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Raimondi Chapel
The Raimondi Chapel is a chapel within the church of San Pietro in Montorio, Rome, Italy. The chapel houses the tombs of two members of the Raimondi family, Francesco and Raimondo. Both the architectural and sculptural elements of the chapel were designed by the artist Gianlorenzo Bernini - it was one of Bernini's first works where the relationship between the sculpture and the architecture was considered as a whole. Elements of the sculptures were executed by other artists in Bernini's circle; Andrea Bolgi did the busts of the two Raimondi brothers and the accompanying putti. Niccolò Sale undertook the reliefs on the tombs, while Francesco Baratta the elder, Francesco Baratta did the larger relief in the central altar. Work on the chapel took place between 1638 and 1648. See also *List of works by Gian Lorenzo Bernini Notes References * Further reading * * * * External links * 1630s sculptures 1640s sculptures Marble sculptures in Italy Sculptures by Gian Lor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gian Lorenzo Bernini
Gian Lorenzo (or Gianlorenzo) Bernini (, , ; Italian Giovanni Lorenzo; 7 December 159828 November 1680) was an Italian sculptor and architect. While a major figure in the world of architecture, he was more prominently the leading sculptor of his age, credited with creating the Baroque style of sculpture. As one scholar has commented, "What Shakespeare is to drama, Bernini may be to sculpture: the first pan-European sculptor whose name is instantaneously identifiable with a particular manner and vision, and whose influence was inordinately powerful ..." In addition, he was a painter (mostly small canvases in oil) and a man of the theater: he wrote, directed and acted in plays (mostly Carnival satires), for which he designed stage sets and theatrical machinery. He produced designs as well for a wide variety of decorative art objects including lamps, tables, mirrors, and even coaches. As an architect and city planner, he designed secular buildings, churches, chapels, and publi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Pietro In Montorio
San Pietro in Montorio (Saint Peter on the Golden Mountain) is a church in Rome, Italy, which includes in its courtyard the ''Tempietto'', a small commemorative '' martyrium'' (tomb) built by Donato Bramante. History The Church of San Pietro in Montorio was built on the site of an earlier 9th-century church dedicated to Saint Peter on Rome's Janiculum hill. It serves as a shrine, marking the supposed site of St. Peter's crucifixion. In the 15th century, the ruins were given to the Amadist friars, a reform branch of the Franciscans, founded by the Blessed Amadeus of Portugal, who served as confessor to Pope Sixtus IV from 1472. Commissioned by Ferdinand and Isabella of Spain. It is a titular church, whose current title holder, since 1 March 2008, is Cardinal James Francis Stafford. Interior The church is decorated with artworks by prominent 16th- and 17th-century masters. The first chapel on the right contains Sebastiano del Piombo's ''Flagellation'' and ''Transfiguration'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Memorial To Maria Raggi
''Memorial to Maria Raggi'' is a sculptural monument designed and executed by the Italian artist Gian Lorenzo Bernini, started in 1647 and finished in 1653. The monument is attached to a pillar in a nave of the church of Santa Maria sopra Minerva in Rome. Maria Raggi Maria Raggi (1552–1600) was a nun from the island of Chios. Forced to marry at an early age, she was widowed when her husband was captured by Turkish forces in 1570. She became a nun in 1571, and departed for Rome in 1584, where she was resident at the Palazzo of the de Marini family, near Santa Maria sopra Minerva. An extremely pious woman, she spent much of her day in prayer, and reportedly continually performed miracles. After dying in 1600, there was some possibility of her being canonised, but the general antipathy of Pope Urban VIII to such events meant the opportunity passed. Patronage Three descendants of Maria were responsible for commissioning Bernini to create the work, Ottaviano Raggi, Ottaviano, Tomma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ecstasy Of Saint Teresa
