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Rag Shankara, Rag Mala In Jogia
''Rag Shankara, Rag Mala in Jogia'' is a studio album by Indian classical musician Ram Narayan, released in 1990. Recorded on 15 and 16 November 1989 in Wyastone Leys near Monmouth, Wales, the album features a ''sarangi'' performance of the solemn night ''raga'' ''Shankara'' and a '' ragamala'' ("garland of ragas") based on the introspective early morning ''raga'' ''Jogiya'' (or ''Jogia''). On both tracks, Narayan performs a long non-metrical introduction to unfold the ''raga'', during which he adds a pulse, until he is joined by the ''tabla'' (percussion) player to perform a composition. Origin The album consists of performances of the ''ragas'' ''Shankara'' and ''Jogiya'' (also called ''Jogia''); ''Jogiya'' is performed in '' raga mala'' form. ''Shankara'' is considered a solemn and dignified ''raga'' that is difficult to master. It has been described by Vamanrao Deshpande as representing the "heroic mood". Luiz Martinez José argued that the ''raga'' was named for a gentle a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ram Narayan
Ram Narayan (; born 25 December 1927), often referred to with the title Pandit, is an Indian musician who popularised the bowed instrument ''sarangi'' as a solo concert instrument in Hindustani classical music and became the first internationally successful ''sarangi'' player. Narayan was born near Udaipur and learned to play the ''sarangi'' at an early age. He studied under ''sarangi'' players and singers and, as a teenager, worked as a music teacher and travelling musician. All India Radio, Lahore, hired Narayan as an accompanist for vocalists in 1944. He moved to Delhi following the partition of India in 1947, but wishing to go beyond accompaniment and frustrated with his supporting role, Narayan moved to Mumbai in 1949 to work in Indian cinema. Narayan became a concert solo artist in 1956 and has since performed at the major music festivals of India. After ''sitar'' player Ravi Shankar successfully performed in Western countries, Narayan followed his example. He recorded so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tetrachord
In music theory, a tetrachord ( el, τετράχορδoν; lat, tetrachordum) is a series of four notes separated by three intervals. In traditional music theory, a tetrachord always spanned the interval of a perfect fourth, a 4:3 frequency proportion (approx. 498 cents)—but in modern use it means any four-note segment of a scale or tone row, not necessarily related to a particular tuning system. History The name comes from ''tetra'' (from Greek—"four of something") and ''chord'' (from Greek ''chordon''—"string" or "note"). In ancient Greek music theory, ''tetrachord'' signified a segment of the greater and lesser perfect systems bounded by ''immovable'' notes ( ); the notes between these were ''movable'' ( ). It literally means ''four strings'', originally in reference to harp-like instruments such as the lyre or the kithara, with the implicit understanding that the four strings produced adjacent (i.e., conjunct) notes. Modern music theory uses the octave as the basic u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victoria And Albert Museum
The Victoria and Albert Museum (often abbreviated as the V&A) in London is the world's largest museum of applied arts, decorative arts and design, housing a permanent collection of over 2.27 million objects. It was founded in 1852 and named after Queen Victoria and Prince Albert. The V&A is located in the Royal Borough of Kensington and Chelsea, in an area known as "Albertopolis" because of its association with Prince Albert, the Albert Memorial and the major cultural institutions with which he was associated. These include the Natural History Museum, the Science Museum, the Royal Albert Hall and Imperial College London. The museum is a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport. As with other national British museums, entrance is free. The V&A covers and 145 galleries. Its collection spans 5,000 years of art, from ancient times to the present day, from the cultures of Europe, North America, Asia and North Africa. Ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bengal
Bengal ( ; bn, বাংলা/বঙ্গ, translit=Bānglā/Bôngô, ) is a geopolitical, cultural and historical region in South Asia, specifically in the eastern part of the Indian subcontinent at the apex of the Bay of Bengal, predominantly covering present-day Bangladesh and the Indian state of West Bengal. Geographically, it consists of the Ganges-Brahmaputra delta system, the largest river delta in the world and a section of the Himalayas up to Nepal and Bhutan. Dense woodlands, including hilly rainforests, cover Bengal's northern and eastern areas, while an elevated forested plateau covers its central area; the highest point is at Sandakphu. In the littoral southwest are the Sundarbans, the world's largest mangrove forest. The region has a monsoon climate, which the Bengali calendar divides into six seasons. Bengal, then known as Gangaridai, was a leading power in ancient South Asia, with extensive trade networks forming connections to as far away as Roman Egypt. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mughal Painting
Mughal painting is a style of painting on paper confined to miniature (illuminated manuscript), miniatures either as book illustrations or as single works to be kept in albums (muraqqa), from the territory of the Mughal Empire in South Asia. It emerged from Persian miniature painting (itself partly of Chinese painting, Chinese origin) and developed in the court of the Mughal Empire of the 16th to 18th centuries. Battles, legendary stories, hunting scenes, wildlife, royal life, mythology, as well as other subjects have all been frequently depicted in paintings. The Mughal emperors were Muslims and they are credited with consolidating Islam in South Asia, and spreading Muslim (and particularly Persian) arts and culture as well as the faith. Mughal painting immediately took a much greater interest in realistic portraiture than was typical of Persian miniatures. Animals and plants were the main subject of many miniatures for albums, and were more realistically depicted. Although man ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Murshidabad
