|
Ragale
Ragale (Kannada: ರಗಳೆ ) is a type of meter in Kannada prosody that is used in Kannada poetry. This meter can usually have as many padas of syllables divided into two groups of various fixed number of matra in each line. It is the most prevalent meter of the Old Kannada poets Harihara and Raghavanka.Prof. T. V. Venkatachala Shastri, Kannada Chandaswaroopa, DVK Murthy Publication, Mysore 3rd Edition 2008 p.267-315 Lalita Ragale, Mandānila Ragale, Utsāha Ragale are variations we see in the use of Ragale meter. Lalita Ragale In this variation of Ragale meter, each pada has four, syllable groups (Gana). Each syllable group has five matra (time units). Mandanila Ragale In this variation of Ragale meter, each pada has four, syllable groups (Gana). Each syllable group has four matra (time units). Utsaaha Ragale In this variation of Ragale meter, each pada has four, syllable groups (Gana). Each syllable group has three matra (time units). Sarala Ragale Saral ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kannada Meter (poetry)
Kannada prosody (ಕನ್ನಡ ಛಂದಸ್ಸು (''Kannada Chhandassu'')) is the study of metres used in Kannada poetry, describing the rhythmic structure of a verse. The metres used include some metres borrowed from other traditions, and indigenous metres. Kannada literature, especially Old Kannada poetry, clearly exhibits the importance poets placed on metre. This can be seen in the number of types of metre used in Kannada poetry. History The earliest Kannada work on prosody was the ''Guṇagānkiyam'', which has been lost. Nagavarma I wrote a fairly complete work on prosody , called Chandombudhi. With a few additions by later writers, it still remains a standard work on Kannada prosody. Subdivisions Kannada metres are categorised as Amsha and Maatra (syllabic and quantitative), or as Vaidika and Laukika metres.Prof. T. V. Venkatachala Shastri, Kannada Chandaswaroopa, DVK Murthy Publication, Mysore 3rd Edition 2008 p.267-315 Amsha metres Amsha metres are based on Ams ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Literature Of Karnataka
This is a list of historical and modern Karnataka literature, arranged in chronological order of the historical polity or era from which the works originated. Karnataka literature originates from the Karnataka region of South India, which roughly corresponds to the modern state of Karnataka. This list includes, but is not limited to, works written in the Sanskrit and Kannada languages. Where information is available, the author or authors of the text are listed, followed by the title of the text and the language or languages in which the text is written. Multiple works by the same author are listed separately. Western Ganga Dynasty (350–1000) * Pūjyapāda – ''Sarvārthasiddhi'' (Sanskrit) * Jinasena II – '' Ādipurāṇa'' (Sanskrit) * Madhava II – ''Dattaka Sutrain'' (Sanskrit) * Sripurusha – ''Gajasastra'' * Shivamara II – ''Gajashtaka'' (Kannada) *Shivamara II – ''Sethubandha'' (Prakrit) * Hemasena or Vidya Dhananjaya – ''Raghavpandaviya'' * Vidhibhasimh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poetic Forms
Poetry (derived from the Greek '' poiesis'', "making"), also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in addition to, or in place of, a prosaic ostensible meaning. A poem is a literary composition, written by a poet, using this principle. Poetry has a long and varied history, evolving differentially across the globe. It dates back at least to prehistoric times with hunting poetry in Africa and to panegyric and elegiac court poetry of the empires of the Nile, Niger, and Volta River valleys. Some of the earliest written poetry in Africa occurs among the Pyramid Texts written during the 25th century BCE. The earliest surviving Western Asian epic poetry, the ''Epic of Gilgamesh'', was written in Sumerian. Early poems in the Eurasian continent evolved from folk songs such as the Chinese ''Shijing'', as well as religious hymns (the Sanskri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trochee
In English poetic metre and modern linguistics, a trochee () is a metrical foot consisting of a stressed syllable followed by an unstressed one. But in Latin and Ancient Greek poetic metre, a trochee is a heavy syllable followed by a light one (also described as a long syllable followed by a short one). In this respect, a trochee is the reverse of an iamb. Thus the Latin word "there", because of its short-long rhythm, in Latin metrical studies is considered to be an iamb, but since it is stressed on the first syllable, in modern linguistics it is considered to be a trochee. The adjective form is ''trochaic''. The English word ''trochee'' is itself trochaic since it is composed of the stressed syllable followed by the unstressed syllable . Another name formerly used for a trochee was a choree (), or choreus. Etymology ''Trochee'' comes from French , adapted from Latin , originally from the Greek (), 'wheel', from the phrase (), literally 'running foot'; it is connected wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Systems Of Scansion