The ''Ecstasy of Saint Teresa'' (also known as ''Saint Teresa in Ecstasy'' or the ''Transverberation of Saint Teresa''; it, L'Estasi di Santa Teresa or ) is a sculptural group in white marble set in an elevated aedicule in the Cornaro Chapel of the church of Santa Maria della Vittoria in Rome. It was designed and completed by Gian Lorenzo Bernini, the leading sculptor of his day, who also designed the setting of the Chapel in marble, stucco and paint. It is generally considered to be one of the sculptural masterpieces of the High Roman Baroque. The sculpture depicts Teresa of Ávila, a Spanish Carmelite nun and saint, swooning in a state of religious ecstasy, while an angel holding a spear stands over her. Commission The entire ensemble was overseen and completed by a mature Bernini during the Pamphili papacy of Innocent X. When Innocent acceded to the papal throne, he shunned Bernini's artistic services; the sculptor had been the favourite artist of the previous and profliga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Baratta
Francesco Baratta the elder (c. 1590–1666) was an Italian sculptor of the Baroque period. He was born in Massa, Tuscany, Massa di Carrara, and moved to Rome to work under Gian Lorenzo Bernini. He was one of many siblings, one of whom, Francesco, became an architect. Bernini had him carve the bas-relief for the altar in the chapel of St Francis of Assisi made for the Marchese Raimondi di Savona for the chapel in San Pietro in Montorio. The statue of the ''Rio della Plata'' in the Fontana dei Quattro Fiumi in Piazza Navona is attributed to Francesco. He completed a number of statues of ''Hercules'', ''Lucrezia'', and ''Cleopatra'' for the royal gallery of Dresden. His nephew, Giovanni Baratta was also a sculptor. Passeri describes him as imprudent and unruly in drinking and smoking, living without rules.Passeri, page 362-3 References * * 1590s births 1666 deaths People from Carrara Italian Baroque sculptors Italian sculptors Italia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gianlorenzo Bernini
Gian Lorenzo (or Gianlorenzo) Bernini (, , ; Italian Giovanni Lorenzo; 7 December 159828 November 1680) was an Italian sculptor and architect. While a major figure in the world of architecture, he was more prominently the leading sculptor of his age, credited with creating the Baroque style of sculpture. As one scholar has commented, "What Shakespeare is to drama, Bernini may be to sculpture: the first pan-European sculptor whose name is instantaneously identifiable with a particular manner and vision, and whose influence was inordinately powerful ..." In addition, he was a painter (mostly small canvases in oil) and a man of the theater: he wrote, directed and acted in plays (mostly Carnival satires), for which he designed stage sets and theatrical machinery. He produced designs as well for a wide variety of decorative art objects including lamps, tables, mirrors, and even coaches. As an architect and city planner, he designed secular buildings, churches, chapels, and publi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Bolgi
Andrea Bolgi (22 June 1605 – 1656) was an Italian sculptor responsible for several statues in St. Peter's Basilica, Rome. Towards the end of his life he moved to Naples, where he sculpted portrait busts. He died in Naples during a plague epidemic. Early life Bolgi was born in the marble-working city of Carrara. His training was in Florence, which was a conservative center in the seventeenth century. In 1626, along with Francesco Baratta, he was sent to Rome, where he joined the studio of sculptors employed by Gian Lorenzo Bernini, who were influenced by Bernini's Baroque style. From 1626, before the expansion of Bernini's ''atélier'', Bolgi supplanted Giuliano Finelli (1601–1653) as the "only man of consequence" in Bernini's studio, Rudolph Wittkower observed, in attributing to Bolgi the ''Bust of Thomas Baker'' begun by Bernini, now at the Victoria and Albert Museum. St. Peter's Bolgi created his ''Saint Helena'' (1629–1639) for one of the niches at the crossing of St ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Baratta The Elder