Murshidabad fa, مرشد آباد (, or ) is a historical city in the Indian state of West Bengal. It is located on the eastern bank of the Bhagirathi River, a distributary of the Ganges. It forms part of the Murshidabad district. During the 18th century, Murshidabad was a prosperous city. It was the capital of the Bengal Subah in the Mughal Empire for seventy years, with a jurisdiction covering modern-day Bangladesh and the Indian states of West Bengal, Bihar and Orissa. It was the seat of the hereditary Nawab of Bengal and the state's treasury, revenue office and judiciary. Bengal was the richest Mughal province. Murshidabad was a cosmopolitan city. Its population peaked at 10,000 in the 1750s. It was home to wealthy banking and merchant families from different parts of the Indian subcontinent and wider Eurasia, including the Jagat Seth and Armenians. European companies, including the British East India Company, the French East India Company, the Dutch East India Compa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jor (music)
In Hindustani classical music, the jor (Hindi: जोर, ; also spelt jod and jhor) is a formal section of composition in the long elaboration (''alap'') of a raga that forms the beginning of a performance. It comes after ''alap'' and precedes ''jhala'', the climax. Jor is the instrumental equivalent of nomtom in the dhrupad vocal style of Indian music. Both have a simple pulse but no well-defined rhythmic cycle. Origin and terminology Jor (or jod) is an instrumental interpretation of nomtom which is an introductory style that is characterised by its modest rhythm and lack of rhythmic cycle (also known as tal).Lavezzoli. The Dawn of Indian Music in the West. Bloomsbury Academic, 2007. Jor is present in most Hindustani classical music through the raga, as an articulate and rapid pulse that the alap transitions into, followed by jhala.Napier. Structure and Proportion in Hindustani Alap. University of New South Wales, 2019. pp. 56. In Hindustani music Indian classical music is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alap
The Alap (; ) is the opening section of a typical North Indian classical performance. It is a form of melodic improvisation that introduces and develops a raga. In dhrupad singing the alap is unmetered, improvised (within the raga) and unaccompanied (except for the tanpura drone), and started at a slow tempo. For people unfamiliar with the raga form, it introduces the mode (the pattern of ascending and perhaps different descending scale) to the listener. It defines the raga, its mood, and the emphasized notes and notes with a secondary role. It's like an invocation. Instead of wholly free improvisation, many musicians perform alap schematically, for example by way of ''vistar'', where the notes of the raga are introduced one at a time, so that phrases never travel further than one note above or below what has been covered before. In such cases, the first reach into a new octave can be a powerful event. In instrumental music, when a steady pulse is introduced into the alap, it is c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manchester University Press
Manchester University Press is the university press of the University of Manchester, England and a publisher of academic books and journals. Manchester University Press has developed into an international publisher. It maintains its links with the University. Publishing Manchester University Press publishes monographs and textbooks for academic teaching in higher education. In 2012 it was producing about 145 new books annually and managed a number of journals. Areas of expertise are history, politics and international law, literature and theatre studies, and visual culture. MUP books are marketed and distributed by Oxford University Press in the United States and Canada, and in Australia by Footprint Books; all other global territories are covered from Manchester itself. Some of the press's books were formerly published in the US by Barnes & Noble, Inc., New York. Later the press established an American office in Dover, New Hampshire. Open access Manchester University Pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asavari
Raga Asavari () is a Hindustani classical raga. It belongs to the Asavari thaat and is performed in the morning hours. In pre- Bhatkhande days this Asavari used the Komal Rishab instead of Shuddh Rishab. When Bhatkhandeji created the thaat process, he changed that Asavari's Komal Rishab to Shuddha Rishab but the name remained the same. From that time the old or real 'Asavari' has been called the Komal Rishabh Asavari, and the new Shuddha Rishabh Asavari is simply called 'Asavari'. Raga Asavari and Komal Rishabh Asavari also appears in the Sikh tradition from northern India and is part of the Sikh holy scripture called Sri Guru Granth Sahib. Sikh Gurus Sri Guru Ramdas Ji and Sri Guru Arjun Dev Ji used these ragas. The Raga Komal Rishabh Asavari appears as 'Raga Asavari Sudhang' in Sri Guru Granth Sahib Ji. Structure Thaat: Asavari Jati: Audava-Sampoorna Arohana: Avarohana: Vadi: Samavadi: Pakad: Time: Second period of the day (9am-12pm) Mood: Renunciation and s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
That (music)
A Thaat () is a "Parent scale" in North Indian or Hindustani music. It is the Hindustani equivalent of the term ''Melakartha raga'' of Carnatic Music. The concept of the ''thaat'' is not exactly equivalent to the western musical scale because the primary function of a ''thaat'' is not as a tool for music composition, but rather as a basis for classification of ragas. There is not necessarily strict compliance between a raga and its parent ''thaat''; a raga said to 'belong' to a certain ''thaat'' need not allow all the notes of the ''thaat'', and might allow other notes. ''Thaats'' are generally accepted to be heptatonic by definition. The term ''thaat'' is also used to refer to the frets of stringed instruments like the sitar and the veena. It is also used to denote the posture adopted by a Kathak dancer at the beginning of their performance. History The modern ''thaat'' system was created by Vishnu Narayan Bhatkhande (1860–1936), an influential musicologist in the field o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhairav (raga)
Bhairav is a Hindustani classical raga of Bhairav thaat. It is a sampurna raga that is traditionally performed in the morning and also as the beginning piece in concerts. It is the defining raga of its own Thaat. Raga Kalingda in Hindustani and Ragam Mayamalavagowla in Carnatic music have the same scale as Raga Bhairav, although the moods they create can be quite different due to the way they are expounded. According to Indian classical vocalist Pandit Jasraj, Bhairav is a "morning raga, and solemn peacefulness is its ideal mood." It is grave in mood and suggests seriousness, introversion and devotional attitude. History Bhairav raga is an ancient raga that is considered to be extremely old and originated many centuries ago. The origin of Bhairav raga is disputed. According to some musicians, Bhairav raga was the first raga that originated from the mouth of Lord Shiva. While some musicians argue that Bhairav raga originated from the mouth of Lord Surya. This is why it was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
