its national circulation. In 1987, Jonathan Katz in his D. Phil. thesis extensively analysed the musicological portions of the Sangitanarayana. Author Purusottama Misra hailed from a family of musicians and litterateurs. He is known to have composed another musical treatise by the name of ''Talasangraha'', which is unavailable. In the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jayadeva
Jayadeva (; born ), also spelt Jaideva, was a Sanskrit poet during the 12th century. He is most known for his epic poem ''Gita Govinda'' which concentrates on Krishna's love with the '' gopi'', Radha, in a rite of spring. This poem, which presents the view that Radha is greater than Krishna, is considered an important text in the Bhakti movement of Hinduism. Little is known of his life, except that he was a loner poet and a Hindu mendicant celebrated for his poetic genius in eastern India. Jayadeva is the earliest dated author of hymns that are included the Guru Granth Sahib, the primary scripture of Sikhism – a religion founded in the Indian subcontinent centuries after his death. Biography A Brahmin by birth, the date and place of Jayadeva's birth are uncertain (see Jayadeva birth controversy). The ''Gitagovinda'' suggests that he was born in the "Kindubilva" village: scholars of Odisha, Bengal and Mithila have variously identified this place with a present-day village in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Banamali Dasa
Banamali Dasa (; 1720–1793) is an Indian medieval Odia ''bhakta''-poet & composer of Odissi music from the state of Odisha. "''Dinabandhu daitari''", "''Kede chanda jane lo sahi''" and "''Manima he etiki maguni mora''" are some of his notable writings that are used in Odissi. His songs are popularly sung in festivals, public gatherings and in Odissi dance. Banamali's compositions (especially ''chaupadis and jananas'') are set to traditional Odissi ragas and talas & are extremely popular in the Odissi music repertoire. He is considered to be the foremost poet of the medieval Odia bhakti-literature Started with writing rustic devotional Poetry, he later began to compose "''bhakti''"-poetry which gained larger acceptance and popularity among the other contemporary poets of his time. Typically, his poems are eyewitness accounts, and their simple, fervent language is much appreciated. Early life As Dasa's birth and death are unrecorded various researchers speculate vario ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cuttack
Cuttack (, or officially Kataka ) in Odia is the former capital and the second largest city in the Indian state of Odisha. It is the headquarters of the Cuttack district. The name of the city is an anglicised form of ''Kataka'' which literally means ''The Fort'', a reference to the ancient Barabati Fort around which the city initially developed. Cuttack is known as the ''Millennium City'' as well as the ''Silver City'' due to its history of 1000 years and famous silver filigree works. The Orissa High Court is located there. It is the commercial capital of Odisha which hosts many trading and business houses in and around the city. Cuttack is famous for its Durga puja which is one of the most important festivals of Odisha. Cuttack is also the birthplace of Netaji Subhas Chandra Bose. The city is categorised as a Tier-II city as per the ranking system used by Government of India. The old and the most important part of the city is centred on a strip of land between the Kathajod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