Francesco Baratta the elder (c. 1590–1666) was an Italian sculptor of the Baroque period. He was born in Massa di Carrara, and moved to Rome to work under Gian Lorenzo Bernini. He was one of many siblings, one of whom, Francesco, became an architect. Bernini had him carve the bas-relief for the altar in the chapel of St Francis of Assisi made for the Marchese Raimondi di Savona for the chapel in San Pietro in Montorio. The statue of the ''Rio della Plata'' in the Fontana dei Quattro Fiumi in Piazza Navona is attributed to Francesco. He completed a number of statues of ''Hercules'', ''Lucrezia'', and ''Cleopatra'' for the royal gallery of Dresden. His nephew, Giovanni Baratta Giovanni Baratta (1670–1747) was an Italian sculptor of the Baroque period. Born in Carrara, but active in Florence Florence ( ; it, Firenze ) is a city in Central Italy and the capital city of the Tuscany Regions of Italy, region. It ... was also a sculptor. Passeri describes him as impru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Works By Gian Lorenzo Bernini
The following is a list of works of sculpture, architecture, and painting by the Italian Baroque artist Gian Lorenzo Bernini Gian Lorenzo (or Gianlorenzo) Bernini (, , ; Italian Giovanni Lorenzo; 7 December 159828 November 1680) was an Italian sculptor and architect. While a major figure in the world of architecture, he was more prominently the leading sculptor of his .... The numbering follows Rudolph Wittkower's Catalogue, published in 1966 in ''Gian Lorenzo Bernini: The Sculptor of the Roman Baroque''. Works Notes References * * * * * * * * Further reading * * * * External links Web Gallery of ArtMap Showing the Location of Bernini's Works in Rome {{DEFAULTSORT:List Of Works By Gian Lorenzo Bernini Bernini Bernini Works by Gian Lorenzo Bernini Lists of sculptures ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1630s Sculptures
Year 163 ( CLXIII) was a common year starting on Friday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Laelianus and Pastor (or, less frequently, year 916 '' Ab urbe condita''). The denomination 163 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Marcus Statius Priscus re-conquers Armenia; the capital city of Artaxata is ruined. Births * Cui Yan (or Jigui), Chinese official and politician (d. 216) * Sun Shao (or Changxu), Chinese chancellor (d. 225) * Tiberius Claudius Severus Proculus, Roman politician * Xun Yu, Chinese politician and adviser (d. 212) Deaths * Kong Zhou, father of Kong Rong (b. 103) * Marcus Annius Libo Marcus Annius Libo was a Roman Senator active in the early second century AD. Life Libo came from the upper ranks of the Roman aristocr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1640s Sculptures
Year 164 ( CLXIV) was a leap year starting on Saturday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Macrinus and Celsus (or, less frequently, year 917 '' Ab urbe condita''). The denomination 164 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Emperor Marcus Aurelius gives his daughter Lucilla in marriage to his co-emperor Lucius Verus. * Avidius Cassius, one of Lucius Verus' generals, crosses the Euphrates and invades Parthia. * Ctesiphon is captured by the Romans, but returns to the Parthians after the end of the war. * The Antonine Wall in Scotland is abandoned by the Romans. * Seleucia on the Tigris is destroyed. Births * Bruttia Crispina, Roman empress (d. 191) * Ge Xuan (or Xiaoxian), Chinese Taoist (d. 244) * Yu Fan, Chinese scholar and official (d. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marble Sculptures In Italy
Marble is a metamorphic rock composed of recrystallized carbonate minerals, most commonly calcite or dolomite. Marble is typically not foliated (layered), although there are exceptions. In geology, the term ''marble'' refers to metamorphosed limestone, but its use in stonemasonry more broadly encompasses unmetamorphosed limestone. Marble is commonly used for sculpture and as a building material. Etymology The word "marble" derives from the Ancient Greek (), from (), "crystalline rock, shining stone", perhaps from the verb (), "to flash, sparkle, gleam"; R. S. P. Beekes has suggested that a "Pre-Greek origin is probable". This stem is also the ancestor of the English word "marmoreal," meaning "marble-like." While the English term "marble" resembles the French , most other European languages (with words like "marmoreal") more closely resemble the original Ancient Greek. Physical origins Marble is a rock resulting from metamorphism of sedimentary carbonate rocks, most ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
