Rahsaan Rahsaan
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Rahsaan Rahsaan
''Rahsaan Rahsaan'' is a live album by jazz multi-instrumentalist Rahsaan Roland Kirk featuring performances recorded at the Village Vanguard in May 1970. It was originally released on the Atlantic label in 1970 and features performances by Kirk with Rahn Burton, Vernon Martin, James Madison and Joe Habad Texidor with Dick Griffin, Howard Johnson, Leroy Jenkins, Sonelius Smith and Alvern Bunn added on an extended track.Rahsaan Roland Kirk discography
accessed 17 August 2009
The review by Thom Jurek states "Rahsaan was the king of the riff—he could use it until it bit you—and once it did he was off and running someplace else, down on the hard-swinging outer spaceways of ...
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Rahsaan Roland Kirk
Rahsaan Roland Kirk (born Ronald Theodore Kirk; August 7, 1935Kernfeld, Barry.Kirk, Roland" ''The New Grove Dictionary of Jazz'', 2nd ed. Ed. Barry Kernfeld. ''Grove Music Online''. ''Oxford Music Online''. Retrieved February 1, 2009-. "The year of his birth has been widely given as 1936, but his birth certificate gives 1935 and confirms Ronald, not Roland." – December 5, 1977), known earlier in his career simply as Roland Kirk, was an American jazz multi-instrumentalist who played tenor saxophone, flute, and many other instruments. He was renowned for his onstage vitality, during which virtuoso improvisation was accompanied by comic banter, political ranting, and the ability to play several instruments simultaneously. Life Ronald Theodore Kirk was born in Columbus, Ohio, where he lived in a neighborhood known as Flytown. He became blind at two years old, which he said was a result of improper medical treatment. As a teenager, Kirk studied at the Ohio State School for the Bli ...
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Sonelius Smith
Sonelius Larel Smith (born December 17, 1942, Hillhouse, Mississippi) is an American jazz pianist and composer. His family moved to Memphis in 1948, where he learned to play piano. He got a degree in music education at Arkansas Agricultural, Mechanical, and Normal College in Pine Bluff, Arkansas in 1969. While a student there, he played in a small ensemble for three years and worked with John Stubblefield. Smith moved to New York City in 1969 and began playing with Kenny Dorham, Roy Brooks, Charles Mingus, Roland Kirk, Robin Kenyatta, Rashied Ali, Warren Smith, Frank Foster, Harold Vick, Donald Byrd, Elvin Jones, Archie Shepp, Freddie Hubbard, Art Blakey, and Lionel Hampton, among others. He joined Stanley Cowell's ensemble around 1973 and also worked with Shamek Farrah and Flight to Sanity in the mid-1970s. In 1974, he was musical director for Nancy Fales' ''Ark'', directed by Ralph Lee at La MaMa Experimental Theatre Club in the East Village of Manhattan.La MaMa Archives D ...
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Saxophone
The saxophone (often referred to colloquially as the sax) is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to produce a sound wave inside the instrument's body. The pitch is controlled by opening and closing holes in the body to change the effective length of the tube. The holes are closed by leather pads attached to keys operated by the player. Saxophones are made in various sizes and are almost always treated as transposing instruments. Saxophone players are called '' saxophonists''. The saxophone is used in a wide range of musical styles including classical music (such as concert bands, chamber music, solo repertoire, and occasionally orchestras), military bands, marching bands, jazz (such as big bands and jazz combos), and contemporary music. The saxophone is also used as a solo and melody instrument or as a member of a horn section in som ...
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Manzello
The saxophone (often referred to colloquially as the sax) is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to produce a sound wave inside the instrument's body. The pitch is controlled by opening and closing holes in the body to change the effective length of the tube. The holes are closed by leather pads attached to keys operated by the player. Saxophones are made in various sizes and are almost always treated as transposing instruments. Saxophone players are called ''saxophonists''. The saxophone is used in a wide range of musical styles including classical music (such as concert bands, chamber music, solo repertoire, and occasionally orchestras), military bands, marching bands, jazz (such as big bands and jazz combos), and contemporary music. The saxophone is also used as a solo and melody instrument or as a member of a horn section in some style ...
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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ...
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Roland Kirk
Roland (; frk, *Hrōþiland; lat-med, Hruodlandus or ''Rotholandus''; it, Orlando or ''Rolando''; died 15 August 778) was a Franks, Frankish military leader under Charlemagne who became one of the principal figures in the literary cycle known as the Matter of France. The historical Roland was military governor of the Breton March, responsible for defending Francia's frontier against the Bretons. His only historical attestation is in Einhard's ''Vita Karoli Magni'', which notes he was part of the Frankish rearguard killed in retribution by the Basques in Iberia at the Battle of Roncevaux Pass. The story of Roland's death at Roncevaux Pass was embellished in later medieval literature, medieval and Renaissance literature. The first and most famous of these epic treatments was the Old French ''Chanson de Roland'' of the 11th century. Two masterpieces of Italian Renaissance poetry, the ''Orlando Innamorato'' and ''Orlando Furioso'' (by Matteo Maria Boiardo and Ludovico Ariosto re ...