Scansion ( , rhymes with ''mansion''; verb: ''to scan''), or a system of scansion, is the method or practice of determining and (usually) graphically representing the metrical pattern of a line of verse. In classical poetry, these patterns are quantitative based on the different ''lengths'' of each syllable. In English poetry, they are based on the different levels of ''stress'' placed on each syllable. In both cases, the meter often has a regular foot. Over the years, many systems have been established to mark the scansion of a poem. Overview Systems of scansion, and the assumptions (often tacit or even subconscious) that underlie them, are so numerous and contradictory that it is often difficult to tell whether differences in scansion indicate opposed metrical theories, conflicting understandings of a line's linguistic character, divergent practical goals, or whether they merely constitute a trivial argument over who has the "better ear" for verse. There is even a debate am ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dactyl (poetry)
A dactyl (; el, δάκτυλος, ''dáktylos'', “finger”) is a foot in poetic meter. In quantitative verse, often used in Greek or Latin, a dactyl is a long syllable followed by two short syllables, as determined by syllable weight. The best-known use of dactylic verse is in the epics attributed to the Greek poet Homer, the Iliad and the Odyssey. In accentual verse, often used in English, a dactyl is a stressed syllable followed by two unstressed syllables—the opposite is the anapaest (two unstressed followed by a stressed syllable). An example of dactylic meter is the first line of Henry Wadsworth Longfellow's epic poem '' Evangeline'' (1847), which is in dactylic hexameter: :''This is the / forest prim- / eval. The / murmuring / pines and the / hemlocks, The first five feet of the line are dactyls; the sixth a trochee. Stephen Fry quotes Robert Browning's poem " The Lost Leader" as an example of the use of dactylic metre to great effect, creating verse with "grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anapaest
An anapaest (; also spelled anapæst or anapest, also called antidactylus) is a metrical foot used in formal poetry. In classical quantitative meters it consists of two short syllables followed by a long one; in accentual stress meters it consists of two unstressed syllables followed by one stressed syllable. It may be seen as a reversed dactyl. This word comes from the Greek , ''anápaistos'', literally "struck back" and in a poetic context "a dactyl reversed". Because of its length and the fact that it ends with a stressed syllable and so allows for strong rhymes, anapaest can produce a very rolling verse, and allows for long lines with a great deal of internal complexity. Apart from their independent role, anapaests are sometimes used as substitutions in iambic verse. In strict iambic pentameter, anapaests are rare, but they are found with some frequency in freer versions of the iambic line, such as the verse of Shakespeare's last plays, or the lyric poetry of the 19th century ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kuvempu
Kuppali Venkatappa Puttappa (29 December 1904 – 11 November 1994), popularly known by his pen name Kuvempu, was an Indian poet, playwright, novelist and critic. He is widely regarded as the greatest Kannada poet of the 20th century. He was the first Kannada writer to receive the Jnanpith Award. Kuvempu studied at Mysuru University in the 1920s, taught there for nearly three decades and served as its vice-chancellor from 1956 to 1960. He initiated education in Kannada as the language medium. For his contributions to Kannada Literature, the Government of Karnataka decorated him with the honorific ''Rashtrakavi'' ("National Poet") in 1964 and Karnataka Ratna ("The Gem of Karnataka") in 1992. He was conferred the Padma Vibhushan by the Government of India in 1988. He penned the Karnataka State Anthem Jaya Bharata Jananiya Tanujate. Biography Early life and education Kuvempu was born in Hirekodige, a village in Koppa taluk of Chikmagalur district and raised in Kuppa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Poetic Forms")
.png "Click for more on -> Systems Of Scansion")