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Lorenz Hart
Lorenz Milton Hart (May 2, 1895 – November 22, 1943) was an American lyricist and half of the Broadway songwriting team Rodgers and Hart. Some of his more famous lyrics include " Blue Moon", " The Lady Is a Tramp", "Manhattan", "Bewitched, Bothered and Bewildered", and "My Funny Valentine". Life and career Hart was born in Harlem, New York City, the elder of two sons, to Jewish immigrant parents, Max M. and Frieda (Isenberg) Hart, of German background. Through his mother, he was a great-grandnephew of the German poet Heinrich Heine. His father, a business promoter, sent Hart and his brother to private schools. (His brother, Teddy Hart, also went into theatre and became a musical comedy star. Teddy Hart's wife, Dorothy Hart, wrote a biography of Lorenz Hart.) Hart received his early education from Columbia Grammar School and entered Columbia College in 1913, before switching to Columbia University School of Journalism, where he attended for two years.
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Richard Rodgers
Richard Charles Rodgers (June 28, 1902 – December 30, 1979) was an American Musical composition, composer who worked primarily in musical theater. With 43 Broadway musicals and over 900 songs to his credit, Rodgers was one of the most well-known American composers of the 20th century, and his compositions had a significant influence on popular music. Rodgers is known for his songwriting partnerships, first with lyricist Lorenz Hart and then with Oscar Hammerstein II. With Hart he wrote musicals throughout the 1920s and 1930s, including ''Pal Joey (musical), Pal Joey'', ''A Connecticut Yankee (musical), A Connecticut Yankee'', ''On Your Toes'' and ''Babes in Arms.'' With Hammerstein he wrote musicals through the 1940s and 1950s, such as ''Oklahoma!'', ''Flower Drum Song'', ''Carousel (musical), Carousel'', ''South Pacific (musical), South Pacific'', ''The King and I'', and ''The Sound of Music''. His collaborations with Hammerstein, in particular, are celebrated for brin ...
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Ben Homer
Ben Homer (born Benjamin Hozer, 27 June 1917, Meriden, Connecticut – 12 February 1975, Los Angeles, California) was an American songwriter, composer and arranger. Biography He joined the Meriden Symphony Orchestra when he was eleven years old, and wrote a class song at Jefferson Junior High School in 1932. He became a member of the American Federation of Musicians when he was fifteen. He later attended the New England Conservatory of Music on a scholarship, and returned there as a teacher in the 1940s. He began his professional career by moving to New York City in 1938 and changing his name to Homer. He began composing for bandleader Les Brown in 1940, writing some material with lyricist Bud Green. His most popular works are " Sentimental Journey" (1944), "Bizet Has His Day" (1945) (a jazz arrangement of Georges Bizet's "Farandole The Farandole is an open-chain community dance popular in Provence, France. The Farandole bears similarities to the gavotte, jig, and tar ...
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Bud Green
Bud Green (19 November 1897 – 2 January 1981) was an American lyricist especially of Broadway musicals and show tunes Early life and family Green was born Moses David Green in the Austro-Hungarian Empire and immigrated to the United States as an infant. Bud Green (Buddy) grew up in Harlem at 108th & Madison Avenue at the turn of the 20th century, the eldest of seven. He dropped out of elementary school to sell newspapers and help the family. While selling papers, he decided to become a songwriter and started keeping a notebook of poems and rhymes that he thought would be useful someday. His sister, Hannah, was married to the lyricist Bob Russell (1914–1970), who wrote "Brazil", "Frenesi", "Don't Get Around Much Anymore", "He Ain't Heavy, He's My Brother" and many other songs. Career In his early career, he wrote material for vaudevilles. He was a staff writer for music publishers and wrote Broadway stage scores as well as songs for other musicals. By 1928, he had ...
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Les Brown (bandleader)
Lester Raymond Brown (March 14, 1912 – January 4, 2001) was an American jazz musician who led the big band Les Brown and His Band of Renown for nearly seven decades from 1938 to 2000. Biography Brown was born in Reinerton, Pennsylvania. He enrolled in the Conway Military Band School (later part of Ithaca College) in 1926, studying with famous bandleader Patrick Conway for three years before receiving a music scholarship to the New York Military Academy, where he graduated in 1932. Brown attended college at Duke University from 1932 to 1936. There he led the group Les Brown and His Blue Devils, who performed regularly on Duke's campus and up and down the east coast. Brown took the band on an extensive summer tour in 1936. At the end of the tour, while some of the band members returned to Duke to continue their education, others stayed on with Brown and continued to tour, becoming in 1938 the Band of Renown. The band's original drummer, Don Kramer, became the acting manager and ...
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Antonín Dvořák
Antonín Leopold Dvořák ( ; ; 8 September 1841 – 1 May 1904) was a Czechs, Czech composer. Dvořák frequently employed rhythms and other aspects of the folk music of Moravian traditional music, Moravia and his native Bohemia, following the Romantic-era Czech nationalism, nationalist example of his predecessor Bedřich Smetana. Dvořák's style has been described as "the fullest recreation of a national idiom with that of the symphonic tradition, absorbing folk influences and finding effective ways of using them". Dvořák displayed his musical gifts at an early age, being an apt violin student from age six. The first public performances of his works were in Prague in 1872 and, with special success, in 1873, when he was 31 years old. Seeking recognition beyond the Prague area, he submitted a score of his Symphony No. 1 (Dvořák), First Symphony to a prize competition in Germany, but did not win, and the unreturned manuscript was lost until it was rediscovered many decades ...
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